Planet Earth: The Future | |
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Genre | Nature documentary |
Narrated by | Simon Poland |
Composers | George Fenton David Poore |
Country of origin | United Kingdom |
Original language | English |
No. of episodes | 3 |
Production | |
Producer | Fergus Beeley |
Running time | 60 minutes |
Production company | BBC Natural History Unit |
Release | |
Original network | BBC Four |
Original release | 26 November – 10 December 2006 |
Related | |
Planet Earth |
Planet Earth: The Future is a 2006 BBC documentary series on the environment and conservation, produced by the BBC Natural History Unit as a companion to the multi-award-winning nature documentary Planet Earth . The programmes were originally broadcast on BBC Four immediately after the final three episodes of Planet Earth on BBC One. Each episode highlights the conservation issues surrounding some of the species and environments featured in Planet Earth, using interviews with the film-makers and eminent figures from the fields of science, conservation, politics, and theology. The programmes are narrated by Simon Poland and the series producer was Fergus Beeley.
When the first episodes of Planet Earth were broadcast in the UK, the producers were criticised by some green campaigners for glossing over the environmental problems faced by the planet. Executive producer Alastair Fothergill defended the approach, explaining that a heavy-handed environmental message would not work on primetime BBC One. However, the Planet Earth film crews witnessed first-hand scenes of environmental degradation and the increasing scarcity of wildlife in some of the shooting locations. This experience formed the basis of Planet Earth - The Future, which was designed to engage viewers in a mature debate about environmental issues.
The following year, the BBC commissioned Saving Planet Earth , the second overtly conservation-themed series to be shown on BBC One. The first BBC series to deal comprehensively with conservation was State of the Planet in 2000.
Episode | Title | Original air date | |
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1 | "Saving Species" | 26 November 2006 | |
The first programme asks if there really is an extinction crisis facing certain species. Alastair Fothergill, executive producer of Planet Earth, admits that making the series was a bittersweet experience since some creatures were filmed with the knowledge that their continued existence is under threat. David Attenborough believes that conservation of the natural world is something that can unite humanity if people know enough about it. Cameraman Martyn Colbeck relates that every single day during a six-week African visit to film for "Jungles", he and his crew were awakened by the sound of gunshots. Poaching can quickly wipe out a population, and David Greer of the World Wide Fund for Nature explains that in 2005 his team confiscated 70 guns in the area – a 700% increase from 1999. Other featured animals at risk include the walia ibex, the snow leopard, the boto, and saiga antelope. The attack of a polar bear on a walrus colony on dry land in "Ice Worlds" was a rare occurrence. Footage from a 1997 BBC Wildlife Special shows the bears hunting smaller prey on sea ice. Species have always become extinct, but now, the viewer is told, the rate of extinction is accelerating (see Holocene extinction) and it will "really reach biblical proportions within a few decades." Mankind is urged to respect biodiversity: it is estimated that if a monetary value could be put on all that the world's ecosystems do for humanity, it would total some US$30 trillion. | |||
2 | "Into the Wilderness" | 3 December 2006 | |
The second part looks at man's potential effect on the world's areas of wilderness. As the human population has grown, only a quarter of Earth's land now remains uninhabited (aside from Antarctica). Although around 12% is protected, this may not be enough – providing such places are not just 'enclosures' and bordering territories are also managed. Ethiopia's Semien Mountains are increasingly encroached upon for farming land, and this example leads to the question of overpopulation. Some interviewees argue that it is not just about numbers: how humans consume their natural resources is also important. However, others believe that the world would be greatly more sustainable if the population level was reduced to about half its current level. Jonathon Porritt believes that this could be achieved simply: by good education on family planning. Consumption of fresh water is highlighted: there are now 40,000 more dams in existence than in 1950. The controversy over drilling for oil in the Arctic National Wildlife Refuge is discussed by both its advocates and opponents. E. O. Wilson's concept of biophilia is discussed, and David Attenborough believes that a child's innate love of wildlife, for whatever reason, is being lost in adulthood. An answer to deforestation is found in Costa Rica, where farmers are paid to allow their pasture to revert to forest for its water ecosystem services. This episode also deals with climate change and related global warming, which is now happening at a faster rate than ever before. | |||
3 | "Living Together" | 10 December 2006 | |
The last episode deals with the future of conservation. It begins by looking at previous efforts. The 'Save The Whales' campaign, which started in the 1960s, is seen to have had a limited effect, as whaling continues and fish stocks also decline. In the 1990s, as head of the Kenya Wildlife Service, Richard Leakey took on the poachers by employing armed units. Although it was successful in saving elephants, the policy was detrimental to the Maasai people, who were forced from their land. The need for "fortress" areas is questioned, and the recently highlighted Raja Ampat coral reef in Indonesia is an example. The more tourism it generates, the greater the potential for damage – and inevitable coastal construction. Sustainable development is viewed as controversial, and one contributor perceives it to currently be a "contradiction in terms". Trophy hunting is also contentious. Those that support it argue that it generates wealth for local economies, while its opponents point to the reducing numbers of species such as the markhor. Ecotourism is shown to be beneficial, as it is in the interests of its providers to protect their environments. However, in some areas, such as the Borneo rainforests, the great diversity of species is being replaced by monocultures. The role of both religion and the media in conservation is argued to be extremely important. Contributors to the programme admit a degree of worry about the future, but also optimism. |
The following is an alphabetical list of the interviewees featured in the series, with their titles and professions as credited on screen:
Sir David Frederick Attenborough is a British broadcaster, biologist, natural historian and author. He is best known for writing and presenting, in conjunction with the BBC Natural History Unit, the nine natural history documentary series forming the Life collection, a comprehensive survey of animal and plant life on Earth.
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Sir Jonathon Espie Porritt, 2nd Baronet, CBE is a British environmentalist and writer. He is known for his advocacy of the Green Party of England and Wales. Porritt frequently contributes to magazines, newspapers and books, and appears on radio and television.
A nature documentary or wildlife documentary is a genre of documentary film or series about animals, plants, or other non-human living creatures, usually concentrating on video taken in their natural habitat but also often including footage of trained and captive animals. Sometimes they are about wildlife or ecosystems in relationship to human beings. Such programmes are most frequently made for television, particularly for public broadcasting channels, but some are also made for the cinema medium. The proliferation of this genre occurred almost simultaneously alongside the production of similar television series which is distributed across the world.
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Keith Scholey is a British producer of nature documentaries for television and cinema, and a former television executive. He is the joint series producer of the Netflix original documentary series Our Planet, the joint director and executive producer of David Attenborough: A Life on Our Planet, and executive producer of Breaking Boundaries: The Science of Our Planet. He is the executive producer of the 2021 BBC / Discovery series A Perfect Planet, The Mating Game and The Earthshot Prize: Repairing Our Planet. He also co-directed African Cats, Bears, and Dolphin Reef with Alastair Fothergill for Disneynature, and is also the executive producer of the series North America for the Discovery Channel.
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