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Would You Believe It! is a 1929 British silent comedy film directed by Walter Forde and starring Forde, Pauline Johnson and Arthur Stratton. It was made at the Nettlefold Studios in Walton-on-Thames and released as a supporting feature. Due to the general public's apathy toward silent films, it was quickly released in a sound version that features a synchronized musical score with sound effects.
Red Pearls is a 1930 British silent crime film directed by Walter Forde and starring Lillian Rich, Frank Perfitt and Arthur Pusey. It was made at the Nettlefold Studios in Walton. It was based on the novel Nearer! Nearer! by J. Randolph James. The film was produced just as the change to sound films was taking place in Britain.
Mother Love is a 1916 British silent drama film directed by Maurice Elvey starring Elisabeth Risdon, Fred Groves, and Frank Stanmore.
That's a Good Girl is a 1933 British comedy film directed by Jack Buchanan and starring Buchanan, Elsie Randolph and Dorothy Hyson. The film was based on a musical show of the same title that opened at the Lewisham Hippodrome on 19 March 1928, in which Jack Buchanan also starred. The music was written by Joseph Meyer and Phil Charig, with lyrics by Douglas Furber. The film omitted much of music of the original show, but popularised one song in particular, Fancy our Meeting. The song remained a Jack Buchanan favourite and a version of it was also recorded by Al Bowlly shortly after the film's release.
Chamber of Horrors is a 1929 British silent horror film directed by Walter Summers and starring Frank Stanmore and Elizabeth Hempel. It was made at Welwyn Studios. Film historians consider this movie the last major silent film made in England.
Squibs' Honeymoon is a 1923 British silent comedy film directed by George Pearson and starring Betty Balfour, Hugh E. Wright and Fred Groves. It was the last of the silent film series featuring the character, although Balfour returned to play her in the 1935 sound film Squibs. Both Pearson and Balfour were particular favourites of the British film critic, and later leading screenwriter, Roger Burford. In his first article for the magazine Close Up Burford would write "Not long ago a film of the Squibbs series was reported to be on at a small cinema in a slum district. It was a rare chance, and we went at once. We were not disappointed: the film was English, with proper tang; the tang of Fielding or Sterne.' Burford's comments help place the Squibbs films perfectly in British culture between the wars. They were very much working-class comedy, drawing on a vernacular, performative tradition, but at the same time their "Englishness" is characteristic of the kinds of satirical comedies found in the novels of Henry Fielding and Laurence Sterne. That earthy satire, based on everyday life, made these comedies unpalatable to middle class audiences but the Squibbs films were amongst the most interesting, and well shot, films in Britain in the 1920s.
References
- ↑ "You'd Be Surprised". British Film Institute. Archived from the original on 10 March 2016. Retrieved 10 September 2018.
- ↑ "Kennington Bioscope presents Silent Laughter Saturday » The Cinema Museum, London". The Cinema Museum, London. Retrieved 10 September 2018.
- ↑ Low p.413
- ↑ Hal Erickson. "You'd Be Surprised (1930) - Walter Forde - Synopsis, Characteristics, Moods, Themes and Related". AllMovie. Retrieved 10 September 2018.
