Namie Amuro is a retired Japanese singer. She rose to prominence as a teen idol, and transitioned into a leading pop artist due to her versatility across music styles and visual presentation. Due to her career reinventions and longevity, she is known as an icon across Japan and Asia. She has been referred to as the "Queen of Japanese Pop", and her influence domestically has drawn equivalent comparisons to artists such as Janet Jackson and Madonna in Western pop culture.
I Am... is the fourth studio album by Japanese recording artist Ayumi Hamasaki. It was released on January 1, 2002 by Avex Trax and was distributed throughout Asia in both physical and digital formats. Hamasaki enlisted long-time collaborator Max Matsuura to assist with the album's creation, and was inspired by the events of the September 11, 2001 attacks to emphasise lighter themes in contrast to her previous work.
Listen to My Heart is the debut Japanese studio album by South Korean recording artist BoA, released via Avex Trax on March 13, 2002. BoA worked with a team of songwriters and composers to produce the album, including Natsumi Watanabe, Kazuhiro Hara, Ken Harada and Akira; all of whom would collaborate with BoA again on her future albums. Musically, Listen to My Heart is primarily a pop record with influences from R&B.
Love Enhanced Single Collection is the second greatest hits album by Japanese singer Namie Amuro. It was released on March 13, 2002, through Avex Trax. This was Amuro's first greatest hits album in about four years, since 181920. It was also her first greatest hits album since her return to the music scene. Although the album is labeled as a "singles collection," nearly all of the songs on the album have been re-recorded, re-mixed, or re-arranged, all of which remain exclusive to this album's release. In addition, only "lovin' it" was recorded as a single take. The album also contains the last of the work she created with her longtime creative partner Tetsuya Komuro.
Concentration 20 is the third studio album by Japanese singer Namie Amuro. It was released on July 24, 1997, by Avex Trax. The album's musical style is a fusion of genres including pop, dance, rock, reggae and ska. Unlike Amuro's previous effort, Sweet 19 Blues (1996), which primarily had lyrics written by Tetsuya Komuro, Concentration 20's lyrics were mostly written by Marc Panther. Komuro did, however, compose and arrange most of the album's songs and wrote the lyrics to three of them. It was Amuro's second solo album since splitting up with Super Monkey's.
Sweet 19 Blues is the second studio album by Japanese singer Namie Amuro. It was released through Avex Trax on July 22, 1996. It is Amuro's first release with the label since leaving Toshiba-EMI, as well as her first album free of material associated with her previous band, Super Monkey's. Sweet 19 Blues was executive produced by Tetsuya Komuro and features a diverse group of collaborators, including Cozy Kubo, Akio Togashi, Takahiro Maeda, M.c.A.T, and Randy Waldman.
"White Light" is a song by Japanese singer Namie Amuro. It was released by Avex Trax in Japan on November 16, 2005, as a double A-single with "Violet Sauce". "White Light" was supposed to promote Amuro's eighth studio album Play (2007), but it was scrapped from the final track list. Instead, an alternative version of "Violet Sauce" appeared. A demo version of the song was sent to Amuro, who decided it needed a warmer tone and reworked it as a Christmas song. It was modified by Nao'ymt, the song's sole composer, producer, and writer. Musically, it's a midtempo Christmas song with lyrics about love and holiday festivities.
"All for You" is the 27th single by Japanese recording artist Namie Amuro. It was released on July 22, 2004, by Avex Trax, and serves as Amuro's second single from her seventh studio album Queen of Hip-Pop (2005). The lyrics were written by Natsumi Watanabe, who had translated "Stop the music" into Japanese for Amuro's 1995 single. The music was composed by Ryoki Matsumoto, known for composing other hit songs such as RUI's "Tsuki no Shizuku" and Mika Nakashima's "Yuki no Hana." Musically, "All For You" is a synthesizer-heavy power ballad.
"Can't Sleep, Can't Eat, I'm Sick" is the 31st single by Japanese singer Namie Amuro. It was released by Avex Trax in Japan alongside "Ningyo" on May 17, 2006, as a double A-single. "Can't Sleep, Can't Eat, I'm Sick" served as the second single from Amuro's eighth studio album Play (2007), but "Ningyo" was excluded from the track list. "Can't Sleep, Can't Eat, I'm Sick" was produced by her two most frequent collaborators at the time: T.Kura and Michico for Giant Swing Productions. Musically, it is an upbeat urban contemporary and dance pop song that features a hefty amount of saxophones. Lyrically, it speaks of a lovesick person who can't get anything done when he or she thinks about their lover.
181920 is debut greatest hits album by Japanese singer Namie Amuro. Avex Trax released it in Japan on January 28, 1998, and it was later available in a variety of formats throughout Asia. The album contains Amuro's single releases from her debut studio album Dance Tracks Vol. 1 (1995) to her third album Concentration 20 (1997), as well as three tracks from her time with Toshiba-EMI. The album also included a new song called "Dreaming I Was Dreaming," which served as the only single from the album.
"Shine More" is the 23rd single by Japanese recording artist Namie Amuro. It was released on March 5, 2003, by Avex Trax and serves as the second single from her sixth studio album Style (2003). It was originally written by Scott Nickoley, Sandra Pires and Paul Taylor, while the lyrics were translated into Japanese by H.U.B. Amuro called "shine more" the first part of a dance number trilogy including "Put 'Em Up" and "So Crazy."
"A Walk in the Park" is the eighth single by Japanese recording artist Namie Amuro from her third studio album Concentration 20 (1997). The song was released as the album's lead single on November 27, 1996, by Avex Trax. It was written, composed and produced by Tetsuya Komuro. The song is an electronic rock track, which features instrumentation from guitars, synthesizers, organs, keyboards and drums. Lyrically, it explores themes of loneliness, longing, and the desire for connection.
"Sweet 19 Blues" is the seventh single by Japanese recording artist Namie Amuro. It was composed, written and arranged by Tetsuya Komuro for her debut album of the same name. A month after its release, her label Avex Trax released the song as a recut single due to overwhelming demand. The song's subject and the album in general was about the melancholic passing of another sweet year of youth, which is a particularly Japanese obsession.
"You're My Sunshine" is the sixth single by Japanese singer Namie Amuro. It was released on June 5, 1996, by Avex Trax and was produced by Tetsuya Komuro. The song was the image song for the Bristol-Myers Squibb "Sea Breeze '96" commercial in which she appeared. The version used in the initial commercial had a different tempo and tune from the CD package version. The following year, 1997, she was used for the second consecutive year in a "Sea Breeze" commercial, this time using her hit song "How to Be a Girl".
"Something ‘Bout the Kiss" is a song by Japanese singer Namie Amuro. It was released on September 1, 1999 by Avex Trax, and serves as the third single from her fourth studio album Genius 2000 (2000). Furthermore, all physical and digital formats included an additional B-side called "You Are the One", which appears on the parent album. "Something 'Bout the Kiss" was written by Lysette Titi, Chan Hai, and its producer Dallas Austin. Musically, it is a midtempo contemporary R&B track with a melancholic melody.
"Baby Don't Cry" is the 32nd single by Japanese recording artist Namie Amuro. It was released as the second single from her eighth studio album, Play (2007). It was written, composed, arranged, and produced by Japanese musician Naoaki Yamato, under the alias Nao'ymt. The single also included the B-side track "Nobody," a reworked version of her 2005 song "White Light." "Baby Don't Cry" premiered on January 24, 2007, as the third single from the album in Japan. It was also released worldwide on February 21, 2007, through Avex Inc. Musically, "Baby Don't Cry" is an mid-tempo sunshine pop song influenced by R&B music.
Best Fiction is the third greatest hits album by Japanese singer Namie Amuro. It was released on July 30, 2008, by Avex Trax and features seventeen singles released between 2002-2008, which included five new songs, three of which were released as a triple A-side single called "60s 70s 80s." Furthermore, the album tracks "Do Me More" and "Sexy Girl" were released as digital singles.
Past<Future is the ninth studio album by Japanese pop singer Namie Amuro. It was released on December 16, 2009, through Avex Trax. This was her first original album to be released in two and a half years. The record came after the release of her blockbuster greatest hits album Best Fiction (2008), which sold over a million copies. Unlike her previous studio albums, Queen of Hip-Pop (2005) and Play (2007), Past<Future features a more electropop and synth-pop sound that was prevalent in the western music charts at the time.
Feel is the eleventh studio album by Japanese recording artist Namie Amuro. It was released on July 10, 2013, in both physical and digital formats, and it is her first studio release through Dimension Point, a sub-division of Amuro's label Avex Trax. Feel, like its predecessor Uncontrolled (2013), features a diverse range of producers and songwriters from outside of Japan, including collaborations with Zedd, Dsign Music, Anthony Maniscalco, and Steven Lee.
Ballada is the sixth compilation by Japanese recording artist Namie Amuro. It was released by Dimension Point on June 4, 2014 in three physical formats, and for digital consumption. It works as a concept album that compiles ballads released during her time with Avex Trax, including three re-worked tracks. Additionally, the album features its only single "Tsuki". Upon its release, Ballada received positive reviews from music critics, most whom praised Amuro's maturity and vocals, alongside the re-worked tracks.
