Queen of Hip-Pop | ||||
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Studio album by | ||||
Released | July 13, 2005 | |||
Recorded | 2004–2005 | |||
Studio |
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Length | 52:28 | |||
Label | Avex Trax | |||
Producer |
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Namie Amuro chronology | ||||
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Singles from Queen of Hip-Pop | ||||
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Queen of Hip-Pop is the seventh studio album by Japanese recording artist Namie Amuro. It was released on July 13, 2005, by Avex Trax. The album's lyrical content, composing and arrangement was handled by multiple music collaborators, such as Nao'ymt, Sugi-V, Michico, Tricky Stewart, T.Kura, among many others. It is her second full-length urban contemporary record, and is made up of songs of various musical genres. Amuro uses the term "hip-pop" to describe the music on the album because it fuses pop music with other genres including R&B and hip-hop music. Three different formats were released to promote the album: a standalone CD, a limited edition Playbutton, and a digital download.
Upon its release, Queen of Hip-Pop received positive reviews from music critics. Commercially, the album was a success in Japan, hitting the second position on the Oricon Albums Chart, and has since been certified double platinum by the Recording Industry Association of Japan (RIAJ) for shipments of over 500,000 units nationwide. The album is considered Amuro's comeback album, being her best-selling record since Genius 2000 (2000), and was her most commercially successful effort in half a decade before Play (2007) was released.
Four singles were released from Queen of Hip-Pop: "Alarm," "All For You," "Girl Talk/The Speed Star" and "Want Me, Want Me." The latter two singles, "Girl Talk/The Speed Star" and "Want Me, Want Me," both peaked at number two on the Oricon Singles Chart. Meanwhile, "Alarm" and "All For You" peaked at number eleven and number six, respectively. Amuro promoted the album by embarking on the Space of Hip-Pop tour, which ran from September to December 2005.
For Queen of Hip-Pop, Amuro's record label Avex Trax hired a wide array of musicians, such as Michico, T.Kura, Sugi-V, Nao'ymt, among many others to work on the album. [1] Those producers are just some of whom worked with Amuro on her preceding album Style (2003). [2] Amuro contributed as the main and background vocalist. [1] While planning the album, Amuro decided she wanted to create music that would have its most profound effect live; the result is an album that is her most up-tempo containing eleven R&B/dance songs and only one ballad. [3] When the album was completed, Amuro said that she had not been able to sing the songs very well yet. [3]
The title track is a bouncy R&B number with a combination of hand claps and floating synths. [4] The song "Want Me, Want Me" is a reggae-style dance tune with an addictive loop that incorporates Japanese elements like the koto that plays during the intro. [4] Atypical for Amuro, the song contains sexually aggressive lyrics and even name-drops the condom brand Trojan. The song "WoWa" (pronounced "Ooh Wah") is an uptempo R&B and dance-pop number with an arrangement that mixes sounds made by real people, such as marching, hand claps, and flutes. [4] "I Wanna Show You My Love" is a UK-style R&B number that serves as a love letter to Amuro's fans. [4] "Girl Talk" is a dance pop and R&B tune that lyrically revolves around female camaraderie. [4] "Free" is a mid-tempo Southern hip hop tune with a dark intro that develops into a bewitching, rhythmic synth sound. [4] "My Darling" is a soulful Crunk&B number. [4] "Ups & Downs" is a midtempo R&B number; [4] it was originally planned to be sung solo, but after Amuro heard Nao'ymt singing the song exceptionally, Amuro told him, "I would love to sing it with you," and decided to make it a duet. [5]
"I Love You" is a disco pop number with sparkling rhythmic bouncing sounds; the words 'I love you' are said four times during the chorus in four different languages (French, English, Spanish and Chinese). [4] "All for You" is the album's sole ballad. [4] "Alarm" is a pop and R&B song with a heavy bassline. [4] "No" is a club tune with a bouncy sound; the middle eight, with its handclaps and synths, stirs up calls of "N-A-M-I-E." [4] A hidden track known to fans as "No pt.II" is included shortly after "No"; it is a remixed slow-paced version of the song containing new vocals. [4]
The album art theme is that of the Pink Panther. Amuro happened to be a big fan of the Pink Panther cartoon character and wanted to include its image. [6] A licensing deal was struck with MGM studios allowing Amuro to freely use the character in her album artwork and promotion. [6] A special character "Namie Panther" based on Amuro herself was also created as a counterpart to the Pink Panther. [7] Because of the Pink Panther deal, all of the material released for the album has been pink. [1] First pressing packaging of the album included Pink Panther stickers and a Pink Panther styled newspaper containing lyrics for the album. [1]
During an interview with Bounce Magazine in July 2005, Amuro stated that the usage of the word "Hip-Pop" in the album title was to give the listener an easy-to-understand image of the record; she explained in full detail;
It was the same with " Style ," but I wanted the album title to express the image of the work in a single word that would be easy to understand. And "Hip-Pop" may be a vague and half-baked word (laughs), but I thought it was the easiest to understand. I don't think I'm biased toward J-pop this time, nor toward hip-hop or R&B. Well, "Queen" is attached to it (laughs). [5]
Four singles were released to promote Queen of Hip-Pop. The first, "Alarm," released in March 2004, [8] is her first (and to date, only) single to miss the top ten by peaking at number eleven on the Oricon Singles Chart. [9] Despite the low sales, "Alarm" became a popular hit in Japan. She performed "Alarm" at the 2004 MTV Video Music Awards Japan held at Tokyo Bay NK Hall on May 23, 2004. [10]
Four months later in July 2004 she released "All for You," [11] her first original ballad since "I Will" in 2002. [12] The single was a great success and became the first of three consecutive singles to sell over 100,000 copies. On July 24, 2004, she performed the song at the MTV Buzz Asia Concert held in Seoul, South Korea as a performing artist representing Japan. [13] "All for You" has been certified gold for shipments of over 100,000 by the Recording Industry Association of Japan (RIAJ) [14] and reached number six on the Oricon Singles Chart. [15]
In October 2004, the double A-side single "Girl Talk/The Speed Star" was released. [16] This was her first double A-side single since "So Crazy/Come" in 2003. [17] Interestingly, when the album was released only "Girl Talk" was included in the tracklist while, "The Speed Star" was omitted for unknown reasons. [1] The single was a big hit for Amuro, debuting at number two on the Oricon Singles Chart, her first single to achieve this since "Wishing On The Same Star." [18] [19] [20] The success of "Girl Talk/The Speed Star" earned Amuro an invite to perform at the 55th NHK Kohaku Utagassen, but she declined. [21] This ended her nine year streak of performing at Kouhaku Uta Gassen . [22] The following year, on February 3, 2005, she performed "Girl Talk" at MTV Asia Aid 2005, which was held in Bangkok, Thailand. [23] At the 2005 MTV Video Music Awards Japan held on May 9, 2005, the music video for "Girl Talk" won the prize for Best R&B Video. [24]
The last single off the album, "Want Me, Want Me," was released in April 2005. [25] In March 2005, a month before its official release, Amuro sung the song at Japan's largest fashion event, Kobe Collection. [26] The performance surprised the approximately 2,000 audience members who had not been notified at all of her appearance. [27] Amuro commented: "I was nervous as it was a special fashion show, but I enjoyed it a lot because the audience erupted when I appeared!" [28] The song "Want Me, Want Me" was another hit for her and reached number two on the Oricon Singles Chart. [29] It also provided her with her largest first week sales since "Say the Word." Two months later she performed the song at the 2005 MTV Video Music Awards Japan in front of an audience of 7,500 people, saying: "I hope people who like music will see it as it is, instead of getting worked up about it." [30]
The music video for "Alarm" was directed by Ugichin. [31] The video was predominately filmed in black-and-white and depicts Amuro and her backup dancers dancing in a warehouse wearing biker fashion. There are also interspersed scenes throughout the video of a TV screen in a bar showing Amuro walking down a runway while wearing a yellow minidress. A drag queen called Margaret also makes a brief appearance. At the end of the video, a ring is chucked at the screen and picked up by a long-haired man whose look is reminiscent of Amuro’s ex-husband.
The music video for "All For You" was directed by Masashi Mutō [32] and depicts Amuro singing emotionally all alone on a beach in Tateyama City, Chiba Prefecture in front of a sunset.
The music video for "Girl Talk" was directed by Ugichin. [33] Filmed in a Spanish-style mansion, the video is plain and simple, depicting Amuro in a variety of rooms. The main scene of the video has Amuro in a pink cowboy hat while she's dancing with two female dancers. Another scene has her singing on top of a bed. The third scene had Amuro sitting in a living room with her two dancers chatting on a settee in the background.
The music video for "The Speed Star" was also directed by Ugichin; [34] it features Amuro and five background dancers performing in front of a giant car motor. As they dance, runners try to sprint towards Amuro before being blown back by the fan of the motor. The video switches between this scene and two others. Another scene has Amuro and her dancers performing in pink boxes. The camera spans back and forth between each dancer as they freestyle. The last scene of the video involves Amuro pole dancing alone. This scene was presented in black and white with high contrast between the tones.
The music video for "Want Me Want Me" was directed by Masashi Mutō. [35] Filmed in an undisclosed studio, it features Amuro and several dancers of various ethnic backgrounds dancing vehemently in a flooded room. The room switches between two colors, blue and beige.
Another track off the album, "WoWa," was released as a video and radio single but was not retailed. The music video for "WoWa" was directed by Masashi Mutō. [36] The video featured Amuro on rollerskates dancing with cheerleaders by a pool. Animated scenes of the Pink Panther and Namie Panther were made specifically for the video. [37]
To promote Queen of Hip-Pop, approximately 150 Namie Panther flags were displayed around Center Gai in Shibuya. [38] [6] Throughout the album's promotional campaign, Amuro promoted several songs off of it through various products and advertisements. Before the album was even announced, its title track was used as a commercial jingle for Chevrolet Suzuki Cruze automobiles. [39] For the songs "Alarm," "Girl Talk" and "WoWa," Amuro appeared in three TV commercials for the Lucido-L hair products which featured each one of those three songs respectively. [40] [41] [42] "All For You" served as the opening theme to the popular dorama Kimi Ga Omoide Ni Naru Mae Ni . [43] This was her first single since 1998's "I Have Never Seen" to be used for a television drama. [44] "No" was later used to promote the "Space of Hip-Pop" home video. Five days after the release of Queen of Hip-Pop, a secret event titled “HMV 15th Anniversary Presents Namie Amuro "Queen of Hip-Pop"” was held on a special stage on the rooftop of Aqua City Odaiba, where she performed three songs from the album, including "WoWa," in the heat of over 30°C. [45] [46] On July 21, 2005, Amuro participated in the public recording of FM Osaka's "Love Flap" at the HMV Shinsaibashi Store in Chuo Ward, Osaka; approximately 300 people selected from program listeners and fan club members attended the venue. [47]
Furthermore, Amuro embarked on the Space of Hip-Pop concert tour, which made 35 stops throughout Japan from September to December 2005. [48] The tour was later released on DVD on March 15, 2006, [49] which went on to reach number two on the Oricon DVD Chart and was eventually certified gold in May 2007. [50] [51]
Review scores | |
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Source | Rating |
Playlouder | [52] |
MTVChinese.com | [53] |
Hot Express | (favorable) [54] |
CD Journal | (neutral) [4] |
Queen of Hip-Pop was warmly received by critics. Daniel Robson of Playlouder awarded the album with four starts out of five. [52] In the review he commended Amuro for her adaption to the R&B and hip-hop trend that became popular in Japan at the time. [52] At the end of the review he stated: "Oh, but then there are bouncy beats, apocalyptic dance-me-ups and crazy stop-starts sprinkled all over the record, as well as a few Engrish lyrics to laugh at. And who could ever ask for more?" [52] Yuzu of MTVChinese.com awarded the album four stars out of five, praising the album's production value and compositions. [53]
Tetsuo Hiraga of Hot Express was extremely positive on the album, feeling that, in his own words: "the songs are uncompromising and unreserved, and give the impression of the “real thing” that Namie Amuro wanted to make her own. It would be difficult to listen to such a comprehensive collection of songs, but I was truly amazed at the identity of Namie Amuro, who was able to make all of them into popular music and comfortable to listen to." [54] A mini-review from CD Journal pointed pointed out that the vibrant visuals are slightly out of step with the enthusiasm of the project, but claimed that the work is by no means bad. [4]
In Japan, Queen of Hip-Pop debuted at the runner-up spot on the Oricon Albums Chart with 201,524 units sold in its first week, being blocked from number one by Ketsumeishi's Ketsunopolis 4 . [55] This became Amuro's highest first week sales for an album in five years. It descended to number three on the albums chart the following week, shifting 91,236 units. [56] In total, Queen of Hip-Pop lasted four weeks in the top ten, eleven weeks in the top 100, and stayed in the top 300 chart for 25 weeks. [57] Additionally, it was ranked the 27th best-selling album of 2005 with 450,359 copies sold by the end of the year. [58] The record also peaked at number one on the Taiwanese J-Pop chart and number two on the Combo Chart. [59] [60] Queen of Hip-Pop was certified double platinum by the Recording Industry Association of Japan (RIAJ) for shipments of 500,000 units. [61] In the second quarter of 2006, Avex reported that Queen of Hip-Pop sold approximately 494,000 copies in Japan. [62] According to Oricon Style, Queen of Hip-Pop is Amuro's twelfth best-selling album overall. [63]
No. | Title | Lyrics | Music | Arranger(s) | Length |
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1. | "Queen of Hip-Pop" | Tiger | Nao'ymt | Nao'ymt | 3:14 |
2. | "Want Me, Want Me" | Michico | Sugi-V | Sugi-V | 3:10 |
3. | "WoWa" | Nao'ymt | Nao'ymt | Nao'ymt | 4:08 |
4. | "I Wanna Show You My Love" | Michico | T.Kura, Michico | T.Kura | 3:39 |
5. | "Girl Talk" | T.Kura, Michico | T.Kura, Michico | T.Kura | 4:22 |
6. | "Free" | Namie Amuro | Nao’ymt | Nao'ymt | 4:18 |
7. | "My Darling" | Michico | T. Kura, Michico | T.Kura | 4:14 |
8. | "Ups & Downs" (duet with Nao'ymt) | Nao'ymt | Nao'ymt | Nao'ymt | 3:46 |
9. | "I Love You" | Christopher Stewart, Tab, Traci Hale Japanese lyrics: Shoko Fujibayashi | Christopher Stewart, Tab, Traci Hale | 4:16 | |
10. | "All for You" | Natsumi Watanabe | Ryoki Matsumoto | Jun Abe | 5:47 |
11. | "Alarm" | Jusme | Monk | Monk | 4:10 |
12. | "No" | Nao'ymt | Nao'ymt | Nao'ymt | 7:07 |
Total length: | 52:28 |
No. | Title | Lyrics | Music | Arranger(s) | Length |
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13. | "Yes" (-Secret Track-) | Nao'ymt | Nao'ymt | Nao'ymt | 7:07 |
Region | Certification | Certified units/sales |
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Japan (RIAJ) [65] | 2× Platinum | 494,000 [66] |
South Korea | — | 3,700 [67] |
Namie Amuro is a retired Japanese singer. She rose to prominence as a teen idol, and transitioned into a leading pop artist due to her versatility across music styles and visual presentation. Due to her career reinventions and longevity, she is known as an icon across Japan and Asia. She has been referred to as the "Queen of Japanese Pop", and her influence domestically has drawn equivalent comparisons to artists such as Janet Jackson and Madonna in Western pop culture.
Love Enhanced Single Collection is the second greatest hits album by Japanese singer Namie Amuro. It was released on March 13, 2002, through Avex Trax. This was Amuro's first greatest hits album in about four years, since 181920. It was also her first greatest hits album since her return to the music scene. Although the album is labeled as a "singles collection," nearly all of the songs on the album have been re-recorded, re-mixed, or re-arranged, all of which remain exclusive to this album's release. In addition, only "Lovin' It" was recorded as a single take. The album also contains the last of the work she created with her longtime creative partner Tetsuya Komuro.
Break the Rules is the fifth studio album by Japanese recording artist Namie Amuro, released on December 20, 2000, through Avex Trax. It was released only eleven months after her previous album Genius 2000 (2000). It is her final album working with her long-time producer Tetsuya Komuro, and features American producer Dallas Austin. Break the Rules musically focuses on dance music and R&B.
"Want Me, Want Me" is the 29th single by Japanese recording artist Namie Amuro. It was released by Avex Trax on April 6, 2005, and was the last single from her seventh studio album, Queen of Hip-Pop (2005). "Want Me, Want Me" was initially supposed to be released as an album track of Queen of Hip-Pop or a coupling song, but Amuro thought it was so good she made it a single despite the opposition of her staff. The song's lyrics were written by Michico, while its music was composed by Sugi-V. Musically, "Want Me, Want Me" is an upbeat reggae-style tune with influences of reggaeton and bhangra music. Lyrically, the song is a provocative song that explores themes of desire, sexual agency, and the pursuit of pleasure.
"White Light" is a song by Japanese singer Namie Amuro. It was released by Avex Trax in Japan on November 16, 2005, as a double A-single with "Violet Sauce". "White Light" was supposed to promote Amuro's eighth studio album Play (2007), but it was scrapped from the final track list. Instead, an alternative version of "Violet Sauce" appeared. A demo version of the song was sent to Amuro, who decided it needed a warmer tone and reworked it as a Christmas song. It was modified by Nao'ymt, the song's sole composer, producer, and writer. Musically, it's a midtempo Christmas song with lyrics about love and holiday festivities.
"Girl Talk" is a song by Japanese singer Namie Amuro. Avex Trax released it on digital and physical formats on October 14, 2004, and it is the third single from Amuro's seventh studio album, Queen of Hip-Pop (2005). It was also released as a double A-side with "The Speed Star", though the latter did not appear on the parent album. "Girl Talk" was written and produced by T.Kura and Michico, and is a dance song with R&B and pop influences that, like its parent album, transitions from Amuro's original dance sound to a more mature yet transatlantic sound.
"All for You" is the 27th single by Japanese recording artist Namie Amuro. It was released on July 22, 2004, by Avex Trax, and serves as Amuro's second single from her seventh studio album Queen of Hip-Pop (2005). The lyrics were written by Natsumi Watanabe, who had translated "Stop the music" into Japanese for Amuro's 1995 single. The music was composed by Ryoki Matsumoto, known for composing other hit songs at the time such as Rui's "Tsuki no Shizuku" and Mika Nakashima's "Yuki no Hana." Musically, "All For You" is a synthesizer-heavy power ballad.
"Alarm" is the 26th single by Japanese recording artist Namie Amuro. It was released by Avex Trax on March 17, 2004, serving as the lead single to Amuro's seventh studio album Queen of Hip-Pop (2005). The song was written by Jusme and composed by Monk. The B-side "Strobe" was first planned as the main track of this single and when Amuro got the demo for "Alarm" the song was titled "Clock."
"Can't Sleep, Can't Eat, I'm Sick" is the 31st single by Japanese singer Namie Amuro. It was released by Avex Trax in Japan alongside "Ningyo" on May 17, 2006, as a double A-single. "Can't Sleep, Can't Eat, I'm Sick" served as the second single from Amuro's eighth studio album Play (2007), but "Ningyo" was excluded from the track list. "Can't Sleep, Can't Eat, I'm Sick" was produced by her two most frequent collaborators at the time: T.Kura and Michico for Giant Swing Productions. Musically, it is an upbeat urban contemporary and dance pop song that features a hefty amount of saxophones. Lyrically, it speaks of a lovesick person who can't get anything done when he or she thinks about their lover.
"Put ‘Em Up" is the 24th single by Japanese singer Namie Amuro. It was released on digital and physical formats by Avex Trax on July 16, 2003, and serves as Amuro's third single from her sixth studio album Style (2003). It was originally written by Jasper Cameron and producer Dallas Austin, but portions of it were rewritten by Japanese songwriter Michico because Amuro felt the demo version was too harsh.
"Shine More" is the 23rd single by Japanese recording artist Namie Amuro. It was released on March 5, 2003, by Avex Trax and serves as the second single from her sixth studio album Style (2003). "Shine More" was originally written by Scott Nickoley, Sandra Pires and Paul Taylor, while the lyrics were translated into Japanese by H.U.B. Amuro called the song the first part of a dance number trilogy including "Put 'Em Up" and "So Crazy."
"Say the Word" is the 18th single by Japanese recording artist Namie Amuro, and her 7th vinyl record. The CD single was released on August 8, 2001, by Avex Trax. The vinyl edition was released on September 12, 2001, by Rhythm Republic. This is Amuro's first single since severing ties with her former long-time producer Tetsuya Komuro. The song is not found on any of her studio records, but was later placed on her second best album Love Enhanced Single Collection, which was released five months later. It was produced by Swedish producers Ronald Malmberg and Thomas Johansson who are best known for their work with Swedish pop group A-Teens.
"You're My Sunshine" is the sixth single by Japanese singer Namie Amuro. It was released on June 5, 1996, by Avex Trax and was produced by Tetsuya Komuro. The song was the image song for the Bristol-Myers Squibb "Sea Breeze '96" commercial in which she appeared. The version used in the initial commercial had a different tempo and tune from the CD package version. The following year, 1997, she was used for the second consecutive year in a "Sea Breeze" commercial, this time using her hit song "How to Be a Girl".
Play is the eighth studio album by Japanese recording artist Namie Amuro. It was released on June 27, 2007, by Avex Trax and was made available in both physical and digital formats. Following the success of her previous album, Queen of Hip-Pop (2005), Amuro enlisted long-time collaborators Nao'ymt and T. Kura to produce the album. Play, like its predecessor, is an urban contemporary record with elements of pop music, rock and dance-pop. Lyrically, the record explores themes of love, frustration, and relationships.
"60s 70s 80s" is a triple A-side single by Japanese singer Namie Amuro from her third greatest hits album, Best Fiction (2008). It was released on March 12, 2008, through Avex Trax and consists of the songs "New Look," "Rock Steady" and "What a Feeling," each sampling from a specific decade in music, hence the title. "New Look" represents the 1960's and features a sample from The Supremes' "Baby Love." "Rock Steady" represents the 1970's and features a sample from Aretha Franklin's song "Rock Steady." The last song, "What a Feeling" represents the 1980's and features samples from Irene Cara's "Flashdance... What a Feeling," which was the theme for the 1983 film Flashdance.
Best Fiction is the third greatest hits album by Japanese singer Namie Amuro. It was released on July 30, 2008, by Avex Trax and features seventeen singles released between 2002-2008, which included five new songs, three of which were released as a triple A-side single called "60s 70s 80s." Furthermore, the album tracks "Do Me More" and "Sexy Girl" were released as digital singles.
"Wild" is a song by Japanese singer Namie Amuro. It was released by Avex Trax on March 16, 2009, and serves as the lead single for her ninth studio album, Past<Future (2009). Furthermore, all physical and digital formats included the A-side titled "Dr.," which appears on the parent album. Amuro intended to depart from her previous releases with "Wild" and "Dr.", her first forays into new material. Michico, T. Kura, and Nao'ymt created and produced "Wild," which was recorded at Tokyo's Azabu-O-Studio with Ryosuke Kataoka's assistance.
Past<Future is the ninth studio album by Japanese pop singer Namie Amuro. It was released on December 16, 2009, through Avex Trax. This was her first original album to be released in two and a half years. The record came after the release of her blockbuster greatest hits album Best Fiction (2008), which sold over a million copies. Unlike her previous studio albums, Queen of Hip-Pop (2005) and Play (2007), Past<Future features a more electropop and synth-pop sound that was prevalent in the Western music charts at the time.
"Sit! Stay! Wait! Down! / Love Story" is an extended play by Japanese recording artist Namie Amuro from her tenth studio album and debut bilingual album Uncontrolled (2012). The EP contains the songs "Sit! Stay! Wait! Down!" and "Love Story" from the parent album and two new tracks "Higher" and "Arigatou". The EP was produced by Michico, T. Kura, Miriam Nervo, Olivia Nervo, T-SK, Tesung Kim, and Nao'ymt, and is divided into two dance-pop songs and two pop ballads.
"So Crazy" is a song by Japanese singer Namie Amuro. It was released on October 16, 2003, by Avex Trax, and serves as the fourth and final single from her sixth studio album, Style (2003). Furthermore, all physical and digital formats included an additional A-side titled "Come," which appears on the parent album. "So Crazy" was written by Full Force, Jennifer "JJ" Johnson, Michico, and Tiger, and produced by Cobra Endo.
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