Peter Gabriel | ||||
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Studio album by | ||||
Released | 10 September 1982 [1] | |||
Recorded | 1981–1982 [2] | |||
Studio | Ashcombe House, Bath, England | |||
Genre | ||||
Length | 45:27 | |||
Label | Charisma (UK) Geffen (US, Canada) | |||
Producer | David Lord and Peter Gabriel | |||
Peter Gabriel chronology | ||||
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Peter Gabriel studio album chronology | ||||
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Singles from Peter Gabriel | ||||
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Review scores | |
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Source | Rating |
AllMusic | [12] |
Chicago Sun-Times | [13] |
The Encyclopedia of Popular Music | [14] |
Entertainment Weekly | A− [15] |
Q | [16] |
The Rolling Stone Album Guide | [17] |
Uncut | 8/10 [18] |
The Village Voice | C+ [19] |
Peter Gabriel is the fourth studio album by the English rock musician Peter Gabriel. In the United States and Canada,the album was released by Geffen Records with the title Security. Some music streaming services refer to it as Peter Gabriel 4:Security. [20] A German-language version,entitled Deutsches Album (German Album),was also released. The album saw Gabriel expanding on the post-punk and world music influences from his 1980 self-titled record,and earned him his first US top 40 single with "Shock the Monkey".
Instead of working with Hipgnosis on the cover art as he did for his previous three albums,Gabriel turned to sculptor Malcolm Poynter. The image is of Gabriel's face,based on an experimental videotape recorded by Poynter and heavily distorted through the use of flexible mirrors,Fresnel lenses,and lighting techniques. [21]
The album was remastered with most of Gabriel's catalogue in 2002.
The album was recorded in 1981 at Ashcombe House close to where Peter lived at the time which was half a mile away from Ashcombe House (Ashcombe House,in Somerset). [22] The album was an early example of digital recording,having been mixed to a Sony PCM-1610 digital 2-track. [23] The songs contain many unique sounds from the sampler/synthesizer Fairlight CMI. The first two weeks of recordings involved use of the Mobile One,a London-based recording truck which offered 46-track recording facilities. [23]
The songs of this album cover a wide variety of subject matter. "The Rhythm of the Heat" is based on Swiss psychologist Carl Jung's experience watching a group of drummers and dancers in Kenya,during which he became overwhelmed and worried that the music and dancing would subsume him. "San Jacinto" reflects on the fear and pain experienced by an Indigenous American man who sees his culture overwhelmed by modern white society,based on a story told to Gabriel by an Apache man. "Shock the Monkey",a meditation on jealousy,uses imagery of a primate to describe personal anxieties. [24] "Lay Your Hands on Me" deals with a theme of healing,through trust,which is further explored on later albums. "The Family and the Fishing Net" compares a modern-day wedding to a voodoo sacrifice. "Wallflower" is about the treatment of political prisoners in Latin America during the 1980s. [25]
Larry Fast,who played synthesizer,mentioned during a presentation on Moog synthesizers that the working title for "The Rhythm of the Heat" was "Jung in Africa",the working title for "Shock the Monkey" was "Black Bush",and the working title for "Lay Your Hands on Me" was "93" –this was the number of the Linn LM-1 pattern used on the track. [26] Additionally,in the South Bank Show documentary on the album,the working title for "I Have the Touch" was shown to be "Hands". [27]
Gabriel discussed several of the songs in an interview with DJ Alan Freeman:
As with his previous three albums,the album is titled Peter Gabriel. In the United States and Canada Geffen Records issued the album under the title Security to differentiate it from his previous releases. The title was changed with Gabriel's reluctant agreement. The new title was displayed in a sticker on top of the LP sleeve's shrink-wrap and on the disc labels. Whilst Gabriel provided the title himself,the album was officially known as Peter Gabriel in other territories. [29] The Security title was maintained on American and Canadian releases of the album until 2010,when it reverted to the original Peter Gabriel title for reissues by Gabriel's own Real World Records label.
In The Boston Phoenix ,Howard Hampton wrote that "though I have serious reservations about the album,it is just varied,provocative,and experimental enough to have radio programmers and fans murmuring 'artistic breakthrough.' It even has commercial potential (up to a point – Asia it isn’t)." [30]
In a retrospective review,Stephen Thomas Erlewine of AllMusic thought that the album "continued where the third Gabriel album left off,sharing some of the same dense production and sense of cohesion,yet lightening the atmosphere and expanding the sonic palette." Erlewine partially attributed the album's "brighter feel" to Gabriel's embrace of African and Latin rhythms,which he thought were effective in complimenting the synthesizers. He asserted that certain songs required greater attention from the listener,including "The Family and the Fishing Net," "Lay Your Hands on Me," and "Wallflower",but felt that some of them failed to deliver a rewarding experience. [12]
All tracks are written by Peter Gabriel
No. | Title | Length |
---|---|---|
1. | "The Rhythm of the Heat" | 5:15 |
2. | "San Jacinto" | 6:21 |
3. | "I Have the Touch" | 4:30 |
4. | "The Family and the Fishing Net" | 7:08 |
No. | Title | Length |
---|---|---|
5. | "Shock the Monkey" | 5:28 |
6. | "Lay Your Hands on Me" | 6:03 |
7. | "Wallflower" | 6:30 |
8. | "Kiss of Life" | 4:17 |
Production
Chart (1982) | Peak position |
---|---|
Australian Albums (Kent Music Report) [32] | 66 |
Canada Top Albums/CDs ( RPM ) [33] | 2 |
Dutch Albums (Album Top 100) [34] | 14 |
Finnish Albums (The Official Finnish Charts) [35] | 13 |
French Albums (SNEP) [36] | 5 |
New Zealand Albums (RMNZ) [37] | 18 |
Norwegian Albums (VG-lista) [38] | 15 |
UK Albums (OCC) [39] | 6 |
US Billboard 200 [40] | 28 |
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [41] | Platinum | 100,000^ |
United Kingdom (BPI) [42] | Gold | 100,000^ |
United States (RIAA) [43] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
Deutsches Album | ||||
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Studio album by | ||||
Released | November 1982 | |||
Recorded | 1981–1982 | |||
Length | 45:27 | |||
Label | Charisma Records | |||
Producer | David Lord and Peter Gabriel | |||
Peter Gabriel chronology | ||||
|
Review scores | |
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Source | Rating |
AllMusic | [44] |
Deutsches Album (1982) is Gabriel's German-language adaptation of his fourth album. It was released simultaneously with the English-language edition in Germany.
Like Gabriel's previous German-language album, Ein deutsches album (1980), Deutsches Album differs from its English-language release in several ways. The album has a different running order: "San Jacinto" is swapped with "The Family and the Fishing Net" (here, "Das Fischernetz"). Some of the songs are substantially remixed and are, for instance, 15–30 seconds longer or shorter than their international versions. Track eight gains a final coda not found on the English version, while track seven has an earlier instrumental fade. The background vocals are redone in German. In the third track, a shouted nonsense refrain has been added. All songs were written by Peter Gabriel with "Texte" (lyrics) by Peter Gabriel and Horst Königstein .
"The Rhythm of the Heat" appears in the opening scene of "Evan", an episode aired during the first season of Miami Vice . Gabriel, who had seven songs used, had the most songs featured by a solo artist in the series. He is also the only artist to have had a song used in four of the show's five seasons. (None of his songs were used in the second season, though "Take Me Home" by Phil Collins, which features backing vocals by Gabriel, was used in the second-season premiere.) The song was also used in the feature film Natural Born Killers , and in the commercials for the 2001 film Pearl Harbor .
"Shock the Monkey" was featured on the 1987 film Project X (starring Matthew Broderick and Helen Hunt). The song was referenced in the 1988, Season 6, Episode 17 of the American sitcom Cheers. Lillith says she will never be able to hear "Shock the Monkey" again without crying. The song also appeared in the South Park episode "Raisins".
"I Have the Touch" featured in the 1988 film The Chocolate War . An alternate version of the track was featured on the 1996 film Phenomenon , starring John Travolta. A cover version by Heather Nova was featured in The Craft .
"Lay Your Hands on Me" appears in "Crossbreed", a fifth season episode of The Americans . It was the third appearance of a Gabriel song in the series, the first being "Games Without Frontiers" in the season one finale, "The Colonel", and the second being "Here Comes the Flood" in the third episode of season two, "The Walk In."
The Fairlight CMI is a digital synthesizer, music sampler, and digital audio workstation introduced in 1979 by Fairlight. It was based on a commercial licence of the Qasar M8 developed by Tony Furse of Creative Strategies in Sydney, Australia. It was one of the earliest electronic music workstations with an embedded sampler and is credited for coining the term sampling in music. It rose to prominence in the early 1980s and competed with the Synclavier from New England Digital.
Never Surrender is the sixth studio album by Canadian hard rock band Triumph, released in 1982. The album reached #26 on the Billboard Albums chart assisted by the singles "All the Way", "A World of Fantasy" and "Never Surrender" which hit #2, #3 and #23, respectively, on the Billboard's Mainstream Top Rock Tracks chart in 1983. "All the Way" was Triumph's highest charting song on the Top Rock Tracks chart, but did not sustain that level of popularity with Triumph fans as the song is not included on their 1985 live album Stages, the later Classics or 2005's Livin' for the Weekend: The Anthology album.
So is the fifth studio album by English singer-songwriter Peter Gabriel, released on 19 May 1986 by Charisma Records and Virgin Records. After working on the soundtrack to the film Birdy (1984), producer Daniel Lanois was invited to remain at Gabriel's Somerset home during 1985 to work on his next solo project. Initial sessions for So consisted of Gabriel, Lanois and guitarist David Rhodes, although these grew to include a number of percussionists.
The Dreaming is the fourth studio album by English singer-songwriter Kate Bush, released on 13 September 1982 by EMI Records. Recorded over two years, the album was produced entirely by Bush and is often characterised as her most uncommercial and experimental release.
Peter Gabriel is the second studio album by the English singer-songwriter Peter Gabriel, released on 2 June 1978 by Charisma Records. Gabriel started recording the album in November 1977, the same month that he had completed touring in support of his debut solo release. He employed former King Crimson guitarist Robert Fripp, who was part of Gabriel's early touring band, to produce the album. Fripp used his Frippertronics effects on the co-written song "Exposure".
"Shock the Monkey" is a song by the English rock musician Peter Gabriel. It was released in September 1982 as the first single from his fourth self-titled studio album, issued in the US under the title Security.
Peter Gabriel is the third solo studio album by the English rock musician Peter Gabriel, released on 30 May 1980 by Charisma Records. The album, produced by Steve Lillywhite, has been acclaimed as Gabriel's artistic breakthrough as a solo artist. AllMusic wrote that it established him as "one of rock's most ambitious, innovative musicians".
Shaking the Tree: Sixteen Golden Greats is a compilation album by the English rock musician Peter Gabriel. It was released in 1990 as Gabriel's first career retrospective, including songs from his first solo album Peter Gabriel (1977), through Passion: Music for The Last Temptation of Christ (1989). It was remastered with most of Gabriel's catalogue in 2002. The vinyl version of the album is called Shaking the Tree: Twelve Golden Greats.
Shout is the sixth studio album by American new wave band Devo, released on October 8, 1984 by Warner Bros. Records.
How to Be a ... Zillionaire! is the third studio album by English pop band ABC. It was originally released in October 1985, on the labels Neutron, Mercury and Vertigo. The album peaked at No. 28 on the UK Albums Chart and at No. 30 on the Billboard 200. Four singles were released from the album, "(How to Be A) Millionaire", "Be Near Me", "Vanity Kills", and the fourth was "Ocean Blue",. It is the group's only album to feature founder members Martin Fry and Mark White flanked by new members Eden and David Yarritu, the latter two credited merely as "performers" with effectively no or limited musical contribution to the album. The four-piece was also presented in a cartoon form for the album's artwork and promotional videos, and wore outrageous costumes and played false instruments for "live" promotional performances.
"Be Near Me" is a song by English pop band ABC. It was released in April 1985 as the second single from their third studio album, How to Be a ... Zillionaire!. It peaked at No. 26 on the UK Singles Chart in 1985, and was the only single from the album to reach the UK top 40. It was more successful in the United States where it reached No. 9 on the Billboard Hot 100. The song also went to number-one on the U.S. Hot Dance Club Play chart in September of that year, remaining on top for two weeks.
Big Bam Boom is the twelfth studio album by American duo Daryl Hall & John Oates, released by RCA Records on October 12, 1984. It marked the end of one of the most successful album runs by a duo of the 1980s. RCA issued a remastered version in July 2004 with four bonus tracks. The lead single "Out of Touch" was a #1 pop hit, and charted in several other areas. Another song, the Daryl Hall and Janna Allen-penned "Method of Modern Love", reached #5, and "Some Things Are Better Left Unsaid" reached #18.
T.E.V.I.N. is the debut studio album by American R&B singer Tevin Campbell. It was released by Qwest Records on November 19, 1991. The album was certified platinum by Recording Industry Association of America (RIAA) in 1994.
"San Jacinto" is a song written and performed by the English rock musician Peter Gabriel. Released in 1982, it is the second track off his fourth self-titled album. Excerpts of the song’s coda were repurposed for "Powerhouse at the Foot of the Mountain" on Gabriel's 1985 Birdy soundtrack album. He also re-recorded "San Jacinto" with an orchestra on his New Blood album in 2011. A portion of the song also appeared in Starship, a 1984 science fiction film directed by Roger Christian.
My Cherie is the 12th album by Scottish singer Sheena Easton, released in 1995 on MCA Records. The album consists of adult pop songs. The title track was issued as a single but failed to chart. Other tracks include "You've Learned to Live Without Me" by Diane Warren, "Please Don't Be Scared", and "Crazy Love".
"Wallflower" is a song by the English rock musician Peter Gabriel from his fourth eponymous studio album released in 1982. The song was released as a single in the Netherlands but did not chart. Some of the instrumentation from "Wallflower" was incorporated into "Under Lock and Key" and "At Night", which appeared on Gabriel's 1985 Birdy soundtrack album. He also performed the song with an orchestral arrangement for his 2011 New Blood album. Lyrically, "Wallflower" touches upon human rights issues, specifically the treatment of political prisoners.
"The Rhythm of the Heat" is a song written and performed by the English rock musician Peter Gabriel. Released in 1982, it is the opening track off his fourth self-titled album. In 1985, the song was used during the opening scene of "Evan" in season one of Miami Vice and also appeared in the Oliver Stone film Natural Born Killers in 1994.
"I Have the Touch" is a song by the English rock musician Peter Gabriel from his fourth eponymous studio album released in 1982. The song's working title during the recording sessions was "Hands". This song was featured in the film The Chocolate War (1988). The 1996 remix was used in the film Phenomenon of the same year. In 1996, Heather Nova recorded a cover version of the song for the teen-witch horror film The Craft.
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