World tour by Kesha | |
Location | North America • Oceania • Europe • South America |
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Associated album | Animal Cannibal |
Start date | February 15, 2011 |
End date | September 29, 2011 |
Legs | 6 |
No. of shows | 66 in North America 10 in Oceania 12 in Europe 2 in South America 90 total |
Kesha concert chronology |
The Get Sleazy Tour (stylized as Get $leazy Tour) was the first concert tour by American recording artist Ke$ha in support of both her first album, Animal , and first extended play, Cannibal . Officially announced on November 8, 2010, the tour visited the Americas, Australia and Europe. It was scheduled to visit Asia but due to the 2011 Tōhoku earthquake and tsunami, the tour was postponed indefinitely. Described by Kesha as "a ridiculously fun dance party", the concerts were presented as underground rave ups drawing inspiration from parties she would attend while growing up in Tennessee. The tour kicked off on February 15, 2011, in Portland, Oregon, and ended September 29, 2011, in Rio de Janeiro.
Critical reception to the tour has been generally mixed to positive. Kesha's vocals on the tour were generally praised although some critics noted the overuse of backtrack on some songs. Her charisma and stage presence was also generally met with positive reception. Despite Kesha receiving positive reviews her original opener, Beardo, was met with extremely negative reception with multiple critics calling him unfunny. After a successful sold out first run in North America, she extended her tour into the summer including dates in the United Kingdom and additional dates in the United States.
The tour was officially announced on November 8, 2010, via the artist's official website. [1] The tour comes months after Kesha toured the United States with Rihanna as the opening act on her Last Girl on Earth [2] and her own promotional tour in the United Kingdom during the Fall of 2010 to support her first studio album, Animal . [3] During an interview with Gary Graff (from Billboard) Kesha explained her inspiration for the tour, describing it as "a ridiculously fun dance party that will build on the energetic sets she played while opening for Rihanna last summer." She elaborated,
"Visually it will just be assaulting, and sonically it will be assaulting. It's just going to be an assault of all your senses, but it's going to be really, really, really fun, [...] I want people to feel like they've come to my house party, and they can be the most raw and visceral version of themselves and not be judged. I want my show to be a place you can come and dress like a maniac and wear mental makeup, and it's totally cool." [4]
Five concerts in Asia were originally planned for March 2011. [5] Due to the 2011 Tōhoku earthquake and tsunami, the shows were postponed on March 15, 2011. The singer responded, "My heart is with Japan right now through this disaster and these hardships. I genuinely don't think right now would be appropriate timing for me to perform in Japan given the content and the spirit of my show, which is all about feeling exuberant, rowdy, and wild. I plan to bring my party there and to that part of the world when we are all ready to dance and Get $leazy together again. In the meantime I am going to do everything I can to help relief efforts and I encourage everyone in the world to do the same." [6] After a successful run in North America, the singer extended her tour into the summer including dates in the United Kingdom and additional dates in the United States. Kesha described the extension saying, "My spring tour sold out so fast, which is amazing, but I want to get to party with errryone. If you are part of my family, my cult of rowdy misfits, come join us! I’m pulling out an ass-ton more glitter with blue lipstick to spare and I’m ready to party with all y’all all summer long. Sh–'s gonna be hot as a mofo [...] Miss this and you be missing the biggest dance party of the year!" [7]
The set list is mainly derived from Kesha's first album Animal, and follow-up extended play (EP) Cannibal. [8] Besides tracks from those albums, Kesha incorporated covers of the Beastie Boys song, "(You Gotta) Fight for Your Right (To Party!)" to "give the show a more rock'n'roll edge." [8] She told Kevin O'Donnell of Spin, "I've been on this Iggy Pop kick — he's just so inspiring to watch as a performer, [...] I'm trying to do something like that, minus the heroin and the stabbing myself part." [8] The theme of the tour is "to bring the planet an epic dance party [...] That's my mentality with this tour — party as hard as we can and make it as infectious as possible. It's unlike anything anyone else in pop music is doing." [8] Visually, the theaters and auditoriums hosting the show will be transformed and presented as "basement rave-ups". The inspiration came from her earlier life when she was growing up in Tennessee where she would attend parties. [8] To achieve this look, the singer worked with the creative team responsible for Daft Punk's concerts. The look is described as Mad Max and "intergalactic spaceship" combination. [8]
Opening with the concert's title track "Sleazy", Kesha, wearing glasses outlined by an arrangement of lights, a black leotard encrusted with rhinestones and diamonds, appears in the middle of a large structure in the shape of a diamond where she acts as the night's DJ. [9] [10] Surrounded by her band and background dancers, seen wearing clothing described as a blend between "Mad Max and [...] prehistoric birds", she remains in the structure while transitioning into the following song, "Take It Off". [11] She performs the next two songs, "Fuck Him He's a DJ" and "Dirty Picture", in the structure as she presses buttons that set different synths into motion and plays on percussion boards. [12] By the concert's fifth song, "Blow", she emerges from the structure and takes center stage, shooting glitter cannons at the audience. [12] [13]
During "Cannibal", Kesha, now wearing an American flag ensemble with black ripped fishnets, proceeds to tie up one of her male dancers to an X-shaped post. She then proceeds to pull a glowing red heart from the dancer's chest as fake blood covers herself and the man. [11] For the final part of the evening, Kesha changes into a rhinestone infused skeleton bodysuit. The suit was also worn by Kesha when she kickstarted on the inaugural Conan Summer Concert Series. [14] She later asks for a "man who enjoys being abused" from the audience; she brings him onto the stage, then duct tapes him to a chair, giving him a lap dance as she sings her song "Grow a Pear". As she sings, a background dancer dressed as a penis joins Kesha and the man on stage, dancing and jumping around. [12] [13] The concert is ended with "Tik Tok" and an encore consisting of "We R Who We R" and the Beastie Boys track "(You Gotta) Fight for Your Right (To Party!)". [13]
Stephan Lee from Entertainment Weekly was positive in the review of the concert. [13] Lee was skeptical of the concert initially, citing her "less-than-stellar TV performances" as the reason for the apprehension but wrote that he was surprised at "how unexpectedly awesome the show was". Kesha's vocal performance was praised with Lee noting that her vocals sounded nearly identical to how her records sounded. [13] The shows atmosphere was praised with Lee noting that "she packed infinitely more entertainment value and energy into the show by way of pure, unabashed silliness than Britney Spears did in her much more expensive and lavish Circus tour." Lee ended his review of the concert comparing Kesha to Lady Gaga, Katy Perry and Britney Spears stating that "I think Kesha doesn't get much respect because people have a hard time seeing what she brings to the table that other pop solo artists like Britney, Gaga, and Katy Perry don’t already, but her persona was fully on display last night, and it was all her own." [13] Mark Lore from Spin , referring to an earlier quote by Kesha, "I'm going to bring the planet an epic dance party", wrote that she lived up to her word calling the night "such good, sleazy fun". "Cannibal" and "Grow a Pear" were two highlights from the review, being called "well-executed" and for not taking herself too seriously. Lore complimented the choice of set-list and the nights overall atmosphere praising the humor present throughout the show. [11]
Jason MacNeil from the Toronto Sun wrote that the show's opening seemed a bit tame for someone like Kesha, writing that it was not until "Take It Off" "that stiffness slowly melted away." MacNeil's consensus for the show was, "It took her a little while to find that seedy, trashy animal magnetism she exudes so well, but when she did, pop singer Kesha was money in the bank." The review highlighted the show's theatrics, citing "Grow A Pear" as the strongest part of the show. MacNeil went on to give the concert three and a half stars out of five. [15] Megan Buerger of the Washington Post called the concert "an assaulting tribute to partying and debauchery." Buerger praised her charisma on her singles writing that she had consistent "unfaltering energy" on them. Her vocals on "Animal" and "The Harold Song" were called "startling" with Buerger writing that "despite her efforts to hide it, there seems to be a singer behind all that sleaze. Perhaps the most startling moment of the evening featured the lone Kesha on stage [...] she offered a fleeting glimpse at her under-utilized vocal talent." The review of the concert was ended with the consensus that "her refusal to take herself seriously is refreshing and even a little endearing. She may be rough around the edges, but boring, she's not." [16]
Bree Davies from Westword criticized the opening act, Beardo, calling him an unfunny and unbelievable version of "Weird-Al-meets-License-to-Ill-era-Beastie-Boys". Davies had a positive impression of the concert overall, praising her stage presence for "her ability to keep every pair of mostly-female eyes on her at all times" and for presenting an "expensive-looking big bang-up stage show combined with lowest common denominator pop". [17] David Burger from The Salt Lake Tribune criticized Kesha's stage presence and charisma blaming it on the venue. The review highlighted songs such as "Tik Tok" and "Your Love Is My Drug" but criticized the middle third of the show which featured ballads. [10] Matt Farley and Erica Boniface from KUSA gave credit to Kesha's performance and live band for "sticking to her R-rated guns". Her opener Beardo however, was deemed "possibly the worst act ever to perform at the Fillmore". [18] Lauren Carter from Boston Herald wrote that the show was "technically a success" praising her vocals on her songs that "all knocked appropriately." Carter was also negative in the review however, criticizing her on her insistence "on seeming wild, crazy and amoral, which for anyone not drunk or ensnared in the Ke$ha web, was simply draining." [12]
Jenelle Evans from Teen Mom 2 highly praised this tour in an episode where she refused to go to jail in order not to miss her concert. Evans had second row seats for the August 9, 2011 show in Raleigh. She told her lawyer "No, you don't understand. This is my idol...that's why I got all these feathers in my hair." [19]
Source: [23]
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March 22, 2011 | Nagoya, Japan | Zepp Nagoya | Postponed [46] |
March 23, 2011 | Osaka, Japan | Namba Hatch | Postponed [46] |
March 25, 2011 | Tokyo, Japan | Studio Coast | Postponed [46] |
March 26, 2011 | Tokyo, Japan | Zepp Tokyo | Postponed [46] |
March 29, 2011 | Seoul, South Korea | Melon AX Hall | Postponed [46] |
April 25, 2011 | Tulsa, Oklahoma | Brady Theater | Rescheduled for July 24, 2011 [47] |
September 14, 2011 | San Francisco | Bill Graham Civic Auditorium | Moved to the Fox Oakland Theatre in Oakland, California [48] |
Venue | City | Tickets sold / available | Gross revenue |
---|---|---|---|
Hordern Pavilion | Sydney | 5,120 / 5,120 (100%) | $400,144 [49] |
Nutter Center | Fairborn | 5,077 / 5,141 (99%) | $337,804 [50] |
Cedar Park Center | Cedar Park | 4,472 / 4,708 (95%) | $202,813 [51] |
Patriot Center | Fairfax | 5,484 / 6,909 (79%) | $300,774 [52] |
DTE Energy Music Theatre | Clarkston | 13,495 / 13,495 (100%) | $770,368 [53] |
Rexall Place | Edmonton | 7,824 / 9,019 (87%) | $400,531 [53] |
Theater of the Clouds | Portland | 7,784 / 7,784 (100%) | $550,725 [52] |
Fox Oakland Theatre | Oakland | 2,472 / 2,800 (88%) | $202,477 [54] |
Via Funchal | São Paulo | 10,565 / 10,565 (100%) | $402,715 [53] |
The Monster Ball Tour was the second worldwide concert tour by American singer-songwriter Lady Gaga. Staged in support of her first EP, The Fame Monster (2009), the concert was comprised largely of songs from that recording as well as Gaga's debut album, The Fame (2008). The tour visited various arenas and stadiums, performing over 200 shows between November 2009 and May 2011. With the tour separated into three respective North American and European legs, as well as visiting Australia, New Zealand and Japan, The Monster Ball is the highest-grossing tour for a debut headlining artist in history.
"Tik Tok" is the debut single by American singer Kesha, who co-wrote the song with its producers Dr. Luke and Benny Blanco. It was released on August 7, 2009, as the lead and debut single from her debut studio album, Animal (2010).
Last Girl on Earth was the third concert tour by Barbadian recording artist Rihanna. The tour visited Europe, North America and Australia to support her fourth studio album, Rated R (2009).
Kesha Rose Sebert, known mononymously as Kesha, is an American singer and songwriter. Kesha's first major success came in early 2009 when she was featured on rapper Flo Rida's number-one single, "Right Round".
"Your Love Is My Drug" is a song by American singer-songwriter Kesha, taken from her first album, Animal (2010). It was released as the album's third single on May 14, 2010. The song was written by Kesha, Pebe Sebert and Ammo, who co-produced the song with Dr. Luke and Benny Blanco. Described by Kesha as a "pretty happy" song with dark undertones, the song's inspiration came from Kesha's relationship with an ex-boyfriend. Written about the couple's codependency, the song compares their love for one another to a drug.
"Take It Off" is a song by American recording artist and songwriter Kesha, from her debut album, Animal. It was written by Kesha Sebert, Lukasz Gottwald and Claude Kelly and it was produced by Dr. Luke with vocal editing done by Emily Wright. It was released as the fourth and final single from the album on July 13, 2010. "Take It Off"'s initial writing consisted of Kesha attending a drag show and becoming turned on by drag queens taking their clothing off. The song is an upbeat song that uses heavy amounts of auto tune and utilizes an electro infused beat, driven by a melody known as the Arabian riff.
Warrior is the second studio album by American singer and songwriter Kesha, released on November 30, 2012, by Kemosabe and RCA Records. Its music incorporates a wide range of genres, including pop, EDM, rock, punk, rap, country, and folk. Kesha described the album as more personal than her previous material in addition to mentioning it was her attempt at reviving the rock genre, calling it a "cock pop" record. Its theme is said to be magic.
Cannibal is the first extended play (EP) by American recording artist Kesha, released on November 19, 2010. The EP is a follow-up companion to her debut album, Animal (2010). Originally, the record was thought to be released as a deluxe edition of Animal, but was instead sold and released as both an EP and a deluxe edition of Animal. Kesha worked with a variety of producers and writers such as executive producer Dr. Luke, Benny Blanco, Ammo, Max Martin, Bangladesh and others. Musically, the songs on Cannibal are of the dance-pop genre, with some songs incorporating elements of electro and electropop in their production and beats. Throughout the album, the use of Auto-Tune and vocoders is prominent. Lyrically, the songs on Cannibal speak of ignoring judgement or hate and experiences based on love and heartbreak.
"We R Who We R" is a song by American singer Kesha from her first extended play (EP), Cannibal (2010). The song was released as the EP's lead single on October 22, 2010. It was written by Kesha, with Jacob Kasher Hindlin, Dr. Luke, Benny Blanco and Ammo. Production of the song was completed by Dr. Luke, Blanco, and Ammo. In the wake of news that bullying and harassment had led to multiple suicides of gay youth, Kesha wrote the song in hopes that it would become a pride anthem. The song is intended to inspire people to be themselves, and as a celebration of anyone deemed quirky or eccentric.
"Sleazy" is a song by American recording artist and songwriter Kesha, taken from her first extended play (EP), Cannibal (2010). The song was written by Kesha alongside Lukasz "Dr. Luke" Gottwald, Benjamin Levin, Shondrae "Bangladesh" Crawford, and Klas Åhlund, with production done by Bangladesh, Dr. Luke and Levin. While working on the album she enlisted the help of producer Bangladesh so that she could give her music a more distinct edge. Kesha uses a "sing-rap" vocal style throughout the song and uses layered vocals that are enhanced in some parts with the use of auto-tune. Lyrically the song speaks of wealthy men hitting on Kesha, trying to buy her attention.
The Body Talk Tour is a concert tour by Swedish singer-songwriter Robyn. The tour was announced in conjunction with the release of her sixth studio album, Body Talk Pt. 2. Previously, Robyn toured the United States in the summer of 2010 with the All Hearts Tour. The tour began on October 7, 2010.
"Blow" is a song by American singer and songwriter Kesha from her first extended play (EP), Cannibal (2010). The song was released on February 1, 2011. It was written by Kesha, along with Klas Åhlund and the producers, Dr. Luke, Kool Kojak, Benny Blanco, and Max Martin. According to Kesha the song's lyrics are representative of herself and her fans. "Blow" is dominantly an electropop and dance-pop song and is described as a party anthem as it portrays a simple message of having a desire to have a good time at a club.
The Loud Tour was the fourth overall and third world concert tour by Barbadian recording artist Rihanna. Performing in over twenty countries in the Americas and Europe, the tour was launched in support of Rihanna's fifth studio album Loud (2010). Critics acclaimed the show for its liveliness and higher caliber of quality when compared to Rihanna's previous tours. The Loud Tour was a large commercial success, experiencing demand for an extension of shows in the United Kingdom due to popularity. In London, Rihanna played a record-breaking 10 dates at The O2 Arena. The tour ultimately grossed an estimated value of US$90 million from 98 reported shows and a total audience of 1,200,800. The Loud Tour became the seventh-highest-grossing tour of 2011.
I Am the Dance Commander + I Command You to Dance: The Remix Album is the first remix album by American recording artist Kesha, released on March 18, 2011. Announced on February 23, 2011, the album contains nine remixes, including featured appearances from André 3000 and 3OH!3, and only one previously unreleased track, "Fuck Him He's a DJ". According to Kesha, the album's release is intended to be a play on her party girl image; her image is commonly perceived as her being drunk when in actuality her lifestyle is about enjoying life and having fun no matter the circumstances.
"C'Mon" is a song by American singer Kesha from her second studio album, Warrior (2012). It was released as the album's second single on November 16, 2012. The song was written by Kesha, Dr. Luke, Benny Blanco, Max Martin, Cirkut, and fellow pop singer and longtime collaborator Bonnie McKee, while production was handled by Dr. Luke, Blanco, and Cirkut. Containing elements of pop rap, "C'Mon" is a techno-pop, bubblegum pop, and dance song with brash lyrics that center on partying and falling in love. Stylistically, the song follows a verse-chorus pattern typical in pop music, with Kesha adding traditional singing in the latter and the discordant enunciation and stresses of vowels to force assonance and rhyme that epitomize her rap technique in the former.
"Dinosaur" is a song by American recording artist and songwriter Kesha, taken from her debut studio album Animal (2010). The song was written by Kesha in collaboration with Max Martin and Shellback; the latter two also produced the song, while all three are responsible for the instrumentation. The song's conception stems from an encounter Kesha had with an older man that had been hitting on her, which she compared to a prehistoric dinosaur. The lyrics discuss an older man that is attempting to hit on a younger female, which is ultimately rejected. The song received generally negative reviews from music critics.
"Die Young" is a song by American singer and songwriter Kesha. It was released on September 25, 2012, as the lead single from her second studio album, Warrior (2012). Kesha co-wrote the song with its producers, Dr. Luke, Benny Blanco, and Cirkut, with additional writing from Nate Ruess, the lead singer of Fun. Ruess wrote the words for the chorus, but Kesha wrote the lyrics after traveling around the world and embarking on a spiritual journey.
Kesha: My Crazy Beautiful Life is an American documentary television series about the life of singer Kesha. It aired on MTV for two seasons from April 23 to December 18, 2013.
The Warrior Tour was the second headlining concert tour by American recording artist Kesha, in support of her sophomore studio album, Warrior (2012). The tour started on July 3, 2013, and concluded on September 19, 2015.
The North American Tour 2013 was a co-headlining concert tour by American recording artists Pitbull and Kesha. The tour promoted both Pitbull's album Global Warming and Kesha's album Warrior, which were both released in November 2012. Both Kesha and Pitbull officially announced the trek around North America on Friday, March 22, 2013. Although the tour's official name is the North American Tour, Pitbull and Kesha announced on August 5, 2013 that they are bringing the tour to Australia in late October and early November. The tour started on May 23, 2013 in Boston at the Comcast Center and came to a close on June 26, 2013 in Tampa, Florida at the Live Nation Amphitheatre.