"I'll Remember" | ||||
---|---|---|---|---|
Single by Madonna | ||||
from the album With Honors | ||||
B-side | "Secret Garden" | |||
Released | March 8, 1994 | |||
Genre | Pop | |||
Length | 4:23 | |||
Label | ||||
Songwriter(s) |
| |||
Producer(s) |
| |||
Madonna singles chronology | ||||
| ||||
Music video | ||||
"I'll Remember" on YouTube |
"I'll Remember" is a song by American singer Madonna for the 1994 film With Honors . It was released by Maverick and Warner Bros. Records on March 8, 1994, as the lead single from the film's soundtrack album. It was a radical change in image and style for Madonna, who had received huge backlash due to the release of her book Sex , the studio album Erotica and the film Body of Evidence . Warner Bros. decided to release the song for the film after noting most of her previous soundtrack singles had achieved commercial success. It utilizes a synthesized keyboard arrangement to bring about a continuously reverberating heartbeat sound. Madonna's voice is supported by backing vocals.
Music critics praised the song, hailing it as one of her best works. It was nominated for Best Song Written Specifically for a Motion Picture or for Television at the 37th Grammy Awards and Best Original Song at the 52nd Golden Globe Awards. "I'll Remember" was also a commercial success, peaking at number two on the Billboard Hot 100 and becoming her fourth number-one hit on the Adult Contemporary chart. It also topped the singles charts in Canada and Italy. The music video of "I'll Remember", directed by Alek Keshishian, portrayed Madonna singing the song in a stylized recording studio. Her look and style were compared to the imagery of the music video of previous single "Rain". The androgynous portrayal of Madonna in the final shot was praised for breaking gender barriers. "I'll Remember" did not appear on any Madonna album, but was later included in the ballads collection Something to Remember (1995).
The year 1992 saw the release of the book Sex by Madonna. However, the book, which contained explicit sexual imagery and pictures of voyeuristic fantasies, was negatively accepted by the critics as well as some of her fans. [1] Madonna's fifth studio album Erotica and the film Body of Evidence were released at the same time; both failed to garner critical and commercial acclaim. Hence she decided to re-invent her image, to connect with her fans and repair the damage that her provocative image had caused to her career. [1] "I'll Remember" was one of the songs that was developed for this purpose. The ballad was initially a collaboration between musician Richard Page and Patrick Leonard, before Madonna reworked the track for Alek Keshishian's film With Honors (1994). According to Page, "Madonna was brought in... she changed all my lyrics for the better. She really did a great job." [2] Regarding her feelings for the song, Madonna commented,
"I think most of the time when my records come out, people are so much distracted by so much fanfare and controversy that nobody pays attention to the music. [...] I can't tell you how painful the idea of singing 'Like a Virgin' or 'Material Girl' (1984) is to me now. I didn't write either of those songs, and wasn't digging very deep then. I also feel more connected emotionally to the music I'm writing now, so it's more of a pleasure to do it." [3]
Produced by Madonna and Leonard, "I'll Remember" was released as the lead single from the soundtrack album of With Honors. Madonna's own label, Maverick, was charged with the task of putting together the soundtrack album. They decided to include "I'll Remember", after noticing that all of her soundtrack releases have been commercially successful. [1]
According to author Rikky Rooksby, the song is written in the style of Album-oriented rock (AOR) by bands like Boston or Foreigner. It is slowed down from the tempo of rock songs and utilizes a steadily reverberating synth keyboard to bring on the effect of a heartbeat. "I'll Remember" has characteristics of late Seventies song apart from the arrangement and the low bass. Madonna sings in a low-key voice which is almost overshadowed by the synth arrangement. Lyrically the song talks about Madonna looking back on a good love affair. [4] According to Alex Balk from The Awl, the lyrics were inspirational, especially the line "I learned to let go of the illusion that we can possess", which is answered by Madonna herself that "I remember, happiness". [5]
The song starts with a C major chord sequence and is used on the flattened seventh key of the sequence. But the actual key of the song is D major. It is set in a time signature of common time with a moderate tempo of 120 beats per minute. Madonna's voice spans from F♯3 to G4. [6] A much stronger arrangement of drums are used in the second verse. [4] The chorus uses the chord sequence of D–G–Bm–A while the first two lines of each verse uses the chord progression of C–D–C–D7–C–D–Bm–A. During the intermediate line "I learned to let go of the illusion that we can possess", the structure changes to D/F♯–Bm–G–D–A–G–A. [6] Backing vocals are used on the later choruses for support with the strings, cascading down to a minor arrangement before the third one. The song ends with fading out and devoid of any musical climax. [4]
A number of remixes were issued alongside the regular version. The maxi-single had four different versions, three being those of "I'll Remember" and the fourth being a live version of the Erotica track, "Why's It So Hard", performed on The Girlie Show World Tour. According to Jose F. Promis from AllMusic, "the mixes of [the song] were conjured by William Orbit, giving each version an ethereal, spacey, and very mellow feel". The "Guerilla Beach" mix was different from the original version, making it more adult contemporary oriented, while the "Orbit Remix" remained similar to the actual version. [7]
Author Christopher Feldman in his book, Billboard Book of Number 2 Singles, described the song as a "tender ballad." [1] Billboard music editor Timothy White called the song as lilting and one of Madonna's classics in his book Music to My Ears: The Billboard Essays : Portraits of Popular Music in the '90s. [3] He also complimented the song for talking about a dead relationship. [8] Larry Flick stated that it finds Madonna "inside an easy-paced pop chugger that is etched with slightly Caribbean percussion. Subdued synth pulses frame Madonna's pensive performance." [9] Troy J. Augusto from Cash Box said that "this tender, down-tempo stroll that will serve to re-introduce the ambitious one to her old friends at top 40 radio—folks who, based on some of her recent, questionable material, might have wondered if the girl’s best work was well behind her. Actually, the sky’s the limit with this smoothly textured, deliberately paced song (produced by Patrick Leonard and Madonna) that will perform well in all hit and adult formats. After a number of stinkers, it’s nice to hear her return to her greatest strength, the moody power ballad." [10]
John Hamilton from Idolator called it a "pulsating ballad", adding it as "at once lilting and powerful". [11] Author Rikky Rooksby noted the song as one of Madonna's biggest ever singles and a stronger cut. [4] Pan-European magazine Music & Media commented that she "becomes more ambient with every release", adding that this song "further cements this impression." [12] James Hamilton from Music Week's RM Dance Update deemed it a "sweetly warbled quovery slow roller". [13] John Kilgo from The Network Forty said that the song is "compared as a half-beat faster than the earlier Madonna smash, "Live To Tell," the production grooves while the lyrics are ballad-like." [14] Terry Staunton from NME declared it as "a flat ballad about fond memories of days gone by." [15] Sal Cinquemani from Slant Magazine praised it as a "soundtrack gem". [16] Pete Stanton from Smash Hits gave it three out of five, viewing it as "a slow, uneventful, but quite charming tune." [17] Author J. Randy Taraborrelli in his biography of Madonna called the song a beautiful one. According to him, "it sounds like a flick theme too, equipped with smart chords and big emotion. It is reminiscent of another movie theme of Madonna's, 'Live to Tell' (1986)." [18] Music critique Peter Buckley noted that the song was atmospheric and one of Madonna's best works, showing her ability to stay in touch with and adapt to musical developments. [19]
"I'll Remember" earned nominations for Best Song Written Specifically for a Motion Picture or for Television at the 37th Grammy Awards and Best Original Song at the 52nd Golden Globe Awards. [20] [21] Robbie Daw from Idolator listed it as one of "Madonna’s 10 Best Songs That Radio Forgot", saying that "Madge has lost many friends and lovers over the years, but here she turns lemons into lemonade by cherishing the good times and learning from 'the way that you changed me'." [22] Journalist Matthew Rettenmund listed the "Guerilla Beach" remix of the song at number nine on his list of "The 25 Best Madonna Remixes", describing it as "spacey" and believing it to be "markedly superior to the lovely but unassuming original". [23] In 2014, Graham Greymore from Queerty listed "I'll Remember" as one of the "12 Most Underrated Madonna Songs Of All Time". [24] While ranking Madonna's singles, in honor of her 60th birthday, The Guardian 's Jude Rogers placed "I'll Remember" at number 42, praising its "atmospheric" verses. [25]
In the United States, the song debuted at number 35 on the Hot 100 chart for the Billboard issue dated April 2, 1994, and it sold 12,000 units in the first week. [26] [27] After eight weeks, the song reached a peak of number two on the chart on May 28, 1994 behind "I Swear" by All-4-One. [28] It stayed there for four weeks. The song became the fifth single by Madonna to peak at the number two position and tied her with Elvis Presley for the most number two songs on the Hot 100. However, this record was broken by Madonna in 1998, when her single "Frozen" peaked at two. [29] The song also topped the Adult Contemporary chart for four consecutive weeks, becoming Madonna's fourth number-one for this chart following "Live to Tell", "La Isla Bonita", and "Cherish". [30] The single spent a total of 26 weeks on the Billboard Hot 100 and was certified gold by the Recording Industry Association of America (RIAA) on June 14, 1994. It was one of the best-selling singles of 1994, having sold 500,000 copies within that year. [31] [32]
In Canada, the song debuted at 52 on the Canadian RPM Singles Chart. [33] After seven weeks it reached the top of the chart for the RPM issue dated May 16, 1994. [34] The song was present on the chart for 24 weeks, [35] and was ranked at number two on the Year-end RPM chart for 1994. [36] In the United Kingdom it debuted at ten on the chart and reached seven the next week. It was present for a total of eight weeks on the chart. [37] According to the Official Charts Company, "I'll Remember" has sold 100,090 copies in the United Kingdom, as of August 2008. [38] Across Europe, the song became a top 40 hit in Belgium, France and Netherlands. The song reached the top-twenty in Iceland and Switzerland, and the top-ten in Australia, Ireland and Sweden. It peaked just outside the top 40 in Germany. [39] [40] [41]
The accompanying music video for "I'll Remember" was directed by Alek Keshishian, who had previously directed the live performance versions of "Like a Virgin" (1984) and "Holiday" (1983) from the Truth or Dare documentary and also the music video of her single "This Used to Be My Playground" (1992). [42] The video featured production credits by Diane Greenwalt, editing by Patrick Sheffield and photography by Stephen Ramsey. [43] According to Jerry Ryan from creative production team Steele,
"I'll Remember" had multiple projection screen fills and classic theatre atmospherics (like smoke haze and the flickering light beams from a projection booth) added. The theatre walls and ceiling had digital enhancements. A sound booth was completely created from scratch to accompany a crane shot down to Madonna. All the movie inserts were treated to appear to be within the theater and all Madonna's close ups and medium shots were individually treated for facial beauty enhancements. [44]
The video features Madonna in a stylized recording studio singing the song with back up singers. The video was compared to the music video of Madonna's single "Rain" (1993). [45] Her look in the video, consists of blue-black icy hair, bright blue eyes and a long dark dress with a beaded necklace around her neck. [45] Madonna's face was mainly shot above her head, with her face looking up just ahead of the camera focus. Sometimes she looks to a video screen behind her which plays the scenes from the film, as if to take inspiration for her singing. [45] Other times she is accompanied by her back-up singers, mainly during the chorus, and sometimes she sings alone. [46]
The music video ends with a shot of Madonna watching herself recording the song. In this last scene she is dressed in a long black coat and holds a cigarette in her hand. [46] Scholars noted that this last shot clearly illustrates the gender paradox of Madonna, because as she watches her female form singing the song, she herself is dressed in an androgynous way, holding a cigarette, which is associated as one of the symbolic forms of male supremacy. [47] Feminist writer Martha Leslie Allen lauded the video, as well as Madonna, "for breaking free of the conventional portrayal of women yet again, and displaying their duality." [48] The video can be found on Madonna's 2009 compilation, Celebration: The Video Collection . [49]
|
|
Credits are adapted from "I'll Remember" 7-inch vinyl single liner notes. [39]
Weekly charts
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [82] | Gold | 35,000^ |
United Kingdom | — | 100,090 [38] |
United States (RIAA) [31] | Gold | 500,000 [32] |
Summaries | ||
Worldwide | — | 1,000,000 [83] |
^ Shipments figures based on certification alone. |
Region | Date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
United States | March 8, 1994 |
| [31] | |
United Kingdom | March 21, 1994 | [84] |
Who's That Girl is the first soundtrack album by American singer and songwriter Madonna. It was released on July 21, 1987, by Sire Records to promote the film of the same name. It also contains songs by her label mates Scritti Politti, Duncan Faure, Club Nouveau, Coati Mundi and Michael Davidson. The soundtrack is credited as a Madonna album, despite her only performing four of the nine tracks on the album. After the commercial success of the film Desperately Seeking Susan (1985), in which she co-starred, Madonna wanted to act in another comedy film titled Slammer, about a woman named Nikki Finn who was falsely accused of homicide. However, due to the critical and commercial failure of her adventure film Shanghai Surprise (1986), Warner Bros. was initially reluctant to greenlight the project but later agreed.
"Material Girl" is a song recorded by American singer Madonna for her second studio album, Like a Virgin (1984). It was released on January 23, 1985, by the Sire label as the second single from Like a Virgin. It also appears slightly remixed on the 1990 greatest hits compilation, The Immaculate Collection, in its original form on the 2009 greatest hits compilation, Celebration and Finally Enough Love: 50 Number Ones (2022). The song was written by Peter Brown and Robert Rans, and produced by Nile Rodgers. Madonna said the concept of the song was indicative of her life at that time, and she liked it because she felt it was provocative.
"I'll Be There" is the first single released from Third Album by The Jackson 5. It was written by Berry Gordy, Hal Davis, Bob West, and Willie Hutch.
"I'll Make Love to You" is a song by American R&B group Boyz II Men for the Motown label. Written by Babyface, it was released in July 1994 as the lead single from their second album, II (1994). The song was a commercial success, spending 14 weeks atop the US Billboard Hot 100. It was also the third best performing song in the 1990s on Billboard, as well as ranking on Billboard Greatest of All-Time chart. "I'll Make Love to You" won the Grammy Award for Best R&B Performance by a Duo or Group with Vocals and was nominated for Record of the Year. Its accompanying music video was directed by Lionel C. Martin.
"The Power of Good-Bye" is a song recorded by American singer Madonna for her seventh studio album Ray of Light (1998). It was written by Madonna and Rick Nowels, and was produced by the singer with William Orbit and Patrick Leonard. Lyrically, the track discusses feelings of freedom and empowerment caused by ending a relationship. The electronica ballad is driven by shuffle beats, acoustic guitars and sweeping strings arranged by Craig Armstrong. The song was released as the fourth single from Ray of Light on September 1, 1998, by Maverick Records and Warner Bros. Records.
"Causing a Commotion" is a song by American singer Madonna from the soundtrack album to the 1987 film Who's That Girl. It was released as the album's second single on August 25, 1987, by Sire Records. Its Silver Screen Single Mix later appeared on the EP The Holiday Collection (1991). Written and produced by Madonna and Stephen Bray, the song was inspired by her relationship with then-husband Sean Penn, and his abusive and violent nature. Containing a dance-oriented, up-tempo groove, the song begins with the chorus and is accompanied by a four-note descending bassline and staccato chords in the verses.
"Angel" is a song by American singer Madonna from her second studio album Like a Virgin (1984). It was released on April 10, 1985, by Sire Records as the album's third single. Written by Madonna and Steve Bray, it was one of the first songs developed for the project and, according to Madonna, was inspired by a girl who is saved by an angel, and she falls in love with him. "Angel" was released as a 12-inch single with "Into the Groove" in some countries and charted likewise. A music video was not filmed for "Angel", and instead, a promotional clip comprising segments of her previous videos was released in the United Kingdom.
"You Must Love Me" is a song recorded by American singer and songwriter Madonna. It was written by Andrew Lloyd Webber and Tim Rice, for the 1996 film adaptation of the musical, Evita, based on the life of Argentinian leader Eva Perón. The song was released on October 21, 1996, by Warner Bros. as the lead single from the film's soundtrack. After years of not working together due to their individual projects, Lloyd Webber and Rice collaborated on creating a new track for the film, with the hopes of obtaining an Academy Award nomination for Best Original Song. According to Lloyd Webber, the song's purpose was to showcase Perón's emotional state at the time as well as her relationship with her husband Juan Perón.
Something to Remember is a compilation album by American singer Madonna, released by Maverick Records on November 3, 1995. The album was conceived after a highly controversial period in Madonna's career, during which many critics speculated that her career was in decline. The compilation of ballads presented a softer image for the singer and span over a decade, including a reworked version of "Love Don't Live Here Anymore" as well as three new songs: "You'll See", "One More Chance" and a cover of Marvin Gaye's "I Want You". The singles "I'll Remember" and "This Used to Be My Playground", were also included, marking the first time these songs were featured on a Madonna album.
"On Bended Knee" is a song by American R&B group Boyz II Men for the Motown label. It was written and produced by Jimmy Jam and Terry Lewis, and released in November 1994 as the second single from the group's second album, II (1994). The song reached number one on the US Billboard Hot 100 Airplay chart and number two on the Billboard Hot Singles Sales chart on December 3, 1994. It stayed at number one for a total of six non-consecutive weeks. The accompanying music video was directed by Lionel C. Martin.
"One More Chance" is a song by American singer Madonna for her ballads compilation album, Something to Remember (1995). Written and produced by Madonna and David Foster, it was released on March 7, 1996 by Maverick Records as the album's second single in Australia and Japan, and the third single in the European countries. An acoustic pop ballad, the song lyrically talks about attempting to win a lost lover back. The song was inspired by Madonna's real life experience, but she wrote it from the opposite point of view.
"Love Don't Live Here Anymore" is a song written by Miles Gregory and originally recorded by Rose Royce. It was produced by former Motown songwriter and producer Norman Whitfield for Whitfield Records. Lead vocals were sung by Gwen Dickey and the song was released as the second single from their third studio album Strikes Again. The song was developed as a result of producer Whitfield's interest to work with Paul Buckmaster, the British arranger and composer. Together they asked songwriter Miles Gregory to write a song for them. Gregory's undergoing medical care for his deteriorating physical health became the inspiration behind the song. "Love Don't Live Here Anymore" incorporated the use of the Pollard Syndrum TwinDrum, and was one of the first songs to effectively use the sound reverbs of the instrument. The song was mainly recorded at music contractor Gene Bianco's house, where Dickey was present during the recording.
"Secret" is a song by American singer Madonna from her sixth studio album, Bedtime Stories (1994). It was released by Maverick Records on September 26, 1994, as the lead single from the album. The singer originally recorded the song as a demo with producer Shep Pettibone. However, Dallas Austin replaced Pettibone's role as the producer and reworked its composition, earning him a writing credit alongside Madonna. It was a departure from Madonna's previous musical style, since up to that point in her career, her music had mostly consisted of big-sounding dance tracks and melodic ballads. "Secret" combined the pop and R&B genres with instrumentation from an acoustic guitar, drums and strings, while lyrically talking about a lover having a secret.
"Take a Bow" is a song by American singer Madonna from her sixth studio album, Bedtime Stories (1994). It was released as the album's second single on December 6, 1994, by Maverick Records. It is a midtempo pop ballad written and produced by Madonna and Babyface. Following the sexually explicit persona portrayed by Madonna on her previous album, Erotica, she wanted to tone down her image for Bedtime Stories. Experimenting with a new musical direction and a more radio-friendly sound, Madonna decided to collaborate with Babyface, whose work with other musicians had impressed her. "Take a Bow" was developed after she listened to the basic beat and chords of a piece of music composed by him.
"Rescue Me" is a song by American singer Madonna from her first greatest hits album, The Immaculate Collection (1990). Written and produced by Madonna and Shep Pettibone, the song was released as the second single from The Immaculate Collection on February 26, 1991, in the United States, and as the third single on April 7 in the United Kingdom. A dance-pop and gospel-house track, the song is accompanied by the sound of thunder and rain, with the lyrics talking of romantic love rescuing the singer.
"Rain" is a song by American singer Madonna from her fifth studio album, Erotica (1992). Written and produced by Madonna and Shep Pettibone, in Australia and most European countries, "Rain" was released as single on July 17, 1993. In the United Kingdom and the United States, it was issued on July 19 and August 5, respectively. It was then included on Madonna's 1995 compilation, Something to Remember. A pop ballad with elements of R&B, trip-hop, and New-age music, "Rain" has lyrics that liken water and rainfall to the power of love.
"You'll See" is a song by American singer Madonna from her ballads compilation, Something to Remember (1995). She wrote and produced the song with Canadian musician David Foster. "You'll See" was released on October 23, 1995, by Maverick Records as the lead single from the album. An acoustic pop ballad, "You'll See" features instrumentation from percussion, tremolo guitar and piano, while lyrically it speaks of independence after the end of a love affair.
"Oh Father" is a song recorded by American singer Madonna for her fourth studio album Like a Prayer (1989). It was released as the fourth single from the album on October 24, 1989, by Sire Records. The song was not released as a single in most European territories until December 24, 1995, when it appeared on the 1995 ballads compilation Something to Remember. Written and produced by Madonna and Patrick Leonard, "Oh Father" concerns the presence of male authoritative figures in Madonna's life, most prominently her father, Tony Ciccone. Madonna's relationship with her father had soured after her mother's death in 1963 and his remarriage three years later. While developing the Like a Prayer album, Madonna was in an emotional state of mind due to her personal problems, which is reflected in "Oh Father".
"This Used to Be My Playground" is a song recorded by American singer Madonna. It is the theme for the film A League of Their Own, which starred Madonna, and portrayed a fictionalized account of the real-life All-American Girls Professional Baseball League. Madonna was asked to record a song for the film's soundtrack. At that time she was busy recording her fifth studio album, Erotica, with producer Shep Pettibone. They worked on some ideas and came up with "This Used to Be My Playground" in two days. Once presented to director Penny Marshall's team, the song was released as a standalone single on June 16, 1992, by Warner Bros. Records. However, it was not available on the film's soundtrack due to contractual obligations and was later added to the Olympics-inspired Barcelona Gold compilation album, released that summer. The song was included on Madonna's 1995 ballads compilation Something to Remember.
"Keep It Together" is a song by American singer Madonna from her fourth studio album, Like a Prayer (1989). It was released as the fifth and final single from the album in the United States, Canada and Japan on January 30, 1990, by Sire Records. Written and produced by Madonna and Stephen Bray, the main inspiration behind "Keep It Together" was Madonna's relationship with her family—whom she dearly missed during her divorce from Sean Penn. The song was dedicated to the American band Sly and the Family Stone. The lyrics deal with the realization of how important Madonna's family has been to her life. A pop, funk and deep funk song consisting of an upbeat rhythm and groove, "Keep It Together" features instrumentation from percussion, banjo and a conga.
{{cite journal}}
: Cite journal requires |journal=
(help){{cite journal}}
: Cite journal requires |journal=
(help)