- Sirin (postcard) (1908)
- Sirin Russian lubok print, 19th century
- Sirin Russian lubok print, 19th century
- Viktor Vasnetsov. Sirin (left) and Alkonost (right) Birds of Joy and Sorrow (1896)
Sirin is a mythological creature of Russian legends, with the head of a beautiful woman and the body of a bird (usually an owl), borrowed from the siren of the Greek mythology. According to myth, the Sirin lived in Iriy or around the Euphrates River. [1] [2]
The legend of Sirin might have been introduced to the Rus' by Persian merchants in the 8th–9th centuries. In the cities of Chersonesos and Kiev she is often found on pottery, golden pendants, even on the borders of Gospel books of the 10th–12th centuries. Due to this history, Russian culture has experienced a very strong correlation with the Byzantine Empire through its steppes, the Volga River and Dnieper River. [3] [4] [5] [ relevant? ] Pomors often depicted Sirin on the illustrations in the Book of Genesis as birds sitting in paradise trees. [1]
Later, in the 17th–18th centuries, the image of Sirin changed and she started to symbolize world harmony (as she lives near paradise). People in those times believed only happy people could hear a Sirin, while only very few could see one because she is as fast and difficult to catch as human happiness. She symbolizes eternal joy and heavenly happiness. [6]
This half-woman half-bird is directly based on the later folklore about sirens. [2] [7] [8] She was usually portrayed wearing a crown or with a nimbus. [9] Sirin sang beautiful songs to the saints, foretelling future blisses. The bird was dangerous. Men who heard her would forget everything on earth, follow her, and ultimately die. People would attempt to save themselves from Sirin by shooting cannons, ringing bells and making other loud noises to scare the bird off. [7]
According to folk tales, at the morning of the Apple Feast of the Saviour day, Sirin flies into the apple orchard and cries sadly. In the afternoon, the Alkonost flies to this place, beginning to rejoice and laugh. Alkonost brushes dew from her wings, granting healing powers to all fruits on the tree she is sitting on. [10]
Sometimes Sirin is seen as a metaphor for God's word going into the soul of a man. Sometimes she is seen as a metaphor of heretics tempting the weak. Sometimes Sirin was considered equivalent to the Wila. In Russian folklore, Sirin was mixed with the revered religious writer Saint Ephrem the Syrian. Thus, peasant lyrists such as Nikolay Klyuev often used Sirin as a synonym for poet. [1]
The phoenix is an immortal bird that cyclically regenerates or is otherwise born again. While it is part of Greek mythology, it has analogs in many cultures, such as Egyptian and Persian mythology. Associated with the sun, a phoenix obtains new life by rising from the ashes of its predecessor. Some legends say it dies in a show of flames and combustion, while others that it simply dies and decomposes before being born again. In the Motif-Index of Folk-Literature, a tool used by folklorists, the phoenix is classified as motif B32.
In Greek mythology, sirens are female humanlike beings with alluring voices; they appear in a scene in the Odyssey in which Odysseus saves his crew's lives. Roman poets place them on some small islands called Sirenum scopuli. In some later, rationalized traditions, the literal geography of the "flowery" island of Anthemoessa, or Anthemusa, is fixed: sometimes on Cape Pelorum and at others in the islands known as the Sirenuse, near Paestum, or in Capreae. All such locations were surrounded by cliffs and rocks.
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The Alkonost is a legendary woman-headed bird in Slavic folklore. Alkonost is more likely an individual character, as was noted in some legends about this bird.
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Gamayun is a prophetic bird of Russian folklore. It is a symbol of wisdom and knowledge and lives on an island in the mythical east, close to paradise. She is said to spread divine messages and prophecies, as she knows everything of all creation, gods, heroes, and man. Like the Sirin and the Alkonost, other creatures likewise deriving ultimately from the Greek myths and siren mythology, the Gamayun is normally depicted as a large bird with a woman's head. In the books of the 17th-19th centuries, Gamayun was described as a legless and wingless bird, ever-flying with the help of a tail, foreshadowing the death of statesmen by her fall.
The tradition of egg decoration in Slavic cultures originated in pagan times, and was transformed by the process of religious syncretism into the Christian Easter egg. Over time, many new techniques were added. Some versions of these decorated eggs have retained their pagan symbolism, while others have added Christian symbols and motifs.
Policeman Bluejay or Babes in Birdland is a children's novel written by L. Frank Baum and illustrated by Maginel Wright Enright. First published in 1907, Jack Snow considered it one of the best of Baum's works.
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Sirin bird of paradise.