The history of Iranian animation, which began in its modern form in the mid 20th century in Iran, can also be traced back to the Bronze Age.
The history of animation in Iran can be dated back to the Bronze Age. A 5,200 year old earthenware goblet discovered in Burnt City in Sistan and Baluchestan Province, southeastern Iran, depicts a series of drawings of a goat that jumps toward a tree and eats its leaves, however the original evidence is only a storyboard of it, but when combined in a running film, it produces an animation. [1] Similar forms of pottery with sequential pictures can also be found throughout medieval Islamic Persia. [2] Such drawings are early examples of precursors to the history of animation in general.
The art of animation as practiced in modern-day Iran started in the 1950s. Iran's animation owes largely to the animator Noureddin Zarrinkelk, who was instrumental in founding the Institute for Intellectual Development of Children and Young Adults (IIDCYA) in Tehran in collaboration with the late father of Iranian graphics, Morteza Momayez, and other fellow artists like Farshid Mesghali, Ali Akbar Sadeghi, and Arapik Baghdasarian.[ citation needed ]
Iranian animation has found international reputation. The Iranian animated film The Hole made by Vahid Nasirian and produced by the Experimental and Documentary Film Center was awarded second prize at the 19th Odense International Film Festival, Denmark in 2004. [4]
Tehran International Animation Festival was established in February 2000. [5] The festival was aimed to bring together Iranian and foreign animators and animation films and providing a showcase for unknown potentials of this type of cinema. 896 films from Iran and 32 other countries applied for participation in the festival, of which 488 titles were selected for screening during the four days of the event. Other highlights of the first edition of the Festival were special screenings dedicated to commemoration of well-known Russian animator Feodor Khitrouk and Esfandiar Ahmadieh (Known as the Father of Iranian animation cinema), who were themselves present in the event, as well as exhibition of animation films of Studio Pannonia of Hungary, ASIFA of South Korea, and works from Czech Republic, Slovakia, Hungary, Yugoslavia and Russia. Retrospectives of works of Bruno Bozzetto and Ali Akbar Sadeghi and screening of student animation films were other sections of the festival. The festival also paid homage to Jean-Luc Xiberras whose name is interwoven with Annecy Festival. [6]
Films shown at the 5th festival (2007) included Hayao Miyazaki's Howl's Moving Castle , Alexander Petrov's My Love , Georges Schwizgebel's Jeu and Torill Kove's Oscar-winning The Danish Poet . [7] [8]
Other notable films shown in the festival's history included Birthday Boy which won the award for Best Film in the International section. [9]
Yuri Borisovich Norstein is a Soviet and Russian animator best known for his animated shorts Hedgehog in the Fog and Tale of Tales. Since 1981, he has been working on a feature film called The Overcoat, based on the short story by Nikolai Gogol of the same name. According to The Washington Post, "he is considered by many to be not just the best animator of his era, but the best of all time".
Fyodor Savelyevich Khitruk was a Soviet and Russian animator and animation director.
The cinema of Iran, or of Persia, refers to the film industry in Iran. Particularly Iranian art films have garnered international recognition. Iranian films are usually written and spoken in the Persian language.
Yoram Jerzy Gross was a Polish-born, Australian producer of children's and family entertainment.
Ali Hatami was an Iranian film director, screenwriter, art director, and costume designer. The Tehran Times dubbed him "the Hafez of Iranian cinema due to the poetic ambiance of his movies."
Farkhondeh Torabi is an internationally acclaimed Persian animation director.
The International Tournée of Animation was an annual touring program of animated films that started in 1965 as The First Festival of Animated Film with each selected and assembled from films from many countries around the world and which existed from the 1970s to the 1980s-90s.
Noureddin Zarrinkelk, also spelled Zarrin-Kelk, also known as Noori or Nouri, is an Iranian animator, concept artist, editor, graphic designer, illustrator, layout artist, photographer, script writer, educator, and sculptor.
Ali Akbar Sadeghi a graduate of the College of Art, University of Tehran, is an Iranian painter and artist.
Persepolis is a 2007 adult animated biographical drama film based upon Marjane Satrapi's autobiographical graphic novel of the same name. It was written and directed by Satrapi in collaboration with Vincent Paronnaud. The story follows a young girl as she comes of age against the backdrop of the Iranian Revolution. The title references the historical city of Persepolis. The film was an international co-production made by companies in France and Iran. It premiered at the 2007 Cannes Film Festival, where it co-won the Jury Prize, alongside Silent Light. It was released in France and Belgium on 27 June 2007, earning universal praise from critics. The film was selected as the French entry for the Best Foreign Language Film category at the 80th Academy Awards, and was nominated for Best Animated Feature.
Nosrat Karimi was an Iranian actor, director, make-up artist, professor, scriptwriter, and sculptor. His career spanned six decades. He was perhaps best known for his role as Agha Joon in My Uncle Napoleon and The Carriage Driver.
Fantastic Animation Festival is a package film of animation segments, set mostly to music and released in theaters in 1977. It was one of the earliest of the sort of collections typified by Computer Animation Festival and Spike and Mike's Sick and Twisted Festival of Animation.
Steven Woloshen is a Canadian film animator and a pioneer of drawn-on-film animation.
Hunger/La Faim is a 1973/1974 animated short film produced by the National Film Board of Canada. It was directed by Peter Foldes and is one of the first computer animation films. The story, told without words, is a morality tale about greed and gluttony in contemporary society.
Massoud Mehrabi was an Iranian journalist, writer and caricaturist. He studied cinema at the Faculty of Dramatic Arts of the University of Art (1977–1982). and later passed a Film Production Management course at the Industrial Management Institute (1983–84). Mehrabi started his professional career as a journalist in 1970, writing articles for several papers.Mehrabi has been the president and publisher of The Film Monthly magazine, The Iranian Cinema Yearbook and The English-language Film International quarterly magazine (since1993) From 1982 to 1989, he worked at the economic desk of the Iranian National Television.
The history of Hungarian animation begins in 1914 and carries through to the modern day. Starting with short promotional cartoons prior to the two World Wars, Hungarian animation underwent a sporadic and halting development during the turbulent war years which were characterized in large part by the emigration of much of the field's top talent. This exodus slowed dramatically during the 1950s when the Hungarian Communist Party took power and the Iron Curtain took shape.
Majid Entezami is an Iranian composer, conductor, musician and oboist. He composed music for 9 television series, 10 suite symphonies and over 80 movies. His works include The Cyclist, The Fateful Day, The Glass Agency and The Insane Flew Away, all of which he was awarded the best award for film music for in the International Fajr Film Festival of Tehran. Besides that, his music for The Train, Once Upon A Time, Cinema, From Karkheh To Rhine, Attack on H-3, The Fragrance of Joseph's Shirt, Duel, A Place To Live, Intense Cold, The Saint Mary, The Men of Anjelos, The Wolves and The Loneliest General are some of his most notable, memorable and nostalgic works for Iranians. Majid Entezami is one of the most active film composers after the revolution of Iran.
Ebrahim Forouzesh is an Iranian film director, and a former manager of the cinema department at the Institute for the Intellectual Development of Children and Young Adults (1971-1978) where he oversaw the production of many films, shorts, features and animations. He has collaborated with Ali Akbar Sadeghi and Abbas Kiarostami. His second movie The Jar (خمره) won the Golden Leopard for the best Movie at Locarno Film Festival.
Ashkan Rahgozar is an Iranian author, director and filmmaker of multiple Animation movies. He is founder and chief executive of Hoorakhsh Studios.
Arthouse animation is a combination of art film and animated film.