Big Brother | |
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First appearance | Nineteen Eighty-Four (1949) |
Created by | George Orwell |
In-universe information | |
Gender | Male |
Occupation | Leader of Oceania |
Big Brother is a character and symbol in George Orwell's dystopian 1949 novel Nineteen Eighty-Four . He is ostensibly the leader of Oceania, a totalitarian state wherein the ruling party, Ingsoc, wields total power "for its own sake" over the inhabitants.
The ubiquitous slogan "Big Brother is watching you" serves as a constant reminder that Party members are not entitled to privacy. They are subject to constant surveillance to ensure their ideological purity. This is primarily through omnipresent telescreens that provide two-way video communication and constantly blare propaganda.
This close surveillance does not extend to the "proles", who constitute the majority of Oceanic society. They are viewed as inferior beings whose ideas and opinions simply do not matter because they lack both the intelligence and conviction to recognize and assert their latent political power. (In British English, "prole" is an abbreviation of proletarian. It is often derogatory. [1] )
"Big Brother" has become a synecdoche for abuse of government power, particularly in respect to civil liberties, often specifically related to mass surveillance and a lack of choice in society. [2]
There are many theories about the origin of the character. In the essay section of his novel 1985 , Anthony Burgess states that Orwell got the idea for the name of Big Brother from advertising billboards for educational correspondence courses from a company called Bennett's during World War II. The original posters showed J. M. Bennett himself, a kindly-looking old man offering guidance and support to would-be students with the phrase "Let me be your father." According to Burgess, after Bennett's death, his son took over the company and the posters were replaced with pictures of the son (who looked imposing and stern in contrast to his father's kindly demeanor) with the text "Let me be your big brother". [3]
Additional speculation from Douglas Kellner of the University of California, Los Angeles, argued that Big Brother represents Joseph Stalin, representing Stalinism, and Adolf Hitler, representing Nazism. [4] [5] Another theory is that the inspiration for Big Brother was Brendan Bracken, the Minister of Information, a government department in wartime United Kingdom, until 1945. Orwell worked under Bracken on the BBC's Indian, Hong Kong and Malayan Service. Bracken was customarily referred to by his employees by his initials, B.B., the same initials as the character Big Brother. Orwell also resented the wartime censorship and need to manipulate information which he felt came from the highest levels of the Ministry of Information and from Bracken's office in particular.
The idea of Big Brother could be also borrowed from the 1937 H. G. Wells novel Star Begotten , in which "Big Brother" is referenced as a fictitious example of "mystical personifications" able to easily manipulate the common man, [6] as well as the Soviet Union, where there was an ideology of "brotherly nations" or "brotherly countries". Russia presented itself as a big brother who watches over its younger brothers (other nations). The ideological word 'big brother' or 'older brother' was very well known and used in the Soviet Republics before and after the Second World War. [7] In the "Circe" episode of James Joyce's Ulysses (1922) the prophet Elijah addresses God as "Big Brother up there, Mr President". [8]
In the novel, it is never explicitly indicated if Big Brother is or had been a real person, or is a fictional personification of the Party, similar to Britannia and Uncle Sam. Big Brother is described as appearing on posters and telescreens as a man in his mid-forties. In Party propaganda, Big Brother is presented as one of the founders of the Party.
At one point, Winston Smith, the protagonist of Orwell's novel, tries "to remember in what year he had first heard mention of Big Brother. He thought it must have been at some time in the sixties, but it was impossible to be certain. In the Party histories, Big Brother figured as the leader and guardian of the Revolution since its very earliest days. His exploits had been gradually pushed backwards in time until already they extended into the fabulous world of the forties and the thirties, when the capitalists in their strange cylindrical hats still rode through the streets of London".
In the fictional book The Theory and Practice of Oligarchical Collectivism , read by Winston Smith and purportedly written by political theorist Emmanuel Goldstein, Big Brother is referred to as infallible and all-powerful. No one has ever seen him and there is a reasonable certainty that he will never die. He is simply "the guise in which the Party chooses to exhibit itself to the world" since the emotions of love, fear and reverence are more easily focused on an individual (if only a face on the hoardings and a voice on the telescreens) than an organisation. When Winston Smith is later arrested, O'Brien repeats that Big Brother will never die. When Smith asks if Big Brother exists, O'Brien describes him as "the embodiment of the Party" and says that he will exist as long as the Party exists. When Winston asks "Does Big Brother exist the same way I do?" (meaning is Big Brother an actual human being), O'Brien replies "You do not exist" (meaning that Smith is now an unperson, an example of doublethink).
Big Brother is the subject of a cult of personality. A spontaneous ritual of devotion to "BB" is illustrated at the end of the compulsory Two Minutes Hate:
At this moment the entire group of people broke into a deep, slow, rhythmic chant of 'B-B! ... B-B! ... B-B!'—over and over again, very slowly, with a long pause between the first 'B' and the second—a heavy murmurous sound, somehow curiously savage, in the background of which one seemed to hear the stamps of naked feet and the throbbing of tom-toms. For perhaps as much as thirty seconds they kept it up. It was a refrain that was often heard in moments of overwhelming emotion. Partly it was a sort of hymn to the wisdom and majesty of Big Brother, but still more it was an act of self-hypnosis, a deliberate drowning of consciousness by means of rhythmic noise. [9]
The character, as represented solely by a single still photograph, was played in the 1954 BBC adaptation by production designer Roy Oxley. In the 1956 film adaptation, Big Brother was represented by an illustration of a stern-looking disembodied head.
In the film starring John Hurt released in 1984, the Big Brother photograph was of actor Bob Flag. Both Oxley and Flag sported small moustaches.
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Since the publication of Nineteen Eighty-Four, the phrase "Big Brother" has come into common use to describe any prying or overly-controlling authority figure and attempts by government to increase surveillance. Big Brother and other Orwellian imagery are often referenced in the joke known as the Russian reversal. [10] [11]
Iain Moncreiffe and Don Pottinger jokingly mentioned in their 1956 book Blood Royal the sentence: "Without Little Father need for Big Brother", referring to the Russian Revolution and the Soviet Union. [12]
The worldwide reality television show Big Brother is based on the novel's concept of people being under constant surveillance. In 2000, after the United States version of the CBS program Big Brother premiered, the Estate of George Orwell sued CBS and its production company Orwell Productions, Inc. in federal court in Chicago for copyright and trademark infringement. The case was Estate of Orwell v. CBS, 00-c-5034 (ND Ill). On the eve of trial, the case settled worldwide to the parties' "mutual satisfaction", but the amount that CBS paid to the Orwell Estate was not disclosed. CBS had not asked the Estate for permission. Under current laws, the novel will remain under copyright protection until 2044 in the United States, it entered the public domain in 2020 within the European Union. [13]
The magazine Book ranked Big Brother no. 59 on its "100 best characters in fiction since 1900" list. [14] Wizard magazine rated him the 75th-greatest villain of all time. [15]
The iconic image of Big Brother (played by David Graham) played a key role in Apple's "1984" television commercial introducing the Macintosh. [16] [17] The Orwell Estate viewed the Apple commercial as a copyright infringement and sent a cease-and-desist letter to Apple and its advertising agency. The commercial was never televised again, [18] though the date mentioned in the ad (24 January) was but two days later, making it unlikely that it would have been re-aired regardless. Subsequent ads featuring Steve Jobs for a variety of products have mimicked the format and appearance of that original ad campaign, with the appearance of Jobs nearly identical to that of Big Brother. [19] [20]
China's Social Credit System has been described as akin to "Big Brother" by detractors, where citizens and businesses are given or deducted good behavior points depending on their choices. [21]
In the dystopian novel Nineteen Eighty-Four, thoughtcrime is the offense of thinking in ways not approved by the ruling Ingsoc party. In the official language of Newspeak, the word crimethink describes the intellectual actions of a person who entertains and holds politically unacceptable thoughts; thus the government of The Party controls the speech, the actions, and the thoughts of the citizens of Oceania.
Telescreens are two-way video devices that appear in George Orwell's dystopian novel Nineteen Eighty-Four. Omnipresent and almost never turned off, they are an unavoidable source of propaganda and tools of surveillance.
"1984" is an American television commercial that introduced the Apple Macintosh personal computer. It was conceived by Steve Hayden, Brent Thomas, and Lee Clow at Chiat/Day, produced by New York production company Fairbanks Films, and directed by Ridley Scott. The ad was a reference to George Orwell's noted 1949 novel, Nineteen Eighty-Four, which described a dystopian future ruled by a televised "Big Brother". English athlete Anya Major performed as the unnamed heroine and David Graham as Big Brother. In the US, it first aired in 10 local outlets, including Twin Falls, Idaho, where Chiat/Day ran the ad on December 31, 1983, at the last possible break before midnight on KMVT, so that the advertisement qualified for the 1984 Clio Awards. Its second televised airing, and only US national airing, was on January 22, 1984, during a break in the third quarter of the telecast of Super Bowl XVIII by CBS.
2 + 2 = 5 or two plus two equals five is a mathematical falsehood which is used as an example of a simple logical error that is obvious to anyone familiar with basic arithmetic.
The Theory and Practice of Oligarchical Collectivism is a fictional book in George Orwell's dystopian novel Nineteen Eighty-Four. The fictional book was supposedly written by Emmanuel Goldstein, the principal enemy of the state of Oceania's ruling party. The Party portrays Goldstein as a former member of the Inner Party who continually conspired to depose Big Brother and overthrow the government. In the novel, the fictional Goldstein's book is read by the protagonist, Winston Smith, after a supposed friend, O'Brien, provided one copy to him. Winston had recalled that "There were ... whispered stories of a terrible book, a compendium of all the heresies, of which Goldstein was the author, and which circulated clandestinely here and there. It was a book without a title. People referred to it, if at all, simply as The Book."
In the dystopian novel Nineteen Eighty-Four (1949) by George Orwell, the Two Minutes Hate is the daily period during which members of the Outer and Inner Party of Oceania must watch a film depicting Emmanuel Goldstein, the principal enemy of the state, and his followers, the Brotherhood, and loudly voice their hatred for the enemy and then their love for Big Brother.
In the dystopian novel Nineteen Eighty-Four (1949), by George Orwell, the Thought Police are the secret police of the superstate of Oceania, who discover and punish thoughtcrime. Using criminal psychology and omnipresent surveillance the Thinkpol monitor the citizens of Oceania and arrest all those who have committed thoughtcrime in challenge to the status quo authority of the Party and of the régime of Big Brother.
Julia is a fictional character in George Orwell's 1949 dystopian novel Nineteen Eighty-Four. Her last name is not revealed in the novel, but she is called Dixon in the 1954 BBC TV production and Worthing in the Sandra Newman novel.
1984 is an opera by the American conductor and composer Lorin Maazel, with a libretto by J. D. McClatchy and Thomas Meehan. The opera is based on George Orwell's 1949 dystopian novel, Nineteen Eighty-Four. It premiered on 3 May 2005 at the Royal Opera House, Covent Garden in a production directed by Robert Lepage.
The Day the Country Died is the debut studio album by English anarcho-punk band Subhumans. It was recorded in five days in June 1982 and was released in January 1983 through Spiderleg Records. The album was later re-released via Bluurg, the band's own record label.
1984 is a 1956 British black-and-white science fiction film, based on the 1949 novel Nineteen Eighty-Four by George Orwell, depicting a totalitarian future of a dystopian society. The film followed a previous Westinghouse Studio One adaptation and a BBC-TV made-for-TV adaptation. 1984 was directed by Michael Anderson and starring Edmond O'Brien as protagonist Winston Smith, and featured Donald Pleasence, Jan Sterling, and Michael Redgrave.
References to George Orwell's 1949 dystopian political novel Nineteen Eighty-Four themes, concepts and plot elements are also frequent in other works, particularly popular music and video entertainment. While the novel is technically public domain under United Kingdom copyright, it is still copyrighted in the United States and as such most uses of it are as non-infringing metaphors.
Nineteen Eighty-Four is a 1984 dystopian film written and directed by Michael Radford, based upon George Orwell's 1949 novel. Starring John Hurt, Richard Burton, Suzanna Hamilton, and Cyril Cusack, the film follows the life of Winston Smith (Hurt), a low-ranking civil servant in a war-torn London ruled by Oceania, a totalitarian superstate. Smith struggles to maintain his sanity and his grip on reality as the regime's overwhelming power and influence persecutes individualism and individual thinking on both a political and personal level.
In George Orwell's 1949 dystopian novel Nineteen Eighty-Four, the world is divided into three superstates: Oceania, Eurasia and Eastasia, who are all fighting each other in a perpetual war in a disputed area mostly located around the equator. All that Oceania's citizens know about the world is whatever the Party wants them to know, so how the world evolved into the three states is unknown; and it is also unknown to the reader whether they actually exist in the novel's reality, or whether they are a storyline invented by the Party to advance social control. The nations appear to have emerged from nuclear warfare and civil dissolution over 20 years between 1945 and 1965, in a post-war world where totalitarianism becomes the predominant form of ideology, through Neo-Bolshevism, English Socialism, and Obliteration of the Self.
Winston Smith is a fictional character and the protagonist of George Orwell's dystopian 1949 novel also being born in 1945-46 according to the book Nineteen Eighty-Four. The character was employed by Orwell as an everyman in the setting of the novel, a "central eye ... [the reader] can readily identify with."
Emmanuel Goldstein is a fictional character and the principal enemy of the state of Oceania in the dystopian novel Nineteen Eighty-Four (1949), by George Orwell. The political propaganda of The Party portrays Goldstein as the leader of The Brotherhood, a secret, counter-revolutionary organization who violently oppose the leadership of Big Brother and the Ingsoc régime of The Party.
In the dystopian novel Nineteen Eighty-Four (1984), by George Orwell, Newspeak is the fictional language of Oceania, a totalitarian superstate. To meet the ideological requirements of Ingsoc in Oceania, the Party created Newspeak, which is a controlled language of simplified grammar and limited vocabulary designed to limit a person's ability for critical thinking. The Newspeak language thus limits the person's ability to articulate and communicate abstract concepts, such as personal identity, self-expression, and free will, which are thoughtcrimes, acts of personal independence that contradict the ideological orthodoxy of Ingsoc collectivism.
Nineteen Eighty-Four is a dystopian novel and cautionary tale by English writer George Orwell. It was published on 8 June 1949 by Secker & Warburg as Orwell's ninth and final book completed in his lifetime. Thematically, it centres on the consequences of totalitarianism, mass surveillance, and repressive regimentation of people and behaviours within society. Orwell, a staunch believer in democratic socialism and member of the anti-Stalinist Left, modelled the Britain under authoritarian socialism in the novel on the Soviet Union in the era of Stalinism and on the very similar practices of both censorship and propaganda in Nazi Germany. More broadly, the novel examines the role of truth and facts within societies and the ways in which they can be manipulated.
O'Brien is a fictional character and the main antagonist in George Orwell's 1949 novel Nineteen Eighty-Four. The protagonist Winston Smith, living in a dystopian society governed by the Party, feels strangely drawn to Inner Party member O'Brien. Orwell never reveals O'Brien's first name. The name indicates that O'Brien is of Irish origin, but this background is never shown to have any significance.
The Ministry of Truth, the Ministry of Peace, the Ministry of Love, and the Ministry of Plenty are the four ministries of the government of Oceania in the 1949 dystopian novel Nineteen Eighty-Four, by George Orwell.
The Ministry of Peace concerns itself with war, the Ministry of Truth with lies, the Ministry of Love with torture and the Ministry of Plenty with starvation. These contradictions are not accidental, nor do they result from ordinary hypocrisy: they are deliberate exercises in doublethink.
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