Sikh painting is a form of Sikh art style spread from Punjab Hills to the Punjab Plains which flourished between the 18th to 19th centuries. Major centres for the art school was Lahore, Amritsar, Patiala, Nabha, Kapurthala and Jind. Artists from surrounding regions migrated to Punjab seeking patronage for varying reasons. Most depicted scenes in Sikh painting are of Sikh gurus, portrait of chiefs of the states and court scenes. In the later period the artists painted popular traders of bazaar, such as cobbler carpenter, blacksmith etc. Considering the geographic boundaries were changing frequently in that period and the artists were generally migrants, there is always an overlap between Pahari styles such as Kangra and Guler with the Sikh style. [1] [2] [3]
Sikh painting style was majorly established in the 19th century and the artist of the style were not from Punjab but from surrounding regions. They either came looking for new commission or they were invited by the royal or aristocrats. W. G. Archer writes that at the start of the 19th century, Pahari painters were invited to paint portraits of Sikh rulers, nobility and influential families... Another group of painters migrated from Mughal Empire, after the slow decline of the empire there were no patrons to commission new works. There are records at the Sikh Court of Lahore which has names of several Pahari painters working there. [4] [2]
Main centres where the Sikh paintings flourished were Lahore, Amritsar, Patiala, Nabha, Kapurthala and Jind. Chiefs of these states became the patrons of miniature painting in the 19th century. Similar to the Mughal Empire, they also maintained well-trained group of artists and their atelier. Lahore was already a seat of Mughal Power, thus consisted of a group of calligraphers, architects and craftsman. Thus their state attracted more gifted artists to decorate the palaces with larger life size portraits. However, one of the biggest patrons of the style was Maharaja Ranjit Singh of Amritsar. Nainsukh a famous Pahari artist from the 18th century was associated with the Lahore Court and his descendent later painted several works for the Patiala artists years later. The records at the Sikh Court of Lahore include lists of several Pahari painters working there. Another historic event which brought famous artists of the Kangra court to the court of Maraja Ranjit Singh. when he defeated the Kangra rule Sansar Chand. [2]
The style was discovered by Anand Coomaraswamy, Percy Brown and S. N. Dasgupta, in the middle of the twentieth century, in the streets of Amritsar and Lahore. More scholarship was developed on the subject in the second half of the century. [2]
The painting style which developed in 19th century was not a prototype of Pahari painting not it was highly influenced by the Mughal style and did not have the properties of the Awadhi style, which developed in Lucknow., it was more of an eclectic style where it had developed its own theme and characteristics inspired from the Sikh culture, although, the colour scheme and ornamentation styles of the earlier influences were retained. [5] [2]
Main themes of the Sikh school of the paintings were the, first religious Ten Sikh Gurus, set of Gurus and saints, Hindu Mythology; court paintings and feudal nature -portraits of chiefs of state and nobility, scenes from the court and portrait of European travellers residing in Amritsar and Lahore; secular paintings - hunting scene, flowers and foliage, farmers; and ethnological studies - scenes from the daily lives of people in bazaar such as workings of a cobbler, carpenter, oil mill maker, nihangs and blacksmiths. Most flourishing period for Sikh style was during the reign of Maharaja Ranjit Singh. He encouraged the artists to draw dignitaries and guests. [2] [1] It should be mentioned that several manuscripts were also developed in this style. [2]
Punjab, also known as the Land of the Five Rivers, is a geopolitical, cultural, and historical region in South Asia. It is specifically located in the northwestern part of the Indian subcontinent, comprising areas of modern-day eastern-Pakistan and northwestern-India. Punjab's major cities are Lahore, Faisalabad, Rawalpindi, Gujranwala, Multan, Ludhiana, Amritsar, Sialkot, Chandigarh, Shimla, Jalandhar, Patiala, Gurugram, and Bahawalpur.
Ranjit Singh was the founder and first maharaja of the Sikh Empire, ruling from 1801 until his death in 1839. He ruled the northwest Indian subcontinent in the early half of the 19th century. He survived smallpox in infancy but lost sight in his left eye. He fought his first battle alongside his father at age 10.
Pahari painting is an umbrella term used for a form of Indian painting, done mostly in miniature forms, originating from the lower Himalayan hill kingdoms of North India and plains of Punjab, during the early 17th to mid 19th century, notably Basohli, Mankot, Nurpur, Chamba, Kangra, Guler, Mandi and Garhwal. Nainsukh was a famous master of the mid-18th century, followed by his family workshop for another two generations. The central theme of Pahari painting is depiction of eternal love of the Hindu deities Radha and Krishna. A distinct lyricism, spontaneous rhythm, softness, minute intricate details of composition, and intense perception and portrayal of human emotions and physical features distinguish the Pahari miniatures from the other miniature schools like Deccan, Mughal and Rajasthani-Rajput.
The Sikh Empire was a regional power based in the Punjab region of the Indian subcontinent. It existed from 1799, when Maharaja Ranjit Singh captured Lahore, to 1849, when it was defeated and conquered by the British East India Company in the Second Anglo-Sikh War. It was forged on the foundations of the Khalsa from a collection of autonomous misls. At its peak in the 19th century, the empire extended from Gilgit and Tibet in the north to the deserts of Sindh in the south and from the Khyber Pass in the west to the Sutlej in the east as far as Oudh. It was divided into four provinces: Lahore, which became the Sikh capital; Multan; Peshawar; and Kashmir from 1799 to 1849. Religiously diverse, with an estimated population of 4.5 million in 1831, it was the last major region of the Indian subcontinent to be annexed by the British Empire.
The Punjab Province was a province of British India. Most of the Punjab region was annexed by the British East India Company on 29 March 1849; it was one of the last areas of the Indian subcontinent to fall under British control. In 1858, the Punjab, along with the rest of British India, came under the rule of the British Crown. It had a land area of 358,355 square kilometers.
East Punjab was a province of India from 1947 until 1950. It consisted parts of the Punjab province that remained in India following the partition of the province between the new dominions of Pakistan and the Indian Union by the Radcliffe Commission in 1947. The mostly Muslim western parts of the old Punjab became Pakistan's West Punjab, later renamed as Punjab Province, while the mostly Hindu and Sikh eastern parts remained with India.
Khalsa College is a historic educational institution in the northern Indian city of Amritsar in the state of Punjab, India. Founded in 1892, the sprawling 300-acre (1.2 km2) campus is located about eight kilometers from the city-center on the Amritsar-Lahore highway, adjoining Guru Nanak Dev University campus, to which Khalsa College is academically affiliated.
Sobha Singh was an artist from Punjab, India.
Malaudh was a Cis-Sutlej Phulkian princely state of India till 1846, after which it was merged into the Ludhiana District by the British when they annexed the territories around Ludhiana. The town of Malaudh, or Maloud, is situated at a distance of about 40 kilometres from Ludhiana on the Ludhiana-Malerkotla Road and is linked by approach road kup-payal road though village Rorian which is now part of it as Nagar Panchayat. It lies on 75°- 56' Longitude and 30° – 38' Latitude. Malaudh is a very ancient place which was known as Malla Udey or rise of the Mallas with whom Multan or Mallustan is associated and later got corrupted to Malaudh. There was a The Loharan about 1 kilometer on the southern side which has now disappeared. Malaudh has a government high school (co-educational), middle school for girls and a primary school for boys, a post office, primary health centre and a veterinary dispensary. Malaudh became a part of the Ludhiana District when it was formed out of the territories annexed by the British in 1846.
The Phulkian Dynasty of Maharajas or sardars were Sikh royals and aristocrats in the Punjab region of India. Members of the dynasty ruled the states of Badrukhan, Bhadaur, Faridkot, Jind, Malaudh, Nabha, and Patiala, allying themselves with the British Empire according to the terms of the Cis-Sutlej treaty of 1809. The dynasty is named after Phul Sidhu-Brar, the 17th-century common ancestor of the Phulkian states and the founder of the Phulkian Misl. Members of the Phulkian dynasty, who are the direct descendants of Rawal Jaisal Singh, the founder and ruler of the Kingdom of Jaisalmer, migrated to the present-day Malwa region in Punjab.
Government Museum and Art Gallery, Chandigarh, is a public museum of North India having collections of Gandharan sculptures, sculptures from ancient and medieval India, Pahari and Rajasthani miniature paintings. It owes its existence to the partition of India. Prior to the partition, much of the collections of art objects, paintings and sculptures present here were housed in the Central Museum, Lahore, the then capital of Punjab. The museum has one of the largest collection of Gandharan artefacts in the world.
Religion in the Punjab in ancient history was characterized by Hinduism and later conversions to Jainism, Buddhism, Islam, Sikhism and Christianity; it also includes folk practices common to all Punjabis regardless of the religion they adhere to. Such practices incorporate local mysticism, including ancestral worship and worship of local saints of all faiths.
The Bhangi Misl was a large and powerful Sikh Misl headquartered in Amritsar. It was founded in the early 18th century by Sardar Chhajja Singh Dhillon, who was baptised by Banda Singh Bahadur. The misl received its name "Bhangi" because Chhajja Singh and his soldiers frequently used the herbal intoxicant bhang. It was a first misl to established a Khalsa Raj and publish Khalsa currency coins. The Bhangi Kingdom/Misl was founded by Dhillon Jats.
The Sikh Rule in Lahore initiated from the conquest and rule of the Sikh Misls and extended till the Sikh Empire of Ranjit Singh which ended in 1849. The Sikhs began gaining power following the decline of the Mughal Empire in Punjab and consisted of a collection of autonomous Punjabi Misls, which were governed by Misldars, mainly in the Punjab region.
Guler was a minor kingdom in the Lower Himalayas. Its capital was the town of Haripur Guler, in modern-day Himachal Pradesh. The kingdom was founded in 1415 by Raja Hari Chand, a scion of the ancient royal family of Kangra. The etymology of the word Guler can be traced to the word Gwalior, meaning the abode of cowherds. One of the foremost schools of Pahari miniatures is named after this small principality.
Ramgarhia Misl was a sovereign state (misl) in the Sikh Confederacy of Punjab region in present-day India and Pakistan. The misl's name is derived from Qila Ramgarh, a place located in Ramsar, near Amritsar, which was fortified and redesigned by Ramgarhia Misl chief Jassa Singh Ramgarhia. The Ramgarhia Misl was one of the twelve major Sikh misls, and held land near Amritsar.
Sikh art, also known as the Sikh School, is the artwork created by or associated with Sikhs and Sikhism. Sikh artwork exists in many forms, such as miniature, oil, and watercolour paintings, murals, and wood carvings.
Kishan Singh was a Sikh painter who specialized in mussawir. He was the brother of Bishan Singh. Kishan Singh had been employed as a court painter in the Sikh states of Kapurthala and Patiala. Kishan Singh was employed by royal courts located in Amritsar, Kapurthala, and Lahore. Whilst working in Lahore, Kishan Singh helped facilitate the arrival of other artists.
Kehar Singh was a Sikh artist who was employed as a court painter by the Sikh states of Lahore and Kapurthala. Baba Kehar Singh Musawar was a prominent artist of the Sikh Naqqashi school of art and helped innovate it. The art of frescoes was introduced by the artist Bhai Kehar Singh Musawar under the patronage of Maharaja Ranjit Singh during the era of the Sikh Empire. Kehar Singh was responsible for decorating the interiors of Ranjit Singh's Lahori palace with frescoes. After Ranjit Singh witnessed the fine artwork of Kehar Singh, he decided to commission him for beautifying the Golden Temple shrine in Amritsar to embellish it with mural work. He also worked on adornment work. He was one of the most important of the court painters of Ranjit Singh. He was influenced by European-styles of watercolour and oil painting. Him and his family specialized in mussawir. When portraying a particular societal grouping, such as an occupation or caste, Kehar Singh portrayed actual living, breathing individuals rather than creating generalized depictions.
Bhai Jawahir Singh Kapur was a leading figure of the Singh Sabha Movement, specifically the Lahore Singh Sabha. He was a social reformer, a civil worker, a poet, writer and proponent of the Khalsa Diwan (Lahore).
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