Formation | 1967 |
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Legal status | 501(c)3 public benefit organization |
Location |
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Region served | San Diego, California |
Website | Ballet Folklorico en Aztlan |
Ballet Folklorico en Aztlan (BFA) is a Chicano dance company focusing on Mexican folklore, and blending traditional dance with contemporary movements. [1] The group was founded in 1967 by Hermina Enrique. [2] Currently, her daughter, Viviana Enrique Acosta, is the Artistic Director. The members of BFA were instrumental in founding the Centro Cultural de la Raza which was the first home of the BFA. [3]
The name of Ballet Folklorico en Aztlan references the Chicano concept of "Aztlán" which refers to the American Southwest. [4] The dance group's performances, relating to Mexican and indigenous dance and culture are meant to preserve the historical tradition of the peoples of Aztlan. [4] [5] Ballet Folklorico refers to traditional dance in Mexico and was popularized in the 1960s. [6]
Prior to moving to San Diego in 1967, Enrique had lived in San Antonio, and expected to find services for folklorico dancing in the city. [2] Her sons and daughters helped teach classes with her. [2] These classes grew in popularity and led to the creation of BFA. [2]
The BFA first became involved with members who later formed the Centro Cultural de la Raza in 1969. [2]
Through the 1970s and 1980s, classes were taught at the Centro by Isabel, Teresa, Veronica and Viviana Enrique (later Viviana Enrique Acosta), along with other teachers. [2]
BFA offers dance classes for children and adults at Muevete Dance Studio in Lemon Grove, California. [7]
Director of BFA, Acosta, has been inducted to San Diego Women's Hall of Fame as a Historian and for her work with BFA. [8]
M.E.Ch.A. is a US-based organization that seeks to promote Chicano unity and empowerment through political action. The acronym of the organization's name is the Chicano word mecha, which is the Chicano pronunciation of the English word match and therefore symbolic of a fire or spark; mecha in Spanish means fuse or wick. The motto of MEChA is 'La Union Hace La Fuerza'.
The Plan Espiritual de Aztlán was a pro-indigenist manifesto advocating Chicano nationalism and self-determination for Mexican Americans. It was adopted by the First National Chicano Liberation Youth Conference, a March 1969 convention hosted by Rodolfo Gonzales's Crusade for Justice in Denver, Colorado.
The Brown Berets are a pro-Chicano organization that emerged in the late 1960s during the Chicano Movement. The group was co-founded by David Sanchez and Carlos Montes, and remains active today. The group was seen as part of the Third World Liberation Front. The Brown Berets' movements largely revolved around farmworkers' rights, educational reform, opposition to the Vietnam War, and organizing against police brutality. They have also sought to separate the American Southwest from the control of the U.S. government.
The Royal Chicano Air Force (RCAF) is a Sacramento, California-based art collective, founded in 1970 by Ricardo Favela, José Montoya and Esteban Villa. It was one of the "most important collective artist groups" in the Chicano art movement in California during the 1970s and the 1980s and continues to be influential into the 21st century.
Chicano Park is a 32,000 square meter park located beneath the San Diego-Coronado Bridge in Barrio Logan, a predominantly Chicano or Mexican American and Mexican-migrant community in central San Diego, California. The park is home to the country's largest collection of outdoor murals, as well as various sculptures, earthworks, and an architectural piece dedicated to the cultural heritage of the community. Because of the magnitude and historical significance of the murals, the park was designated an official historic site by the San Diego Historical Site Board in 1980, and its murals were officially recognized as public art by the San Diego Public Advisory Board in 1987. The park was listed on the National Register of Historic Places in 2013 owing to its association with the Chicano Movement, and was designated a National Historic Landmark in 2016. Chicano Park, like Berkeley's People's Park, was the result of a militant people's land takeover. Every year on April 22, the community celebrates the anniversary of the park's takeover with a celebration called Chicano Park Day.
Rodolfo "Corky" Gonzales was a Mexican-American boxer, poet, political organizer, and activist. He was one of many leaders for the Crusade for Justice in Denver, Colorado. The Crusade for Justice was an urban rights and Chicano cultural urban movement during the 1960s focusing on social, political, and economic justice for Chicanos. Gonzales convened the first-ever Chicano Youth Liberation Conference in 1968, which was poorly attended due to timing and weather conditions. He tried again in March 1969, and established what is commonly known as the First Chicano Youth Liberation Conference. This conference was attended by many future Chicano activists and artists. It also birthed the Plan Espiritual de Aztlán, a pro-indigenist manifesto advocating revolutionary Chicano nationalism and self-determination for all Chicanos. Through the Crusade for Justice, Gonzales organized the Mexican American people of Denver to fight for their cultural, political, and economic rights, leaving his mark on history. He was honored with a Google Doodle in continued celebration of National Hispanic Heritage Month in the United States on 30 September 2021.
Chicanismo is the ideology behind the Chicano movement. It is an ideology based on a number of important factors that helped shape a social uprising in order to fight for the liberties of Mexican-Americans. Chicanismo was shaped by a number of intellectuals and influential activists as well as by the artistic and political sphere, and the many contributors to the ideology collaborated to create a strong sense of self-identity within the Chicano community. Cultural affirmation became one of the main methods of developing Chicanismo. This cultural affirmation was achieved by bringing a new sense of nationalism for Mexican-Americans, drawing ties to the long-forgotten history of Chicanos in lands that were very recently Mexican, and creating a symbolic connection to the ancestral ties of Mesoamerica and the Nahuatl language.
The Chicano Movement, also referred to as El Movimiento, was a social and political movement in the United States inspired by prior acts of resistance among people of Mexican descent, especially of Pachucos in the 1940s and 1950s, and the Black Power movement, that worked to embrace a Chicano/a identity and worldview that combated structural racism, encouraged cultural revitalization, and achieved community empowerment by rejecting assimilation. Before this, Chicano/a had been a term of derision, adopted by some Pachucos as an expression of defiance to Anglo-American society. With the rise of Chicanismo, Chicano/a became a reclaimed term in the 1960s and 1970s, used to express political autonomy, ethnic and cultural solidarity, and pride in being of Indigenous descent, diverging from the assimilationist Mexican-American identity. Chicanos also expressed solidarity and defined their culture through the development of Chicano art during El Movimiento, and stood firm in preserving their religion.
The Centro Cultural de la Raza is a non-profit organization with the specific mission to create, preserve, promote and educate about Chicano, Mexicano, Native American and Latino art and culture. It is located in Balboa Park in San Diego, California.The cultural center supports and encourages the creative expression “of the indigenous cultures of the Americas.” It is currently a member of the American Alliance of Museums.
Alberto Baltazar Urista Heredia, better known by his nom de plume Alurista, is a Chicano poet and activist.
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The Ford Building, a Streamline Moderne structure in Balboa Park, San Diego, California, serves as the home of the San Diego Air & Space Museum. The building was built by the Ford Motor Company for the California Pacific International Exposition, which was held in 1935 and 1936. The Ford Motor Company build a total of five exposition buildings for the World's Fairs. This is the last remaining structure.
Salvador Roberto Torres is a Chicano artist and muralist and an early exponent of the Chicano art movement. He was one of the creators of Chicano Park, and led the movement to create its freeway-pillar murals. He was also a founder of the Centro Cultural de la Raza in San Diego, California.
Judithe Hernández is an American artist and educator, she is known as a muralist, pastel artist, and painter. She a pioneer of the Chicano art movement and a former member of the art collective Los Four. She is based in Los Angeles, California and previously lived in Chicago.
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