Pocket symphony

Last updated
A visual representation of the structure to "Good Vibrations" (1966). It shows how the song develops without the guidance of overdetermined formal patterns. Good Vibrations structure 2.png
A visual representation of the structure to "Good Vibrations" (1966). It shows how the song develops without the guidance of overdetermined formal patterns.

A pocket symphony is a song with extended form. [2] The term was popularized by English journalist Derek Taylor, who used it to describe the Beach Boys' 1966 single "Good Vibrations". [3] [4] (The description of a "pocket" symphony had appeared in print since as early as 1928. [5] )

Contents

Other attributions

Classical compositions

See also

Related Research Articles

The Beach Boys American rock band

The Beach Boys are an American rock band that formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian, Dennis, and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished for their vocal harmonies, adolescent-oriented themes, and musical ingenuity, they are one of the most influential acts of the rock era. They drew on the music of older pop vocal groups, 1950s rock and roll, and black R&B to create their unique sound, and under Brian's direction, often incorporated classical or jazz elements and unconventional recording techniques in innovative ways.

<i>Pet Sounds</i> 1966 studio album by the Beach Boys

Pet Sounds is the 11th studio album by the American rock band the Beach Boys, released on May 16, 1966 by Capitol Records. It was initially met with a lukewarm critical and commercial response in the United States, peaking at number 10 on the Billboard Top LPs chart. In the United Kingdom, the album was lauded by critics and reached number 2 on the Record Retailer chart, remaining in the top ten for six months. Promoted there as "the most progressive pop album ever", Pet Sounds garnered recognition for its ambitious production, sophisticated music, and emotional lyrical content. It is considered to be among the greatest and most influential albums in music history.

Here, There and Everywhere 1966 song by the Beatles

"Here, There and Everywhere" is a song by the English rock band the Beatles from their 1966 album Revolver. A love ballad, it was written by Paul McCartney and credited to Lennon–McCartney. McCartney includes it among his personal favourites of the songs he has written. In 2000, Mojo ranked it 4th in the magazine's list of the greatest songs of all time.

Back in the U.S.S.R. 1968 song by the Beatles

"Back in the U.S.S.R." is a song by the English rock band the Beatles and the first track of the 1968 double album The Beatles. Written by Paul McCartney and credited to the Lennon–McCartney partnership, the song is a parody of Chuck Berry's "Back in the U.S.A." and the Beach Boys' "California Girls". The lyrics subvert Berry's patriotic sentiments about the United States, as the narrator expresses relief upon returning home to the Soviet Union, formally the Union of Soviet Socialist Republics (USSR).

<i>Smiley Smile</i> 1967 studio album by the Beach Boys

Smiley Smile is the 12th studio album by American rock band the Beach Boys, released on September 18, 1967. It reached number 9 on UK record charts, but sold poorly in the US, peaking at number 41—the band's lowest chart placement to that point. Critics and fans generally received the album and its lead single, "Heroes and Villains", with confusion and disappointment. "Good Vibrations" and "Gettin' Hungry" were also released as singles, but the former was issued a year earlier, while the latter was not credited to the band.

Good Vibrations 1966 single by the Beach Boys

"Good Vibrations" is a song by the American rock band the Beach Boys that was composed by Brian Wilson with lyrics by Mike Love. It was released as a single on October 10, 1966 and was an immediate critical and commercial hit, topping record charts in several countries including the United States and the United Kingdom. Characterized by its complex soundscapes, episodic structure and subversions of pop music formula, it was the most expensive single ever recorded. "Good Vibrations" later became widely acclaimed as one of the finest and most important works of the rock era.

God Only Knows 1966 song by the Beach Boys

"God Only Knows" is a song by American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher, it is a Baroque-style love song distinguished for its harmonic innovation and its subversion of typical pop music formula. It is often praised as one of the greatest songs ever written and as the Beach Boys' finest record.

Walter Berry (bass-baritone) Austrian opera singer

Walter Berry was an Austrian lyric bass-baritone who enjoyed a prominent career in opera. He has been cited as one of several exemplary operatic bass-baritones of his era.

Vegetables (song) 1967 song written by Brian Wilson and Van Dyke Parks

"Vegetables" is a song by American rock band the Beach Boys from their 1967 album Smiley Smile. Written by Brian Wilson and Van Dyke Parks, it was one of the last tracks recorded for the unfinished album Smile and was briefly projected to be that album's lead single. Like other tracks on Smiley Smile, the finished arrangement was more stripped-down than the version conceived for Smile.

Mike Love American singer and songwriter

Michael Edward Love is an American singer and songwriter who co-founded the Beach Boys with his cousins Brian, Dennis, and Carl Wilson and their friend Al Jardine. Characterized by his nasal tenor and occasional bass-baritone singing, Love has been one of the band's vocalists and lyricists for their entire career, contributing to each of their studio albums and serving as their frontman for live performances. During the mid-1960s, he was one of Brian's main collaborators, co-writing hit records such as "Fun, Fun, Fun" (1964), "I Get Around" (1964), "Help Me, Rhonda" (1965), "California Girls" (1965), and "Good Vibrations" (1966).

David Hurwitz is an American music critic and author who specializes in classical music. Based in New York, he is the founder and executive editor of ClassicsToday.com and frequently reviews recordings there. Hurwitz has published numerous books, primarily guides on specific composers for the Amadeus Press "Unlocking the Masters" series, namely, Mahler, Mozart, Dvořák, Haydn, Shostakovich, Sibelius, Bernstein, Strauss and C. P. E. Bach. Other publications include an introduction to classical music, two articles on the 19th-century use of vibrato as well as surveys on the symphonies of Beethoven and Brahms. He was the chairman for the Cannes Classical Awards while it existed from 1994 to 2010.

Malcolm MacDonald was a British author, mainly about music.

David Anderle American record producer

David Anderle was an American A&R man, record producer, and portrait artist. He is best known for his business associations with the Beach Boys during the production of the band's unfinished album Smile and the formation of the group's company Brother Records. Anderle also worked for MGM, Elektra, and A&M Records, and later acted as music supervisor on films including The Breakfast Club (1985), Pretty in Pink (1986), Good Morning, Vietnam (1987), and Scrooged (1988).

The Q Awards were the UK's annual music awards run by the music magazine Q. Since they began in 1990, the Q Awards became one of Britain's biggest and best publicised music awards. Locations for the awards ceremony included Abbey Road Studios and near the end of its life, The Park Lane Ballroom.

The composer Wolfgang Amadeus Mozart (1756–1791) led a life that was dramatic in many respects, including his career as a child prodigy, his struggles to achieve personal independence and establish a career, his brushes with financial disaster, and his death in the course of attempting to complete his Requiem. Authors of fictional works have found his life a compelling source of raw material. Such works have included novels, plays, operas, and films.

Symphony No. 13 (Mozart)

Symphony No. 13 in F major, K. 112, by Wolfgang Amadeus Mozart, was written in Milan during his second journey to Italy in the autumn of 1771. The symphony is in four movements, the second of which is scored for strings alone. The third movement minuet may have been written earlier, and then incorporated into the symphony—the autograph manuscript shows the minuet copied in Leopold's hand. Nicholas Kenyon describes Symphony No. 13 as the last in "conventional mode"—thereafter "we are in the beginnings of a different world."

<i>Smile</i> (The Beach Boys album) Unfinished studio album by the Beach Boys

Smile is an unfinished album by the American rock band the Beach Boys that was planned to follow their 11th studio album Pet Sounds (1966). It was to be a 12-track LP that drew from over 50 hours of interchangeable sound fragments, similar to the group's 1966 single "Good Vibrations". Instead, after a year of recording, the album was shelved and the group released a downscaled version, Smiley Smile, in September 1967. Over the next four decades, few of the original Smile tracks were officially released, and the project came to be regarded as the most "legendary" unreleased album in popular music history.

Michael Vosse American journalist and publicist

Michael Vosse was an American journalist and A&M Records publicist. He is best known as assistant to Brian Wilson during the formation of the Beach Boys' Brother Records and the recording of the album Smile (1966–67). His work also included limited time serving as a television producer, and narrator.

Brian Wilson is a genius Promotional campaign for the Beach Boys leader

"Brian Wilson is a genius" is a line that became part of a media campaign spearheaded by the Beatles' former press officer Derek Taylor in 1966, who was then employed as the Beach Boys' publicist. Although there are earlier documented expressions of the statement, Taylor frequently called Brian Wilson a "genius" as part of an effort to rebrand the Beach Boys and legitimize Wilson as a serious artist on par with the Beatles and Bob Dylan.

References

  1. Harrison, Daniel (1997). "After Sundown: The Beach Boys' Experimental Music" (PDF). In Covach, John; Boone, Graeme M. (eds.). Understanding Rock: Essays in Musical Analysis. Oxford University Press. pp. 33–57. ISBN   9780199880126.
  2. Roberts, Jim; Rooksby, Rikky (2003). The Songwriting Sourcebook: How to Turn Chords Into Great Songs. Hal Leonard. p. 212. ISBN   978-1-61780-033-7.
  3. Stebbins, Jon (2011). The Beach Boys FAQ: All That's Left to Know About America's Band. Backbeat Books. p. 155. ISBN   978-1-4584-2914-8.
  4. MacLeod, Sean (2015). Leaders of the Pack: Girl Groups of the 1960s and Their Influence on Popular Culture in Britain and America. Rowman & Littlefield Publishers. p. 89. ISBN   978-1-4422-5202-8.
  5. "Modern Music: A Quarterly Review". 1928. p. 30.{{cite magazine}}: Cite magazine requires |magazine= (help)
  6. Edgers, Geoff (May 16, 2017). "'Sgt. Pepper': Getting better all the time". Press of Atlantic City .
  7. Paytress, Mark (November 5, 2009). Bolan: The Rise And Fall Of A 20th Century Superstar. Omnibus Press. pp. 328–. ISBN   978-0-85712-023-6.
  8. Hultkrans, Andrew (May 2009). "Reissues". SPIN. p. 95. ISSN   0886-3032.
  9. Carlin, Peter Ames (2009). Paul McCartney: A Life. Simon and Schuster. p. 234. ISBN   978-1-4165-6223-8.
  10. Kot, Greg (August 24, 2015). "The strangest rock classic ever?". BBC .{{cite news}}: CS1 maint: date and year (link)
  11. Danielsen, Aarik (June 6, 2018). "'Computer' science: Tribute concert prompts return to Radiohead classic". Columbia Daily Tribune .
  12. Watnick, David (June 8, 2008). "Red Album isn't great, but Weezer reclaims dignity". The Michigan Daily .
  13. Nettel, Reginald (1976). Havergal Brian and his music. Dobson. p. 156. ISBN   9780234778616.
  14. Hurwitz, David (2005). Getting the Most Out of Mozart: The Instrumental Works. Amadeus Press. p. 116. ISBN   978-1-57467-096-7.