Art Blakey and the Jazz Messengers | ||||
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Studio album by Art Blakey and the Jazz Messengers | ||||
Released | late 1958 [1] | |||
Recorded | October 30, 1958 | |||
Studio | Van Gelder Studio Hackensack, New Jersey | |||
Genre | Hard bop | |||
Length | 40:16 | |||
Label | Blue Note BLP 4003 | |||
Producer | Alfred Lion | |||
Art Blakey chronology | ||||
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The Jazz Messengers chronology | ||||
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Art Blakey and the Jazz Messengers, also called Moanin', is a studio album by Art Blakey and the Jazz Messengers recorded on October 30, 1958 and released on Blue Note later that year. [2]
This was Blakey's first album for Blue Note in several years, after a period of recording for a number of different labels, and marked both a homecoming and a fresh start. Originally the LP was self-titled, but the instant popularity of the bluesy opening track, "Moanin'," composed by pianist Bobby Timmons, led to its becoming known by that title.
The rest of the originals are by saxophonist Benny Golson (who was not with the Jazz Messengers for long, this being the only U.S. album on which he is featured). "Are You Real?" is a propulsive 32-bar piece with a four-bar tag, featuring two-part writing for Golson and trumpeter Lee Morgan. "Along Came Betty" is a more lyrical, long-lined piece, almost serving as the album's ballad. "The Drum Thunder Suite" is a feature for Blakey, in three movements: "Drum Thunder"; "Cry a Blue Tear"; and "Harlem's Disciples". "Blues March" calls on the feeling of the New Orleans marching bands, and the album finishes on its only standard, an unusually brisk reading of "Come Rain or Come Shine". Of the originals on the album, all but the "Drum Thunder Suite" became staples of the Messengers book, even after Timmons and Golson were gone. Recorded by Rudy Van Gelder in his meticulous Hackensack studios, this recording reflects the hallmark precision associated with that engineer – on the 1999 CD reissue there is a brief conversation between Lee Morgan and Rudy Van Gelder going over Morgan's solo.
A vocalese version of "Moanin'" was later written by Jon Hendricks and recorded by his group Lambert, Hendricks & Ross, [3] as well as jazz vocalists Mel Tormé, Bill Henderson [4] and Karrin Allyson.
Review scores | |
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Source | Rating |
AllMusic | [5] |
The Rolling Stone Jazz Record Guide | [6] |
Encyclopedia of Popular Music | [7] |
The Penguin Guide to Jazz Recordings | [8] |
The album stands as one of the archetypal hard bop albums of the era, for the intensity of Blakey's drumming and the work of Morgan, Golson, and Timmons, and for its combination of old-fashioned gospel and blues influences with a sophisticated modern jazz sensibility. The album was identified by jazz critic Scott Yanow as one of "17 Essential Hard Bop Recordings". [9] AllMusic gives it a five-star review, stating: "Moanin' includes some of the greatest music Blakey produced in the studio with arguably his very best band. ... ranks with the very best of Blakey and what modern jazz offered in the late '50s and beyond." [5]
All tracks are written by Benny Golson, except as noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Moanin'" | Bobby Timmons | 9:35 |
2. | "Are You Real" |
| 4:50 |
3. | "Along Came Betty" | 6:12 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "The Drum Thunder (Miniature) Suite" "First Theme: Drum Thunder" "Second Theme: Cry a Blue Tear" "Third Theme: Harlem's Disciples" | 7:33 | |
2. | "Blues March" | 6:17 | |
3. | "Come Rain or Come Shine" | 5:49 | |
Total length: | 40:16 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Warm-up and dialogue between Lee Morgan and Rudy Van Gelder " | 0:35 | |
2. | "Moanin'" | Bobby Timmons | 9:35 |
3. | "Are You Real" | 4:50 | |
4. | "Along Came Betty" |
| 6:12 |
5. | "The Drum Thunder Suite" | 7:33 | |
6. | "Blues March" | 6:17 | |
7. | "Come Rain or Come Shine" |
| 5:49 |
8. | "Moanin'" (alternate take) | Timmons | 9:19 |
Chart (2021) | Peak position |
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Swedish Vinyl Albums (Sverigetopplistan) [11] | 2 |
Hard bop is a subgenre of jazz that is an extension of bebop music. Journalists and record companies began using the term in the mid-1950s to describe a new current within jazz that incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing.
Arthur Blakey was an American jazz drummer and bandleader. He was also known as Abdullah Ibn Buhaina after he converted to Islam for a short time in the late 1940s.
Robert Henry Timmons was an American jazz pianist and composer. He was a sideman in Art Blakey's Jazz Messengers for two periods, between which he was part of Cannonball Adderley's band. Several of Timmons' compositions written when part of these bands – including "Moanin'", "Dat Dere", and "This Here" – enjoyed commercial success and brought him more attention. In the early and mid-1960s he led a series of piano trios that toured and recorded extensively.
A Night in Tunisia is a studio album by Art Blakey and the Jazz Messengers, released in May 1961 through Blue Note Records. It was recorded in August 1960 at Van Gelder Studio in Englewood Cliffs, New Jersey.
A Night at Birdland, Vols. 1–3 are three separate but related 10" LPs by the Art Blakey Quintet recorded live at the Birdland jazz club on February 21, 1954, and released on Blue Note later that year, in July, October and November respectively. The quintet features horn section Clifford Brown and Lou Donaldson and rhythm section Horace Silver, Curly Russell and Blakey.
A Night at Birdland, Vols. 1 & 2 are a pair of separate but related live albums by the Art Blakey Quintet. They were recorded at the Birdland jazz club on February 21, 1954 and released on Blue Note in 1956. The performance was originally spread out over three 10" LPs as A Night at Birdland Vols. 1–3 (1954).
The Cooker is an album by American jazz trumpeter Lee Morgan recorded on September 29, 1957, and released on Blue Note in January 1958. The quintet features saxophonist Pepper Adams and rhythm section Bobby Timmons, Paul Chambers and Philly Joe Jones.
Leeway is an album by American jazz trumpeter Lee Morgan recorded on April 28, 1960 and released on Blue Note the following year. Morgan's quintet features saxophonist Jackie McLean and rhythm section Bobby Timmons, Paul Chambers and Art Blakey.
The Big Beat is an album by Art Blakey & the Jazz Messengers recorded on March 6, 1960 and released on Blue Note later that year. The quintet features horn section Lee Morgan and Wayne Shorter and rhythm section Bobby Timmons, Jymie Merritt and Blakey.
Meet You at the Jazz Corner of the World, Vols. 1 & 2 are a pair of separate but related live albums by Art Blakey & the Jazz Messengers recorded at the Birdland jazz club on September 14, 1960 and released on Blue Note in July 1961 and May 1962 respectively. The quintet features horn section Lee Morgan and Wayne Shorter and rhythm section Bobby Timmons, Jymie Merritt and Art Blakey. In 2002, the two LPs were reissued as a double-CD set.
At the Jazz Corner of the World, Vols. 1 & 2 are a pair of separate but related live albums by Art Blakey and the Jazz Messengers, recorded at the Birdland jazz club in New York City on April 15, 1959 and released on Blue Note later that year in September and October respectively. The quintet features horn section Lee Morgan and Hank Mobley and rhythm section Bobby Timmons, Jymie Merritt and Art Blakey.
Benny Golson and the Philadelphians is an album by saxophonist Benny Golson which was recorded in November and December 1958. Originally released on the United Artists label, the album was re-issued in 1998 on the Blue Note label with four additional bonus tracks.
Jazz Messengers '70 is a live album by drummer Art Blakey's Jazz Messengers recorded in Tokyo in 1970 and originally released on the Catalyst label.
Night in Tunisia: Digital Recording is an album by drummer Art Blakey and the Jazz Messengers recorded in Japan in 1979 and released on the Dutch Philips label. The album was one of the earliest digital recordings of a jazz artist and was also released as a direct to disc recording in Japan.
1958 – Paris Olympia is a live album by drummer Art Blakey's Jazz Messengers recorded at L'Olympia in 1958 and originally released on the French Fontana label.
"Moanin'" is a composition by Bobby Timmons, first recorded by Art Blakey's band the Jazz Messengers for the album of the same title that was released by Blue Note Records. Both the single and album are in the Grammy Hall of Fame.
The Jazz Messengers were a jazz combo that existed for over thirty-five years beginning in the early 1950s as a collective, and ending when long-time leader and founding drummer Art Blakey died in 1990. Blakey led or co-led the group from the outset. "Art Blakey" and "Jazz Messengers" became synonymous over the years, though Blakey did lead non-Messenger recording sessions and played as a sideman for other groups throughout his career.
"Yes sir, I'm gonna to stay with the youngsters. When these get too old, I'm gonna get some younger ones. Keeps the mind active."
Art Blakey et les Jazz-Messengers au club St. Germain are a set of live albums recorded on December 21, 1958, at the Club St. Germain in Paris, France by Art Blakey and the Jazz Messengers, released in three volumes by French RCA. All three albums have been collected on CD in the 2015 Sony box set, The Complete Columbia and RCA Albums Collection.
The Art of Jazz: Live in Leverkusen is a live album by Art Blakey's Jazz Messengers at the Leverkusen Jazz Festival in Germany on October 9, 1989. To commemorate Blakey's 70th birthday, the concert featured many special guests—most of whom were former Messengers. Singer Michelle Hendricks sang a song – "Mr. Blakey"—composed for the occasion by founding Messenger Horace Silver.
That's Funky is an album by saxophonist/composer Benny Golson that was recorded in 1994 and originally released by the Japanese Meldac Jazz label before being reissued by Arkadia Jazz in 2001.