- Anonymous copy of the Venetian School (c. 1550–1559)
- Copy by Franz von Lenbach (1868)
Salome | |
---|---|
Artist | Titian |
Year | c. 1550 |
Medium | Oil on canvas |
Dimensions | 87 cm× 80 cm(34 in× 31 in) |
Location | Museo del Prado, Madrid |
Salome, also known as Salome with the Head of John the Baptist, is an oil on canvas painting by the Venetian painter Titian, made c. 1550. It is held in the collection of the Museo del Prado, in Madrid. It is not to be confused with other compositions of Salome and Judith by Titian.
Salome, in Jewish history, was the name borne by three women of the Herod dynasty. Titian depicts the daughter of Herodias by her first husband Herod Philip. She was the wife successively of Philip the Tetrarch and Aristobulus, son of Herod of Chalcis. This Salome is the only one of the three who is mentioned in the New Testament, [1] and only in connection with the execution of John the Baptist. Herod Antipas, pleased by her dancing, offered her a reward "unto the half of my kingdom"; instructed by Herodias, she asked for John the Baptist's "head in a charger". [2]
The picture was painted about 1550. It was possibly once in the collection of Charles I of England, and later entered the collection of Charles II of Spain. Crowe and Cavalcaselle called it "evidently [the] work of an imitator". [3] Charles Ricketts ascribed to the later 1560s supposed retouches by Titian upon the Salome of the Prado, which he considered "otherwise a poor studio variant" of the Lavinia with the Charger , painted in the 1550s. [4] Walter Gronau, with others, have thought it an original work by Titian. [3] [5]
The composition of the painting is similar to the portrait of Lavinia at Berlin. According to Georg Gronau, "The colouring is more brilliant, deeper, in the Madrid picture." [3]
The Museo del Prado, officially known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It houses collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish royal collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by Hieronymus Bosch, El Greco, Peter Paul Rubens, Titian, and Diego Velázquez, are some of the highlights of the collection. Velázquez and his keen eye and sensibility were also responsible for bringing much of the museum's fine collection of Italian masters to Spain, now one of the largest outside of Italy.
Salome was the daughter of Herodias, and nemesis of John the Baptist.
Alonso Sánchez Coello was an Iberian portrait painter of the Spanish and Portuguese Renaissance. He is mainly known for his portrait paintings executed in a style which combines the objectivity of the Flemish tradition with the sensuality of Venetian painting. He was court painter to Philip II.
The beheading of John the Baptist, also known as the decollation of Saint John the Baptist or the beheading of the Forerunner, is a biblical event commemorated as a holy day by various Christian churches. According to the New Testament, Herod Antipas, ruler of Galilee under the Roman Empire, had imprisoned John the Baptist because he had publicly reproved Herod for divorcing his first wife and unlawfully taking his sister-in-law as his second wife Herodias. He then ordered him to be killed by beheading.
A composition of Venus and Adonis by the Venetian Renaissance artist Titian has been painted a number of times, by Titian himself, by his studio assistants and by others. In all there are some thirty versions that may date from the 16th century, the nudity of Venus undoubtedly accounting for this popularity. It is unclear which of the surviving versions, if any, is the original or prime version, and a matter of debate how much involvement Titian himself had with surviving versions. There is a precise date for only one version, that in the Prado in Madrid, which is documented in correspondence between Titian and Philip II of Spain in 1554. However, this appears to be a later repetition of a composition first painted a considerable time earlier, possibly as early as the 1520s.
The Portrait of Charles V with a Dog is a portrait by Titian of Charles V, Holy Roman Emperor with a hunting dog, created in 1533. It passed from Charles to the Spanish royal collection, from which it came to the Museo del Prado, in Madrid.
Salome, or possibly Judith with the Head of Holofernes, is an oil painting which is an early work by the Venetian painter of the late Renaissance, Titian. It is usually thought to represent Salome with the head of John the Baptist. It is usually dated to around 1515 and is now in the Doria Pamphilj Gallery in Rome. Like other paintings of this subject, it has sometimes been considered to represent Judith with the head of Holofernes, the other biblical incident found in art showing a female and a severed male head. Historically, the main figure has also been called Herodias, the mother of Salome.
The Portrait of Isabella of Portugal is an oil-on-canvas portrait of Isabella of Portugal, Holy Roman Empress by Titian dating to 1548. It was part of the Spanish royal collection and is now in the Museo del Prado, in Madrid.
Venus and Musician refers to a series of paintings by the Venetian Renaissance painter Titian and his workshop.
Portrait of Federico II Gonzaga is a painting by Titian, who signed it Ticianus f.. Today in the Museo del Prado, Madrid, it portrays Federico II, Duke of Mantua who married in 1529; the portrait may have been commissioned for the occasion. The dog, a Maltese, is a symbol of faithfulness.
The Fall of Man is a painting of the Fall of Man or story of Adam and Eve by the Venetian artist Titian, dating to around 1550 and now in the Prado in Madrid. It is influenced by Raphael's fresco of the same subject in the Stanza della Signatura in the Vatican, which also had a seated Adam and standing Eve, as well as Albrecht Dürer's engraving Adam and Eve for smaller details. Owned at one point by Philip II of Spain's secretary, Antonio Pérez, and perhaps first commissioned by his father, in 1585 it entered the Spanish royal collection, where it was copied by Rubens between 1628 and 1629 for his own version of the subject.
The Pardo Venus is a painting by the Venetian artist Titian, completed in 1551 and now in the Louvre Museum. It is also known as Jupiter and Antiope, since it seems to show the story of Jupiter and Antiope from Book VI of the Metamorphoses. It is Titian's largest mythological painting, and was the first major mythological painting produced by the artist for Philip II of Spain. It was long kept in the Royal Palace of El Pardo near Madrid, hence its usual name; whether Venus is actually represented is uncertain. It later belonged to the English and French royal collections.
Girl with a Platter of Fruit, also known as Lavinia Holding a Charger Filled with Fruit, Lavinia as Flora, and Pomona, is an oil painting by the Venetian painter Titian, made in about 1555–1558, and currently in the collection of the Gemäldegalerie, in Berlin.
Sisyphus is an oil on canvas painting by the Venetian master Titian, made in 1548-1549. It is in the collection of the Museo del Prado, in Madrid.
Portrait of Jacopo Sannazaro, also known as Portrait of a Man, is an oil painting by the Venetian master Titian, dated to about 1513. It is part of the Royal Collection, and hangs in Buckingham Palace.
Portrait of John Frederick I, Elector of Saxony is an oil on canvas painting by the Venetian painter Titian, made in late 1550 or early 1551. The painting is in the collection of the Kunsthistorisches Museum, in Vienna.
Portrait of a Man with a Falcon, also called Portrait of a Man of the Cornaro Family with a Falcon or Giorgio Cornaro with a Falcon, is an oil on canvas painting by the Italian painter Titian. It is variously dated from the late 1520s to the 1540s. The painting is in the collection of the Joslyn Art Museum in Omaha.
Portrait of Benedetto Varchi, also called Portrait of a Man, is an oil on canvas painting by Titian. It was painted c. 1536-1540, and hangs today in the Kunsthistorisches Museum, in Vienna.
Salome, also called Salome with the Head of John the Baptist, is an oil painting by Titian, made in around 1570, and currently in a private collection. It is not to be confused with other compositions of Salome and Judith by Titian.
The Baptism of Christ is an oil on panel religious painting by Titian, dated to c. 1512. It is held in the collection of the Capitoline Museums, in Rome.