Double (occupation)

Last updated
Body double
Occupation
NamesBody double, nude double, hand double, stunt double
Activity sectors
Entertainment
Description
CompetenciesResemblance to real actor or person
Fields of
employment
Film, television, theatre
Related jobs
Stand-in, actor, movie star, decoy, political decoy

In filmmaking, a double is a person who substitutes for another actor such that the person's face is not shown. There are various terms associated with a double based on the specific body part or ability they serve as a double for, such as stunt double, "dance double", "butt double" and "hand double".

Contents

Types of doubles

Body double

A body double or photography double is used in certain specific shots to replace the credited actor of a character. [1] The body double's face is obscured to maintain the illusion that they are the same character; usually by shooting their body at an angle that leaves their face out (such as by showing the body double from the back) or in post-production by superimposing the original actor's face over the body double's. The double's face is usually not seen on-camera, particularly when they do not facially resemble the actor; a wig will usually be employed if the double's hair color is different from that of the main actor. [2] This is in contrast to a stand-in, who replaces an actor for non-filming purposes such as scene arrangement and lighting adjustments. [3]

Tom Mason (left) standing in for deceased actor Bela Lugosi in the 1959 horror film Plan 9 from Outer Space PlanNine 04.jpg
Tom Mason (left) standing in for deceased actor Bela Lugosi in the 1959 horror film Plan 9 from Outer Space

A body double must sometimes be able to recite his or her lines with the same timing as the actor, and also reproduce the exact physical actions in co-ordination with the other principal actors; usually, doubles must have a strong resemblance to the actor they replace. [4] An extensively used body double, especially when used in cases where the credited actor is unavailable, unwilling to film or has died, is known as a fake Shemp.

A double can be used for cases where special skills are neededsuch as playing musical instruments, dancing or other athletic abilities. Also, if only a part of the body is shown, the term for the double might be more specific. A common double is a "hand double", who is used to shoot inserts where only the hand or arm is in the shot. [3] These inserts are often shot by the second unit with a double at a later point in production primarily because it allows the main unit to use the lead actors' time more efficiently.

Body doubles are often used for shots involving nudity. The reasons for this vary. Actors' nude bodies may have too many physical flaws and imperfections that would show on camera, especially due to aging, while some actors are uncomfortable performing nude. [5] [6] A common body double is the "butt double", mostly used with TV, since whole-body nudity is less common in that medium. The term "stunt butt" is also attested, as is "stunt cock". [7] [8]

In some productions, a scene calls for two characters in the same shot who are portrayed by a single actor. A body double can portray one of the characters, while the credited actor plays the other, thus enabling both characters to appear simultaneously on camera. An unusual example of body doubling took place in the movie Terminator 2: Judgment Day (1991). A scene requiring Linda Hamilton to appear as two Sarah Connors in the same scene was created by employing Hamilton's identical twin sister Leslie as her double. [9] This has become less common with digital editing currently available which can splice together multiple takes, allowing for an actor to perform as each character in separate takes that are joined to create the image of the characters in same setting, such as with Deep Roy, who portrayed the Oompa-Loompas in Charlie and the Chocolate Factory (2005). [10]

The 1984 film Body Double , directed by Brian De Palma, featured a plot that hinged on the discovery that one character had in fact served as a body double for another. [11] [12]

Stunt double

Actor Paolo Villaggio with his stunt double Clemente Ukmar, on the set of the 1975 film Fantozzi Paolo Villaggio - Clemente Ukmar - Fantozzi, 1974.jpg
Actor Paolo Villaggio with his stunt double Clemente Ukmar, on the set of the 1975 film Fantozzi
A stunt-double performing in a shoot from a commercial promoting the 2012 film "The Amazing Spider-Man". Spider-Manswinging2 (cropped).jpg
A stunt-double performing in a shoot from a commercial promoting the 2012 film "The Amazing Spider-Man".

A stunt double is often a stunt performer, specifically a skilled replacement, used for dangerous sequences or other sophisticated stunts (especially fight scenes). Stunt doubles may be used in cases where an actor's physical condition or age precludes much activity, or when an actor is contractually prohibited from taking certain risks.

Stunt doubles should be distinguished from daredevils, who perform stunts for the sake of the stunt alone, often as a career. Sequences often do not place stunt doubles in the same mortal peril as the characters: for example, harnesses and wires can be digitally removed from the final film.

Many stunt doubles have long production careers as part of a star actor's contractual "support crew", along with the star's cooks, trainers, dressers, and assistants. Often stunt doubles have to look like their respective actors, in order to maintain the illusion that it is the actor on-screen. Stunt doubles for Eddie Murphy, John Wayne, Harrison Ford, Steve Martin, Salman Khan and Michael Landon have been associated with their lead actors for decades.

Sometimes stunt doubles are cast in small roles apart from the actor they double for. In the episode "The Trouble with Tribbles" (1967) of the original Star Trek series (1966-1969), William Shatner's stunt double Paul Baxley was cast as Ensign Freeman, a minor character primarily seen during a bar fight.

Non-humans are also known to have stunt doubles. For example, Enzo was the stunt double for his aging sire Moose on the sitcom Frasier (1993-2004). [13] Soccer, the Jack Russell terrier on Wishbone (1995-1997), reportedly hated swimming and therefore had stunt doubles. [14]

Dance double

A dance double performs physically difficult dancing.

The Black Swan dance double controversy brought significant attention to dance doubles. After the 83rd Academy Awards, in which Natalie Portman won the Oscar for Best Actress for her role in Black Swan (2010) as a ballerina, controversy arose over how much credit for the dancing in the film was being given to her and how much to her "dance double", American Ballet Theatre soloist Sarah Lane. [15]

Prior to Black Swan, there had also been dance doubles in other films. In Flashdance (1983), Jennifer Beals’ dancing was doubled by Marine Jahan and, at one point, the male dancer Crazy Legs for a difficult break dancing sequence. [16]

See also

Related Research Articles

<span class="mw-page-title-main">Striptease</span> Erotic dance

A striptease is an erotic or exotic dance in which the performer gradually undresses, either partly or completely, in a seductive and sexually suggestive manner. The person who performs a striptease is commonly known as a "stripper" or an "exotic" or "burlesque" dancer.

A stand-in, sometimes a lighting double, for film and television is a person who substitutes for the actor before filming, for technical purposes such as lighting and camera setup. Stand-ins are helpful in the initial processes of film and television production.

<i>Flashdance</i> 1983 American romantic drama film by Adrian Lyne

Flashdance is a 1983 American romantic drama dance film directed by Adrian Lyne and starring Jennifer Beals as a passionate young dancer, Alex Owens, who aspires to become a professional ballerina, alongside Michael Nouri, who plays her boyfriend and the owner of the steel mill where she works by day in Pittsburgh. It was the first collaboration of producers Don Simpson and Jerry Bruckheimer, and the presentation of some sequences in the style of music videos was an influence on other 1980s films including Footloose, Purple Rain, and Top Gun, Simpson and Bruckheimer's most famous production. It was also one of Lyne's first major film releases, building on television commercials. Alex's elaborate dance sequences were shot using body doubles.

<span class="mw-page-title-main">Stunt</span> Unusual and difficult physical feat

A stunt is an unusual, difficult, dramatic physical feat that may require a special skill, performed for artistic purposes usually for a public audience, as on television or in theaters or cinema. Stunts are a feature of many action films. Before computer-generated imagery special effects, these depictions were limited to the use of models, false perspective and other in-camera effects, unless the creator could find someone willing to carry them out, even such dangerous acts as jumping from car to car in motion or hanging from the edge of a skyscraper: the stunt performer or stunt double.

<span class="mw-page-title-main">Stripper</span> Striptease performer

A stripper or exotic dancer is a person whose occupation involves performing striptease in a public adult entertainment venue such as a strip club. At times, a stripper may be hired to perform at private events.

<span class="mw-page-title-main">Stunt performer</span> Person who performs stunts

A stunt performer, often called a stuntman or stuntwoman and occasionally stuntperson or stunt-person, is a trained professional who performs daring acts, often as a career. Stunt performers usually appear in films or on television, as opposed to a daredevil, who performs for a live audience. When they take the place of another actor, they are known as stunt doubles.

<span class="mw-page-title-main">Nude swimming</span> Swimming without clothing

Nude swimming is the practice of swimming without clothing, whether in natural bodies of water or in swimming pools. A colloquial term for nude swimming is "skinny dipping".

<span class="mw-page-title-main">Pasties</span> Adhesive patches worn to cover the nipples and areolae

Pasties are patches that cover a person's nipples and areolae, typically self-adhesive or affixed with adhesive. They are usually worn in pairs. They originated as part of burlesque shows, allowing dancers to perform fully topless without exposing the nipples in order to provide a commercial form of bare-breasted entertainment. Pasties are also, at times, used while sunbathing, worn by strippers and showgirls, or as a form of protest during women's rights events such as Go Topless Day. In some cases this is to avoid potential prosecution under indecency laws.

In film, nudity may be either graphic or suggestive, such as when a person appears to be naked but is covered by a sheet. Since the birth of film, depictions of any form of sexuality have been controversial, and in the case of most nude scenes, had to be justified as part of the story.

<i>Zazel: The Scent of Love</i> 1997 American erotic film

Zazel: The Scent of Love is an American erotic film, photographed in October 1995 and released in 1997. In occultism, Zȃzȇl is a spirit associated with Saturn. The film was produced by Cal Vista Studios—reportedly made at a cost of $237,000—and was directed by Dutch fashion photographer and filmmaker Philip Mond, who also did the camera work and designed the costumes and special make-up. It was Mond's second adult erotic feature after Sex Off the Runway—and like his previous film, Zazel also featured a bevy of Penthouse Pets, including 1994 Pet of the Year, Sasha Vinni; 1995 Pet of the Year, Gina LaMarca; and 1999 Pet of the Year, Nikie St. Gilles.

<span class="mw-page-title-main">Fake Shemp</span> Someone who appears in a film as a replacement for another person

A fake Shemp is a type of body double who appears in a film to replace another actor or person, usually when the original actor has died or is otherwise unable or unwilling to reprise their role. Their appearance is disguised using methods such as heavy make-up, filming from the back, dubbing in audio and splicing in past footage from the original actor's previous work, using a sound-alike voice actor, or using partial shots of the actor.

<i>The Gypsy Moths</i> 1969 film by John Frankenheimer

The Gypsy Moths is a 1969 American drama film, based on the 1955 novel of the same name by James Drought and directed by John Frankenheimer. The film tells the story of three barnstorming skydivers and their effect on a Midwestern American town, focusing on the differences in values between the town folk and the hard-living skydivers.

A nudity clause/nudity waiver is a paragraph or a section in a performer's legal contract that stipulates which parts, if any, of the performer's body are to be exposed during a theatrical, television, cinematic, or other type of production. The clause may stipulate that a performer will not be required to perform in the nude, or it may specify that a performer is not allowed to perform in the nude. Nevertheless, a character they play may appear to be nude by the use of a "body double" in place of the performer during a nude scene or the use of a flesh-colored bodystocking or a pubic area-covering merkin. Sometimes a performer will refuse to accept a role which involves nudity.

<i>Black Swan</i> (film) 2011 film by Darren Aronofsky

Black Swan is a 2010 American psychological horror film directed by Darren Aronofsky from a screenplay by Mark Heyman, John McLaughlin, and Andres Heinz, based on a story by Heinz. The film stars Natalie Portman in the lead role, with Vincent Cassel, Mila Kunis, Barbara Hershey, and Winona Ryder in supporting roles. The plot revolves around a production of Tchaikovsky's Swan Lake by the company of New York City Ballet. The production requires a ballerina to play the innocent and fragile White Swan, for which the committed dancer Nina Sayers (Portman) is a perfect fit, as well as the dark and sensual Black Swan, which are qualities better embodied by the new rival Lily (Kunis). Nina is overwhelmed by a feeling of immense pressure when she finds herself competing for the role, causing her to lose her tenuous grip on reality and descend into madness.

<span class="mw-page-title-main">Sex in film</span> Sex in mainstream film

Sex in film, the presentation of aspects of sexuality in film, especially human sexuality, has been controversial since the development of the medium. Films which display or suggest sexual behavior have been criticized by religious groups or have been banned or censored by governments, although attitudes have changed much along the years and a more permissive social environment has developed in certain parts of the world, notably in Europe, North America, Australia and New Zealand. In countries with a film rating system, films which contain explicit sex scenes typically receive a restricted classification. Nudity in film may be regarded as sexual or as non-sexual.

The Black Swan dance double controversy concerns an American film and the credit its production gave to performers. Black Swan is a 2010 American psychological horror film about a ballerina directed by Darren Aronofsky and starring Natalie Portman, Vincent Cassel, and Mila Kunis. After the 83rd Academy Awards, where Portman won Best Actress for her performance in the film as a ballerina, controversy arose over how much credit for the dancing in the film was being given to her and how much to her "dance double", American Ballet Theatre soloist Sarah Lane.

Flair is a 1990 Australian miniseries about an ambitious designer who wants to break into the fashion industry.

"Mother's Mercy" is the tenth and final episode of the fifth season of HBO's medieval fantasy television series Game of Thrones, and the 50th overall. The fifth season finale, the episode was written by series co-creators David Benioff and D. B. Weiss and directed by David Nutter. It first aired on June 14, 2015.

An intimacy coordinator is an occupation in the film and television industries. They are "an advocate, a liaison between actors and production, and a movement coach and/or choreographer in regards to nudity and simulated sex, and other intimate and hyper-exposed scenes."

Nudity in live performance, such as dance, theatre, and performance art, include the unclothed body either for realism or symbolic meaning. Nudity on stage has become generally accepted in Western cultures beginning in the 20th century.

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