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The Johnson cult, formerly misidentified as a cargo cult, was initiated on New Hanover Island in Papua New Guinea in 1964. Although initially labelled a cargo cult, it has since been characterized as "political theatre". [1]
What Billings discovered was an elaborate soap opera, a piece of political theatre and a game of high stakes. She found New Hanover to have a rich history of using play-acting and bluffing as a negotiation ploy that could be used in order to embarrass a foe. [...] In 1964, the New Hanoverans were fed up with their Australian administrators. Angry with these unpopular rulers, their real purpose was to embarrass them into giving them more aid, as development of their tiny island had been neglected for years. According to Billings, the Australian authorities responsible for overseeing the island had taken the 'cult' story at face value and were clueless as to what was motivating the islanders' 'strange' fixation on Lyndon Johnson. It was a cultural misunderstanding. [...] Ironically, the political gamesmanship of these so-called primitive, irrational islanders was so complex, subtle and unfamiliar that it went over the heads of both the Australian administrators and the world media. [2]
Cargo cult is a term used to denote various spiritual and political movements that arose among indigenous Melanesians following Western colonisation of the region in the late 19th century. Although the term "cargo cult" has been used by anthropologists to "label almost any sort of organised, village-based social movement with religious and political aspirations", features common to most cargo cult groups include the presence of charismatic prophet figures foretelling an imminent cataclysm and/or a coming utopia for followers—a worldview known as millenarianism. Claims made by these prophets varied greatly from movement to movement, with some predicting the return of the dead or an abundance of food. Some movements sought to appease "ancestral spirits or other powerful beings" by either reviving ancestral traditions or adopting new rituals, such as ecstatic dancing or imitating the actions of colonists and military personnel. Some groups foretold the coming of a bounty of Western goods or money as part of their prophecy, although this was not a universal feature of such movements, with other prophets telling their followers to abandon Western goods. Anthropologists have described cargo cults as rooted in pre-existing aspects of Melanesian society, as a reaction to colonial oppression and inequality disrupting traditional village life, or both.
Paul Bede Johnson was an English journalist, popular historian, speechwriter and author. Although associated with the political left in his early career, he became a popular conservative historian.
The Royal Book of Oz (1921) is the fifteenth book in the Oz series, and the first to be written after L. Frank Baum's death. Although Baum was credited as the author, it was written entirely by Ruth Plumly Thompson. It was followed by Kabumpo in Oz (1922).
"Surely You're Joking, Mr. Feynman!": Adventures of a Curious Character is an edited collection of reminiscences by the Nobel Prize–winning physicist Richard Feynman. The book, released in 1985, covers a variety of instances in Feynman's life. The anecdotes in the book are based on recorded audio conversations that Feynman had with his close friend and drumming partner Ralph Leighton.
People With AIDS (PWA) means "person with HIV/AIDS", also sometimes phrased as Person Living with AIDS. It is a term of self-empowerment, adopted by those with the virus in the early years of the pandemic, as an alternative to the passive implications of "AIDS patient". The phrase arose largely from the ACT UP activist community, however use of the term may or may not indicate that the person is associated with any particular political group.
The NAISDA Dance College is a performing arts training college based in Kariong, New South Wales for Aboriginal and Torres Strait Islander people in Australia. It was established as the Aboriginal Islander Skills Development Scheme (AISDS) in 1975, which became the National Aboriginal and Islander Skills Development Association (NAISDA) in 1988. The date of establishment of the college is usually cited as 1976, although some sources report it as 1975.
Guerrilla Girls On Tour is an anonymous touring theatre company whose mission is to develop activist plays, performance art and street theatre addressing feminism and women's history. Formed when the original Guerrilla Girls split into three separate groups in 2001, Guerrilla Girls On Tour has performed in 17 countries and 39 US states with "Feminists Are Funny," "If You Can Stand the Heat: The History of Women and Food," "Silence is Violence" and "The History of Women in Theatre, Condensed".
David Hamilton Jackson was a labor rights advocate in the Danish West Indies, later the United States Virgin Islands. Jackson was an important figure in the struggle for increased civil rights and workers' rights on the islands. He petitioned for freedom of the press, and organized the islands' first trade union. Following the transfer of the territory to American control in 1917, he lobbied for US citizenship for the islanders.
The Kansas Traditional Republican Majority (KTRM) is a political action committee founded in 2005 that supports more state government programs and moderate social policies. It is connected to the Republican Main Street Partnership. Becky Johnson chairs the group.
Eleo Pomare was a Colombian-American modern dance choreographer. Known for his politically-charged productions depicting the Black experience, his work had a major influence on contemporary dance, especially Black dance. After a tour to Australia in 1972, and the subsequent return of his then lead dancer, Carole Johnson, his style of dancing continues to influence Aboriginal and Torres Strait Islander modern dancers.
The Briar Street Theatre is a theatre located in Chicago, Illinois, and is home to the long-running Blue Man Group. Originally the carriage house for the Marshall Field and Company horses, the space was purchased by Walter Topel and reconstructed into a theater. The Briar Street Theatre is most notably associated with the Blue Man Group act, which began performing at the Briar Street Theatre in 1997 and, as of January 31st, 2024, is still performing there.
The Phillip Street Theatre was a popular and influential Australian theatre and theatrical company, located in Phillip Street in Sydney that was active from 1954 and 1971 that became well known for its intimate satirical revue productions.
Vishvanath Buddhika Keerthisena, also known as Boodee Keerthisena, is a Sri Lankan filmmaker. He began his career drawing comics before moving into painting, dress design, and visual arts. He moved into music in the late 1980s, and performed in a band called "Boo-Dee and the Woo-Zees" (1986–1992) as the lead singer.
The Ascension Island Council is an elected body that provides advice to the Administrator of Ascension Island on matters relating to the governance of Ascension Island. The Council is made up of either five or seven Councillors, depending on the number of candidates standing for an election, and its meetings are chaired by the Administrator. The Island's constitution requires the Governor and Administrator to consult with the Council when making laws for Ascension Island. The Governor and Administrator are not bound to accept the advice of the Council but the Council has the right of appeal to the British Government.
Aboriginal Islander Dance Theatre (AIDT) was the first dance company used to train Aboriginal and Torres Strait Islander students on their dancing career, and grew into a performance group. Originating in the National Aboriginal and Islander Skills Development Association, it was based in Sydney, New South Wales, and operated from 1976 to 1998.
The SS Cevic was a steam ship built by Harland and Wolff for the White Star Line for service initially in the North Atlantic. Later she was transferred to the Australia run. On the outbreak of the First World War she was sold to the Admiralty and converted to a dummy capital ship. Later she was transferred to the Royal Fleet Auxiliary. After the war she was sold to the Anglo-Saxon Petroleum Company.
The SS Georgic was a steam ship built by Harland and Wolff for the White Star Line to replace the SS Naronic which was lost at sea. Georgic was a cargo ship designed principally to carry livestock, at the time of entering service in 1895 she was the largest cargo ship in the world with a deadweight tonnage of 12,000 tons.
Mīria George is a New Zealand writer, producer and director of Māori and Cook Island descent. Best known for being the author of award-winning stage plays, George has also written radio, television and poetry, and was one of the film directors of the portmanteau film Vai. In November 2005, she won the Emerging Pacific Artist's Award at the Arts Pasifika Awards. Mīria George was the first Cook Islands artist to receive the Fulbright-Creative New Zealand Pacific Writer's Residency at the University of Hawai'i.
Francis Hagai was the leader of the Hahalis Welfare Society (HWS) on Buka Island, in what is now the Autonomous Region of Bougainville in Papua New Guinea. He received a Catholic education but later sought to establish an alternative church and revive traditional customs. In 1962 he led the HWS in a conflict with Australian authorities over a tax dispute and was briefly jailed. Although he was unsuccessful in bids for public office, he has been credited with drawing greater attention to Buka.
Carole Yvonne Johnson is an African American contemporary dancer and choreographer, known for her role in the establishment of the National Aboriginal Islander Skills Development Association (NAISDA), and as co-founder of Bangarra Dance Theatre in Australia. Early in her career she became a lead dancer in the Eleo Pomare Dance Company, and Pomare had a profound influence on her dancing style.
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