I Keep Comin' Back! | ||||
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Studio album by | ||||
Released | 1966 | |||
Recorded | 1966 | |||
Genre | Jazz | |||
Label | Roulette SR-25346 | |||
Producer | Henry Glover | |||
Sonny Stitt chronology | ||||
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I Keep Comin' Back! (subtitled Sonny Stitt on the Varitone) is an album by saxophonist Sonny Stitt recorded in 1966 and released on the Roulette label. [1] The album represents Stitt's second album featuring the varitone, an electronic amplification device which altered the saxophone's sound. [2]
Review scores | |
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Source | Rating |
Allmusic | [3] |
Edward Hammond Boatner Jr., known professionally as Sonny Stitt, was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his relentless touring and devotion to jazz. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone.
Sonny Stitt Plays Arrangements from the Pen of Quincy Jones is an album by saxophonist Sonny Stitt recorded in 1955 and originally released on the Roost label.
The Saxophones of Sonny Stitt is an album by saxophonist Sonny Stitt, released in 1959 on the Roost label.
The Sonny Side of Stitt is an album by saxophonist Sonny Stitt recorded in 1959 and originally released on the Roost label.
Stittsville is an album by saxophonist Sonny Stitt recorded in 1960 and originally released on the Roost label.
Sonny Side Up is an album by saxophonist Sonny Stitt recorded in 1960 and originally released on the Roost label.
Stitt Goes Latin is an album by saxophonist Sonny Stitt recorded in 1963 and originally released on the Roost label.
What's New!!! is an album by saxophonist Sonny Stitt recorded in 1966 and released on the Roulette label. The album represents Stitt's first recorded use of the varitone, an electronic amplification device which altered the saxophone's sound.
The Matadors Meet the Bull is an album by saxophonist Sonny Stitt recorded in 1965 and released on the Roulette label. The album was Stitt's first for the label; he had recorded many albums for Roost which Roulette had taken over.
Inter-Action is an album by saxophonists Sonny Stitt and Zoot Sims recorded in Chicago in 1965 and released on the Cadet label.
Parallel-a-Stitt is an album by saxophonist Sonny Stitt recorded in 1967 and released on the Roulette label. The album represents Stitt's third featuring the varitone, an electronic amplification device which altered the saxophone's sound.
Soul Electricity! is an album by saxophonist Sonny Stitt recorded in 1968 and released on the Prestige label. The album features Stitt using the varitone, an electronic amplification device which altered the saxophone's sound.
Night Letter is an album by saxophonist Sonny Stitt recorded in 1969 and released on the Prestige label. The album features Stitt using the varitone, an electronic amplification device which altered the saxophone's sound.
Turn It On! is an album by saxophonist Sonny Stitt recorded in 1971 and released on the Prestige label. The album features Stitt using the varitone, an electronic amplification device which altered the saxophone's sound.
Broadway Soul is an album by saxophonist Sonny Stitt recorded in 1965 and released on the Colpix label.
Mr. Bojangles is an album by saxophonist Sonny Stitt recorded in 1973 and released on the Cadet label.
Goin' Down Slow is an album by saxophonist Sonny Stitt recorded in 1972 and released on the Prestige label.
Come Hither is an album by saxophonist Sonny Stitt recorded in 1969 and released on the Solid State label.
Made for Each Other is an album by saxophonist Sonny Stitt recorded in 1968 but not released by the Delmark label until 1972. The album represents Stitt's fourth recording featuring the varitone, an electronic amplification device which altered the saxophone's sound.
It's Magic is an album by saxophonist Sonny Stitt recorded in 1969 but not released by the Delmark label until 2005.
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