One Nation Under a Groove is the tenth studio album by American funk rock band Funkadelic, released on September 22, 1978, on Warner Bros. Records. Recording sessions took place at United Sound Studio in Detroit, with one song recorded live on April 15, 1978, at the Monroe Civic Center in Monroe, Louisiana. The album was the first album to include keyboardist and frequent songwriter Walter "Junie" Morrison.
Uncle Jam Wants You is a concept album by American funk rock band Funkadelic. It was released by Warner Bros. Records in 1979, and was later reissued on CD by Priority Records. It was produced by George Clinton under the alias Dr. Funkenstein. It is the first Funkadelic album since America Eats Its Young in 1972 not to sport a cover illustrated by Funkadelic artist Pedro Bell, though Bell did provide artwork for the album’s back cover and interior. Uncle Jam Wants You was the second Funkadelic album to be certified gold. The album peaked at No. 18 on the Billboard 200 and No. 2 on the Billboard Top R&B/Hip-Hop Albums chart.
Computer Games is the debut album by American funk musician George Clinton, released by Capitol Records on November 5, 1982. Though technically Clinton's first "solo" album, the record featured most of the same personnel who had appeared on recent albums by Parliament and Funkadelic, both formally disbanded by Clinton in 1981. Conceived in the aftermath of a period marked by financial and personal struggles for Clinton, Computer Games restored his popularity for a short time before P-Funk fell victim to renewed legal problems and scant label support in the mid-1980s.
Gloryhallastoopid (Or Pin the Tale on the Funky) is the eighth album by the American funk band Parliament. It was their penultimate album on the Casablanca Records label, and is another concept album that tries to explain that Funk was responsible for the creation of the universe (see P Funk mythology). It reuses samples from previous albums, notably Mothership Connection and Funkentelechy vs. the Placebo Syndrome.
"(Not Just) Knee Deep" is a song by the American funk band Funkadelic written by George Clinton. The song was released as a single for their album Uncle Jam Wants You (1979).
Trombipulation is the ninth album by the funk band Parliament. It was released by Casablanca Records. It was the last album of original material produced by the group for 38 years, until Medicaid Fraud Dogg in 2018. Unlike previous Parliament albums, George Clinton did not serve as sole producer of the album, as other P-Funk figures assisted in producing individual tracks. Bassist Bootsy Collins emerged as the principal musician on this album, playing virtually all of the instruments on a number of tracks. The track "Let's Play House" was sampled by the hip-hop group Digital Underground for their single "The Humpty Dance".
The Cinderella Theory is the fifth studio album by American funk musician George Clinton, released August 2, 1989, on Paisley Park Records. It was released three years after his previous studio effort, R&B Skeletons in the Closet, which was his last album for Capitol Records. The Cinderella Theory represented a comeback of sorts for Clinton, who had been largely absent from the pop music scene since his last album for Capitol. The album was produced by Clinton for Baby Clinton Inc.
All The Woo In The World is the debut funk album by Parliament-Funkadelic keyboardist Bernie Worrell, released in 1978 by Arista Records. The album was produced by Bernie Worrell and P-Funk leader George Clinton and features various P-Funk alumni including Garry Shider, Bootsy Collins, Junie Morrison, Billy Bass Nelson, and Eddie Hazel.
"Aqua Boogie (A Psychoalphadiscobetabioaquadoloop)" is a song by funk band Parliament. The track was released from their 1978 album, Motor Booty Affair. The song describes being compelled to learn to swim despite the persistent fear of water and drowning, comparing it to the reluctance to dance.
Urban Dancefloor Guerillas is the debut album of funk band the P-Funk All-Stars, released in 1983 on Uncle Jam Records. The album features an amalgamation of various alumni from the bands Parliament and Funkadelic, both of which were disbanded by 1981. It is the only studio album credited solely to the P-Funk All-Stars, as opposed to other albums that are credited to George Clinton and the P-Funk All Stars. The songs on Urban Dancefloor Guerillas were produced by a variety of members of the P-Funk musical collective including Clinton, Garry Shider, Walter Morrison, Sylvester Stewart, and Bootsy Collins.
Some of My Best Jokes Are Friends is the third studio album by George Clinton. It was released in 1985 by Capitol Records. Though it wasn't as successful as Computer Games, Clinton's first solo album, Some of My Best Jokes Are Friends received favorable reviews among critics. While many former P-Funk musicians are featured on the album, it also features collaborations with more contemporary performers such as Doug Wimbish, Steve Washington, and keyboardist Thomas Dolby.
R&B Skeletons in the Closet is the fourth solo album by Parliament-Funkadelic leader George Clinton. It was released in April 1986 by Capitol Records and was the last album that Clinton would record for the label. Recording sessions for the album utilized a small cadre of P-Funk musicians including Bootsy Collins, Garry Shider, and DeWayne "Blackbyrd" McKnight, as well as the debut recorded appearance of former Miss America Vanessa L. Williams on the opening track "Hey Good Lookin'". R&B Skeletons in the Closet was produced by Clinton, Steve Washington, Shider, and Andre Jackson.
Testing Positive 4 the Funk is the fourth installment of the George Clinton Family Series collection. The album was released in 1993 by P-Vine Records in Japan, and then was released later in the same year by AEM Records in the United States and Sequel Records in the U.K. This collection is noted for the inclusion of tracks such as a re-recording of "Live Up " which was originally recorded by the soul quartet, The Fantastic Four. The track marked the debut of P-Funk vocalist Glenn Goins.
Plush Funk is the third installment of the George Clinton Family Series collection. The album was released in 1993 by P-Vine Records in Japan, and then was released the next year by AEM Records in the United States and Sequel Records in the United Kingdom. The CD features the track "May Day (S.O.S)", which was an outtake from the Funkadelic album "The Electric Spanking of War Babies".
A Fifth of Funk is the fifth and final installment of the George Clinton Family Series collection by Parliament-Funkadelic collective members. The album was released in Japan in 1993 by P-Vine Records, and later in the same year by AEM Records in the United States and Sequel Records in the United Kingdom. The compilation's producer and P-Funk leader George Clinton gives his final thoughts about the tracks on the album, as well as his feelings on the entire Family Series project, for A Fifth of Funk's final track. The title is a play on words of Beethoven's Symphony No. 5, as well as Walter Murphy's 1976 disco hit "A Fifth of Beethoven".
Go Fer Yer Funk is the first installment of the George Clinton Family Series collection. The album was released in 1992 by P-Vine Records in Japan, and then was released the next year by AEM Records in the U.S. and Sequel Records in the U.K.. The Family Series was designed to present previously unreleased recordings done by various bands in the Parliament-Funkadelic musical stable. The first CD is notable in that it features the title cut "Go Fer Yer Funk" which originally featured a collaboration between P-Funk and Funk legend James Brown.
George Clinton Presents Our Gang Funky a various artists CD compilation released in 1989. The album was released by MCA Records in the U.S., and showcases various newly developed performers coming out of the P-Funk stable at the end of the eighties. The album was produced by George Clinton, Garry Shider, and Mark Davis.
The Discography of the artist Michael "Clip" Payne.
First Ya Gotta Shake the Gate is the fourteenth and final studio album by American funk rock band Funkadelic. The album was released by the C Kunspyruhzy in 2014 and consists of newly recorded material.
