In music, a drone is a harmonic or monophonic effect or accompaniment where a note or chord is continuously sounded throughout most or all of a piece. A drone may also be any part of a musical instrument used to produce this effect; an archaic term for this is burden (bourdon or burdon) [1] [2] such as a "drone [pipe] of a bagpipe", [3] [4] the pedal point in an organ, or the lowest course of a lute. Α burden is also part of a song that is repeated at the end of each stanza, such as the chorus or refrain. [5]
"Of all harmonic devices, it [a drone] is not only the simplest, but probably also the most fertile." [6]
A drone effect can be achieved through a sustained sound or through repetition of a note. It most often establishes a tonality upon which the rest of the piece is built. A drone can be instrumental, vocal or both. Drone (both instrumental and vocal) can be placed in different ranges of the polyphonic texture: in the lowest part, in the highest part, or in the middle. The drone is most often placed upon the tonic or dominant (play "Row, Row, Row Your Boat" with a drone on the , on the , or on . Compare with .). A drone on the same pitch as a melodic note tends to both hide that note and to bring attention to it by increasing its importance.
A drone differs from a pedal tone or point in degree or quality. A pedal point may be a form of nonchord tone and thus required to resolve unlike a drone, or a pedal point may simply be considered a shorter drone, a drone being a longer pedal point.
The systematic use of drones originated in instrumental music of ancient Southwest Asia, and spread north and west to Europe and south to Africa. [7] It is used in Indian music and is played with the tanpura (or tambura) and other Indian drone instruments like the ottu, the ektar, the dotara (or dotar; dutar in Persian Central Asia), the surpeti, the surmandal (or swarmandal) and the shankh (conch shell). Most of the types of bagpipes that exist worldwide have up to three drones, making this one of the first instruments that comes to mind when speaking of drone music. In America, most forms of the African-influenced banjo contain a drone string. Since the 1960s, the drone has become a prominent feature in drone music and other forms of avant-garde music.
In vocal music drone is particularly widespread in traditional musical cultures, particularly in Europe, Polynesia and Melanesia. It is also present in some isolated regions of Asia (like among Pearl-divers in the Persian Gulf, some national minorities of South-West China, Taiwan, Vietnam, and Afghanistan). [8] [ page needed ]
Drone is also the term for the part of a musical instrument intended to produce the drone effect's sustained pitch, generally without the ongoing attention of the player. Different melodic Indian instruments (e.g. the sitar, the sarod, the sarangi and the rudra veena) contain a drone. For example, the sitar features three or four resonating drone strings, and Indian notes (sargam) are practiced to a drone. Bagpipes (like the Great Highland Bagpipe and the Zampogna) feature a number of drone pipes, giving the instruments their characteristic sounds. A hurdy-gurdy has one or more drone strings. The fifth string on a five-string banjo is a drone string with a separate tuning peg that places the end of the string five frets down the neck of the instrument; this string is usually tuned to the same note as that which the first string produces when played at the fifth fret. The bass strings of the Slovenian drone zither also freely resonate as a drone. The Welsh Crwth also features two drone strings.
Composers of Western classical music occasionally used a drone (especially one on open fifths) to evoke a rustic or archaic atmosphere, perhaps echoing that of Scottish or other early or folk music. Examples include the following:
The best-known drone piece in the concert repertory is the Prelude to Wagner's Das Rheingold (1854) wherein low horns and bass instruments sustain an E♭ throughout the entire movement. [10] The atmospheric ostinato effect that opens Beethoven's Ninth Symphony, which inspired similar gestures in the opening of all the symphonies of Anton Bruckner, represents a gesture derivative of drones.
One consideration for composers of common practice keyboard music was equal temperament. The adjustments lead to slight mistunings as heard against a sustained drone. Even so, drones have often been used to spotlight dissonance purposefully.
Modern concert musicians make frequent use of drones, often with just or other non-equal tempered tunings. Drones are a regular feature in the music of composers indebted to the chant tradition, such as Arvo Pärt, Sofia Gubaidulina, and John Tavener. The single-tones that provided the impetus for minimalism through the music of La Monte Young and many of his students qualify as drones. David First, the band Coil, the early experimental compilations of John Cale ( Sun Blindness Music , Dream Interpretation, and Stainless Gamelan ), Pauline Oliveros and Stuart Dempster, Alvin Lucier ( Music On A Long Thin Wire ), Ellen Fullman, Lawrence Chandler and Arnold Dreyblatt all make notable use of drones. The music of Italian composer Giacinto Scelsi is essentially drone-based. Shorter drones or the general concept of a continuous element are often used by many other composers. Other composers whose music is entirely based on drones include Charlemagne Palestine and Phill Niblock. The Immovable Do by Percy Grainger contains a sustained high C (heard in the upper woodwinds) that lasts for the entirety of the piece. Drone pieces also include Loren Rush's Hard Music (1970) [11] and Folke Rabe's Was?? (1968), [12] as well as Robert Erickson's Down at Piraeus. [13] The avant-garde guitarist Glenn Branca also used drones extensively. French singer Camille uses a continuous B throughout her album Le_Fil.
Drones continue to be characteristic of folk music. Early songs by Bob Dylan employ the effect with a retuned guitar in "Masters of War" and "Mr. Tambourine Man".[ citation needed ] The song "You Will Be My Ain True Love", written by Sting for the 2003 movie Cold Mountain and performed by Alison Krauss and Sting, uses drone bass.[ citation needed ]
Drones are used widely in the blues and blues-derived genres. Jerry Lee Lewis featured drones in solos and fills. [14] Drones were virtually absent in original rock and roll music,[ citation needed ] but gained popularity after the Beatles used drones in a few popular compositions (for example, "Blackbird" has a drone in the middle of a texture throughout the whole song, "Tomorrow Never Knows" makes use of tambura). They also used high drone for the dramatic effect in some sections of several of their compositions (like the last verses of "Yesterday" and "Eleanor Rigby ").[ citation needed ] rock band U2 uses drones in their compositions particularly widely.[ citation needed ] In the Led Zeppelin song "In The Light", a keyboard drone is used throughout the song, mostly in the intro.[ citation needed ]
American musician Roy Ayers used this technique in most of his repertoire [15] Everybody Loves the Sunshine (1976) and Searching (1976)) which have a high sustained synth string note through most of their duration.
Afrocentric acts influenced by Ayers like Acid Jazz or Neo-Soul tend to use this technique very often. compositions like Erykah Badu’s “Otherside of the Game”, Slum Village’s “Untitled/Fantastic” or Jamiroquai’s “Everyday” (in a lower extent for that case) use a synthesized or acoustic high sustained string. Scott Walker - "It's Raining Today" from 1969's SCOTT 3 Uses a drone and this song was used in Tv. Shows as a hunting effect.
Drones are used by a number of music education programs for ear training and pitch awareness, as well as a way to improvise ensemble music. [16] A shruti box is often used by vocalists in this style of musical training. Drones, owing to their acoustic properties and following their longstanding use in ritual and chant, can be useful in constructing aural structures outside common practice expectations of harmony and melody. [17] [ verification needed ]
The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, in modern forms usually made of plastic, originally of animal skin.
The clavichord is a stringed rectangular keyboard instrument that was used largely in the Late Middle Ages, through the Renaissance, Baroque and Classical eras. Historically, it was mostly used as a practice instrument and as an aid to composition, not being loud enough for larger performances. The clavichord produces sound by striking brass or iron strings with small metal blades called tangents. Vibrations are transmitted through the bridge(s) to the soundboard.
The harp is a stringed musical instrument that has individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or concerts. Its most common form is triangular in shape and made of wood. Some have multiple rows of strings and pedal attachments.
The piano is a keyboard instrument that produces sound when its keys are depressed, through engagement of an action whose hammers strike strings. Modern pianos have a row of 88 black and white keys, tuned to a chromatic scale in equal temperament.
The violin, sometimes referred as a fiddle, is a wooden chordophone, and is the smallest, and thus highest-pitched instrument (soprano) in regular use in the violin family. Smaller violin-type instruments exist, including the violino piccolo and the pochette, but these are virtually unused. Most violins have a hollow wooden body, and commonly have four strings, usually tuned in perfect fifths with notes G3, D4, A4, E5, and are most commonly played by drawing a bow across the strings. The violin can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow.
Orchestration is the study or practice of writing music for an orchestra or of adapting music composed for another medium for an orchestra. Also called "instrumentation", orchestration is the assignment of different instruments to play the different parts of a musical work. For example, a work for solo piano could be adapted and orchestrated so that an orchestra could perform the piece, or a concert band piece could be orchestrated for a symphony orchestra.
In musical instrument classification, string instruments or chordophones, are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner.
Pizzicato is a playing technique that involves plucking the strings of a string instrument. The exact technique varies somewhat depending on the type of instrument:
The hurdy-gurdy is a string instrument that produces sound by a hand-crank-turned, rosined wheel rubbing against the strings. The wheel functions much like a violin bow, and single notes played on the instrument sound similar to those of a violin. Melodies are played on a keyboard that presses tangents—small wedges, typically made of wood or metal—against one or more of the strings to change their pitch. Like most other acoustic stringed instruments, it has a sound board and hollow cavity to make the vibration of the strings audible.
Clawhammer, sometimes called down-picking, overhand, or most commonly known as frailing, is a distinctive banjo playing style and a common component of American old-time music.
Jangle or jingle-jangle is a sound typically characterized by undistorted, treble-heavy electric guitars played in a droning chordal style. The sound is mainly associated with pop music as well as 1960s guitar bands, folk rock, and 1980s indie music. It is sometimes classed as its own subgenre, jangle pop. Music critics use the term to suggest guitar pop that evokes a bright mood.
A bass instrument is a musical instrument that produces tones in the low-pitched range C2–C4. Basses belong to different families of instruments and can cover a wide range of musical roles. Since producing low pitches usually requires a long air column or string, the string and wind bass instruments are usually the largest instruments in their families or instrument classes.
Bassline is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, and classical music, for the low-pitched instrumental part or line played by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard.
In music, a pedal point is a sustained tone, typically in the bass, during which at least one foreign harmony is sounded in the other parts. A pedal point sometimes functions as a "non-chord tone", placing it in the categories alongside suspensions, retardations, and passing tones. However, the pedal point is unique among non-chord tones, "in that it begins on a consonance, sustains through another chord as a dissonance until the harmony", not the non-chord tone, "resolves back to a consonance".
The tanpura is a long-necked, plucked, four-stringed instrument originating in the Indian subcontinent, found in various forms in Indian music. Visually, the tanpura resembles a simplified sitar or similar lute-like instrument, and is likewise crafted out of a gourd or pumpkin.
Sympathetic strings or resonance strings are auxiliary strings found on many Indian musical instruments, as well as some Western Baroque instruments and a variety of folk instruments. They are typically not played directly by the performer, only indirectly through the tones that are played on the main strings, based on the principle of sympathetic resonance. The resonance is most often heard when the fundamental frequency of the string is in unison or an octave lower or higher than the catalyst note, although it can occur for other intervals, such as a fifth, with less effect.
Tamburica or tamboura refers to a family of long-necked lutes popular in Southeast Europe and Central Europe, especially Serbia, Bosnia and Herzegovina, Croatia, Slovenia, and Hungary. It is also known in Burgenland, Austria. All took their name and some characteristics from the Persian tanbur but also resemble the mandolin and guitar in the sense that its strings are plucked and often paired. The frets may be moveable to allow the playing of various modes. The variety of tamburica shapes known today were developed in Serbia and Croatia by a number of indigenous contributors near the end of the 19th century.
Chorus is an audio effect that occurs when individual sounds with approximately the same time, and very similar pitches, converge. While similar sounds coming from multiple sources can occur naturally, as in the case of a choir or string orchestra, it can also be simulated using an electronic effects unit or signal processing device.
Piano pedals are foot-operated levers at the base of a piano that change the instrument's sound in various ways. Modern pianos usually have three pedals, from left to right, the soft pedal, the sostenuto pedal, and the sustaining pedal. Some pianos omit the sostenuto pedal, or have a middle pedal with a different purpose such as a muting function also known as silent piano.
The tambura is a stringed instrument that is played as a folk instrument in Bosnia and Herzegovina, Bulgaria, Croatia, Hungary, North Macedonia, Serbia and Turkey. It has doubled steel strings and is played with a plectrum, in the same manner as a mandolin.
This article incorporates text from a publication now in the public domain : Chambers, Ephraim, ed. (1728). "Burden". Cyclopædia, or an Universal Dictionary of Arts and Sciences (1st ed.). James and John Knapton, et al.