Christian mythology is the body of myths associated with Christianity. The term encompasses a broad variety of legends and narratives, especially those considered sacred narratives. Mythological themes and elements occur throughout Christian literature, including recurring myths such as ascending a mountain, the axis mundi, myths of combat, descent into the Underworld, accounts of a dying-and-rising god, a flood myth, stories about the founding of a tribe or city, and myths about great heroes of the past, paradises, and self-sacrifice.
Irish mythology is the body of myths indigenous to the island of Ireland. It was originally passed down orally in the prehistoric era. In the early medieval era, some myths were transcribed by Christian monks, who heavily altered and Christianised the myths. Irish mythology is the best-preserved branch of Celtic mythology.
In folklore, giants are beings of humanoid appearance, but are at times prodigious in size and strength or bear an otherwise notable appearance. The word giant is first attested in 1297 from Robert of Gloucester's chronicle. It is derived from the Gigantes of Greek mythology.
The Tupi-Guarani mythology is the set of narratives about the gods and spirits of the different Tupi-Guarani peoples, ancient and current. Together with the cosmogonies, anthropogonies and rituals, they form part of the religion of these peoples.
Chinese mythology is mythology that has been passed down in oral form or recorded in literature throughout the area now known as Greater China. Chinese mythology encompasses a diverse array of myths derived from regional and cultural traditions. Populated with engaging narratives featuring extraordinary individuals and beings endowed with magical powers, these stories often unfold in fantastical mythological realms or historical epochs. Similar to numerous other mythologies, Chinese mythology has historically been regarded, at least partially, as a factual record of the past.
The Indigenous peoples of the Americas comprise numerous different cultures. Each has its own mythologies, many of which share certain themes across cultural boundaries. In North American mythologies, common themes include a close relation to nature and animals as well as belief in a Great Spirit that is conceived of in various ways. As anthropologists note, their great creation myths and sacred oral tradition in whole are comparable to the Christian Bible and scriptures of other major religions.
A pixie is a mythical creature of British folklore. Pixies are speculated to be particularly concentrated in the high moorland areas around Devon and Cornwall, suggesting some Celtic origin for the belief and name. However, the word 'pixie' also appears in Dorset, Somerset and to a lesser extent in Sussex, Wiltshire and Hampshire.
In creation myths, the term "Five Suns" refers to the belief of certain Nahua cultures and Aztec peoples that the world has gone through five distinct cycles of creation and destruction, with the current era being the fifth. It is primarily derived from a combination of myths, cosmologies, and eschatological beliefs that were originally held by pre-Columbian peoples in the Mesoamerican region, including central Mexico, and it is part of a larger mythology of Fifth World or Fifth Sun beliefs.
Georgian mythology refers to the mythology of pre-Christian Georgians, an indigenous Caucasian ethnic group native to Georgia and the South Caucasus. The mythology of the Kartvelian peoples is believed by many scholars to have formed part of the religions of the kingdoms of Diauehi, Colchis and Iberia.
Philippine mythology is rooted in the many indigenous Philippine folk religions. Philippine mythology exhibits influence from Hindu, Muslim, Buddhist, and Christian traditions.
Turkic Erlik, Erlig, Erlik Khan, Mongolian Erleg or Yerleg is the god of death and the underworld, sometimes referred to as Tamag (hell) in Turkic mythology. Er means Earth, in the depths of which Erlik lives in. From the underworld, Erlik brings forth death, plague and evil spirits to torment humans and take their souls into his realm. Since Tengrism is not based on a written corpus but encompasses the experienced spiritual life of Turkic people, there are no unanimous beliefs among all Turkic people. Erlik has already been mentioned in the Orkhon writings and shows a consistent pattern as the lord of the underworld among Turkic belief systems.
Comparative mythology is the comparison of myths from different cultures in an attempt to identify shared themes and characteristics. Comparative mythology has served a variety of academic purposes. For example, scholars have used the relationships between different myths to trace the development of religions and cultures, to propose common origins for myths from different cultures, and to support various psychoanalytical theories.
Armenian mythology originated in ancient Indo-European traditions, specifically Proto-Armenian, and gradually incorporated Hurro-Urartian, Mesopotamian, Iranian, and Greek beliefs and deities.
Micronesian mythology comprises the traditional belief systems of the people of Micronesia. There is no single belief system in the islands of Micronesia, as each island region has its own mythological beings.
In Slavic folklore, the raskovnik or razkovniche is a magical herb. According to lore, the raskovnik has the magical property to unlock or uncover anything that is locked or closed. However, legends claim it is notoriously difficult to recognize the herb, and reputedly only certain chthonic animals are able to identify it.
Inca mythology is the universe of legends and collective memory of the Inca civilization, which took place in the current territories of Colombia, Ecuador, Peru, Bolivia, Chile, and Argentina, incorporating in the first instance, systematically, the territories of the central highlands of Peru to the north.
The mythology of Indonesia is very diverse, the Indonesian people consisting of hundreds of ethnic groups, each with their own myths and legends that explain the origin of their people, the tales of their ancestors and the demons or deities in their belief systems. The tendency to syncretize by overlying older traditions with newer foreign ideas has occurred. For example, the older ancestral mythology might be merged with foreign mythology, such as Hindu, Islam, or Christian biblical mythology.
The Slavic creation myth is a cosmogonic myth in Slavic mythology that explains how the world was created, who created it, and what principles guide it. This myth, in its Christianized form, survived until the nineteenth and twentieth century in various parts of the Slavdom in chronicles or folklore. In the Slavic mythology there are three versions of this myth: the first version is the so-called earth-diver myth, which intertwines two main motifs: the dualistic motif – the cooperation of God and the Devil is required to create the world, and the oceanic motif – the pre-existence water, where the seed of the Earth comes from; the second version speaks about the origin of the universe and the world from the Cosmic Egg and the World Tree; the third one about creation from a dismemberment of a primordial being.
