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Slavic pseudo-deities (pseudo-gods, pseudo-goddesses) are Slavic deities described in popular and sometimes even scientific literature, whose historicity is not recognized by the vast majority of scholars, i.e. the deities in question are not deemed actually to have been objects of worship among pagan Slavs. The pseudo-deities of the Slavs, like those of other ethnic groups, were created as a result of mistakes (e.g., by understanding the given name as a theonym, unfamiliarity with the Slavic languages, misunderstanding of pagan ritual, or uncritical use of sources), as a result of the creation and falsification of Slavic Romantics, or even as a result of falsification for political motives. Much of them are originated from the works described as "pseudo-mythology" (kabinetnaya mifologiya, "office mythology", in Russian sources). The reason for the last two may be that, unlike, for example, those of Greek mythology, the sources on Slavic mythology are severely limited.
The first Slavic pseudo-deities began to appear as early as the Middle Ages, mainly in Latin Christian texts, as a result of mistakes. Slavic pseudo-deities on a large scale began to appear from the 18th and especially the 19th century. In 1768, a popular forgery of the time appeared, the so-called Prillwitz idols, depicting alleged Slavic deities decorated with alleged Slavic runes. [1] [2] [3] Based on this forgery, many deities were created by Andreas Masch and later by Martin Arendt . In the 19th century, Czech philosopher Ignác Jan Hanuš was a popular fantasist, particularly known for his Die Wissenschaft des slavischen Mythus and Bájeslovný kalendář slovanský. Russian Aleksandr Famintsyn , who was rather uncritical in treating sources in his Bozhestva drevnikh slavyan ("Deities of the Ancient Slavs"), was also influential. In addition to the above-mentioned authors, every Slavic country had forgers of varying popularity. [4] Contemporary falsification of the Slavic pantheon is continued by Czesław Białczyński in Poland (e.g. Stworze i zdusze, czyli starosłowiańskie boginki i demony. Leksykon, or Mitologia słowiańska: Księga tura), [5] [6] and by Alexander Asov in Russia (e.g. Kniga Kolyady). [7]
Many of the deities were created by Andreas Gottlieb Masch (1771), [20] a German theologian who studied the so-called Prillwitz idols, taking them to be authentic Slavic statues, but which are now recognized as 17th century forgeries. [1] [2] [3] The drawings for his book were made by Daniel Woge, a German painter and illustrator. [20] Masch's information was further repeated by Martin Friedrich Arendt (1820), [21] a German botanist and antiquarian, and Bernhard Severin Ingemann (1824), [22] a Danish writer.
Andreas Gottlieb Masch: [20]
Martin Friedrich Arendt: [21]
Václav Hájek, a Czech chronicler who is accused of making up many events in his work, lists the deities in his Chronicle: Klimba, Krasatina, Krosina.
Hájek gained imitators after his death: Pavel Stránský, Jan Jiří Středovský, Juraj Papánek, who added the following deities by themselves: Chasoň, Ladoň, Zeloň, Živěna, Nočena, Krasopaní, Hladolet. [23]
Priest Antonín Liška, one of the translators of Homer into Czech, also made up deities. He replaced Greek theonyms with similar Czech ones or just transferred them into Czech. He gave up to three versions of the same invented Czech name, writing them in brackets or footnotes: [24]
Another forgery is the glosses added to Mater Verborum , a Czech-Latin dictionary, added by Václav Hanka, containing deities invented by him: [25]
Hanka also mentions gods from other sources, e.g. Belebog, Perun, Živa, Svetovit, Triglav, Veles, Lada, Devana, and Morana. In addition, he mentions many demons, including vesna.
The Book of Veles is a 20th century forgery that has gained particular popularity among Ukrainians. It lists, in addition to authentic gods, the following pseudo-gods: [26]
One of the major forgeries from the South Slavs is the Serbian Песме и обичаи укупног народа српског (1869; "Songs and customs of the all Serbian peoples") by Miloš Milojević: [30]
The second important forgery is Veda Slovena (1874) by Stefan Verković: [31]
In Croatia, a long list of authors contributed to romanticized interpretations, uncritical theories and unverifiable claims about Croatian pagan beliefs. This group includes the likes of Giorgio Sisgoreo, Marin Držić, Matija Petar Katančić, Pavao Ritter Vitezović, Natko Nodilo, Nikola Sučić and Franjo Ledić, among others. These authors' works are now sources of many pseudo-deities and fabricated systems in what is today popularly considered Croatian folklore, including Črt, Sarmand, Velja and an entire systematically presented "Croatian pantheon" [32] containing deities such as Bjelobog, Danica, Domovoj, Slava, Vesna, Voloska, Zora and Žibog. [33]
Chernobog and Belobog are an alleged pair of Polabian deities. Chernobog appears in Helmold's Chronicle as a god of misfortune worshipped by the Wagri and Obodrites, while Belobog is not mentioned – he was reconstructed in opposition to Chernobog. Both gods also appear in later sources, but they are not considered reliable. Researchers do not agree on the status of Chernobog and Belobog: many scholars recognize the authenticity of these theonyms and explain them, for example, as gods of good and evil; on the other hand, many scholars believe that they are pseudo-deities, and Chernobog may have originally meant "bad fate", and later associated with the Christian devil.
Devana, Zevana, less often Zievonya is the goddess of wild nature, forests, hunting and the moon worshiped by the Western Slavs. In the sources, she was first mentioned in the 15th century by Jan Długosz, who compared her to the Roman goddess Diana. Dziewanna is also a Polish name for Verbascum, and the etymology of the word is unclear. After strong criticism from Aleksander Brückner, researchers rejected her authenticity, but nowadays it is accepted by an increasing number of researchers. Sometimes, in folk rituals, she performs together with Morana.
Lada and Lado are alleged Slavic deities. Lada was first mentioned around 1405–1412 in the sermons of Lucas of Wielki Koźmin, which warned against worshipping Lada and other gods during spring ceremonies and folk performances.
Svarog is a Slavic god of fire and blacksmithing, who was once interpreted as a sky god on the basis of an etymology rejected by modern scholarship. He is mentioned in only one source, the Primary Chronicle, which is problematic in interpretation. He is presented there as the Slavic equivalent of the Greek god Hephaestus. The meaning of his name is associated with fire. He is the father of Dazhbog and Svarozhits.
Svetovit, also known as Sventovit and Svantovit amongst other variants, is the god of abundance and war, and the chief god of the Slavic tribe of the Rani, and later of all the Polabian Slavs. His organized cult was located on the island of Rügen, at Cape Arkona, where his main temple was also located. According to the descriptions of medieval chroniclers, the statue representing this god had four heads, a horn and a sword, and to the deity himself were dedicated a white horse, a saddle, a bit, a flag, and eagles. Once a year, after the harvest, a large festival was held in his honor. With the help of a horn and a horse belonging to the god, the priests carried out divinations, and at night the god himself rode a horse to fight his enemies. His name can be translated as "Strong Lord" or "Holy Lord". In the past it was often mistakenly believed that the cult of Svetovit originated from St. Vitus. Among scholars of Slavic mythology, Svetovit is often regarded as a Polabian hypostasis of Pan-Slavic god Perun. His cult was destroyed in 1168.
In the pre-Christian religion of Eastern and Southern Slavs, Rod is the god of the family, ancestors and fate, perhaps as the supreme god. Among Southern Slavs, he is also known as Sud. He is usually mentioned together with Rozhanitsy deities. One's first haircut (postriziny) was dedicated to him, in a celebration in which he and the rozhanitsy were given a meal and the cut hair. His cult lost its importance through time, and in the ninth or tenth century he was replaced by Perun, Svarog and/or Svetevid, which explains his absence in the pantheon of Vladimir the Great.
Iriy, Vyrai, Vyriy, or Irij is a mythical place in Slavic mythology where "birds fly for the winter and souls go after death" that is sometimes identified with paradise. Spring is believed to have arrived on Earth from Vyrai.
Radegast or Radogost is, according to medieval chroniclers, the god of the Polabian Slavs, whose temple was located in Rethra. In modern academic literature, however, the dominant view is that Radegast is a local nickname or a local alternative name of the solar god Svarozhits, who, according to earlier sources, was the chief god of Rethra. Some researchers also believe that the name of the town, where Svarozhits was the main deity, was mistakenly taken for a theonym. A popular local legend in the Czech Republic is related to Radegast.
Nav is a phrase used to denote the souls of the dead in Slavic mythology. The singular form is also used as a name for an underworld, over which Veles exercises custody—it is often interpreted as another name for the underground variant of the Vyraj.
Yarovit, Iarovit is a Polabian god of war, worshipped in Vologošč (Circipanians) and Hobolin. Sources give only a brief description of his cult, his main temple was located in Vologošč, where there was a golden shield belonging to Yarovit. By one Christian monk he was identified with the Roman Mars.
Rozhanitsy, narecnitsy, and sudzhenitsy are invisible spirits or deities of fate in the pre-Christian religion of the Slavs. They are related to pregnancy, motherhood, marriage and female ancestors, and are often referenced together with Rod. They are usually mentioned as three together, but sometimes up to 9 together, of whom one was a "queen" or singular. They are related to Dola, but it is not known on what terms. In Poland they were worshipped as zorze (auroras).
In Slavic paganism there are a variety of female tutelary spirits associated with water. They have been compared to the Greek Nymphs, and they may be either white (beneficent) or black (maleficent). They may be called 'Navki, Rusalki, and Vily.
Lel and Polel are Polish divine twins, first mentioned by Maciej Miechowita in the 16th century where he presents them as equivalents of Castor and Pollux and the sons of the goddess Łada, the equivalent of Leda. There is no complete agreement about the authenticity of the cult of Lel and Polel.
Niya is a Lechitic god of the underworld of unknown sex, whose exact functions are unknown. Niya is mentioned together with other gods worshipped by Poles, such as Yesha, Łada, or Devana. Niya's cult may be demonstrated by the sayings "Go to Niye" and "Dwell in Nya" collected by Polish ethnographer Aleksander Brückner. In recent years, the confidence in the authenticity of Niya has increased in the scientific community.
Jesza or Jasza is an alleged Polish god. He was first mentioned around 1405–1412 in the sermons of Lucas of Wielki Koźmin, which warned against the worship of Jesza and other gods during spring rituals and folk performances. His popularity is partly owed Jan Długosz's comparison of him to the Roman god Jupiter. However, the opinions of the 20th century and later researchers are divided with respect to the authenticity of the deity.
Chernoglav or Chernoglov is the god of victory and war worshipped in Rügen, probably in the town of Jasmund, mentioned together with Svetovit, Rugievit, Turupid, Puruvit and Pizamar in the Knýtlinga saga.
The fifth god was called Pizamar from a place called Jasmund, and was destroyed by fire, There was also Tjarnaglófi, their god of victory who went with them on military campaigns. He had a moustache of silver and resisted longer than the others but they managed to get him there years later. Altogether, they christened five thousand on this expedition.
Svarozhits, Svarozhich is a Slavic god of fire, son of Svarog. One of the few Pan-Slavic gods. He is most likely identical with Radegast, less often identified with Dazhbog.
Porevit, Porovit or Borovit is a Slavic god with unknown functions mentioned in only two sources: Gesta Danorum and in Knýtlinga saga. The only historical information about this god is a description of a statue depicting him that had five faces and no weapons.
Dzidzilela, Dzidzileyla, Dzidzilelya is an alleged Polish goddess. First mentioned by Jan Długosz as the Polish equivalent of the Roman goddess Venus, goddess of marriage. Nowadays, the authenticity of the goddess is rejected by most researchers, and it is believed that the theonym was created by recognizing a fragment of folk songs as a proper name.
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