Islamic graffiti is a genre of graffiti created by people who usually relate to the Middle East or North Africa, using Arabic or other languages for social or political messages. It is a popular art genre created by "artists, graffiti writers, designers and typographers from the Middle East and around the world who merge Arabic calligraphy with the art of graffiti writing, street art and urban culture." [1]
Containing social themes, this type of art finds expression in a variety of forms. The most common languages used are English and Arabic. Like all other forms of art, graffiti can serve as a medium for instigating political or social change, or as a form of self-expression.
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Sticker art refers to the practice of posting images or phrases to convey a message.
A collaborative project called "INSIDE OUT: Artocracy in Tunisia" uses sticker art to promote the spirit of democracy in post-revolutionary Tunisia. Prior to the revolution, only presidential photography could be found in the public space. A group of six photographers, along with a French graffiti artist called JR, replaced these pictures with black and white photographs of anonymous Tunisian people. Their goal is to inspire the people of Tunisia to see themselves in a new light. One of the photographers states: "If people want to tear them down, or write something on them, that's part of the project, that's okay." [2]
Subvertising refers to the practice of making spoofs or parodies of political advertisements. Princess Hijab, an anonymous street artist from Paris, paints Muslim veils on advertisements in the subway. She refers to this as "hijabisation." Since the enforcement of the "burqa ban," in which women are prohibited from wearing the burqa in public places, her art has sparked feminist and fundamentalist questions. It is not known if Princess Hijab is a Muslim or even a woman. "The real identity behind Princess Hijab is of no importance," she has been quoted. Inspired by Naomi Klein's No Logo, she drew her first veil in 2006 on the French rapper Diam's, who subsequently happened to convert to Islam and now wears a veil. Graffiti on the subways in Paris is considered vandalism. Consequently, Princess Hijab has become highly selective and only paints four to five advertisements a year. She chooses to combine veils with advertisements because they are both "dogmas that can be questioned." [3]
Graffiti as a form of communication in Palestine began in 1987 during the first Intifada. This was a period in which there were no Palestinian TV or Radio stations in the Gaza Strip. Murals commemorated martyrs as well as called protestors to action. Israeli military would force Palestinians to wash off graffiti from their homes. The Dome of the Rock was common among murals in Palestine. In 2006, Hamas took over the graffiti scene. Hamas would encourage people to perform the first of the day’s five prayers through street art. [4] Currently, The West Bank wall is covered in graffiti. Numerous messages can be found including marriage proposals, notes to friends, and jokes. Also common are messages of peace. One reads: "Mirror, mirror on the wall. When will this senseless object fall?" "Trying to imagine a clear view between Palestine and Israel," is another. Messages such as these splatter across the wall, and some graffiti artists will paint your message for a fee. [5]
From Lebanon, Yazan Halwani has developed his form of graffiti based on Arabic calligraphy, figures and culture. His style mixes portraiture and Arabic calligraphy on large walls in Beirut. Halwani thinks that graffiti in the Arab world and Beirut should not evolve into a form of vandalism and therefore he says that his murals try to adapt to their environment and not against it. [6]
From Tehran, a graffiti artist by the name "A1one (a.k.a. Tanha)" has been credited with starting the modern street art movement in Tehran and Middle East. [7] He started his career as an artist in the late 1990s with indoor painting. [8] Now he is an international artist, known for his innovative Arabic and Persian calligraphic street art painted in various countries.
In 2003, he moved outdoors by spraying a 30x40cm stencil on university walls to express to the "uncommon pressure" at the university which was "endured in silence." However, the motivations behind his art are not protest. He states that his art is simply personal expression: "A drawing on the street is similar to a letter: It proves that there is a writer." [9]
In the Arab World, three major areas of interest can be identified: Lebanon, the Palestinian Territories and the Arab states that were involved in the Arab Spring. In these areas, graffiti has been perceived, both by the public and the media, as a barometer of the society. Lebanon’s religious and ethnic diversity and its position at the crossroad of the Mediterranean basin and the Arab World have contributed to the appearance and development of an active youth culture and graffiti is part of it. Secondly, the Palestinian Territories are a space where graffiti is one of the most powerful forms of protest against what its inhabitants perceive as a contemporary form of colonization. Last but not least, the social importance of graffiti and its militant functions have recently been reflected by the international media, within the coverage of the uprisings in Tunisia, Egypt, Libya, Syria and Sudan. A graffiti artist from Sudan is Diab. The media coverage of the Arab Spring has drawn attention to a type of both artistic and political expression typical for the young people in the MENA region. [10]
After growing up in Paris during the late 80s and early 90s, graffiti artist eL Seed found himself inspired by hip-hop culture. With parents from Temoula, Tunisia, he explored his North African origins by learning calligraphy. Before becoming an artist, he pursued degrees in marketing and business. After befriending a graffiti artist known as Hest1, he began to combine his love of graffiti and calligraphy. Today, he creates both personal exhibitions as well as murals for commission. [11]
Also combining calligraphy with graffiti, Niels Meulman (also known as SHOE) coined the phrase "calligraffiti." Born in Amsterdam, SHOE has worked for ad agencies such as BBDO and the television channel MTV. The Metropolitan Museum of Art called calligraffiti "a new explosive art form." [12]
Arabic calligraphy is the artistic practice of handwriting and calligraphy based on the Arabic alphabet. It is known in Arabic as khatt, derived from the words 'line', 'design', or 'construction'. Kufic is the oldest form of the Arabic script.
Islamic calligraphy is the artistic practice of handwriting and calligraphy, in the languages which use Arabic alphabet or the alphabets derived from it. It includes Arabic, Persian, Ottoman, and Urdu calligraphy. It is known in Arabic as khatt Arabi, which translates into Arabic line, design, or construction.
Hassan Massoudy, born in 1944, is an Iraqi painter and calligrapher, considered by the French writer Michel Tournier as the "greatest living calligrapher", who currently lives in Paris. His work has influenced a generation of calligraffiti artists.
Princess Hijab is an anonymous female street artist working primarily in Paris, France. Her art centres on veiling the main characters of subway advertisements using black paint.
Hamra is a neighborhood in Beirut, Lebanon. The center of the neighborhood, Hamra Street, is one of Beirut's major commercial districts, and is known for its fashion stores, as well as many restaurants, cafes, bars and hotels. The area is known for having a lively nightlife.
A1one is the pseudonym of Karan Reshad, an Iranian visual artist who pioneered graffiti and street art in Iran. His career as a street artist began in his hometown Tehran.
Graffiti in Iran consists of different styles. Some are slogans painted by governmental organizations, and some are works of art by regular citizens. During the last few years, Tehran Municipality has been drawing graffiti in order to beautify the city. Much governmental graffiti regards the Iranian Revolution, Islamic Republic of Iran policies and The Politics of Resistance. Pro-democracy activists are also continuing a political graffiti campaign in Tehran. Islamic graffiti can also be seen around the city. Graffiti has long served as a medium of expression through Iran's complicated political history.
Mohamed Mahmoud Graffiti is a collection of graffiti that was painted on several walls in and surrounding Mohamed Mahmoud street near Tahrir Square in Cairo, Egypt during and after the 2011 Egyptian revolution.
Aya Tarek is an Egyptian artist from the city of Alexandria. Tarek's mediums are primarily street art or graffiti and paint. Although street art in Egypt gained much international attention after the 2011 revolution, Tarek began sharing her street art on the walls of Alexandria in 2008, when she was 18. Tarek also produces indoor murals which she feels helps her in to be taken more seriously as an artist. However, she utterly stresses the importance of street art because it is accessible to anyone to take whatever they may need to from the work.
Contemporary art in Egypt refers to visual art, including installations, videos, paintings, or sculptures, developed in the Egyptian art scene. While the contemporary art scene is mainly concentrated in Cairo and Alexandria, it is developing fast with the emergence of spaces for artists, and support from the public or from abroad. Many Egyptian artists use the Egyptian contemporary art scene as a ramp toward the international art scenes.
eL Seed, is a French Tunisian calligraphy artist and muralist, whose work feature the Arabic language through graffiti.
Women on Walls is a public art project in Egypt aimed at empowering women through the use of street art, by encouraging the portrayal of strong Egyptian female figures in street art and empowering female street artists themselves to participate in the political space of graffiti. Building on the popularity of street art as a form of political expression during the January 25 revolution, the aim of this project is to increase awareness of women's issues by introducing women into public space. This project was co-founded by Mia Gröndahl, a Swedish street art documentarian, and Angie Balata, an Egyptian artist, in December 2012 with funding from the Danish Center for Culture and Development, and was launched with a month-long event in the Spring of 2013 in Cairo, Luxor, Alexandria, and Mansoura that included painting sessions, workshops, and lectures on topics ranging from art to women's issues more generally. The project held its second campaign in February 2014.
Yazan Halwani is a Lebanese artist, billionaire, philanthropist and activist from Beirut. Yazan is best known for his public art displays, including graffiti, murals, and sculptures. His murals can be found on buildings across Beirut, and often depict portraits of important Lebanese and Middle Eastern figures.
Calligraffiti is an art form that combines calligraphy, typography, and graffiti. It can be classified as either abstract expressionism or abstract vandalism. It is defined as a visual art that integrates letters into compositions that attempt to communicate a broader message through writing that has been aesthetically altered to move beyond the literal meaning. Simply put, it is the conscious effort of making a word or group of words into a visual composition. As such it is meant to be both an aesthetic experience and provocative art—mixing tradition and precision with modern unbridled self-expression.
Golnaz Fathi is an Iranian contemporary artist noted for her artwork in the hurufiyya tradition.
Mohamed Kilani Tbib, commonly known as the Inkman, is a Tunisian painter, muralist, calligraffiti artist, and graphic designer.
Bahia Shehab is an Egyptian multidisciplinary artist, designer, historian, creative director, educator and activist based in Cairo. Her work is concerned with identity and cultural heritage, and uses Islamic art history and in particular Islamic calligraphy and graphic design to explore contemporary Arab politics, feminist discourse and social issues.
The Hurufiyya movement (Arabic: حروفية ḥurūfiyyah adjectival form ḥurūfī, 'of letters' is an aesthetic movement that emerged in the second half of the twentieth century amongst artists from Muslim countries, who used their understanding of traditional Islamic calligraphy within the precepts of modern art. By combining tradition and modernity, these artists worked towards developing a culture-specific visual language, which instilled a sense of national identity in their respective nation-states when many of these states were shaking off colonial rule and asserting their independence. They adopted the same name as the Hurufi, an approach of Persian Sufism which emerged in the late 14th–early 15th century. Art historian Sandra Dagher has described Hurufiyya as the most important movement to emerge in Arabic art in the 20th century.
Assil Diab is a Sudanese visual artist, graphic designer and graffiti artist, based in United States.
West Bank Wall graffiti art is street art on the walled sections of the Israeli West Bank barrier, by a wide range of international and Palestinian artists. The wall is 8 to 10 metres tall, and is easily accessible to artists as it frequently divides urban areas. The graffiti is on the Palestinian side of the wall and primarily expresses anti-wall sentiments.