Mingus Revisited | ||||
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Studio album by | ||||
Released | September 1961 (Pre-Bird) [1] May 1965 (Mingus Revisited) [2] | |||
Recorded | May 24-25, 1960 | |||
Genre | Jazz | |||
Length | 35:20 | |||
Label | Mercury (1961) Limelight (1965) | |||
Producer | Leonard Feather | |||
Charles Mingus chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
The Rolling Stone Jazz Record Guide |
Mingus Revisited (originally released as Pre-Bird in 1961) is an album by jazz bassist and composer Charles Mingus consisting of music that was composed before Mingus first heard Charlie Parker, hence the Pre-Bird title. The music is scored for various sized large jazz ensembles and features many soloists prominent at the time of recording. The album includes two tracks which are contrapuntal arrangements of two swing era pieces, whereby "Take the "A" Train" (left channel) is paired with a simultaneous "Exactly Like You" (right channel), and likewise "Do Nothin' Till You Hear From Me" with "I Let a Song Go Out of My Heart". Tracks 1 to 3, 5 and 6 recorded May 25, 1960 probably at Plaza Sound, New York City; tracks 4, 7 and 8 recorded May 24, 1960 at Plaza Sound, New York City. [4]
Jazz is a music genre that originated in the African-American communities of New Orleans, United States. It originated in the late 19th and early 20th centuries, and developed from roots in blues and ragtime. Jazz is seen by many as "America's classical music". Since the 1920s Jazz Age, jazz has become recognized as a major form of musical expression. It then emerged in the form of independent traditional and popular musical styles, all linked by the common bonds of African-American and European-American musical parentage with a performance orientation. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms and improvisation. Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Intellectuals around the world have hailed jazz as "one of America's original art forms".
A bassist or bass player, is a musician who plays a bass instrument such as a double bass, bass guitar, keyboard bass or a low brass instrument such as a tuba or sousaphone. Different musical genres tend to be associated with one or more of these instruments. Since the 1960s, the electric bass has been the standard bass instrument for funk, R&B, soul music, rock and roll, reggae, jazz fusion, heavy metal, country and pop music. The double bass is the standard bass instrument for classical music, bluegrass, rockabilly, and most genres of jazz. Low brass instruments such as the tuba or sousaphone are the standard bass instrument in Dixieland and New Orleans-style jazz bands.
A composer is a musician who is an author of music in any form, including vocal music, instrumental music, electronic music, and music which combines multiple forms. A composer may create music in any music genre, including, for example, classical music, musical theatre, blues, folk music, jazz, and popular music. Composers often express their works in a written musical score using musical notation.
All compositions by Charles Mingus, except where indicated
Maxwell Lemuel Roach was an American jazz drummer and composer. A pioneer of bebop, he worked in many other styles of music, and is generally considered alongside the most important drummers in history. He worked with many famous jazz musicians, including Coleman Hawkins, Dizzy Gillespie, Charlie Parker, Miles Davis, Duke Ellington, Thelonious Monk, Abbey Lincoln, Dinah Washington, Charles Mingus, Billy Eckstine, Stan Getz, Sonny Rollins, Eric Dolphy, and Booker Little. He was inducted into the DownBeat Hall of Fame in 1980 and the Modern Drummer Hall of Fame in 1992.
Gunther Alexander Schuller was an American composer, conductor, horn player, author, historian and jazz musician.
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal.
Mel Tormé, Rob McConnell and the Boss Brass is a 1986 studio album by Mel Tormé, accompanied by Rob McConnell's Boss Brass Big band. Tormé and McConnell's follow up album, Velvet & Brass was released in 1995.
Mingus Dynasty is a jazz album by Charles Mingus, recorded in 1959 and released on Columbia Records in May 1960. It is the companion album to his other 1959 record, Mingus Ah Um, and was inducted in the Grammy Hall of Fame in 1999. The title alludes to Mingus's ancestry which was partially Chinese.
The Great Paris Concert is a 1973 live double album by jazz legend Duke Ellington preserving pieces of a series of performances given in Paris during February 1963. Several of the tracks were previously edited and included in Duke Ellington's Greatest Hits. Those edited tracks were included on the 1989 CD re-release of The Great Paris Concert.
In the last decade of his life, Duke Ellington wrote three Sacred Concerts:
Cumbia & Jazz Fusion is an album by Charles Mingus recorded for the Atlantic label in 1977. It features two extended compositions written for the film Todo Modo by Mingus and performed by large ensembles featuring Jack Walrath, Jimmy Knepper, Paul Jeffrey, Ricky Ford, Dannie Richmond, Candido, Ray Mantilla, George Adams and Danny Mixon. The first two tracks on the album were inspired by Colombian Cumbia. The CD reissue added two solo performances by Mingus on piano.
Reincarnation of a Lovebird is a studio album by American jazz bassist and composer Charles Mingus, recorded in November 1960.
An Evening with Lena Horne is a 1994 live album by Lena Horne.
The Popular Duke Ellington is a studio album by American pianist, composer and bandleader Duke Ellington featuring many of the tunes associated with his orchestra rerecorded in 1966 and released on the RCA label in 1967.
First Time! The Count Meets the Duke is an album by American pianists, composers and bandleaders Duke Ellington and Count Basie with their combined Orchestras recorded and released on the Columbia label in 1961.
Jazz at the Plaza Vol. II is a live album by American pianist, composer and bandleader Duke Ellington recorded in 1958 at a party for Columbia Records and released on the label in 1973. The Miles Davis Sextet was also recorded at the same event and released as the first volume of Jazz at the Plaza.
This Is How I Feel About Jazz is the 1957 debut album by Quincy Jones. Jones arranged and conducted three recording sessions during September 1956, each with a different line-up, from a nonet to a fifteen piece big band. Musicians on the album include Art Farmer, Phil Woods, Lucky Thompson, Hank Jones, Paul Chambers, Milt Jackson, Art Pepper, Zoot Sims, and Herbie Mann. The bonus tracks on the CD release include compositions by Jimmy Giuffre, Lennie Niehaus and Charlie Mariano.
Appearing Nightly is a live album by American composer, bandleader and keyboardist Carla Bley, recorded in Paris in 2006 and released on the Watt/ECM label in 2008. Bley's compositions and arrangements incorporate many references to big bands and jazz standards from the swing era. The album contains two compositions commissioned by the Jazz Orchestra of Sardinia, and a suite inspired by nightclubs and big bands of the 1950s commissioned for the Monterey Jazz Festival.
I Gotta Right to Swing is a 1960 studio album by Sammy Davis Jr., accompanied by an uncredited Count Basie Orchestra, minus Count Basie himself.
Inspired Abandon is an album by American jazz trombonist Lawrence Brown with Johnny Hodges featuring performances recorded in 1965 for the Impulse! label. The album was rereleased on CD as bonus tracks on the American CD reissue of Everybody Knows Johnny Hodges.
Mingus at Monterey is a live album by jazz bassist and composer Charles Mingus recorded in 1964 at the Monterey Jazz Festival and originally released on Mingus's short-lived mail-order Jazz Workshop label but subsequently released on other labels.
Tonight at Noon is an album by jazz bassist and composer Charles Mingus released on the Atlantic label in 1964. It compiles tracks recorded at two sessions – the 1957 sessions for the album entitled The Clown and the 1961 sessions for Oh Yeah. These tracks have since been added to the CD re-releases of their respective albums as bonus tracks.
Ellington Is Forever is an album by guitarist Kenny Burrell featuring compositions associated with Duke Ellington recorded in 1975 and released on the Fantasy Records label. Originally released as a double album set in 1975 it was rereleased on CD in 1993 as Ellington Is Forever Volume 1.
Mingus is an album by jazz bassist and composer Charles Mingus. The album was recorded in October and November 1960 in New York and released in late 1961 on Nat Hentoff's Candid label.
Encyclopedia of Jazz is an album released on the Verve label compiled by jazz journalist Leonard Feather featuring tracks which were recorded to accompany Feather's Encyclopedia of Jazz in the Sixties. The album features three tracks by the Encyclopedia of Jazz All Stars arranged and conducted by Oliver Nelson along with one track each by Jimmy Smith with Wes Montgomery, Count Basie and Johnny Hodges with Earl Hines.
Live at the Theatre Boulogne-Billancourt/Paris, Vol. 1 is an album by Mingus Dynasty, billed as Big Band Charlie Mingus.
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