"},"rev2":{"wt":"''[[Blabbermouth.net]]''"},"rev2score":{"wt":"8/10{{cite web|first=Dom|last=Lawson|url=https://www.blabbermouth.net/cdreviews/impera/|title=CD Reviews - Impera Ghost|website=[[Blabbermouth.net]]|date=8 March 2022 |access-date=11 March 2022|language=en}}"},"rev3":{"wt":"''[[Classic Rock (magazine)|Classic Rock]]''"},"rev3score":{"wt":"{{rating|3.5|5}}{{cite web|first=Mark|last=Beaumont|url=https://www.loudersound.com/reviews/ghosts-impera-large-doses-of-schlock-but-marginally-more-meaty|title=Ghost's Impera: large doses of schlock but marginally more meaty|website=[[Classic Rock (magazine)|Classic Rock]]|via=[[Loudersound]]|date=10 March 2022|access-date=11 March 2022|language=en}}"},"rev4":{"wt":"''[[Exclaim!]]''"},"rev4score":{"wt":"7/10{{cite web|first=Manus|last=Hopkins|url=https://exclaim.ca/music/article/ghost_impera_album_review|title=Ghost Give Up Satan for Arena-Sized Ambition on 'Impera'|website=[[Exclaim!]]|date=11 March 2022|access-date=11 March 2022|language=en}}"},"rev5":{"wt":"''[[Kerrang!]]''"},"rev5score":{"wt":"4/5{{cite web|first=James|last=Hickie|url=https://www.kerrang.com/the-big-review-ghost-impera-tobias-forge|title=The big review: Ghost – Impera|website=[[Kerrang!]]|date=9 March 2022|access-date=11 March 2022|language=en}}"},"rev6":{"wt":"''[[Metal Hammer]]''"},"rev6score":{"wt":"{{rating|4.5|5}}"},"rev7":{"wt":"''Metal Injection''"},"rev7score":{"wt":"9/10{{cite web|first=Jordan|last=Blum|url=https://metalinjection.net/reviews/album-review-ghost-impera|title=Album Review: Ghost Impera|website=Metal Injection|date=7 March 2022|access-date=11 March 2022|language=en}}"},"rev8":{"wt":"''[[MetalSucks|Metal Sucks]]''"},"rev8score":{"wt":"{{rating|4|5}}{{cite web|url=https://www.metalsucks.net/2022/03/09/review-ghosts-impera-is-the-soundtrack-to-a-new-satanic-panic/|title=Album Review: Ghost Impera|website=[[MetalSucks|Metal Sucks]]|date=9 March 2022|access-date=11 March 2022|language=en}}"},"rev9":{"wt":"''[[NME]]''"},"rev9score":{"wt":"{{rating|4|5}}"},"rev10":{"wt":"''[[PopMatters]]''"},"rev10score":{"wt":"8/10"}},"i":0}}]}" id="mwASM">
Impera received critical acclaim upon its release. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 84, which indicates "universal acclaim", based on 8 reviews.[34]
Thom Jurek of AllMusic was positive towards the album stating, "Impera is the most unabashed exercise in exultant pop/rock sheen Ghost has issued to date; it establishes an exquisite front in their own quest for global rock domination."[23] Dom Lawson of Blabbermouth.net called the album the "most spectacular and hook-filled heavy(ish) metal albums in recent memory."[35] According to Mark Beaumont of Classic Rock, "Ghost swap Medieval demons for modern-day counterparts..." and compared the album to Green Day's American Idiot.[36]
Manus Hopkins of Exclaim! called the album "more thematically interesting and more musically complex album than its predecessor" but was less positive towards the band's departure from themes of devil-worshiping and a more evil image.[37] James Hickie of Kerrang! stated that "Impera is among Ghost's very best and sure to push them even closer to those heavenly heights."[38] According to Dave Everley of Metal Hammer, "Ghost have turned in a modern metal classic with an arena rock heart. It turns out the devil doesn't have all the best tunes. Tobias Forge does."[19]
Jordan Blum of Metal Injection considered the album to be "a tad more accessible and light compared to their first two or three albums—prioritizing welcoming rock over weird metal in most cases—but that's hardly a flaw considering how unified and exciting it is."[39]Metal Sucks compared the album to Avatar and King Diamond and called it "theatrical, catchy, and evil in the most approachable way."[40] James McMahon of NME called the twelve tracks on the album "a truly delicious pop-rock proposition."[21] Adrien Begrand of PopMatters considered the lyrics on the song "Twenties" to be too blunt and bring the song "close to a cartoon level."[18] However, Begrand praised the album's "smart riffs and melodies" and considers the album to be what "establishes them as a commercial hard rock force."[18]
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