The English novel is an important part of English literature. This article mainly concerns novels, written in English, by novelists who were born or have spent a significant part of their lives in England, Scotland, Wales, or Northern Ireland (or any part of Ireland before 1922). However, given the nature of the subject, this guideline has been applied with common sense, and reference is made to novels in other languages or novelists who are not primarily British, where appropriate.
A noteworthy aspect of both the 18th- and 19th- century novel is the way the novelist directly addressed the reader. For example, the author might interrupt his or her narrative to pass judgment on a character, or pity or praise another, and inform or remind the reader of some other relevant issue.[citation needed]
The phrase 'Romantic novel' has several possible meanings. Here it refers to novels written during the Romantic era in literary history, which runs from the late 18th century until the beginning of the Victorian era in 1837. But to complicate matters there are novels written in the romance tradition by novelists like Walter Scott, Nathaniel Hawthorne, George Meredith.[7] In addition the phrase today is mostly used to refer to the popular pulp-fiction genre that focusses on romantic love. The Romantic period is especially associated with the poets William Blake, William Wordsworth, Samuel Taylor Coleridge, George Byron, Percy Shelley and John Keats, though two major novelists, Jane Austen and Walter Scott, also published in the early 19th century.
Horace Walpole's 1764 novel, The Castle of Otranto, invented the Gothic fiction genre. The word gothic was originally used in the sense of medieval.[8] This genre combines "the macabre, fantastic, and supernatural" and usually involves haunted castles, graveyards and various picturesque elements.[9] Later novelist Ann Radcliffe introduced the brooding figure of the Gothic villain which developed into the Byronic hero. Her most popular and influential work, The Mysteries of Udolpho (1794), is frequently described as the archetypal Gothic novel. Vathek (1786), by William Beckford, and The Monk (1796), by Matthew Lewis, were further notable early works in both the Gothic and horror genres.
Mary Shelley's novel Frankenstein (1818), as another important Gothic novel as well as being an early example of science fiction.[10] The vampire genre fiction began with John William Polidori's The Vampyre (1819). This short story was inspired by the life of Lord Byron and his poem The Giaour. An important later work is Varney the Vampire (1845), where many standard vampire conventions originated: Varney has fangs, leaves two puncture wounds on the neck of his victims, and has hypnotic powers and superhuman strength. Varney was also the first example of the "sympathetic vampire", who loathes his condition but is a slave to it.[11]
Among more minor novelists in this period Maria Edgeworth (1768–1849) and Thomas Love Peacock (1785–1866) are worthy of comment. Edgeworth's novel Castle Rackrent (1800) is "the first fully developed regional novel in English" as well as "the first true historical novel in English" and an important influence on Walter Scott.[12] Peacock was primarily a satirist in novels such as Nightmare Abbey (1818) and The Misfortunes of Elphin (1829).
Jane Austen's (1775–1817) works critique the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century realism.[13] Her plots, though fundamentally comic, highlight the dependence of women on marriage to secure social standing and economic security.[14] Austen brings to light the hardships women faced, who usually did not inherit money, could not work and where their only chance in life depended on the man they married. She reveals not only the difficulties women faced in her day, but also what was expected of men and of the careers they had to follow. This she does with wit and humour and with endings where all characters, good or bad, receive exactly what they deserve. Her work brought her little personal fame and only a few positive reviews during her lifetime, but the publication in 1869 of her nephew's A Memoir of Jane Austen introduced her to a wider public, and by the 1940s she had become accepted as a major writer. The second half of the 20th century saw a proliferation of Austen scholarship and the emergence of a Janeite fan culture. Austen's works include Pride and Prejudice (1813) Sense and Sensibility (1811), Mansfield Park, Persuasion and Emma.
The other major novelist at the beginning of the early 19th century was Sir Walter Scott (1771–1832), who was not only a highly successful British novelist but "the greatest single influence on fiction in the 19th century ... [and] a European figure".[15] Scott established the genre of the historical novel with his series of Waverley Novels, including Waverley (1814), The Antiquary (1816), and The Heart of Midlothian (1818).[16] However, Austen is today widely read and the source for films and television series, while Scott is less often read.
Victorian novel
It was in the Victorian era (1837–1901) that the novel became the leading literary genre in English. A number of women novelists were successful in the 19th century, although they often had to use a masculine pseudonym. At the beginning of the 19th century most novels were published in three volumes. However, monthly serialization was revived with the publication of Charles Dickens' Pickwick Papers in twenty parts between April 1836 and November 1837. Demand was high for each episode to introduce some new element, whether it was a plot twist or a new character, so as to maintain the readers' interest. Both Dickens and Thackeray frequently published this way.[17]
After Carlyle, the poetic, prophetic, and visionary possibilities of the novel are fully awakened.[18]
In the 1830s and '40s, novelists began to show the influence of social critics on their work, especially Thomas Carlyle, who raised the "Condition-of-England Question" to describe "the social and political upheavals which followed the Reform Act of 1832".[19] In response, novelists wrote "Condition of England novels", which were in many ways a reaction to rapid industrialization, and the social, political and economic issues associated with it, and were a means of commenting on abuses of government and industry and the suffering of the poor, who were not profiting from England's economic prosperity.[20] Stories of the working-class poor were directed toward the middle class to help create sympathy and promote change. An early example is Charles Dickens' Oliver Twist (1837–38).
Charles Dickens emerged on the literary scene in the 1830s with the two novels already mentioned. Dickens wrote vividly about London life and struggles of the poor, but in a good-humoured fashion, accessible to readers of all classes. One of his most popular works to this day is A Christmas Carol (1843). In more recent years Dickens has been most admired for his later novels, such as Dombey and Son (1846–48), Great Expectations (1860–61), Bleak House (1852–53), Little Dorrit (1855–57), and Our Mutual Friend (1864–65). An early rival to Dickens was William Makepeace Thackeray, who during the Victorian period ranked second only to him, but he is now much less read and is known almost exclusively for Vanity Fair (1847). In that novel he satirizes whole swaths of humanity while retaining a light touch. It features his most memorable character, the engagingly roguish Becky Sharp.
The Brontë sisters were other significant novelists in the 1840s and 1850s. Their novels caused a sensation when they were first published and were subsequently accepted as classics. They had written compulsively from early childhood and were first published, at their own expense, in 1846 as poets under the pseudonyms Currer, Ellis, and Acton Bell. The sisters returned to prose, producing a novel each the following year: Charlotte's Jane Eyre, Emily's Wuthering Heights and Anne's Agnes Grey. Later, Anne's The Tenant of Wildfell Hall (1848) and Charlotte's Villette (1853) were published. Elizabeth Gaskell was also a successful writer and her first novel, Mary Barton, was published anonymously in 1848. Gaskell's North and South contrasts the lifestyle in the industrial north of England with the wealthier south. Even though her writing conforms to Victorian conventions, Gaskell usually frames her stories as critiques of contemporary attitudes: her early works focused on factory work in the Midlands. She always emphasised the role of women, with complex narratives and dynamic female characters.[21]
Anthony Trollope (1815–82) was one of the most successful, prolific, and respected English novelists of the Victorian era. Some of his best-loved works are set in the imaginary county of Barsetshire, including The Warden (1855) and Barchester Towers (1857). He also wrote perceptive novels on political, social, and gender issues, and on other topical matters, including The Way with Live Now (1875). Trollope's novels portrayed the lives of the landowning and professional classes of early Victorian England.
George Eliot's (Mary Ann Evans) (1819–80) first novel Adam Bede was published in 1859. Her works, especially Middlemarch 1871–72), are important examples of literary realism, and are admired for their combination of high Victorian literary detail combined with an intellectual breadth that removes them from the narrow geographic confines they often depict.
H. G. Wells studying in London, taken c. 1890
An interest in rural matters and the changing social and economic situation of the countryside is seen in the novels of Thomas Hardy (1840–1928). A Victorian realist, in the tradition of George Eliot, he was also influenced both in his novels and poetry by Romanticism, especially by William Wordsworth.[22]Charles Darwin is another important influence on Thomas Hardy.[23] Like Charles Dickens he was also highly critical of much in Victorian society, though Hardy focused more on a declining rural society. While Hardy wrote poetry throughout his life and regarded himself primarily as a poet, his first collection was not published until 1898, so that initially he gained fame as the author of such novels as, Far from the Madding Crowd (1874), The Mayor of Casterbridge (1886), Tess of the d'Urbervilles (1891), and Jude the Obscure (1895). He ceased writing novels following adverse criticism of this last novel. In novels such as The Mayor of Casterbridge and Tess of the d'Urbervilles Hardy attempts to create modern works in the genre of tragedy, that are modelled on the Greek drama, especially Aeschylus and Sophocles, though in prose, not poetry, a novel not drama, and with characters of low social standing, not nobility.[24] Another significant late 19th-century novelist is George Gissing (1857–1903) who published 23 novels between 1880 and 1903. His best known novel is New Grub Street (1891).[citation needed]
The major novelists writing in Britain at the start of the 20th century were an Irishman James Joyce (1882–1941) and two immigrants, American Henry James (1843–1916) and Pole Joseph Conrad (1857–1924)[citation needed]. The modernist tradition in the novel, with its emphasis "towards the ever more minute and analytic exposition of mental life", begins with James and Conrad, in novels such as The Ambassadors (1903), The Golden Bowl (1904) and Lord Jim (1900).[25] Other important early modernists were Dorothy Richardson (1873–1957), whose novel Pointed Roof (1915), is one of the earliest example of the stream of consciousness technique, and D. H. Lawrence (1885–1930), who wrote with understanding about the social life of the lower and middle classes and the personal life of those who could not adapt to the social norms of his time. Sons and Lovers (1913), is widely regarded as his earliest masterpiece. There followed The Rainbow (1915), though it was immediately seized by the police, and its sequel Women in Love published in 1920.[26] Lawrence attempted to explore human emotions more deeply than his contemporaries and challenged the boundaries of the acceptable treatment of sexual issues, most notably in Lady Chatterley's Lover, which was privately published in Florence in 1928. However, the unexpurgated version of this novel was not published until 1959.[27] In 1922 Irishman James Joyce's important modernist novel Ulysses appeared. Set during one day in Dublin in June 1904, the novel has been called "a demonstration and summation of the entire movement."[28] In it Joyce creates parallels with Homer's epic poem the Odyssey.[29]
But while modernism was to become an important literary movement in the early decades of the new century, there were also many fine novelists who were not strictly modernists. These include E. M. Forster ((1879–1970), John Galsworthy ((1867–1933) (Nobel Prize in Literature, 1932), whose novels include The Forsyte Saga, Arnold Bennett (1867–1931) author of The Old Wives' Tale, and H. G. Wells (1866–1946), though Forster's work is "frequently regarded as containing both modernist and Victorian elements".[31]E. M. Forster's A Passage to India (1924), reflected challenges to imperialism, while his earlier works, such as A Room with a View (1908) and Howards End (1910), examined the restrictions and hypocrisy of Edwardian society in England. The most popular British writer of the early years of the 20th century was arguably Rudyard Kipling (1865–1936), a highly versatile writer of novels, short stories and poems and to date the youngest ever recipient of the Nobel Prize for Literature (1907).
Graham Greene was an important novelist whose works span the 1930s to the 1980s. Greene was a convert to Catholicism and his novels explore the ambivalent moral and political issues of the modern world. Notable for an ability to combine serious literary acclaim with broad popularity, his novels include, The Heart of the Matter (1948), A Burnt-Out Case (1961), and The Human Factor (1978). Evelyn Waugh's (1903–1966) career also continued after World War II, and in "1961 he completed his most considerable work, a trilogy about the war entitled Sword of Honour.[34] In 1947 Malcolm Lowry published Under the Volcano. One of the most influential novels of the immediate post-war period was William Cooper's (1910–2002) naturalistic Scenes from Provincial Life (1950), which was a conscious rejection of the modernist tradition.[35] Other novelists writing in the 1950s and later were: Anthony Powell (1905–2000) whose twelve-volume cycle of novels A Dance to the Music of Time (1951–75), is a comic examination of movements and manners, power and passivity in English political, cultural, and military life in the mid-20th century; comic novelist Kingsley Amis is best known for his academic satire Lucky Jim (1954); Nobel Prize laureate William Golding's allegorical novel Lord of the Flies (1954), explores how culture created by man fails, using as an example a group of British schoolboys marooned on a deserted island. Philosopher Iris Murdoch was a prolific writer of novels that deal with such things as sexual relationships, morality, and the power of the unconscious. Her works include Under the Net (1954), The Black Prince (1973) and The Green Knight (1993). Scottish writer Muriel Spark also began publishing in the 1950s. She pushed the boundaries of realism in her novels. Her first, The Comforters (1957), concerns a woman who becomes aware that she is a character in a novel; The Prime of Miss Jean Brodie (1961), jumps forward at the end to reveal the fates that befell its characters. Anthony Burgess is especially remembered for his dystopian novelA Clockwork Orange (1962), set in the not-too-distant future, which was made into a film by Stanley Kubrick in 1971. In the entirely different genre of Gothic fantasyMervyn Peake (1911–1968) published his highly successful Gormenghast trilogy between 1946 and 1959.
Immigrant authors played a major role in post-war literature. Doris Lessing (1919) from Southern Rhodesia (now Zimbabwe), published her first novel The Grass is Singing in 1950, after immigrating to England. She initially wrote about her African experiences. Lessing soon became a dominant presence in the English literary scene, frequently publishing right through the century, and won the Nobel prize for literature in 2007. Salman Rushdie (born 1947) is another among a number of post Second World War writers from the former British colonies who permanently settled in Britain. Rushdie achieved fame with Midnight's Children 1981, which was awarded both the James Tait Black Memorial Prize and Booker Prize, and named Booker of Bookers in 1993. His most controversial novel The Satanic Verses (1989), was inspired in part by the life of Muhammad. V. S. Naipaul (1932–2018), born in Trinidad, wrote among other things A House for Mr. Biswas (1961) and A Bend in the River (1979). Naipaul won the Nobel Prize in Literature.[36] Also from the West IndiesGeorge Lamming (1927–1922) is best remembered for In the Castle of the Skin (1953). Another important immigrant writer Kazuo Ishiguro (born 1954) was born in Japan, but his parents immigrated to Britain when he was six.[37] His works include The Remains of the Day {1989) and Never Let Me Go (2005). Ishiguro won the Nobel Prize in Literature in 2017.[38]
Angela Carter (1940–1992) was a novelist and journalist, known for her feminist, magical realism, and picaresque works. Writing from the 1960s until the 1980s, her novels include, The Infernal Desire Machines of Doctor Hoffman (1972) and Nights at the Circus (1984). Margaret Drabble (born 1939) is a novelist, biographer, and critic, who has published from the 1960s until this century. Her older sister, A. S. Byatt (born 1936) is best known for Possession published in 1990.
Martin Amis (1949 to 2023) was one of the most prominent of contemporary British novelists. His best-known novels are Money (1984) and London Fields (1989). Pat Barker (born 1943) has won many awards for her fiction.
Zadie Smith's (born 1975) Whitbread Book Award winning novel White Teeth (2000), mixes pathos and humour, focusing on the later lives of two war time friends in London. Julian Barnes (born 1946) is another successful living novelist, who won the 2011 Man Booker Prize for his book The Sense of an Ending, while three of his earlier books had been shortlisted for the Booker Prize.[citation needed]
Monica Ali came to prominence in 2003 with the acclaimed novel Brick Lane. A chronicler of everyday life in multicultural Britain, Ali was hailed by critics and awarded several awards for the novel including the Man Booker Prize for Fiction.[42]
One of the more ambitious novelists to emerge in contemporary English literature is David Mitchell whose far-reaching novel Cloud Atlas (2004) spans from the 19th century into the future.[43]
In the early 21st century an outstanding concern with historical fiction has been noted.[44]Hilary Mantel (1952-2022) had success with the critically acclaimed historical novel Wolf Hall (2009).[45]
Survey
In 2003 the BBC carried out a UK survey entitled The Big Read in order to find the "nation's best-loved novel" of all time, with works by English novelists Tolkien, Austen, Pullman, Adams and Rowling making up the top five on the list.[46]
Gothic fiction, sometimes called Gothic horror, is a loose literary aesthetic of fear and haunting. The name refers to Gothic architecture of the European Middle Ages, which was characteristic of the settings of early Gothic novels.
Jane Austen was an English novelist known primarily for her six novels, which implicitly interpret, critique, and comment upon the English landed gentry at the end of the 18th century. Austen's plots often explore the dependence of women on marriage for the pursuit of favourable social standing and economic security. Her works are implicit critiques of the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century literary realism. Her use of social commentary, realism, wit, and irony have earned her acclaim amongst critics and scholars.
Historical fiction is a literary genre in which a fictional plot takes place in the setting of particular real historical events. Although the term is commonly used as a synonym for historical fiction literature, it can also be applied to other types of narrative, including theatre, opera, cinema, and television, as well as video games and graphic novels. It often makes many use of symbolism in allegory using figurative and metaphorical elements to picture a story.
Elizabeth Cleghorn Gaskell, often referred to as Mrs Gaskell, was an English novelist, biographer, and short story writer. Her novels offer a detailed portrait of the lives of many strata of Victorian society, including the very poor. Her first novel, Mary Barton, was published in 1848. Gaskell's The Life of Charlotte Brontë, published in 1857, was the first biography of Charlotte Brontë. In this biography, she wrote only of the moral, sophisticated things in Brontë's life; the rest she omitted, deciding certain, more salacious aspects were better kept hidden. Among Gaskell's best known novels are Cranford (1851–1853), North and South (1854–1855), and Wives and Daughters (1864–1866), all of which were adapted for television by the BBC.
British literature is from the United Kingdom of Great Britain and Northern Ireland, the Isle of Man, and the Channel Islands. This article covers British literature in the English language. Anglo-Saxon literature is included, and there is some discussion of Latin and Anglo-Norman literature, where literature in these languages relate to the early development of the English language and literature. There is also some brief discussion of major figures who wrote in Scots, but the main discussion is in the various Scottish literature articles.
John Andrew Sutherland is a British academic, newspaper columnist and author. He is Emeritus Lord Northcliffe Professor of Modern English Literature at University College London.
Jane Porter was an English historical novelist, dramatist and literary figure. Her bestselling novels, Thaddeus of Warsaw (1803) and The Scottish Chiefs (1810) are seen as among the earliest historical novels in a modern style and among the first to become bestsellers. They were abridged and remained popular among children well into the twentieth century.
Lucas Malet was the pseudonym of Mary St Leger Kingsley, a Victorian novelist. Of her novels, The Wages of Sin (1891) and The History of Sir Richard Calmady (1901) were especially popular. Malet scholar Talia Schaffer notes that she was "widely regarded as one of the premier writers of fiction in the English-speaking world" at the height of her career, but her reputation declined by the end of her life and today she is rarely read or studied. At the height of her popularity she was "compared favorably to Thomas Hardy, and Henry James, with sales rivaling Rudyard Kipling." Malet's fin de siecle novels offer "detailed, sensitive investigations of the psychology of masochism, perverse desires, unconventional gender roles, and the body."
Victorian literature is English literature during the reign of Queen Victoria (1837–1901). The 19th century is considered by some the Golden Age of English Literature, especially for British novels. In the Victorian era, the novel became the leading literary genre in English. English writing from this era reflects the major transformations in most aspects of English life, from scientific, economic, and technological advances to changes in class structures and the role of religion in society. The number of new novels published each year increased from 100 at the start of the period to 1000 by the end of it. Famous novelists from this period include Charles Dickens, William Makepeace Thackeray, the three Brontë sisters, Elizabeth Gaskell, George Eliot, Thomas Hardy, and Rudyard Kipling.
The sentimental novel or the novel of sensibility is an 18th- and 19th-century literary genre which presents and celebrates the concepts of sentiment, sentimentalism, and sensibility. Sentimentalism, which is to be distinguished from sensibility, was a fashion in both poetry and prose fiction beginning in the eighteenth century in reaction to the rationalism of the Augustan Age.
Literary realism is a literary genre, part of the broader realism in arts, that attempts to represent subject-matter truthfully, avoiding speculative fiction and supernatural elements. It originated with the realist art movement that began with mid-nineteenth-century French literature (Stendhal) and Russian literature. Literary realism attempts to represent familiar things as they are. Realist authors chose to depict every day and banal activities and experiences.
The academic discipline of women's writing is a discrete area of literary studies which is based on the notion that the experience of women, historically, has been shaped by their sex, and so women writers by definition are a group worthy of separate study: "Their texts emerge from and intervene in conditions usually very different from those which produced most writing by men." It is not a question of the subject matter or political stance of a particular author, but of her sex, i.e. her position as a woman within the literary world.
The reception history of Jane Austen follows a path from modest fame to wild popularity. Jane Austen (1775–1817), the author of such works as Pride and Prejudice (1813) and Emma (1815), has become one of the best-known and most widely read novelists in the English language. Her novels are the subject of intense scholarly study and the centre of a diverse fan culture.
English literature is literature written in the English language from the English-speaking world. The English language has developed over more than 1,400 years. The earliest forms of English, a set of Anglo-Frisian dialects brought to Great Britain by Anglo-Saxon settlers in the fifth century, are called Old English. Beowulf is the most famous work in Old English. Despite being set in Scandinavia, it has achieved national epic status in England. However, following the Norman conquest of England in 1066, the written form of the Anglo-Saxon language became less common. Under the influence of the new aristocracy, French became the standard language of courts, parliament, and polite society. The English spoken after the Normans came is known as Middle English. This form of English lasted until the 1470s, when the Chancery Standard, a London-based form of English, became widespread. Geoffrey Chaucer (1343–1400), author of The Canterbury Tales, was a significant figure developing the legitimacy of vernacular Middle English at a time when the dominant literary languages in England were still French and Latin. The invention of the printing press by Johannes Gutenberg in 1439 also helped to standardise the language, as did the King James Bible (1611), and the Great Vowel Shift.
Jay Clayton is an American literary critic who is known for his work on the relationship between nineteenth-century culture and postmodernism. He has published influential works on Romanticism and the novel, Neo-Victorian literature, steampunk, hypertext fiction, online games, contemporary American fiction, technology in literature, and genetics in literature and film. He is the William R. Kenan, Jr. Professor of English and director of the Curb Center for Art, Enterprise, and Public Policy at Vanderbilt University.
In literature regionalism refers to fiction or poetry that focuses on specific features, such as dialect, customs, history, and landscape, of a particular region. The setting is particularly important in regional literature and the "locale is likely to be rural and/or provincial."
A novelist is an author or writer of novels, though often novelists also write in other genres of both fiction and non-fiction. Some novelists are professional novelists, thus make a living writing novels and other fiction, while others aspire to support themselves in this way or write as an avocation. Most novelists struggle to have their debut novel published, but once published they often continue to be published, although very few become literary celebrities, thus gaining prestige or a considerable income from their work.
This article is focused on English-language literature rather than the literature of England, so that it includes writers from Scotland, Wales, and the whole of Ireland, as well as literature in English from former British colonies. It also includes, to some extent, the United States, though the main article for that is American literature.
Romanticism was an artistic, literary, and intellectual movement that originated in Europe toward the end of the 18th century. Scholars regard the publishing of William Wordsworth's and Samuel Coleridge's Lyrical Ballads in 1798 as probably the beginning of the movement in England, and the crowning of Queen Victoria in 1837 as its end. Romanticism arrived in other parts of the English-speaking world later; in the United States, about 1820.
Romance, is a "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". This genre contrasted with the main tradition of the novel, which realistically depict life. These works frequently, but not exclusively, take the form of the historical novel. Walter Scott describes romance as a "kindred term", and many European languages do not distinguish between romance and novel: "a novel is le roman, der Roman, il romanzo".
References
↑ "Defoe", The Oxford Companion to English Literature, ed. Margaret Drabble. (Oxford: Oxforsd University Press,1996), p. 265.
↑ J. A. Cuddon, A Dictionary of Literary Terms (Harmondsworth: Penguin Books, 1984), pp. 433, 434.
↑ The Oxford Companion to English Literature, ed. Margaret Drabble. (Oxford: Oxford University Press,1996), p. 151.
↑ J. A. Cuddon, A Dictionary of Literary Terms. (Harmondsworth:Penguin Books, 1984), p. 582.
↑ J. A. Cuddon, A Dictionary of Literary Terms, p. 289.
↑ The Oxford Companion to English Literature, ed. Margaret Drabble. (Oxford: Oxford University Press,1996), p. 411.
↑ The Oxford Companion to English Literature, p. 886.
↑ Skal, David J. (1996). V is for Vampire, p. 99. New York: Plume. ISBN0-452-27173-8.
↑ The Oxford Companion to English Literature, p. 310.
↑ Litz, pp. 3–14; Grundy, "Jane Austen and Literary Traditions", The Cambridge Companion to Jane Austen, pp. 192–193; Waldron, "Critical Responses, Early", Jane Austen in Context, pp. 83, 89–90; Duffy, "Criticism, 1814–1870", The Jane Austen Companion, pp. 93–94.
↑ A. Walton Litz, Jane Austen: A Study of Her Development. New York: Oxford University Press, 1965. p. 142; Oliver MacDonagh, Jane Austen: Real and Imagined Worlds. New Haven: Yale University Press, 1991. pp. 66–75; Collins, 160–161.
↑ Abrams, M.H., et al. (eds), "Elizabeth Gaskell, 1810–1865". The Norton Anthology of English Literature, The Major Authors: The Romantic Period through the Twentieth Century, 7th ed., Vol. B. New York, London: W.W. Norton & Company, 2001. ISBN0-393-97304-2. DDC 820.8—dc21. LC PR1109.N6.
↑ Dennis Taylor, "Hardy and Wordsworth". Victorian Poetry, vol.24, no.4, Winter, 1986.
↑ Gillian Beer, Darwin's Plots. Cambridge: Cambridge University Press, 2009.
↑ John Carruthers, Scheherazade: or the Future of the English Novel (1928), quoted in Randall Stevenson,Modernist Fiction: An Introduction. (Lexington: University of Kentucky, 1992) pp. 18, 19, 22.
↑ The Oxford Companion to English Literature, p. 562.
↑ The Oxford Companion to English Literature, p. 562.
↑ Beebe, Maurice (Fall 1972). "Ulysses and the Age of Modernism". James Joyce Quarterly (University of Tulsa) 10 (1): p. 176.
↑ The Bloomsbury Guide to English Literature, ed. Marion Wynne-Davies. (New York: Prentice Hall, 19900, p. 644.
↑ The Cambridge companion to Virginia Woolf. By Sue Roe, Susan Sellers. p. 219. Cambridge University Press, 2000.
↑ The Bloomsbury Guide to English Literature, ed. Marion Wynne Davies (New York: Prentice Hall, 1990), p. 118.
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