Animal (Kesha album)

Last updated

Animal
AnimalKesha.jpg
Studio album by
Kesha
ReleasedJanuary 1, 2010 (2010-01-01)
Recorded2007–2009
Studio
Genre
Length46:18
Label
Producer
Kesha chronology
Animal
(2010)		 Cannibal
(2010)
Singles from Animal
  1. "Tik Tok"
    Released: August 7, 2009
  2. "Blah Blah Blah"
    Released: January 29, 2010
  3. "Your Love Is My Drug"
    Released: May 14, 2010
  4. "Take It Off"
    Released: July 13, 2010

Animal is the debut studio album by American singer and songwriter Kesha. The album was first released on January 1, 2010 by Sony Music, and was released in the United States on January 5, 2010, by RCA Records. [1] Kesha worked on the album with a variety of record producers and songwriters such as Lukasz "Dr. Luke" Gottwald, Benny Blanco, David Gamson, Greg Kurstin, Max Martin and others. Kesha had been recording demos for several years when one eventually ended up in the hands of Samantha Cox, senior director of writer/publisher relations at BMI. Cox passed along the demo and it ended up in the hands of Gottwald, who decided to have Kesha perform on the song "Right Round" with American rapper Flo Rida. Within two months, the song became a hit in multiple countries around the world. The event led to Kesha being sought after by many major labels, and she eventually signed a multi-album deal with RCA Records.

Contents

Musically, Animal draws from the electropop genre, while incorporating elements of dance-pop in its production and beats. Lyrically, the majority of the album's songs are based on Kesha's past life experiences of love, heartbreak, boys, and having a good time. The album received mixed reviews from music critics. Some appreciated its fun, carefree nature, while others dismissed it as juvenile and said that it seemed insincere. The album attained chart success, debuting at number one on the Canadian Albums Chart, the Billboard 200 in the United States and the IFPI Greece Albums Chart, while charting within the top ten in seven other countries. Animal was certified 4× Platinum by the Recording Industry Association of America (RIAA) for sales of over 4 million copies in the United States and, as of 2017, has sold over 8 million equivalent units worldwide. [2]

Four singles were released from the album. Its lead single, "Tik Tok", was released on August 7, 2009, and was a worldwide hit, reaching number one in eleven countries. It reached number one on the Billboard Hot 100 in the US and stayed at the top for nine consecutive weeks. The song sold 12.8 million digital copies worldwide in 2010, making it the best-selling single of the year; whereas 6.8 million of those downloads were sold in the United States alone, making it at the time the sixth best-selling song in digital history. It has since sold over 18 million copies worldwide as of August 2019, making it one of the best-selling digital singles worldwide of all time. [3] The album's second, third and fourth singles ("Blah Blah Blah", "Your Love Is My Drug" and "Take It Off") all achieved similar success, reaching the top ten in multiple countries, including Australia, Canada and the United States. The album's commercial success led to its nomination for the Juno Award for Best International Album at the Juno Awards of 2011.

Background

Kesha had been recording demos for a few years, when one of her demos ended up in the hands of Samantha Cox, senior director of writer/publisher relations at BMI. Cox, who had worked with Kesha before, passed along the demos to a friend at BMI, who passed it to the manager of Lukasz Gottwald, known as Dr. Luke. At the age of eighteen, Kesha signed to Dr. Luke's label, Kemosabe Records, and his publishing company, Prescription Songs. Luke was busy with other projects at the time, and Kesha ultimately wound up signed to David Sonenberg's management company, DAS. While at DAS she worked with several top writers and producers, but rarely worked with or even spoke to Luke. DAS searched for a label deal for Kesha despite her still being in a signed contract with Luke. Kara DioGuardi, an artists and repertoire (A&R) representative for Warner, was also interested in signing Kesha but the deal never went through because of the outstanding contract with Luke. Shortly after, Kesha and DAS parted ways and Kesha wound up reunited with Luke. [4]

At the end of 2008, Luke was working on a track with Flo Rida called "Right Round", and the two decided they needed a female hook. Luke decided to have Kesha perform on the song and within two months, it was a number one hit in multiple countries around the world. The event led to Kesha being sought after by many major labels, [4] and she eventually signed a multi-album deal with RCA Records. [5] Kesha explained that she chose to sign with the company due to how well she got along with RCA A&R executive Rani Hancock, explaining that "Rani doesn't ever try to censor me, [...] and I like being surrounded by strong, intelligent women." [4]

Development and inspiration

"Animal, the name of the record, it's kind of my steez [style], I have to say. I named it that because I want people to lose it when they listen to my record and go to the animal part of themselves that they suppress. Society has taught us to suppress certain things and not do certain things."

—Kesha, on the inspiration for the album title. [6]

Kesha had been working on Animal for seven years prior to its release, and had written over 200 songs for the album. [7] The abundance of material extended it from its initially planned twelve tracks to fourteen. [7] Kesha felt that the album had an empowering, carefree message for young women. "For girls, I think it's an empowering record, it's funny, it's cheeky," she said. "I think people need to have fun with whatever they're doing—makeup, their clothes, music, live shows—anything you don't need to take too seriously, don't take too seriously." [7] When asked how the album related to her life, Kesha explained that the album was completely autobiographical. "I just write about what I live—literally, [...] I think there's a great pop song in anything and everything, any situation." [6] She cites her songs "Stephen" and "Dinosaur" as examples of this. She explained: "it's about this guy I've been stalking since I was 15. I wrote the song when I was 16 with my mom, and I was like, "This song's so dope, I know it is". "Dinosaur" came "about [when] this old guy who was hitting on me, and his toupee was kind of falling off, and I was like, "Oh my God, you're so old, you're prehistoric, you're like a dinosaur. D-I-N-O-S-A-you are a dinosaur." [6] Explaining the reasoning behind the title track being placed at the end of the album's track list, Kesha said:

"I believe, sonically, [it's where] the next record might be going. Me and my brother had a silly punk band before, and I loved pop music and I liked catchy music, but I think I also am possessed to be what some critics might deem as silly pop music. I think I have more shit to offer, so I think that "Animal" is a nice segue into the next record, hopefully." [6]

Music and lyrics

Gnome-mime-sound-openclipart.svg
"Boots & Boys"
"Boots & Boys" is a "lusty" song reminiscent of INXS's "Suicide Blonde".
"Party at a Rich Dude's House"
"Party at a Rich Dude's House" is reminiscent of music from the 1980s.
Problems playing these files? See media help.

Musically, Animal is of the dance-pop and electro-pop genres, while incorporating elements of electro in its production and beats. [8] [9] [10] Kesha's vocals uses Auto-Tune and vocoders to alter her voice and includes samples. [8] David Jeffries of AllMusic noted that the album lyrically revolves around avoiding reality with a preference for a "garbage chic" life, with lyrics such as "Maybe I need some rehab, or maybe just need some sleep" from the opening song "Your Love Is My Drug". [8] Lyrically, the majority of the album's songs are based on Kesha's past life experiences of love, heartbreak, boys, and having a good time. "Your Love Is My Drug" is a dance song that is layered with a heavy electronic backdrop. [11] Her vocals throughout the song have been described as a shouty sing-speak style. Musically, the song uses a simple, upbeat lyric line. [12] On "Tik Tok" Kesha uses a spoken word rap style on the verses while the chorus is sung. [13] According to her the lyrics are representative of herself, stating "it's about my life, it's 100 per cent me". [14] "Take It Off" has been described as "a heavily Auto-Tuned reworking" of "There's a Place in France". [15]

"Kiss n Tell"'s lyrics depict a tale of the ""slutty" ex of [Kesha] [who is] spreading his wild oats around the town". [16] The writing of the song came about after Kesha discovered that her boyfriend was cheating on her with a famous pop starlet. [17] "Kiss n Tell" is a dance-pop track that features standard elements of "party pop" music that is prominent on Animal. [18] According to sheet music published at Musicnotes.com by Sony/ATV Music Publishing, "Kiss n Tell" is written in the time signature of common time, with a moderate beat rate of 144 beats per minute. The song is written in the key of E Major and Kesha's vocal range in the song spans from the note of G♯3 to the note of B4. [19] "Stephen" is opened in "Kansas-style vocal harmonies" as Kesha sings about an unattainable lover depicting their story. [20] "Blah Blah Blah" combines heavy use of Auto-Tune with drum machines while infusing hints of R&B. [21] Lyrically, "Blah Blah Blah" depicts a woman who would rather have sex than listen to a man speak. [21] "Dinosaur" features a whistle-synth infused backing while the lyrics describe the story of older men hitting on younger girls. [20] "Party at a Rich Dude's House" is reminiscent of music from the 1980s which according to Jeffries could have appeared on the soundtrack to the 1982 film Fast Times at Ridgemont High . "Dancing with Tears in My Eyes" is an upbeat pop-rock ballad; one of a small minority of tracks to incorporate Guitars in the instrumental, as Kesha tried to exclude the style from the album. [8] "Boots & Boys" is a "lusty" song reminiscent of INXS's "Suicide Blonde", but from a female point of view. [8]

Release and promotion

Kesha at 2010 MuchMusic Video Awards soundcheck on June 20, 2010 Kesha Live Much.jpg
Kesha at 2010 MuchMusic Video Awards soundcheck on June 20, 2010

RCA noticed Kesha's strong following on social media when negotiating her contract and thus relied on viral marketing to build a following for her debut single, "Tik Tok" offering it for free a month before releasing it for digital download. "Tik Tok" was released for digital download in August 2009 and reached number one on iTunes in New Zealand without radio airplay. Radio stations soon began expressing interest in the song, but RCA/Jive Label Group chairman/CEO Barry Weiss decided to delay its shipping to radio by a month, to October, to let the song continue to build viral support digitally and good word of mouth. [5] While "Tik Tok"'s airplay was not stellar right out of the gates, it soon gained enough momentum to give RCA the go ahead to release Animal in January 2010. [4] Finance executives had pushed for a Christmas release to capitalize on the usual strong sales during that time period, but Weiss thought that the album would be lost in the shuffle among the many other releases released at that time. Animal was released in Denmark, Italy and Philippines on New Year, January 1, 2010. It was released in North America and Spain four days later.

To promote the album, Kesha did several performances worldwide. Her first performance was on MTV Push, a program broadcast on MTV Networks worldwide. [22] She made several television appearances across North America to promote the album: It's on with Alexa Chung , The Wendy Williams Show , Lopez Tonight , Late Night with Jimmy Fallon , The Tonight Show with Conan O'Brien , and The Ellen DeGeneres Show . [23] "Blah Blah Blah" was performed on January 18, 2010, at MuchOnDemand . [24] While in the United Kingdom, Kesha made two appearances on television to promote the album and "Blah Blah Blah". The first was on February 18, 2010, on Alan Carr: Chatty Man . [25] It was followed by a performance on breakfast television show GMTV, on February 19. [26] The song was also performed live on American Idol on March 17, 2010. [27] She wore her trademark glitter eye make-up and bounced throughout the stage while her backup dancers were dressed as human TV sets showing intermittent images of the American flag, owls, and skulls. The performance was accompanied by 3OH!3. [28]

Kesha performed "Your Love Is My Drug" and "Tik Tok" on Saturday Night Live on April 17, 2010. [29] On May 29, 2010, Kesha performed "Your Love Is My Drug" alongside her previous single "Tik Tok" at the MTV Video Music Awards Japan. [30] She performed a set for BBC Radio 1's Big Weekend. [31] On August 13, 2010, Kesha performed "Take It Off" alongside earlier singles "Your Love Is My Drug" and "Tik Tok" on NBC's Today . [32] In the performance she was seen wearing boots, fishnets, glitter shorts and a loose tank top. By the second verse, her dancers – dressed head to toe in black – started to appropriately undress to the music as the chorus starts revealing gold shirts and tank-tops. The performance featured smoke machines with Kesha playing notes on an electric keyboard while crawling on the floor. [33] Her performance of "Backstabber" for the Bud Light Hotel Super Bowl event on February 5, 2011, was broadcast on February 9 on Jimmy Kimmel Live! [34] [35]

Singles

"Tik Tok" was released as the album's lead single commercially worldwide on August 7, 2009, through digital distribution. [36] Upon its release the single generated mixed to generally positive reviews. Critics generally praised the lyrics and celebration of party lifestyle; the song's production was generally well received although some critics criticized the song for sounding irritating and being too similar to other tracks performed by the likes of Lady Gaga and Uffie. [37] [38] The song achieved commercial success by topping charts in eleven countries, as well as reaching the top 10 in many other countries. [39] It reached number one on the Billboard Hot 100 and stayed at the top for nine consecutive weeks. [40] "Tik Tok" had sold over 6 million downloads in the United States alone and 15 million worldwide, [41] making it the second best-selling song in digital history. [42] [43] The song sold 12.8 million digital copies worldwide in 2010, making it the best selling single of the year, beating the previous year's song by more than three million downloads. [44]

"Blah Blah Blah" was released as the second single from the album on February 2, 2010. It had charted before being released in the album's debut week in the United States due to strong digital download sales [45] on par with "Tik Tok", which influenced RCA's decision to release it as the next single. [5] The song also debuted and peaked in the top 10 in three other countries under similar circumstances, only improving upon its peak in Australia. [46] The single was met with mixed reaction from music critics, some praised Kesha's unapologetic lyrics combined with an auto-tuned working hook, while others called it trashy. [21] [47] Although reviews were mainly positive, a common complaint amongst critics was the appearance of 3OH!3. [21]

"Your Love Is My Drug" was released as the album's third single. The song generated generally positive reviews from music critics. Critics complimented the song for its strong hook, but had mixed reactions about the chorus. Kesha was praised for knowing her way around a "strong pop chorus", while others critics called it predictable and dull. [12] [48] It reached the top 10 in the United States, Canada, and Australia—peaking at number four, six and three—giving her her third consecutive top 10 hit in all regions. [40] The single reached the top ten in five countries. [49]

"Take It Off" was released on July 13, 2010, as the album's fourth and final single. Upon its release the single generated mixed reviews from music critics. A common complaint amongst critics was the demonstration of overly processed vocals with the use of auto-tune. [48] Other critics complimented the song for its carefree dance feel and its catchiness. [50] Due to strong digital sales from the release of Animal, the song charted in the United States, the United Kingdom, and Canada before being announced as a single. After being released as a single the song reached the top ten in Canada, Australia and the United States. It has also reached the top twenty in Ireland, the United Kingdom and New Zealand. [51]

Critical reception

Professional ratings
Aggregate scores
SourceRating
Metacritic 54/100 [52]
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [8]
Billboard Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [48]
Entertainment Weekly B+ [53]
The Guardian Star full.svgStar full.svgStar empty.svgStar empty.svgStar empty.svg [54]
Los Angeles Times Star full.svgStar full.svgStar full.svgStar empty.svg [55]
musicOMH Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [20]
NME Star full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar empty.svgStar empty.svgStar empty.svgStar empty.svgStar empty.svg [56]
The Phoenix Star full.svgStar full.svgStar full.svgStar empty.svg [15]
Pitchfork 7.3/10 [57]
Slant Magazine Star full.svgStar half.svgStar empty.svgStar empty.svgStar empty.svg [58]

Animal received generally mixed reviews from music critics upon its release. The album holds a score 54 out of 100 based on 18 critical reviews, according to the music review aggregator Metacritic. [59] Ann Powers of the Los Angeles Times stated that Kesha was "offer[ing] a thoroughly fleshed-out character to embrace or despise," comparing her persona to "classic screwball blond[s]" such as Jean Harlow and Mae West, while praising her and Dr. Luke for "refashion[ing] the screwball heroine role to suit a new era of aggressive superficiality and libertine self-empowerment". Her conclusion about Kesha and the album was that "[h]er total commitment to the deliberately stupid script Animal provides makes [the album] work." [55] Ailbhe Malone of NME gave Animal a mixed review but concluded that "[b]eneath the patina of skeezy Freshers'-Week-LOLZ lyrics ('got a water-bottle full of whiskey in my handbag')" it seems there "lies a talent." [56] Andrew Burgess of musicOMH was impressed with Kesha, calling her an "auto-tuned talk-singing, gum-smacker" that may well be "a pop-genius, a gutter-glam Jonathan Swift." He described the album as "an infectiously good dance-pop album." [20] Daniel Brockman of The Phoenix thought that the album was "a clear subversion of pop norms" with "effortless hooks". [15]

Monica Herrera of Billboard commented that the prevalent use of Auto-Tune on Kesha's vocals made it difficult to tell if she could actually sing, citing the song "Take It Off" as an example of "how easily individuality can get lost in a sea of Auto-Tune". On the other hand, Herrera was impressed with the "choruses that stick with the listener for days." [48] David Jeffries of AllMusic was not impressed with the album's ballads, calling them "completely unsatisfying." However, he noted "that with so many fun, 'Tik Tok'-type tracks, the album has plenty for both brats and the bratty at heart." [8] James Reed of The Boston Globe believed that Kesha's "personality is completely missing from [the songs]," resulting in her sounding "vapid and faceless." [60] Jonathan Keefe of Slant Magazine was extremely critical of the album and Kesha, saying that her attempts to sing and rap were "pitiful", describing her as "insincere" and "souless". [58] Dave Simpson of The Guardian also questioned the honesty of her lyrics while comparing her unfavorably to Lady Gaga, Katy Perry, and Britney Spears. [54]

Commercial performance

Kesha at Studio Juste Pour Rire on January 24, 2010 Live at Studio Juste Pour Rire.jpg
Kesha at Studio Juste Pour Rire on January 24, 2010

In the United States, Animal debuted at number one on the Billboard 200 on the week of January 23, 2010, with sales of 152,000 (setting a record for digital sales of a number one album, at 76%). [61] With "Tik Tok" occupying the top spot on the Billboard Hot 100 at the same time, Kesha became the first act to achieve this feat since 2008 when Spirit and "Bleeding Love" by Leona Lewis simultaneously held the pole positions. [62] At the end of 2010, the album peaked at number 20 on Billboard 's year-end chart. [63] Animal became the tenth best-selling album in the United States of 2010, selling 1.14 million copies that year. [64] By 2016, the song has since sold 1.47 million pure copies in the country alone. [65] In 2024, the album received a 4× Platinum certification by the Recording Industry Association of America (RIAA) for sales of 4 million equivalent units. [66]

In Canada, the album debuted at number one on the Canadian Albums Chart with sales of 16,000, [67] later going on to become the biggest-selling digital album in the country. [68] On the Canadian album year-end chart the album peaked at number 12. [69] In May 2011, the album was certified double platinum by the Canadian Recording Industry Association (CRIA) for shipment of 160,000 units. [70] The album was released a month later in the United Kingdom and debuted at number eight on the UK Albums Chart with first week sales of 18,723. [71] [72]

In Australia, the album debuted at number four, where it stayed consecutively for two weeks before falling to the number five position. [73] On the Australian 2010 year-end chart, the album peaked at number 11. [74] The album has since been certified double platinum by the Australian Recording Industry Association (ARIA) for sales of 140,000 copies. [75] Animal was released on January 11, 2010, in New Zealand and debuted and peaked at number six on RMNZ chart. [76] The album was peaked at number 30 on New Zealand 2010 year-end chart. [77] It has since been certified Gold by the Recording Industry Association of New Zealand (RMNZ) for sales of 7,500 units. [78]

Track listing

Animal track listing
No.TitleWriter(s)Producer(s)Length
1."Your Love Is My Drug"
3:06
2."Tik Tok"
  • Dr. Luke
  • Blanco
3:19
3."Take It Off"
Dr. Luke3:35
4."Kiss n Tell"
  • Dr. Luke
  • Max Martin
3:27
5."Stephen"
  • Gamson
  • Leiber [A]
3:32
6."Blah Blah Blah" (featuring 3OH!3)
Blanco2:52
7."Hungover"
  • K. Sebert
  • Gottwald
  • Martin
  • Shellback
  • Dr. Luke
  • Martin
  • Ammo [B]
3:52
8."Party at a Rich Dude's House"
  • K. Sebert
  • Shellback
  • Levin
  • Shellback
  • Blanco
2:55
9."Backstabber"
  • K. Sebert
  • Gamson
  • Marc Nelkin
  • Jon Ingoldsby
Gamson3:06
10."Blind"
  • K. Sebert
  • Gottwald
  • Levin
  • Coleman
  • Dr. Luke
  • Blanco
  • Ammo
3:17
11."Dinosaur"
  • K. Sebert
  • Martin
  • Shellback
  • Martin
  • Shellback
2:55
12."Dancing with Tears in My Eyes"
  • K. Sebert
  • Gottwald
  • Levin
  • Kelly
  • Dr. Luke
  • Blanco
3:29
13."Boots & Boys"
Neville2:56
14."Animal"
Kurstin3:57
Total length:46:18
International edition bonus track [79]
No.TitleWriter(s)Producer(s)Length
15."VIP"
  • K. Sebert
  • Neville
  • O. Nervo
  • M. Nervo
  • Neville
  • O. Nervo [C]
  • M. Nervo [C]
3:31
Total length:49:49
UK edition bonus track [80]
No.TitleWriter(s)Producer(s)Length
16."Dirty Picture Pt. 2" (featuring Taio Cruz)
  • Fraser T Smith
  • Cruz
  • Dr. Luke [C]
  • Blanco [C]
3:39
Total length:53:28
Australian deluxe edition DVD [81]
No.TitleLength
1."Dinosaur" (live in London) 
2."Blah Blah Blah" (live in London) 
3."Party at a Rich Dude's House" (live in London) 
4."Tik Tok" (live in London) 
5."Blah Blah Blah" (music video; featuring 3OH!3) 
6."Tik Tok" (music video) 
7."Your Love Is My Drug" (music video) 
8."Manchester" (Webisode–Kesha on the Road) 
Japanese limited edition DVD [82]
No.TitleLength
7."Manchester" (Webisode–Kesha on the Road) 
8."The Showcase" (Webisode–Kesha on the Road) 
9."London" (Webisode–Kesha on the Road) 
10."Amsterdam" (Webisode–Kesha on the Road) 
11."G.A.Y" (Webisode–Kesha on the Road) 
12."Behind the Scenes at TVC" (Webisode–Kesha on the Road) 


Animal + Cannibal

Originally planned to only be a re-release of Animal, Cannibal was instead released both as part of a reissue of Animal as well as a stand-alone EP. The EP has been classified as a follow-up "nine-song companion" record to Animal. [83] [84] Cannibal was originally intended to contain anywhere between four and eight tracks with the outcome consisting of eight tracks and one previously heard song remixed, for a total of nine tracks. [83]

Disc One: Animal (per above)

Disc two: Cannibal [85]
No.TitleWriter(s)Producer(s)Length
1."Cannibal"
  • K. Sebert
  • Coleman
  • Mathieu Jomphe
  • P. Sebert
  • Ammo
  • Billboard
3:14
2."We R Who We R"
  • K. Sebert
  • Coleman
  • Gottwald
  • Jacob Kasher Hindlin
  • Levin
  • Dr. Luke
  • Blanco
  • Ammo
3:24
3."Sleazy"
  • Dr. Luke
  • Bangladesh
  • Blanco
3:25
4."Blow"
  • Dr. Luke
  • Martin
  • Blanco
  • Kool Kojak
3:40
5."The Harold Song"
  • K. Sebert
  • Coleman
Ammo3:58
6."Crazy Beautiful Life"
  • K. Sebert
  • Gottwald
  • P. Sebert
  • Martin
Dr. Luke2:50
7."Grow a Pear"
  • K. Sebert
  • Gottwald
  • Levin
  • Martin
  • Dr. Luke
  • Martin
  • Blanco
3:28
8."C U Next Tuesday"
  • K. Sebert
  • Gamson
  • Nelkin
Gamson3:45
9."Animal" (Billboard remix)
  • K. Sebert
  • Gottwald
  • Kurstin
  • P. Sebert
  • Kurstin
  • Billboard [D]
4:15
10."Stephen" (music video)  3:32
11."Animal" (music video)  3:57
12."Take It Off" (K$ N' Friends version music video)  3:35
Total length:43:03

Notes

Personnel

Credits adapted from the liner notes of Animal. [86]

Charts

Animal + Cannibal

Certifications

Certifications for Animal
RegionCertification Certified units/sales
Australia (ARIA) [75] 2× Platinum140,000^
Austria (IFPI Austria) [125] Gold10,000*
Canada (Music Canada) [70] 2× Platinum160,000^
Denmark (IFPI Danmark) [126] Gold10,000‡
France (SNEP) [127] Gold50,000*
Germany (BVMI) [128] Gold100,000^
Ireland (IRMA) [129] Gold7,500^
Japan (RIAJ) [130] Gold100,000^
Mexico (AMPROFON) [131] Platinum60,000^
New Zealand (RMNZ) [78] Gold7,500^
Poland (ZPAV) [132] Gold10,000*
United Kingdom (BPI) [133] Platinum300,000‡
United States (RIAA) [66] 4× Platinum4,000,000‡
Summaries
Worldwide—8,000,000 [134]

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.
‡ Sales+streaming figures based on certification alone.

Certifications for Animal + Cannibal
RegionCertification Certified units/sales
New Zealand (RMNZ) [135] 2× Platinum30,000‡

‡ Sales+streaming figures based on certification alone.

Release history

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Kesha Rose Sebert, known mononymously as Kesha, is an American singer and songwriter. Kesha's first major success came in early 2009 when she was featured on rapper Flo Rida's number-one single, "Right Round".

<span class="mw-page-title-main">Kesha discography</span>

American singer Kesha has released five studio albums, one compilation album, three extended plays, 34 singles, 13 promotional singles, and has made seven other guest appearances. Kesha had sold over 100 million records worldwide, including 87 million tracks and streams as of 2017 and 14 million album equivalent units as of 2019. She is also among the highest-certified artists in the United States by the Recording Industry Association of America, with total record certifications of over 75 million in the country.

<span class="mw-page-title-main">Dirty Picture</span> 2010 single by Taio Cruz

"Dirty Picture" is a song by British R&B singer Taio Cruz, which features vocals from American singer Kesha and was released from his second studio album, Rokstarr (2009). The song was written and produced by Cruz alongside Fraser T Smith, and later released as the album's third single on 5 April 2010. Originally, Cruz wanted the female vocals to be done by Lady Gaga but opted to switch to Kesha due to heavy influence by Dr. Luke and for finding her voice unique. The song was later re-recorded as an album bonus track for Kesha's debut album, Animal (2010), and dubbed the "Kesha edit" or "Dirty Picture Pt. 2". Lyrically, the song is about sending a dirty picture to a significant other whom you miss.

<span class="mw-page-title-main">Your Love Is My Drug</span> 2010 single by Kesha

"Your Love Is My Drug" is a song by American singer-songwriter Kesha, taken from her first album, Animal (2010). It was released as the album's third single on May 14, 2010. The song was written by Kesha, Pebe Sebert and Ammo, who co-produced the song with Dr. Luke and Benny Blanco. Described by Kesha as a "pretty happy" song with dark undertones, the song's inspiration came from Kesha's relationship with an ex-boyfriend. Written about the couple's codependency, the song compares their love for one another to a drug.

<span class="mw-page-title-main">Take It Off (Kesha song)</span> 2010 single by Kesha

"Take It Off" is a song by American recording artist and songwriter Kesha, from her debut album, Animal. It was written by Kesha Sebert, Lukasz Gottwald and Claude Kelly and it was produced by Dr. Luke with vocal editing done by Emily Wright. It was released as the fourth and final single from the album on July 13, 2010. "Take It Off"'s initial writing consisted of Kesha attending a drag show and becoming turned on by drag queens taking their clothing off. The song is an upbeat song that uses heavy amounts of auto tune and utilizes an electro infused beat, driven by a melody known as the Arabian riff.

<i>Warrior</i> (Kesha album) 2012 studio album by Kesha

Warrior is the second studio album by American singer and songwriter Kesha, released on November 30, 2012, by Kemosabe and RCA Records. Its music incorporates a wide range of genres, including pop, EDM, rock, punk, rap, country, and folk. Kesha described the album as more personal than her previous material in addition to mentioning it was her attempt at reviving the rock genre, calling it a "cock pop" record. Its theme is said to be magic.

<i>Cannibal</i> (EP) 2010 EP by Kesha

Cannibal is the first extended play (EP) by American recording artist Kesha, released on November 19, 2010. The EP is a follow-up companion to her debut album, Animal (2010). Originally, the record was thought to be released as a deluxe edition of Animal, but was instead sold and released as both an EP and a deluxe edition of Animal. Kesha worked with a variety of producers and writers such as executive producer Dr. Luke, Benny Blanco, Ammo, Max Martin, Bangladesh and others. Musically, the songs on Cannibal are of the dance-pop genre, with some songs incorporating elements of electro and electropop in their production and beats. Throughout the album, the use of Auto-Tune and vocoders is prominent. Lyrically, the songs on Cannibal speak of ignoring judgement or hate and experiences based on love and heartbreak.

<span class="mw-page-title-main">We R Who We R</span> 2010 single by Kesha

"We R Who We R" is a song by American singer Kesha from her first extended play (EP), Cannibal (2010). The song was released as the EP's lead single on October 22, 2010. It was written by Kesha, with Jacob Kasher Hindlin, Dr. Luke, Benny Blanco and Ammo. Production of the song was completed by Dr. Luke, Blanco, and Ammo. In the wake of news that bullying and harassment had led to multiple suicides of gay youth, Kesha wrote the song in hopes that it would become a pride anthem. The song is intended to inspire people to be themselves, and as a celebration of anyone deemed quirky or eccentric.

<span class="mw-page-title-main">Sleazy (song)</span> 2010 promotional single by Kesha

"Sleazy" is a song by American recording artist and songwriter Kesha, taken from her first extended play (EP), Cannibal (2010). The song was written by Kesha alongside Lukasz "Dr. Luke" Gottwald, Benjamin Levin, Shondrae "Bangladesh" Crawford, and Klas Åhlund, with production done by Bangladesh, Dr. Luke and Levin. While working on the album she enlisted the help of producer Bangladesh so that she could give her music a more distinct edge. Kesha uses a "sing-rap" vocal style throughout the song and uses layered vocals that are enhanced in some parts with the use of auto-tune. Lyrically the song speaks of wealthy men hitting on Kesha, trying to buy her attention.

<span class="mw-page-title-main">Get Sleazy Tour</span> 2011 concert tour by Kesha

The Get Sleazy Tour was the first concert tour by American recording artist Ke$ha in support of both her first album, Animal, and first extended play, Cannibal. Officially announced on November 8, 2010, the tour visited the Americas, Australia and Europe. It was scheduled to visit Asia but due to the 2011 Tōhoku earthquake and tsunami, the tour was postponed indefinitely. Described by Kesha as "a ridiculously fun dance party", the concerts were presented as underground rave ups drawing inspiration from parties she would attend while growing up in Tennessee. The tour kicked off on February 15, 2011, in Portland, Oregon, and ended September 29, 2011, in Rio de Janeiro.

<span class="mw-page-title-main">Blow (Kesha song)</span> 2011 single by Kesha

"Blow" is a song by American singer and songwriter Kesha from her first extended play (EP), Cannibal (2010). The song was released on February 1, 2011. It was written by Kesha, along with Klas Åhlund and the producers, Dr. Luke, Kool Kojak, Benny Blanco, and Max Martin. According to Kesha the song's lyrics are representative of herself and her fans. "Blow" is dominantly an electropop and dance-pop song and is described as a party anthem as it portrays a simple message of having a desire to have a good time at a club.

<i>I Am the Dance Commander + I Command You to Dance: The Remix Album</i> 2011 remix album by Kesha

I Am the Dance Commander + I Command You to Dance: The Remix Album is the first remix album by American recording artist Kesha, released on March 18, 2011. Announced on February 23, 2011, the album contains nine remixes, including featured appearances from André 3000 and 3OH!3, and only one previously unreleased track, "Fuck Him He's a DJ". According to Kesha, the album's release is intended to be a play on her party girl image; her image is commonly perceived as her being drunk when in actuality her lifestyle is about enjoying life and having fun no matter the circumstances.

<span class="mw-page-title-main">C'Mon (Kesha song)</span> 2012 single by Ke$ha

"C'Mon" is a song by American singer Kesha from her second studio album, Warrior (2012). It was released as the album's second single on November 16, 2012. The song was written by Kesha, Dr. Luke, Benny Blanco, Max Martin, Cirkut, and fellow pop singer and longtime collaborator Bonnie McKee, while production was handled by Dr. Luke, Blanco, and Cirkut. Containing elements of pop rap, "C'Mon" is a techno-pop, bubblegum pop, and dance song with brash lyrics that center on partying and falling in love. Stylistically, the song follows a verse-chorus pattern typical in pop music, with Kesha adding traditional singing in the latter and the discordant enunciation and stresses of vowels to force assonance and rhyme that epitomize her rap technique in the former.

<span class="mw-page-title-main">Die Young</span> 2012 single by Kesha

"Die Young" is a song by American singer and songwriter Kesha. It was released on September 25, 2012, as the lead single from her second studio album, Warrior (2012). Kesha co-wrote the song with its producers, Dr. Luke, Benny Blanco, and Cirkut, with additional writing from Nate Ruess, the lead singer of Fun. Ruess wrote the words for the chorus, but Kesha wrote the lyrics after traveling around the world and embarking on a spiritual journey.

<span class="mw-page-title-main">Timber (Pitbull song)</span> 2013 song by Pitbull & Kesha

"Timber" is a song by American rapper Pitbull featuring American singer Kesha. The song was released on October 7, 2013, as the lead single from Pitbull's extended play (EP) Meltdown. The song was produced by Dr. Luke, Cirkut, and Sermstyle, with additional production by Nick Seeley. The song interpolates Lee Oskar's 1978 single "San Francisco Bay" and features harmonica player Paul Harrington, who plays through the entire song and was told to emulate Oskar.

<span class="mw-page-title-main">Kesha videography</span>

Kesha is an American singer-songwriter, rapper, and actress. She has appeared in 35 music videos, 8 of them being guest appearances. She has appeared in a total of 7 films. She has also appeared in multiple television shows such as Nashville, RuPaul's Drag Race, Jane the Virgin, Victorious, and more.

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