"Pandora's Box" | ||||
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Single by Orchestral Manoeuvres in the Dark | ||||
from the album Sugar Tax | ||||
B-side | "All She Wants Is Everything" | |||
Released | 24 June 1991 [1] | |||
Length |
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Label | Virgin | |||
Songwriter(s) | OMD | |||
Producer(s) | OMD | |||
Orchestral Manoeuvres in the Dark singles chronology | ||||
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Music video | ||||
"Orchestral Manoeuvres In The Dark - Pandora's Box" on YouTube |
"Pandora's Box" (subtitled "It's a Long, Long Way" for the US release) is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released by Virgin on 24 June 1991 as the second single from their eighth studio album, Sugar Tax (1991). The song, which deals with the less glamorous side of celebrity, was inspired by silent film actress Louise Brooks and is named after the 1929 film Pandora's Box in which she starred.
The single was a top-10 hit in the United Kingdom and throughout Europe. Three remixes were made for this release, remixed by Danny Griffiths, Carl Segal, and Steve Anderson respectively. Anderson's shorter remix is the main single version. Additional remixes and edits appear on promotional and limited editions.
Andy McCluskey wrote "Pandora's Box" about the silent film actress Louise Brooks. He told the Edinburgh Evening News in 1991, "I've been fascinated by her for eight or nine years now. The more I learned the more fascinated I became. [She's] absolutely the sort of woman you'd fall in love with on first sight and absolutely the sort of person that you desperately shouldn't go anywhere near." [2]
Upon its release, David Quantick of NME remarked, "OMD this week don't know if they are a jovial Hazell Dean group or some wistful Enoesque melancholy merchants. It is this that gives them their force, that occupation of the dichotomous territories between art and pop." [3] Andrew Hirst of the Huddersfield Daily Examiner picked "Pandora's Box" as the "Single of the Week", observing a "slice of synthesizer sophistication" whose "peculiar guitar twang really makes it". [4] Alan Jones, writing for Music Week , called it a "melodic, bouncy pop song" that is "entrancing and addictive" and "should easily maintain their renewed impetus". [5] KROQ ranked it the 21st-greatest song of 1991, [6] while MTV Europe placed it 55th. [7] In a retrospective review for AllMusic, critic Dave Thompson noted a "fabulous dance-fired arrangement", a "jubilant melody" and a "bounding rhythm that defies efforts not to dance along". He added that the upbeat sound belies the "tragic tale" of its lyrics, which handle the "downside of fame and fortune". [8]
The music video for "Pandora's Box" is in black and white and features Louise Brooks and singer Andy McCluskey. According to the video intro, all of the scenes of Brooks in the video are from the original 1929 film.
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Orchestral Manoeuvres in the Dark (OMD) are an English electronic band formed on the Wirral, Merseyside, in 1978. The group consists of founding duo and principal songwriters Andy McCluskey and Paul Humphreys, along with Martin Cooper and Stuart Kershaw (drums). Regarded as pioneers of electronic music, OMD combined an experimental, minimalist ethos with pop sensibilities, becoming key figures in the emergence of synth-pop; McCluskey and Humphreys also introduced the "synth duo" format to British popular music. In the United States, the band were an early presence in the MTV-driven Second British Invasion.
George Andrew McCluskey is an English singer, songwriter, musician and record producer. He is best known as the lead singer and bass guitarist of the electronic band Orchestral Manoeuvres in the Dark (OMD), which he founded alongside keyboard player Paul Humphreys in 1978: McCluskey has been the group's sole constant member. He has sold over 40 million records with OMD, and is regarded as a pioneer of electronic music in the UK. McCluskey is noted for his frenetic onstage "Trainee Teacher Dance".
Orchestral Manoeuvres in the Dark is the debut studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 22 February 1980 by Dindisc. Recorded at the group's Liverpool studio, it showcased their minimal synth-pop style and peaked at number 27 on the UK Albums Chart. "Electricity" and "Red Frame/White Light" were released as singles; a re-recorded version of "Messages" provided OMD with their first hit in the UK, reaching number 13.
Crush is the sixth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 17 June 1985 by Virgin Records. It is the first of two OMD studio albums to be produced by Stephen Hague. Aimed primarily at the US market, Crush is notable for moving the group towards a more polished sound, although elements of earlier experimentation are still present. During recording the band employed a greater use of organic instrumentation than in the past.
"The Promise of a New Day" is the opening track and second single from American artist Paula Abdul's second studio album, Spellbound (1991). The song was written by Paula Abdul, Peter Lord and V. Jeffrey Smith. It became Abdul's sixth and final number-one hit on the US Billboard Hot 100.
Sugar Tax is the eighth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 7 May 1991 by Virgin Records. It was the group's first studio album since 1986's The Pacific Age, and the first of three recorded without co-founder Paul Humphreys, who had departed in 1989. Featuring singer Andy McCluskey alongside a new backing band, Sugar Tax leans towards the then-prevalent dance-pop genre, with McCluskey's songwriting at times being influenced by the breakdown of his relationship with Humphreys.
"Electricity" is the 1979 debut single by English electronic band Orchestral Manoeuvres in the Dark (OMD), featured on their eponymous debut album the following year. Andy McCluskey and Paul Humphreys sing the lead vocals on the track together in unison. Recognised as one of the most influential singles of its era, "Electricity" was integral to the rise of the UK's synth-pop movement. It has garnered praise from music journalists and other recording artists.
"Walking on the Milky Way" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD). It was released as a single on 5 August 1996 and appeared on their Universal album a month later. The song reached number 17 on the UK Singles Chart, becoming the group's first UK top-20 hit in over five years, and their last UK top-40 single. The band were flanked by a full string orchestra for their Top of the Pops performance of the song broadcast on 16 August 1996.
"Sailing on the Seven Seas" is a song by English electronic music band Orchestral Manoeuvres in the Dark (OMD), released on 18 March 1991 by Virgin as the first single from their eighth studio album, Sugar Tax (1991). Along with 1981's "Souvenir", it is the band's highest-charting UK hit to date, peaking at number three on the UK Singles Chart. It also charted at number three in Austria and Sweden, number five in Ireland and number nine in Germany. The single was the first to be released by OMD without co-founder Paul Humphreys, who had left to form his own band the Listening Pool.
"Then You Turn Away" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the third single released from their eighth studio album, Sugar Tax (1991), on 2 September 1991. It peaked at number 50 on the UK Singles Chart the same month and also reached number 56 in Germany.
"Joan of Arc (Maid of Orleans)" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1982 as the third single from their third studio album, Architecture & Morality. To prevent confusion with the group's previous single "Joan of Arc", the song was retitled "Maid of Orleans (The Waltz Joan of Arc)" for its single release. Both songs are about the French heroine Joan of Arc and both reached the Top 5 of the UK Singles Chart—although this release was more successful internationally, topping the charts in several countries including Germany, where it was the biggest-selling single of 1982. "Maid of Orleans" has sold four million copies worldwide.
"Red Frame/White Light" is the second single by English electronic band Orchestral Manoeuvres in the Dark (OMD). The song is about a red telephone box in Meols, on the Wirral peninsula in Merseyside, that was used by the group to make calls to organise their gigs in the late 1970s. The track is composed of two alternating major/minor sections, each built around a synthesizer hook. Lyrical content is minimal, comprising mostly brief, spoken word utterances. It was the band's first single to chart.
"Messages" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD) from their self-titled debut studio album (1980). A re-recorded version of the song was released on 2 May 1980 as the album's third and final single, reaching number 13 on the UK Singles Chart and becoming OMD's first top-40 entry. As with their debut single "Electricity", "Messages" features a melodic synth break instead of a sung chorus.
"Do You Feel Like I Feel?" is a song by American singer Belinda Carlisle, released as the second single from her fourth studio album, Live Your Life Be Free (1991). It became Carlisle's last single to chart on the US Billboard Hot 100, peaking at number 73.
"Souvenir" is a song written by Paul Humphreys and Martin Cooper of English electronic band Orchestral Manoeuvres in the Dark (OMD), and released as the first single from the group's 1981 album Architecture & Morality. Sung by Humphreys, the track is characterised by its use of slowed-down choral loops, and showcases OMD's early approach of utilising a synthesizer hook in place of a vocal chorus. The song has garnered praise from critics and fellow artists.
The discography of English electronic band Orchestral Manoeuvres in the Dark (OMD) includes 14 studio albums and 46 singles, among other releases. The group issued their debut single, "Electricity", in 1979, and achieved several international top 10 hits during the 1980s and 1990s, including their signature songs "Enola Gay" (1980) and "If You Leave" (1986). OMD's albums Architecture & Morality (1981), The Best of OMD (1988) and Sugar Tax (1991) were certified platinum or higher in the UK; the gold-certified Dazzle Ships (1983) became one of the band's more influential works.
"Dream of Me (Based on Love's Theme)" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in July 1993 by Virgin Records as the second single from their ninth studio album, Liberator (1993). The song uses a sample from "Love's Theme", a 1973 instrumental piece recorded by Barry White's Love Unlimited Orchestra. It was remixed by Gregg Jackman for release as a single and reached the top 30 in Belgium, the Netherlands, and the United Kingdom.
"Everyday" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1993 as the third and final single from their ninth album, Liberator (1993). Co-founder Paul Humphreys, who had left the group four years prior, is credited as a co-writer. "Everyday" was the only single from Liberator to miss the UK top 25, charting at number 59. The accompanying music video features Sara Cox, who would later be known as a BBC Radio DJ.
English Electric is the twelfth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), and their second since the 2006 reformation of the group. Preceded by lead single "Metroland" on 25 March 2013, it was released on 5 April by 100% Records. Unlike predecessor History of Modern (2010), which was compiled remotely via the Internet, English Electric saw OMD co-founders Andy McCluskey and Paul Humphreys write and record in person, with the aim of recreating their artistic chemistry in years past. The album was largely inspired by McCluskey's then-recent divorce.
The Punishment of Luxury is the thirteenth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), and the third since their 2006 reformation. Produced by OMD, it was released on 1 September 2017 by 100% Records in the UK and White Noise elsewhere. In July of that year, the band commenced a tour of North America and Europe in support of the record.
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