Peter Seeger was an American folk singer and social activist.
Guy Hughes Carawan Jr. was an American folk musician and musicologist. He served as music director and song leader for the Highlander Research and Education Center in New Market, Tennessee.
"We Shall Overcome" is a gospel song which became a protest song and a key anthem of the American civil rights movement. The song is most commonly attributed as being lyrically descended from "I'll Overcome Some Day", a hymn by Charles Albert Tindley that was first published in 1901.
"Kum ba yah" is an African American spiritual of disputed origin, but known to be sung in the Gullah culture of the islands off South Carolina and Georgia, with ties to enslaved West Africans. The song is thought to have spread from the islands to other Southern states and the North, as well as other places in the world. The first known recording, of someone known only as H. Wylie, who sang in the Gullah dialect, was recorded by folk enthusiast Robert Winslow Gordon in 1926. It later became a standard campfire song in scouting and summer camps and enjoyed broader popularity during the folk revival of the 1950s and 1960s.
"The Water Is Wide" is a folk song of Scottish origin. It remains popular in the 21st century. Cecil Sharp published the song in Folk Songs From Somerset (1906). It is related to Child Ballad 204, Jamie Douglas, which in turn refers to the ostensibly unhappy first marriage of James Douglas, 2nd Marquis of Douglas to Lady Barbara Erskine.
"Jimmy Crack Corn" or "Blue Tail Fly" is an American song which first became popular during the rise of blackface minstrelsy in the 1840s through performances by the Virginia Minstrels. It regained currency as a folk song in the 1940s at the beginning of the American folk music revival and has since become a popular children's song. Over the years, several variants have appeared.
The Highwaymen were a 1960s "collegiate folk" group. They originated at Wesleyan University in Middletown Ct and had a Billboard #1 hit in 1961 with "Michael Row the Boat Ashore", a version of the African-American work song, and another Top 20 hit in 1962 with "Cotton Fields". "Michael Row the Boat Ashore" sold over one million copies, and was awarded a gold record.
"Where Have All the Flowers Gone?" is a modern folk-style song. The melody and the first three verses were written by Pete Seeger in 1955 and published in Sing Out! magazine. Additional verses were added in May 1960 by Joe Hickerson, who turned it into a circular song. Its rhetorical "where?" and meditation on death place the song in the ubi sunt tradition. In 2010, the New Statesman listed it as one of the "Top 20 Political Songs".
"I Know Where I'm Going" is a traditional Scottish ballad about a wealthy love struck young woman pining for her "bonnie" lover Johnny who some say has a bad reputation. It has been noted since the early nineteenth century. It is Roud number 5701.
The American folk music revival began during the 1940s and peaked in popularity in the mid-1960s. Its roots went earlier, and performers like Josh White, Burl Ives, Woody Guthrie, Lead Belly, Big Bill Broonzy, Billie Holiday, Richard Dyer-Bennet, Oscar Brand, Jean Ritchie, John Jacob Niles, Susan Reed, Paul Robeson, Bessie Smith, Ma Rainey and Cisco Houston had enjoyed a limited general popularity in the 1930s and 1940s. The revival brought forward styles of American folk music that had in earlier times contributed to the development of country and western, blues, jazz, and rock and roll music.
"Keep Your Eyes on the Prize" is a folk song that became influential during the American Civil Rights Movement of the 1950s and 1960s. It is based on the traditional song, "Gospel Plow," also known as "Hold On," "Keep Your Hand on the Plow," and various permutations thereof.
"Mary Don't You Weep" is a Spiritual that originates from before the American Civil War – thus it is what scholars call a "slave song," "a label that describes their origins among the enslaved," and it contains "coded messages of hope and resistance." It is one of the most important of Negro spirituals. It is listed as number 11823 in the Roud Folk Song Index.
We Are Climbing Jacob's Ladder is an African American slave spiritual based in part on the Biblical story of Jacob's Ladder. It was developed some time before 1825, and became one of the first slave spirituals to be widely sung by white Christians. A number of artists have recorded notable versions of it, and it was used as one of the main themes in the critically praised documentary The Civil War.
Contemporary folk music refers to a wide variety of genres that emerged in the mid 20th century and afterwards which were associated with traditional folk music. Starting in the mid-20th century a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. The most common name for this new form of music is also "folk music", but is often called "contemporary folk music" or "folk revival music" to make the distinction. The transition was somewhat centered in the US and is also called the American folk music revival. Fusion genres such as folk rock and others also evolved within this phenomenon. While contemporary folk music is a genre generally distinct from traditional folk music, it often shares the same English name, performers and venues as traditional folk music; even individual songs may be a blend of the two.
The Union Boys was an American folk music group, formed impromptu in 1944, to record several songs on an album called Songs for Victory: Music for Political Action. Its "all-star leftist" members were Josh White, Sonny Terry, Brownie McGhee, Pete Seeger, Burl Ives, Tom Glazer.
The Shaker Village Work Group was a recreational summer camp and teen educational program that occupied historic Shaker land and buildings in New Lebanon, New York. The property was purchased by founders Jerome (Jerry) and Sybil A. Count from the Mount Lebanon Shaker Village community in 1946, and was opened to its first group of young "villagers" as the Shaker Village Work Camp in 1947. Around 1960, the Work Camp's name was changed to the Shaker Village Work Group. Operating until 1973, the Shaker Village Work Group was noteworthy as a program that gave urban youths the opportunity to learn skilled hands-on work through folk crafts, for its efforts to preserve Shaker architecture and culture, for its role in the American folk music revival of the 1950s and 60s, and for its influence on the 1960s counterculture movement.
"Old Blue" is an old folk song, believed to have originated from the minstrel shows of the late 19th century. A 1928 version by Jim Jackson, entitled "Old Dog Blue", appears on the Anthology of American Folk Music album. Since this early recording, a number of covers and variations of this song have been recorded. In his 1985 play, Fences, August Wilson uses Jim Jackson's version as a leitmotif, and the play's central character says his father originated the song.
American Folk Songs for Children is a studio album released by Pete Seeger in 1953 by Folkways Records. It was Seeger's first solo album.
We Shall Overcome is a 1963 album by Pete Seeger. It was recorded live at his concert at Carnegie Hall, New York City, on June 8, 1963, and was released by Columbia Records.
Anthony D. "Tony" Saletan is an American folk singer, children's instructional television pioneer, and music educator, who is responsible for the modern rediscovery of two of the genre's best-known songs, "Michael Row the Boat Ashore" and "Kumbaya". Born and raised in New York City, he attended the Walden School and received his bachelor's and master's degrees from Harvard University. For a brief period during his childhood, Saletan's piano teacher was a young Leonard Bernstein. He was involved as a teen in the Henry Wallace presidential campaign of 1948, in which original music in the folk style was important. Saletan settled in the Boston area, where for several years he appeared on educational television (WGBH), taught music in the Newton, Massachusetts public schools, and gave private guitar lessons. He also became involved in folk dancing and calling of contra dances. Saletan has often taught at Pinewoods Dance Camp in Plymouth, Massachusetts. Later in life, Saletan moved to Tacoma, Washington.
