Rainbow is the third studio album by American singer and songwriter Kesha. It was released on August 11, 2017, by Kemosabe and RCA Records. Primarily a pop record, Rainbow incorporates elements of pop rock, glam rock, neo soul, and country pop. Its lyrical themes range from letting go of the past, finding forgiveness within oneself for past mistakes, self-worth, and female empowerment.[2] Kesha assumed an integral role in the album's production and collaborated with several producers, including Ricky Reed, Drew Pearson, Ben Folds, and her mother Pebe Sebert.
Following the release of her second studio album, Warrior (2012), Kesha dealt with several struggles in her personal and professional life, including a stint in a treatment center for an eating disorder and emotional issues, as well as a highly publicized legal battle with her former record producer Dr. Luke, whom she accused of sexual, physical, and emotional abuse. Kesha began writing material for her next album while in rehab in 2014 and as her recording contract at the time obliged her to work with Dr. Luke, she later recorded a series of new songs on her own and gave them to her record label. In 2016, it was confirmed that work had officially commenced on Kesha's third studio album, with Sony Music Entertainment assuring Kesha she would be able to produce a new album without having to work with Dr. Luke, the founder of Kemosabe Records. "Praying" was released as the lead single from Rainbow in July 2017, going on to be certified platinum in several countries worldwide. "Woman" was released as the second single from the album thereafter, seeing moderate commercial success worldwide.[3]
Rainbow marks a noticeable departure from the electropop sound of Kesha's first two studio albums. She co-wrote all but one track on the album, and said that she wanted her new music to reflect that she is a "real person having a complete human experience," stating that there was no balance in her previous work.[4] Kesha stated that the album was inspired by several of her musical influences, including Iggy Pop, T. Rex, Dolly Parton, the Beatles, the Rolling Stones, the Beach Boys, James Brown, and Sweet. The album also features collaborations and guest appearances by Parton, Eagles of Death Metal, and the Dap-Kings Horns.
Kesha stated that Rainbow "quite literally" saved her life.
Kesha initially began writing songs for her third studio album while as a patient at Timberline Knolls, an Illinois treatment center, for an eating disorder in 2014. Eager to write music while in treatment, a friend brought her a toy keyboard, and after some negotiation, the staff let her keep it.[4] She was not permitted to use any instrument with a power cord, explaining in an interview with Rolling Stone that the staff did not want her to have any objects that could be used for suicide: "And I was like, 'I respect all of that, but please let me have a keyboard or my brain's going to explode. My head has all these song ideas in it, and I just really need to play an instrument.'"[5] She completed work on several songs while in treatment, and following her release from rehab, she removed the dollar sign from her name, explaining it as a way of taking back her power.[4] In her August 2014 Teen Vogue cover interview, Kesha revealed she had recorded 14 new songs while in rehab.[6] Thereafter, Kesha filed an ongoing lawsuit against her former producer, Dr. Luke, accusing him of sexual, physical and emotional abuse. Since her recording contract at the time obliged her to work with the man she accused of abuse, Kesha subsequently became unable to release any new music under her label unless she worked with Dr. Luke, to which she refused.[7][8] As a result, Kesha recorded 22 new songs on her own during the legal battle and later gave them to her label.[9][10] After Sony Music Entertainment assured the singer she would be able to produce a new album without Dr. Luke, the founder of her label, work on Kesha's third studio album officially commenced.[11][12] In the summer of 2016, Kesha embarked on her third world tour, the Kesha and the Creepies: Fuck the World Tour. The tour commenced on July 23, 2016, in Las Vegas and ended on October 29, 2016, in Maine. The tour included various covers of songs and several rock and country reworks of her own hit singles.[13][14]
In a New York Magazine profile in October 2016, Kesha stated that as much as her first two studio albums Animal (2010) and Warrior (2012) represented who she was, she felt there was "no balance", saying that she is "a real person having a complete human experience" and she wanted her future music to represent that: "To this day, I've never released a single that's a true ballad, and I feel like those are the songs that balance out the perception of you, because you can be a fun girl. You can go and have a crazy night out, but you also, as a human being, have vulnerable emotions. You have love."[4] In an interview with Good Morning America the week of Rainbow's release, Kesha stated that she had written every song on the album and described Rainbow as "quite literally saving [her] life", and expressed her hope that the album would help people. She also explained the symbolism of the album's title, saying that she thinks "color symbolizes hope – and the rainbow, it's no coincidence that it's also the symbol for the LGBT community. I've always just found hope in the bright colors, and I wanted to bring that more into my everyday life. Now my house is covered in rainbows, and my life and my body – I have like 10 rainbow tattoos. I go to the tattoo artist and it's like, 'A rainbow something?'"[15]
Composition
Kesha has said that Rainbow was inspired by her "true" musical influences: Iggy Pop, T. Rex, Dolly Parton, the Beatles, the Rolling Stones, the Beach Boys, James Brown, and Sweet.[16] The album contains a combination of both mellow songs and upbeat songs such as "Bastards" and "Woman", respectively. The album opens with the country-infused cut "Bastards", which, as Katie Baillie of Metro analyzed, is "about not letting the bullies drag you down." "Woman" was inspired by a "pussy grabbing comment" Donald Trump made, which angered Kesha and made her yell "I'm a motherfucking woman!" This line is included throughout the song. Kesha wrote the title track on a toy keyboard while in rehab. It opens only with vocals and basic chords played on a piano.[2] The first line Kesha sings is, "Got back the stars in my eyes, I see the magic inside of me." Baillie writes that the track "builds in both sound and emotion [...] as a full live orchestra kicks in." Kesha was inspired to write "Learn to Let Go" by one of her friends who went through "the worst childhood imaginable." The track is also based on Kesha's struggles while making Rainbow.[2]
Artwork
The album cover and artwork was created by artist Robert Beatty. Kesha had requested for Beatty's help based on his artwork for Tame Impala and the Flaming Lips.[17] Beatty worked with photographer Olivia Bee and art director Brian Roettinger.[18] The cover itself features psychedelic imagery that is a trademark of Beatty's work.[18]
Promotion
Kesha performed in Japan at the Summer Sonic Festival on two dates: August 19 in Osaka and August 20, 2017, in Tokyo.[19] Following this, Kesha staged a solo concert in Nagoya on August 21.[20] In September, Kesha performed at the KAABOO and iHeartRadio festivals.[21] Kesha was also a performer at the MTV Europe Music Awards on November 12.[22] Kesha, alongside many other popular female singers, performed "Praying" at the 60th Annual Grammy Awards in 2018.
Kesha embarked on the Rainbow Tour, which began in Birmingham on September 26, 2017. She also went on a co-headlining tour with American rapper Macklemore named the Adventures of Kesha and Macklemore (2018). The tour took place in 30 cities in North America during the summer of 2018.
Singles
The album's lead single, "Praying" was released on July 6, 2017, with the album's pre-order. The track was announced a day prior to the song's release and was co-written by Ryan Lewis. The song deals with Kesha's past suicidal thoughts and is suggested by reviewers that it is about Dr. Luke, although he is not named in the song. The song impacted US radio on July 18, 2017.[23]
"Woman" was released as the album's first promotional single on July 13, 2017. The song was released as the second and final single from the album, when it officially impacted US adult contemporary radio on January 22, 2018, and contemporary hit radio on January 23, 2018.[3]
"Learn to Let Go" was released as the album's second promotional single on July 28, 2017. "Hymn" was released as the album's third promotional single on August 3, 2017, and was the only song out of the previous three releases to not have an accompanying music video out at that time. The official music video for the song was released months later on May 31, 2018. The song went on to chart in Scotland and New Zealand (on the Heatseekers Chart), at 88 and 6, respectively.[24][25]
Rainbow received widespread acclaim from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album has an average score of 81 out of 100, which indicates "universal acclaim" based on 27 reviews.[27] Katie Baillie of Metro, who reviewed Rainbow a month before its release, called it a "powerful, emotional and strongly feminist record that is worth the four-year wait." She wrote that the "vulnerability of some songs will bring a tear to your eye, while others are so close to Kesha's old sound it'll have dance floors filled everywhere in no time." She described the album as "a roller coaster of emotions, making you weep at the sadness of 'Rainbow' and fist-pumping the air with 'Woman', and it was so worth the wait."[2]
Andrew Uterberger of Billboard complimented Kesha's ability to make every song on the album sound different as well as differentiate herself from the electropop sound of her first two albums, stating that "it all works" and writing: "Kesha has the swagger for neo-glam, the grit for old-school soul, the pipes for power-balladry – listening to some of the spine-shivering feats she accomplishes on 'Praying', it's practically unthinkable that she was mostly consigned to sing-speaking her way through the majority of her musical career. And she's not even half done: Before the end of Rainbow, the singer formerly known as K-Money will have sauntered her way through train-chugging, Johnny Cash-via-Kacey Musgraves country ('Hunt You Down'), schlocky frat rock ('Boogie Feet') and quirky singer-songwriter parables ('Godzilla'). And the only arguable stumble in the bunch comes with the stomping 'Boots', which pairs the taunting wordplay of Kesha 1.0 ("If you can't handle these claws/ You don't get this kitty) with an electro-folk stomp that feels like a lukewarm version of Miley Cyrus' Bangerz."[38]
Brittany Spanos of Rolling Stone gave Rainbow four stars out of a possible five and wrote: "On her excellent comeback record, Rainbow, Kesha channels that drama into the best music of her career – finding common ground between the honky-tonks she loves (her mom is Nashville songwriter Pebe Sebert) and the dance clubs she ruled with hits like 'Tik Tok' and 'Die Young', between glossy beats, epic ballads and grimy guitar riffs. In the process, she also finds her own voice: a freshly empowered, fearlessly feminist Top 40 rebel." Spanos also noted the noticeable departure from the electropop sound of Kesha's first two albums, writing, "Kesha used to sing about partying with rich dudes and feeling like P. Diddy. Rainbow is full of sympathetic (if at times cloying) prisoner metaphors and therapist clichés [...] Across the board, she achieves a careful balance of her diverse musical selves: The gospel-tinged 'Praying' takes the high road by wishing the best to the people who have hurt her, and 'Woman' is a blissfully irreverent, proudly self-sufficient retro-soul shouter backed by Brooklynfunk crew the Dap-Kings."[39] She also stated that the album's "most powerful moment" is the singer's cover of Dolly Parton's "Old Flames Can't Hold a Candle to You", saying, "Parton herself helps out on guest vocals. But this isn't some Grand Ole Opry homage. Kesha flips and filters it through her dreamy vision, turning the sweet tune into rousing rockabilly until the standard sounds refreshed and vividly modern, battle-tested and born again. Just like the woman singing it."[39]
Katherine Flynn of Consequence of Sound complimented Kesha's ability to retain her uniqueness on the record and stated that the album "feels much more organic" than her previous work, writing: "Rainbow, as a comprehensive work, feels much more organic and of this earth than anything by dollar-sign Ke$ha. There's a strong, organic rock and country influence that places her much more firmly in a lineage, a tradition, instead of the weird, airless, EDM-influenced vacuum that she inhabited on songs like the title track of 2012's Warrior and hits like 'Blow'."[40] In an equally favorable review, Hilary Weaver of Vanity Fair described Rainbow as "a blatant, angry response to the singer's battle with a legal system that has left her feeling frustrated and trapped as an artist—but also a powerful pop album that earns the anticipation", writing: "This is an unapologetically open and honest Kesha we have never heard before—her voice is still recognizable but not as poppy and more focused with a message she wants her audience to hear loud and clear. She seems to come closest to directly referencing Dr. Luke once, as 'the boogeyman under [her] bed' in 'Letting Go'; the album is a more general, vocal proclamation against anyone who has wronged her in the past. This is Kesha's story, but it’s also the response that any woman in the Trump era of 'locker-room talk' might want to blast in her car on a particularly frustrating day." She also described Kesha as being in a "far different place than when her last album was released", calling her a "symbol of women standing up against patriarchal forces keeping them down" and writing: "It lends an automatic weight to Rainbow that Ke$ha might not have been able to shoulder—but Kesha, at least as she appears on this album, is up to the challenge."[1]
In a more mixed review, Chris Willman of Variety stated that Kesha seems "stuck between a rock and a hard place" on Rainbow, writing: "For a while, anyway, it seems that a better title for this album than Rainbow would have been Warrior (except she used that one on her previous record). It would be nice to report that the songs addressing the distress of the last few years reveal her as a great confessional singer/songwriter, but the clunkiness of her most sober material here blunts its impact. Her most angry/inspirational tracks, like 'Don't Let the Bastards Get You Down', 'Learn to Let Go', and 'Praying', suffer not from seriousness but relative artlessness as Kesha unleashes a stream of Deepak-ian self-help bromides (embellished with plenty of Tupac-ian language) that’d sound better as bathroom-mirror sticky-note affirmations than they do as gospel-choir-backed lyrics." He also negatively compared Kesha to Pink and the Dixie Chicks on the album, writing: "The moment for some kind of personal revelation is nigh, but all these pop-psych clichés leave you feeling you know less about the real Kesha than you did coming in."[41] Willman also lamented that the moments where Kesha expresses glimpses of her previous electropop "ridiculousness" on the album "[feel] refreshing and, just maybe, even more authentic. Not that you'd want her to push past her pain prematurely, but when it comes to the writing part, Kesha just happens to still be cleverer at playing koo-koo than guru."[41]
Accolades
Rainbow appeared on several publications' year-end lists for 2017, as well as decade-end lists.
In the United States, Rainbow debuted at number one on the Billboard 200 with 117,000 album-equivalent units, which consisted of 90,000 pure album sales. It became her second number-one album in the country after Animal (2010).[54] On December 14, 2017, the album was certified Gold by the Recording Industry Association of America (RIAA), denoting sales of 500,000 units.[55] The album's lead single "Praying" has also been certified platinum in several countries worldwide.[56] The record opened atop the Canadian Albums Chart with 10,000 album-equivalent units earned and 7,000 copies sold.
The album debuted at number four on the UK Albums Chart[57] with 9,770 copies sold.[58] The album fell to number 33 the following week, and then to number 66 in its third week, its final week inside the top 100.[57]
A music documentary titled Kesha: Rainbow – The Film, produced by Apple Music and Magic Seed Productions, was announced on July 30, 2018. The 31-minute documentary features 8 songs from the album and chronicles Kesha's recording process up to her performance at the 2018 Grammy Awards.[95] The Metrograph in New York City hosted three screenings on August 3, 2018, and the film became available on demand for Apple Music subscribers on August 10, 2018. The film won Best Online Music Film at the 2019 Webby Awards.[96]
Łukasz Sebastian Gottwald, known professionally as Dr. Luke, Tyson Trax, and Made in China, is an American record producer and songwriter. His professional music career began in the late-night television sketch comedy show Saturday Night Live as its house band's lead guitarist in 1997 and producing remixes for artists such as Bon Jovi and Gravediggaz. He came into music prominence in 2004 for producing Kelly Clarkson's single "Since U Been Gone" with Swedish record producer Max Martin.
"Tik Tok" is the debut single by American singer Kesha, who co-wrote the song with its producers Dr. Luke and Benny Blanco. It was released on August 7, 2009, as the lead single from her debut studio album, Animal (2010). The opening line of the song came from an experience where Kesha woke up surrounded by beautiful women, to which she imagined P. Diddy being in a similar scenario. The experience prompted the writing of the song which she later brought to her producer, Dr. Luke, who was then contacted by P. Diddy in hopes of a collaboration; he came to the studio the same day and recorded his lines, and the song was completed. The official remix features American rapper Pitbull.
Animal is the debut studio album by American singer and songwriter Kesha. The album was released on January 5, 2010, by RCA Records. Kesha worked on the album with a variety of record producers and songwriters such as Lukasz "Dr. Luke" Gottwald, Benny Blanco, David Gamson, Greg Kurstin, Max Martin and others. Kesha had been recording demos for several years when one eventually ended up in the hands of Samantha Cox, senior director of writer/publisher relations at BMI. Cox passed along the demo and it ended up in the hands of Gottwald, who decided to have Kesha perform on the song "Right Round" with American rapper Flo Rida. Within two months, the song became a hit in multiple countries around the world. The event led to Kesha being sought after by many major labels, and she eventually signed a multi-album deal with RCA Records.
Kesha Rose Sebert, known mononymously as Kesha, is an American singer and songwriter. In 2005, at age 18, she was signed to Kemosabe Records. Kesha's first major success came in early 2009 when she was featured on rapper Flo Rida's number-one single, "Right Round".
American singer Kesha has released five studio albums, one compilation album, three extended plays, 32 singles, 11 promotional singles, and has made seven other guest appearances. As of 2017, she has sold over 41 million tracks and streams in the United States alone, and over 87 million tracks and streams worldwide. As of 2019, she has also accumulated approximately 7 billion on-demand streams and has sold over 14 million album equivalents worldwide bringing her record sales to stand at over 100 million equivalents worldwide. She is also among one of the highest-certified female artists in the United States by the Recording Industry Association of America, with 35.5 million certified singles and 5 million albums, bringing her total certified record sales to 40.5 million as a lead act in the United States alone. She is also certified for a further 20.5 million digital singles as a featured artist, further bringing her total record certifications to 61 million overall in the country.
Warrior is the second studio album by American singer and songwriter Kesha, released on November 30, 2012, by Kemosabe and RCA Records. Its music incorporates a wide range of genres, including pop, EDM, rock, punk, rap, country, and folk. Kesha described the album as more personal than her previous material in addition to mentioning it was her attempt at reviving the rock genre, calling it a "cock pop" record. Its theme is said to be magic.
Cannibal is the first extended play (EP) by American recording artist Kesha, released on November 19, 2010. The EP is a follow-up companion to her debut album, Animal (2010). Originally, the record was thought to be released as a deluxe edition of Animal, but was instead sold and released as both an EP and a deluxe edition of Animal. Kesha worked with a variety of producers and writers such as executive producer Dr. Luke, Benny Blanco, Ammo, Max Martin, Bangladesh and others. Musically, the songs on Cannibal are of the dance-pop genre, with some songs incorporating elements of electro and electropop in their production and beats. Throughout the album, the use of Auto-Tune and vocoders is prominent. Lyrically, the songs on Cannibal speak of ignoring judgement or hate and experiences based on love and heartbreak.
"We R Who We R" is a song by American singer Kesha from her first extended play (EP), Cannibal (2010). The song was released as the EP's lead single on October 22, 2010. It was written by Kesha, with Jacob Kasher Hindlin, Dr. Luke, Benny Blanco and Ammo. Production of the song was completed by Dr. Luke, Blanco, and Ammo. In the wake of news that bullying and harassment had led to multiple suicides of gay youth, Kesha wrote the song in hopes that it would become a pride anthem. The song is intended to inspire people to be themselves, and as a celebration of anyone deemed quirky or eccentric.
Rosemary Patricia "Pebe" Sebert is an American singer and songwriter from Brentwood, Tennessee, and the mother of singer and songwriter Kesha. Sebert has co-written number-one hits for Dolly Parton, Pitbull, and Kesha, her daughter. Sebert and Kesha have written 11 published songs together. The songs Sebert wrote for other artists have combined sales of over 8 million copies in the United States alone. In 2013, Sebert appeared as a regular on reality show Kesha: My Crazy Beautiful Life, which starred Kesha and was filmed by her son Lagan.
Detour is the twelfth studio album by American recording artist Cyndi Lauper, containing cover versions of country and western songs. It was released on May 6, 2016, and is the artist's first for Sire Records. The album was recorded in Nashville and produced by Tony Brown. In the United States, the album debuted at number 29 on the Billboard 200 and number four on the Billboard Top Country Albums and sold 36,800 copies as of September 2016.
"True Colors" is a song by Russian-German electronic music producer Zedd. The original version of the song featured vocals by Tim James and was included on Zedd's second studio album of the same name (2015).
The Weight of These Wings is the sixth studio album by American country music artist Miranda Lambert. It was released on November 18, 2016, via RCA Records Nashville. The album consists of two discs, with Disc 1 titled The Nerve, and Disc 2 titled The Heart. The album debuted at No. 1 on the Billboard Country Albums chart and No. 3 on the all-genre US Billboard 200 chart, and has been certified Platinum by the Recording Industry Association of America (RIAA). In addition to winning Album of the Year at the 2017 ACM Awards, it is considered by several music publications as one of the best albums of the year. In 2020, the album was ranked at 480 on Rolling Stone's 500 Greatest Albums of All Time list.
"Praying" is a song by American singer and songwriter Kesha. It was made available for digital download by Kemosabe Records on July 6, 2017 as the lead single from her third full-length studio album, Rainbow. The track originated from Ryan Lewis, who contacted Kesha and offered her an early version of the song. "Praying" was written by the singer with Ben Abraham, Andrew Joslyn, and its producer, Lewis, and co-produced by Jon Castelli. Musically, the song is a gospel and soul-influenced pop piano ballad that features minimal production and accompaniment from violins, violas, strings, celli, backing vocals and drums. Inspired by suicidal thoughts she has had in the past, Kesha said that "Praying" is about hoping that anyone, even abusers, can heal. "Praying" was written to showcase the singer's vocal range and to represent her as a person, and also features her nearly screaming at the top of her register. Various critics suggested that the song is about Dr. Luke, whom Kesha accused of sexual assault and emotional abuse in a lawsuit, although Luke is never mentioned in the song by name.
"Woman" is a song recorded by American singer Kesha and featuring the Dap-Kings Horns for her third studio album Rainbow (2017). It was released as the first promotional single from the album on July 13, 2017. The song was then released as the second single from the album on January 22, 2018. It has been described as a feminist anthem.
I Don't Believe We've Met is the second studio album by American country music singer Danielle Bradbery. It was released on December 1, 2017. The album title, cover, and track listing were revealed on August 4, 2017. According to Bradbery, the album serves as her "reintroduction" into the music world, for it had been four years since the release of her debut album, in 2013.
Stuart Crichton is a music producer/songwriter from Scotland, currently based in Los Angeles, California.
High Road is the fourth studio album by American singer and songwriter Kesha. It was released on January 31, 2020, through RCA and Kemosabe Records. Announced in late 2019, the album saw the singer once again taking over the role of sole executive producer, following Rainbow (2017). She collaborated with various songwriters and record producers to achieve her desired sonority, combining elements of her career beginnings and Rainbow. Musically, High Road is primarily a pop, country and classic rock record, although it encompasses a variety of genres, including dance-pop, folk, electronic pop, synthpop, trip hop, electro-country, EDM, trap, dream pop, hip hop, and gospel.
"Raising Hell" is a song by American singer Kesha featuring American rapper Big Freedia. It was released as the lead single from Kesha's fourth studio album High Road on October 24, 2019.
Palomino is the eighth studio album by American country music singer Miranda Lambert, released through Vanner Records and RCA Records Nashville on April 29, 2022. It is her eighth solo studio album. Lambert produced the album alongside Luke Dick and Jon Randall and co-wrote 14 of the 15 tracks. It was preceded by the single "If I Was a Cowboy". This is her last album with Sony Music Nashville.
Gag Order is the fifth studio album by American singer-songwriter Kesha. It was released on May 19, 2023, by Kemosabe Records and RCA Records. This album marks her final release under her contract with both labels, which she signed when she was 18 years old. The announcement of the album came in late April 2023, with Kesha serving as the executive producer, a role she took on for her previous two albums. She primarily worked with producer Rick Rubin, who helped her dive deep into her more vulnerable side to create the project. Other producers on the album include familiar collaborators such as Stuart Crichton, Stint and Drew Pearson, as well as new collaborators like Jussifer, Hudson Mohawke, Kennedi, and Jason Lader.
↑ "Czech Albums – Top 100". ČNS IFPI. Note: On the chart page, select 33.Týden 2017 on the field besides the words "CZ – ALBUMS – TOP 100" to retrieve the correct chart. Retrieved August 22, 2017.
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