Feel | ||||
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Studio album by | ||||
Released | July 10, 2013 | |||
Recorded | 2012–2013 | |||
Studio |
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Genre | ||||
Length | 42:29 | |||
Language |
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Label | Dimension Point | |||
Producer |
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Namie Amuro chronology | ||||
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Alternative cover | ||||
Singles from Feel | ||||
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Feel (stylized in all caps) is the eleventh studio album by Japanese recording artist Namie Amuro. It was released on July 10,2013,in both physical and digital formats,and it is her first studio release through Dimension Point,a sub-division of Amuro's label Avex Trax. Feel, like its predecessor Uncontrolled (2012),features a diverse range of producers and songwriters from outside of Japan,including collaborations with Zedd,Dsign Music,Anthony Maniscalco,and Steven Lee.
Inspired to make upbeat music for the summer season,Feel focuses on electronic dance and electro house music. It is also her second musical effort to predominantly include the English language,and lyrically explores themes of love,pleasure,and empowerment. Upon release,Feel received mixed-to-positive reviews from music critics. Most reviews praised the album's sound and Amuro's incorporation of electronic dance music. However,some criticised the album's lack of originality and Amuro's English delivery.
The album was a commercial success in Japan,reaching number one on both the Oricon Albums Chart and the Billboard Hot Albums chart. It was also certified platinum by the Recording Industry Association of Japan (RIAJ) and sold over 400,000 units in Japan. It also appeared on the record charts in South Korea and Taiwan. Amuro embarked on her Feel Tour 2013,travelling throughout Japan and other parts of Asia. The following year,a live DVD and Blu-Ray were released.
Five singles were released to promote Feel:"Big Boys Cry","Beautiful","Contrail","Hands on Me",and "Heaven";although "Beautiful" did not appear on the album. The first two songs were released as a double A-side single and underperformed in Amuro's home country. "Contrail," "Hands on Me," and "Heaven" were digitally released and charted on the Billboard Japan Hot 100. Each song was also featured in commercials that debuted in Japan.
In June 2012,Namie Amuro released her first bilingual studio album, Uncontrolled ,to commemorate her 20th career anniversary. [1] It marked a shift in Amuro's sound and production standards,primarily working with songwriters and producers outside of Japan,and it also marked Amuro's transition from urban to electronic dance music. [1] The album received mixed-to-positive reviews upon its release,but it was a commercial success in her home country. [2] [3] Amuro embarked on her 5 Domes Tour throughout Japan to promote the album,which later received a live DVD and Blu-Ray release. [4]
Throughout 2012,publications in Japan reported that Amuro had intended to part ways with her label Avex Trax and management company Vision Factory after a 17-year partnership. However,Avex decided to create Dimension Point,a label for Amuro to release her future music. Furthermore,the establishment of the label allowed Amuro to take control of her music and professional ventures on future releases. [5]
Amuro confirmed work on a new album in January 2013. [6] The recording sessions were held at Avex Studios,Prime Sound Studios and LAB Recordings in Tokyo,Japan,with the final material mixed by D.O.I. at Daiminion Recordings,and mastered by Chris Gehringer at Sterling Sound Studios in New York City. [7] In an interview with ViVi magazine ,she described the overall appeal as "very summery," despite the fact that she had only recorded half of the album at the time. [6] Furthermore,Amuro later addressed the album's overall appeal,saying,“I don't know how people will view it,but I don't want them to think too hard about it. Everyone has their own interpretations of music. I want the album to be one they turn on over and over to improve their mood." [8]
"There are so many different kinds of music all around the world, so I thought about what gave me good vibes, gradually listening and choosing “music” that fit the mood, situation, etc. at the time. I think music is something that can communicate those things even without words there to explain. I hope everyone can take something different away from this album.” [9]
—Amuro discussing her musical exploration of Feel.
Musically, Feel is predominately inspired by electronic dance music and electro house. [10] [11] Prior to its release, Amuro said the album would "convey the energy and feeling of summer," later confirming that it would feature various dance numbers. [6] Furthermore, she re-iterated her sentiments with Mina magazine, saying, "The album is very summery and high energy, and you can just enjoy it without having to think too much." [12] Billboard Japan noted the diversity of the album's sound, citing "aggressive tracks and simple ballads". [13] Japanese magazine CD Journal echoed similar opinions, but noted the record being influenced by electronic dance music and electro house. [10] Writing for The Japan Times , contributor Patrick St. Michel noted the albums influenced on Westernized production standards, citing electronic dance music and electropop as major musical notes. Additionally, he compared the sound to Japanese musicians Kumi Koda and Ayumi Hamasaki, whom, according to St. Michel, also experimented with this sound previously. [11]
Feel opens with the track "Alive", an electronic dance number that includes a bass drop during its chorus and instrumentation of heavy basslines and electric guitar riffs. [10] [11] The songs producer, Anthony Maniscalco, sampled the composition and placed it into his own song titled "Magnet", under his stage name Hook n Sling. [7] The second song "Rainbow" is also inspired by electro house music, and was compared to the song "I Love It" by Swedish musical act Icona Pop. [10] [11] "Can You Feel This Love?" is the third track on the album, and was produced by Ryuichiro Yamaki, a collaborator whom Amuro had previously worked with during her time with Japanese group Suite Chic. [10] "Big Boys Cry", the fourth song on the album, is a rhythmic-sounding number that was produced by Swedish music team Dsign Music. [10] The fifth track on the album is "Hands on Me", an club-oriented electro house number with elements of complextro sounds and heavy drum beats. [10] Produced by German-Russian producer Zedd, the albums sixth track "Heaven" is another electro house-driven song that lyrically touches on themes of love. [10]
"Poison" is the seventh track on Feel, and is a club-inspired number that was described as "sexy" and "dangerous". [10] [11] "La La La", the albums eighth track, is a confident electro house track. [10] The albums ninth track, "Supernatural Love", is inspired by both electropop and dancehall sounds, alongside elements of K-pop and Korean contemporary dance music. [10] "Let Me Let You Go" is the only ballad that appears on the record, and is a simple-piano driven song that showcases Amuro's vocal deliveries. [10] [11] "Contrail", the eleventh song that appears on the album, is mid-tempo dance number that includes instrumentation of synthesizers, keyboards and a drum machine. [14] The album closes with the song "Stardust in My Eyes", which features various string arrangements over an electro house and drum and bass composition. [10]
"This album requires the use of your senses to enjoy, so the design covering various parts of the face ties into that. The ways people obtained information in the past was very limited, but we currently live in an era of information overload. In such an age, it becomes especially important to decide what is right for yourself. So I hope people can be truly free to choose the way they want to enjoy music." [8]
—Amuro talking about the photoshoot for Feel.
Feel was released on July 10, 2013. It is her eleventh musical effort, and her second studio album to incorporate the English language. Additionally, it is Amuro's first release with Dimension Point, a sub-division of her label Avex Trax, and her final record working with her management company Rising Production (formerly Vision Factory). [7] The album features 12 tracks totaling more than 42 minutes in length. Two other formats, the DVD and Blu-Ray version, included seven music videos; "Alive", "Big Boys Cry", "Hands on Me", "Heaven", "Let Me Let You Go", "Contrail", and an unreleased English version of the album track "Can You Feel This Love?". [7]
All three versions of Feel were released on various physical formats. First-pressings of the album were distributed as a digipack, which included the album booklet and details exclusive to Amuro's fanclub. [7] Retail outlets in Japan issued either a large poster or stickers to the first-press editions of the album, whilst a T-shirt with the album art was released through Amuro's fanclub. [15] After the roll-out of the first-pressings, the album was distributed with a jewelcase packaging. [7] The album artwork and photoshoot was photographed by Takaki Kumada, which featured black and white close-up shots of Amuro's face, while the art direction and the album's booklet was designed by Masaru Yoshikawa from AEI. [7] All three cover arts of the album are loosely inspired by the depiction of the three wise monkeys; it shows Amuro covering her ears, eyes, and mouth. [7]
After Amuro's retirement from the entertainment industry, Dimension Point published all of her music on streaming services and various digital outlets in mid-2019, including Feel. [16] However, in November 2023, Feel, alongside the rest of Amuro's music releases, were removed from physical retailers, digital outlets, and streaming services due to unexplained reasons. [17]
Five singles were released to promote Feel. "Big Boys Cry" and "Beautiful" were released the album's lead singles on March 6, 2013, through Dimension Point, both distributed as a double A-side format. [18] Despite its commercial release, "Beautiful" did not appear on the track list for Feel. The songs underperformed in Amuro's native Japan, reaching number four on the Oricon Singles Chart, and ultimately became Amuro's lowest-selling physical single in her career. [19] [20] A music video for each song appeared on the DVD formats of the single. [18] The albums second single, "Contrail", was released on May 19, 2013, through Dimension Point. It was distributed through digital outlets, making it ineligible to chart on Oricon in Japan. [21] However, it did peak at number eight on Japan Hot 100 chart, and was certified platinum by the Recording Industry Association of Japan (RIAJ) for digital sales of 250,000 units. [22] [23]
"Hands on Me" was released as the albums fourth single by Dimension Point through digital outlets on July 3, 2013. Commercially, the song peaked at number 19 on the Japan Hot 100 chart. [22] An accompanying visual was shot in Los Angeles, California, featuring the singer on a rooftop dancing to the song, and attending a pool party; cameo appearances of American girl group TLC were featured. [24] Seven days later, on July 10, the same day as the release of Feel, album track "Heaven" was released as the albums fifth and final digital single, distributed by Dimension Point. The song peaked at number 26 on the Japan Hot 100 chart. [22] A music video featured Amuro in a neon-lit rooms, surrounding by party aesthetics and back-up dancers. [25] Although not released as a single, "La La La" charted at number 53 on the Japan Hot 100 chart. [26]
Several songs included on the album were included in various commercials and advertisements promoted in Japan. "Big Boys Cry", "Beautiful", and "La La La" were used as commercial tracks for the skincare brand Kose Esprique; a visual commercial was filmed and included Amuro. [27] [10] "Contrail" was used as the theme track to the 2013 television series Flying Public Relations Office, which was broadcast by Japanese network Tokyo Broadcasting System (TBS). [28] "Can You Feel This Love?" was used as the theme song to celebrate the 20th anniversary of the Fuji Television series Mezamashi TV. [29] Tracks and promotional footage of the album were used in MTV's "Artist of the Month" segment in July 2013. [30]
Tour by Namie Amuro | |
Location | Japan |
---|---|
Associated album | Feel |
Start date | August 16, 2013 |
End date | December 23, 2013 |
Legs | 1 |
No. of shows | 45 |
Namie Amuro concert chronology |
Amuro announced her Feel tour in early mid 2013. The dates were confirmed via a flyer given out with the purchases of Feel, enclosed in the album's booklet. [7] A total of 44 shows in over 20 different cities were scheduled in Japan, spanning from August 16 at the Yokosuka Arts Theatre, Kanagawa Prefecture, and finishing on December 23 at the Fukuoka Convention Center in Fukuoka. [31] A special website was hosted by Avex Trax during the concert tour, showing a live report and special photos from specific concert dates. [32] An Asian leg was originally added to the concert tour, having Amuro travel to Singapore for a live show with promotion handled by Midas Promotions; this would have been the singer's second visit to the country. However, in April 2013, a tour promoter cancelled the show and cited "local promoter issues". However, Midas Promotions uploaded a press release, believing poor ticket sales and expensive rates to be the primary issue. [33]
A live album and DVD/Blu-Ray were recorded at the Saitama Super Arena on December 1. A total of 28 songs were added on the track list, including a bonus track of "Contrail", which was recorded at the National Yoyogi Stadium First Gymnasium to commemorate her 500th live performance. [34] [35] Titled Namie Amuro Feel Tour 2003, the formats were a success in Japan; it reached the top spot on the Oricon DVD chart, and number two on the Blu-Ray Chart, and was certified gold by the Recording Industry Association of Japan (RIAJ) for shipments of 100,000 copies. [36] [37] [38]
Date | City | Venue | Attendance |
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August 16, 2013 | Kanagawa | Yokosuka Arts Theater | 240,000 [39] |
August 19, 2013 | Kobe | Kobe Kokusai Hall | |
August 20, 2013 | |||
August 24, 2013 | Miyagi | Sendai Sun Plaza | |
August 25, 2013 | |||
August 28, 2013 | Aomori | Aomori City Cultural Center | |
August 29, 2013 | Iwate | Iwate Prefectural Civic Center Great Hall | |
September 1, 2013 | Shiga | Biwako Hall Centre | |
September 2, 2013 | Okayama | Kurashiki City Hall | |
September 5, 2013 | Kanazawa | Honda no Mori Hall | |
September 6, 2013 | Toyama | Toyama Shimin Plaza | |
September 9, 2013 | Hiroshima | Bunka Gakuen HBG Hall | |
September 9, 2013 | Hiroshima | Bunka Gakuen HBG Hall | |
September 10, 2013 | |||
September 12, 2013 | Tottori | Yonago Convention Centre | |
September 17, 2013 | Kagawa | Kenmin Hall | |
September 18, 2013 | Ehime | Himekin Hall | |
September 22, 2013 | Oita | Oita Prefectural General Culture Center | |
September 23, 2013 | |||
September 26, 2013 | Miyazaki | Miyazaki City Hall | |
September 26, 2013 | Kagoshima | Kagoshima Citizens' Cultural Hall | |
October 1, 2013 | Niigata | Niigata Prefectural Civic Center | |
October 2, 2013 | |||
October 19, 2013 | Chiba | Makuhari Messe Event Hall | |
October 20, 2013 | |||
November 2, 2013 | Hokkaido | Hokkaido Prefectural Sports Center | |
November 3, 2013 | |||
November 7, 2013 | Osaka | Osaka-jō Hall | |
November 8, 2013 | |||
November 10, 2013 | |||
November 19, 2013 | Aichi | Nippon Gaishi Hall | |
November 20, 2013 | |||
November 22, 2013 | |||
November 26, 2013 | Tokyo | Yoyogi National Gymnasium | |
November 27, 2013 | |||
November 30, 2013 | Saitama | Saitama Super Arena | |
December 1, 2013 | |||
December 7, 2013 | Tokyo | Yoyogi National Gymnasium | |
December 8, 2013 | |||
December 10, 2013 | |||
December 14, 2013 | Osaka | Osaka-jō Hall | |
December 15, 2013 | |||
December 21, 2013 | Fukuoka | Fukuoka Convention Center | |
December 22, 2013 | |||
December 23, 2013 |
Review scores | |
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Source | Rating |
Billboard Japan | (neutral) [13] |
CDJournal | (neutral) [10] |
The Japan Times | (mixed) [11] |
Feel received mixed-to-positive reviews from music critics. A review from Billboard Japan noted the albums diverse set of genres and sounds, describing the record as "cutting-edge." [13] Similarly, a review from CDJournal also complimented the albums set of sounds. Although the review was ambivalent towards a few "simple songs" on the record, Feel was praised for its "ambitious" production and for Amuro's vocal deliveires. [10] Blerds Online held a ranking of all of Amuro's studio albums, and listed Feel at number five, highlighting its "cohesive sound" and labelled it as "unique". The review highlighted "Rainbow", "La La La", and "Stardust In My Eyes" as the album standouts. [40]
Contributing for The Japan Times , Patrick St. Michel wrote a mixed review. He opined that Feel was a "calculated stab at Western sensibilities", noting the overwhelming use of the English language and collaborations with producers outside of Japan as factors. [11] Although he highlighted "Alive", "Rainbow", "Big Boys Cry" and "La La La" as standouts, he felt the production standards lacked "ambition". [11] Overall, he summarised the album by saying, "Had Amuro and her team focused on perfecting this sound, Feel would match up to any Western electro-pop album from 2013. Unfortunately it doesn't, and the inconsistency makes for a frustrating listen." [11]
Commercially, Feel was a success. In Japan, Feel debuted at the top of the daily and weekly Oricon Albums Chart, opening with sales of 247,689 copies in its first-six days. [41] It became Amuro's eleventh album to top both charts on Oricon, and also became the highest first-week sales for a solo female artist that year, beating Nanda Collection (2013) by Kyary Pamyu Pamyu. [42] Feel spent six weeks inside the top ten on the weekly chart, and lasted 45 weeks in total. [43] By the end of 2013, the album was the sixth-best selling record in the country, having sold 382,684 copies. Additionally, Amuro became the highest-selling solo artist in terms of pure album sales that year. [44] Moreover, the album opened at number one on the Billboard Japan Hot Album Sales chart. [45] Feel was certified platinum by the Recording Industry Association of Japan (RIAJ) for shipments of 250,000 units. [46]
Elsewhere, Feel charted in other territories in Asia. In South Korean, the album debuted and peaked number 25 on the South Korean Gaon Albums Chart, her highest entry in the region, and also appeared on the Overseas chart at number five. [47] [48] In Taiwan, Feel peaked at number six on the G-Music standard chart and number one on the East Asian chart for a sole week. [49] [50]
No. | Title | Lyrics | Producer | Length |
---|---|---|---|---|
1. | "Alive" |
| A. Maniscalco | 3:27 |
2. | "Rainbow" |
| Ambience | 3:03 |
3. | "Can You Feel This Love" |
| R. Yamaki | |
4. | "Big Boys Cry" |
|
| 3:22 |
5. | "Hands on Me" |
|
| 3:15 |
6. | "Heaven" | Emyli | Zedd | 3:31 |
7. | "Poison" |
| A. Kapit | 3:51 |
8. | "La La La" |
| DaWood | 2:59 |
9. | "Supernatural Love" |
| S. Lee | 3:23 |
10. | "Let Me Let You Go" |
| JD Walker | 4:02 |
11. | "Contrail" | Nao'ymt | Nao'ymt | 4:12 |
12. | "Stardust in My Eyes" |
| HyGrade | 3:25 |
Total length: | 42:29 |
No. | Title | Director(s) | Length |
---|---|---|---|
1. | "Alive" | IKIOI | |
2. | "Big Boys Cry" | Daisuke "Nino" Ninomiya (IKIOI) | |
3. | "Contrail" | Daisuke "Nino" Ninomiya (IKIOI) | |
4. | "Hands on Me" | Daisuke "Nino" Ninomiya (IKIOI) | |
5. | "Heaven" | Daisuke "Nino" Ninomiya (IKIOI) | |
6. | "Let Me Let You Go" | Daisuke "Nino" Ninomiya (IKIOI) | |
7. | "Can You Feel This Love (English ver.) -Making Movie-" | IKIOI |
Personnel details were sourced from Feel's liner notes booklet. [7]
Visuals and imagery
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Performers and musicians
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Technical and production
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Weekly charts
| Monthly charts
Year-end charts
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Region | Certification | Certified units/sales |
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Japan (RIAJ) [46] | Platinum | 382,684 [44] |
Region | Date | Format | Label |
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Japan [7] | July 10, 2013 | Dimension Point | |
Worldwide [52] | Digital download | Avex Trax | |
Taiwan [53] | July 19, 2013 |
| Avex Taiwan |
Indonesia [53] | CD | Avex Indonesia | |
South Korea [53] | July 24, 2013 | Genie Music | |
Namie Amuro is a retired Japanese singer. She rose to prominence as a teen idol, and transitioned into a leading pop artist due to her versatility across music styles and visual presentation. Due to her career reinventions and longevity, she is known as an icon across Japan and Asia. She has been referred to as the "Queen of Japanese Pop", and her influence domestically has drawn equivalent comparisons to artists such as Janet Jackson and Madonna in Western pop culture.
Love Enhanced Single Collection is the second greatest hits album by Japanese singer Namie Amuro. It was released on March 13, 2002, through Avex Trax. This was Amuro's first greatest hits album in about four years, since 181920. It was also her first greatest hits album since her return to the music scene. Although the album is labeled as a "singles collection," nearly all of the songs on the album have been re-recorded, re-mixed, or re-arranged, all of which remain exclusive to this album's release. In addition, only "Lovin' It" was recorded as a single take. The album also contains the last of the work she created with her longtime creative partner Tetsuya Komuro.
Sweet 19 Blues is the second studio album by Japanese singer Namie Amuro. It was released through Avex Trax on July 22, 1996. It is Amuro's first release with the label since leaving Toshiba-EMI, as well as her first album free of material associated with her previous band, Super Monkey's. Sweet 19 Blues was executive produced by Tetsuya Komuro and features a diverse group of collaborators, including Cozy Kubo, Akio Togashi, Takahiro Maeda, M.c.A.T, and Randy Waldman.
"White Light" is a song by Japanese singer Namie Amuro. It was released by Avex Trax in Japan on November 16, 2005, as a double A-single with "Violet Sauce". "White Light" was supposed to promote Amuro's eighth studio album Play (2007), but it was scrapped from the final track list. Instead, an alternative version of "Violet Sauce" appeared. A demo version of the song was sent to Amuro, who decided it needed a warmer tone and reworked it as a Christmas song. It was modified by Nao'ymt, the song's sole composer, producer, and writer. Musically, it's a midtempo Christmas song with lyrics about love and holiday festivities.
"Girl Talk" is a song by Japanese singer Namie Amuro. Avex Trax released it on digital and physical formats on October 14, 2004, and it is the third single from Amuro's seventh studio album, Queen of Hip-Pop (2005). It was also released as a double A-side with "The Speed Star", though the latter did not appear on the parent album. "Girl Talk" was written and produced by T.Kura and Michico, and is a dance song with R&B and pop influences that, like its parent album, transitions from Amuro's original dance sound to a more mature yet transatlantic sound.
"Shine More" is the 23rd single by Japanese recording artist Namie Amuro. It was released on March 5, 2003, by Avex Trax and serves as the second single from her sixth studio album Style (2003). "Shine More" was originally written by Scott Nickoley, Sandra Pires and Paul Taylor, while the lyrics were translated into Japanese by H.U.B. Amuro called the song the first part of a dance number trilogy including "Put 'Em Up" and "So Crazy."
"Sweet 19 Blues" is the seventh single by Japanese recording artist Namie Amuro. It was composed, written and arranged by Tetsuya Komuro for her debut album of the same name. A month after its release, her label Avex Trax released the song as a recut single due to overwhelming demand. The song's subject and the album in general was about the melancholic passing of another sweet year of youth, which is a particularly Japanese obsession.
"You're My Sunshine" is the sixth single by Japanese singer Namie Amuro. It was released on June 5, 1996, by Avex Trax and was produced by Tetsuya Komuro. The song was the image song for the Bristol-Myers Squibb "Sea Breeze '96" commercial in which she appeared. The version used in the initial commercial had a different tempo and tune from the CD package version. The following year, 1997, she was used for the second consecutive year in a "Sea Breeze" commercial, this time using her hit song "How to Be a Girl".
"Baby Don't Cry" is the 32nd single by Japanese recording artist Namie Amuro. It was released as the second single from her eighth studio album, Play (2007). It was written, composed, arranged, and produced by Japanese musician Naoaki Yamato, under the alias Nao'ymt. The single also included the B-side track "Nobody," a reworked version of her 2005 song "White Light." "Baby Don't Cry" premiered on January 24, 2007, as the third single from the album in Japan. It was also released worldwide on February 21, 2007, through Avex Inc. Musically, "Baby Don't Cry" is an mid-tempo sunshine pop song influenced by R&B music.
Play is the eighth studio album by Japanese recording artist Namie Amuro. It was released on June 27, 2007, by Avex Trax and was made available in both physical and digital formats. Following the success of her previous album, Queen of Hip-Pop (2005), Amuro enlisted long-time collaborators Nao'ymt and T. Kura to produce the album. Play, like its predecessor, is an urban contemporary record with elements of pop music, rock and dance-pop. Lyrically, the record explores themes of love, frustration, and relationships.
Best Fiction is the third greatest hits album by Japanese singer Namie Amuro. It was released on July 30, 2008, by Avex Trax and features seventeen singles released between 2002-2008, which included five new songs, three of which were released as a triple A-side single called "60s 70s 80s." Furthermore, the album tracks "Do Me More" and "Sexy Girl" were released as digital singles.
"Wild" is a song by Japanese singer Namie Amuro. It was released by Avex Trax on March 16, 2009, and serves as the lead single for her ninth studio album, Past<Future (2009). Furthermore, all physical and digital formats included the A-side titled "Dr.," which appears on the parent album. Amuro intended to depart from her previous releases with "Wild" and "Dr.", her first forays into new material. Michico, T. Kura, and Nao'ymt created and produced "Wild," which was recorded at Tokyo's Azabu-O-Studio with Ryosuke Kataoka's assistance.
Past<Future is the ninth studio album by Japanese pop singer Namie Amuro. It was released on December 16, 2009, through Avex Trax. This was her first original album to be released in two and a half years. The record came after the release of her blockbuster greatest hits album Best Fiction (2008), which sold over a million copies. Unlike her previous studio albums, Queen of Hip-Pop (2005) and Play (2007), Past<Future features a more electropop and synth-pop sound that was prevalent in the Western music charts at the time.
"Sit! Stay! Wait! Down! / Love Story" is an extended play by Japanese recording artist Namie Amuro from her tenth studio album and debut bilingual album Uncontrolled (2012). The EP contains the songs "Sit! Stay! Wait! Down!" and "Love Story" from the parent album and two new tracks "Higher" and "Arigatou". The EP was produced by Michico, T. Kura, Miriam Nervo, Olivia Nervo, T-SK, Tesung Kim, and Nao'ymt, and is divided into two dance-pop songs and two pop ballads.
Ballada is the sixth compilation by Japanese recording artist Namie Amuro. It was released by Dimension Point on June 4, 2014 in three physical formats, and for digital consumption. It works as a concept album that compiles ballads released during her time with Avex Trax, including three re-worked tracks. Additionally, the album features its only single "Tsuki". Upon its release, Ballada received positive reviews from music critics, most whom praised Amuro's maturity and vocals, alongside the re-worked tracks.
"Contrail" is a song by Japanese recording artist Namie Amuro, taken from her eleventh studio and second Japanese–English bilingual album Feel (2013). The singer was approached by the Tokyo Broadcasting System team to record the official theme song for their television series Flying Public Relations Office, which resulted into the process of "Contrail". The track was written, composed, arranged and produced entirely by long-time collaborator Nao'ymt, and recorded at Daimonion Studios in Shibuya, Tokyo. Musically, "Contrail" is a dance number that includes instrumentation of synthesizers, keyboards and a drum machine. A self-empowerment anthem, the title derives from the literal term, and is delivered as a metaphor for confidence and hope.
"Heaven" is a song by Japanese recording artist Namie Amuro from her eleventh studio album and second bilingual album Feel (2013). The song was released as the album's lead promotional single on July 10, 2013, the same release date as Feel. "Heaven" was written by Emyli and produced by German-Russian DJ Zedd. Composed by Zedd, Emyli and Tommy Clint, "Heaven" is a house song.
"Go Round" is a song by Japanese recording artist Namie Amuro from her tenth studio album Uncontrolled (2012). It was released as a double a-side single with another album track "Yeah-Oh" and was served as the fourth single on March 21, 2012 by Avex Trax. "Go Round" was written by Aili, produced by T-Sk and co-composed by Tesung Kim and Australian duo Nervo. With a cover sleeve, photographed by Takaki Kumada, showing Amuro in front of a blurry window pane, "Go Round" was recorded both in English and Japanese language and is a dance-pop song.
"Fighter" is a song recorded by Japanese singer Namie Amuro, released as a double A-side single with "Dear Diary". It was released on October 26, 2016 via Dimension Point and Avex Trax in two CD formats, and a DVD package; a digital release was made available for consumption on November 16. The single serves as the insert song to the Japanese drama–horror film Death Note: Light Up the New World, and the theme song to its accompanying spin-off series Death Note: New Generation (2016). "Fighter" was written, composed and produced by Japanese vocalist Emyli, with additional production credits to Reason.
"Dr." is a song by Japanese recording artist Namie Amuro, taken as the only A-side single from her ninth studio album Past<Future (2009). The track was written, composed, arranged and produced entirely by long-time collaborator Nao'ymt, and recorded at Azabu-O Studios in Minato, Tokyo. Musically, "Dr." is a dance number that is influenced by modern club music, and also samples an orchestral section from the musical piece "Boléro", composed by French conductor Maurice Ravel. Lyrically, it is a love song that uses the titular term to metaphorically describe Amuro's lover.
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: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
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