| Blue Lights | ||||
|---|---|---|---|---|
 Volume 1 | ||||
| Studio album by | ||||
| Released | 1958 | |||
| Recorded | May 14, 1958 | |||
| Studio | Manhattan Towers New York City | |||
| Genre | Jazz | |||
| Label | Blue Note BLP 1596 (Vol. 1) BLP 1597 (Vol. 2) | |||
| Producer | Alfred Lion | |||
| Kenny Burrell chronology | ||||
| ||||
| Blue Lights | ||||
 Volume 2 | ||||
| Blue Lights,Volumes 1&2 | ||||
 1997 CD reissue | ||||
Blue Lights,Vols. 1 &2 are a pair of separate but related albums by American jazz guitarist Kenny Burrell recorded on May 14,1958 and released by Blue Note later that year. [1]
The cover features artwork by Andy Warhol. [2]
The albums were subsequently reissued in 1997 with a re-ordered track sequence as separate CDs and a two disc set combining Volume 1 and Volume 2. [3]
| Review scores | |
|---|---|
| Source | Rating |
| DownBeat |   [4] |
| AllMusic |  [5] |
The AllMusic review by Scott Yanow states,"Guitarist Kenny Burrell leads a very coherent jam session in the studio with a particularly strong cast." [5]
All tracks are written by Kenny Burrell, except as noted.
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Yes Baby" | 11:15 | |
| 2. | "Scotch Blues" | Duke Jordan | 8:00 |
| Total length: | 19:15 | ||
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Autumn in New York" | Vernon Duke | 5:44 |
| 2. | "Caravan" | 9:55 | |
| Total length: | 15:39 34:54 | ||
All tracks are written by Kenny Burrell, except as noted.
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Rock Salt" | 11:19 | |
| 2. | "The Man I Love" | 6:47 | |
| Total length: | 18:06 | ||
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Chuckin'" | Sam Jones | 12:10 |
| 2. | "Phinupi" | 9:47 | |
| Total length: | 21:57 40:03 | ||
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Phinupi" | 9:47 | |
| 2. | "Yes Baby" | 11:15 | |
| 3. | "Scotch Blues" | Duke Jordan | 8:00 |
| 4. | "The Man I Love" | 6:47 | |
| 5. | "I Never Knew" (bonus track) | 12:37 | |
| Total length: | 48:26 | ||
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Caravan" | 9:55 | |
| 2. | "Chuckin'" | Sam Jones | 12:10 |
| 3. | "Rock Salt" | 11:19 | |
| 4. | "Autumn in New York" | Vernon Duke | 5:44 |
| Total length: | 39:08 | ||
Miles Davis, Volumes 1 & 2 are a pair of separate but related albums by American jazz trumpeter Miles Davis recorded on May 9, 1952, April 20, 1953 and March 6, 1954 and released on Blue Note early 1956. The three sessions were originally released on ten-inch LPs as Young Man with a Horn (1953), Miles Davis, Vol. 2 (1953) and Miles Davis, Vol. 3 (1954), respectively.
Whims of Chambers is a studio album by the jazz bassist Paul Chambers. It was released through Blue Note Records circa January 1957. The sextet assembled for the recording consists of trumpeter Donald Byrd, saxophonist John Coltrane, guitarist Kenny Burrell, Horace Silver, Chambers and Philly Joe Jones.
At the Cafe Bohemia, Vols. 1 & 2 are a pair of separate but related live albums by the Jazz Messengers recorded at the Café Bohemia jazz club in Greenwich Village on November 23, 1955 and released on Blue Note in April 1956.
Genius of Modern Music, Vols. One & Two are a pair of separate but related 12" compilation albums by American jazz pianist Thelonious Monk released on Blue Note in 1956.
Page One is the debut album by American jazz tenor saxophonist Joe Henderson, recorded and released by Blue Note Records in 1963. Henderson is featured in a group with trumpeter Kenny Dorham, pianist McCoy Tyner, bassist Butch Warren and drummer Pete La Roca. The pieces on the album were written by either Henderson or Dorham, and include two pieces that went on to become jazz standards: Henderson’s "Recorda Me" and Dorham’s "Blue Bossa". All of the musicians are listed on the album's front cover with the exception of Tyner, who is credited as "ETC." due to his being signed to rival Impulse! Records.
Midnight Blue is a 1963 album by jazz guitarist Kenny Burrell featuring Stanley Turrentine on tenor saxophone, Major Holley on double bass, Bill English on drums and Ray Barretto on conga, and is one of Burrell's best-known works for Blue Note. Jazz Improv magazine lists the album among its top five recommended recordings for Burrell, indicating that "[i]f you need to know 'the Blue Note sound', here it is". In 2005, NPR included the album in its "Basic Jazz Library", describing it as "one of the great jazzy blues records". The album has been re-issued by Blue Note.
Quintessence is an album by American jazz pianist Bill Evans. It was recorded in 1976 for Fantasy Records and released the following year. At this time usually playing solo or with his trio, for these sessions Evans was the leader of an all-star quintet featuring Harold Land on tenor saxophone, guitarist Kenny Burrell, Ray Brown on bass, and Philly Joe Jones on drums.
Sonny Clark Quintets is an album by jazz pianist Sonny Clark, recorded for the Blue Note label, featuring performances by Clark with two different studio quintets. The first session, from late 1957, featured Clifford Jordan, Kenny Burrell, Paul Chambers, and Pete LaRoca, and produced three tracks. The LP's remaining two tracks were recorded a few weeks later with group including Art Farmer, Jackie McLean, Chambers, and Philly Joe Jones. The three pieces recorded with Burrell and Jordan were originally scheduled to be released on album given the catalog number "BLP 1592". Blue Note decided not to complete the album begun with Jordan and Burrell, and the tracks remained unreleased during Clark's lifetime. In 1976, Blue Note combined these three tracks with two outtakes recorded in early 1958 as part of the session for the Cool Struttin' LP. The resulting LP was released in Japan as Sonny Clark Quintets. The same five pieces were subsequently re-released on a 1983 Japanese LP titled Cool Struttin' Volume 2. Sonny Clark Quintets has been reissued numerous times on compact disc.
The Eminent Jay Jay Johnson, Vols. 1 & 2 are a pair of separate but related compilation albums by American jazz trombonist J. J. Johnson, recorded over three sessions between 1953 and 1955 and released on Blue Note in 1956.
The Congregation is an album by American tenor saxophonist Johnny Griffin recorded on October 23, 1957 and released on Blue Note the following year—his final recording for the label.
Bossa Nova Soul Samba is an album by American saxophonist Ike Quebec recorded in 1962 and released on the Blue Note label. It was Quebec's final recording before his death in January 1963.
Introducing Kenny Burrell is the debut album by American jazz guitarist Kenny Burrell, recorded over May 29–30, 1956 and released on Blue Note later that year.
Kenny Burrell, also known as Kenny Burrell, Volume 2, is an album by American jazz guitarist Kenny Burrell primarily recorded on March 12, 1956 and released on Blue Note the following year.
John Jenkins with Kenny Burrell is an album by American jazz saxophonist John Jenkins, featuring jazz guitarist Kenny Burrell, recorded on August 11, 1957 and released on Blue Note later that year. The two are backed by rhythm section Sonny Clark, Paul Chambers and Dannie Richmond.
On View at the Five Spot Cafe is a live album by American jazz guitarist Kenny Burrell, with drummer Art Blakey, recorded at the Five Spot Café in New York City on August 25, 1959 and released on Blue Note.
Kenny Burrell is an album by guitarist Kenny Burrell recorded in 1957 and released on the Prestige label.
K. B. Blues is an album by guitarist Kenny Burrell recorded in 1957 and originally released on the Japanese Blue Note label in 1979. The tracks were reissued on CD as part of Introducing Kenny Burrell: The First Blue Note Sessions but incorrectly identified as being recorded in 1956.
When Lights Are Low is an album by American guitarist Kenny Burrell recorded in 1978 and released on the Concord Jazz label.
Generation is a live album by guitarist Kenny Burrell and the Jazz Guitar Band recorded at the Village Vanguard in New York in 1986 and released on the relaunched Blue Note label.
The Amazing Bud Powell, Vols. 1 & 2 are a pair of separate but related albums by American jazz pianist Bud Powell, recorded on August 8, 1949, May 1, 1951, and August 14, 1953, and released on Blue Note in 1956, compiling Powell's first three session for the label, originally released on ten-inch LPs as The Amazing Bud Powell (1952) and The Amazing Bud Powell, Vol. 2 (1954).
