"Someday We'll Be Together" | ||||
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Single by Johnny & Jackey | ||||
Released | November 1961 | |||
Recorded | 1961 | |||
Genre | Doo-wop, rhythm and blues | |||
Length | 3:34 | |||
Label | Tri-Phi 1005 | |||
Songwriter(s) | Johnny Bristol Jackey Beavers Harvey Fuqua | |||
Producer(s) | Harvey Fuqua | |||
Johnny & Jackey singles chronology | ||||
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"Someday We'll Be Together" is a song written by Johnny Bristol, Jackey Beavers, and Harvey Fuqua. It was the last of twelve American number-one pop singles for Diana Ross & the Supremes on the Motown label. [1] Although it was released as the final Supremes song featuring Diana Ross, who left the group for a solo career in January 1970, it was recorded as Ross' first solo single and Supremes members Mary Wilson and Cindy Birdsong do not sing on the recording. Both appear on the B-side, "He's My Sunny Boy".
The single topped the Billboard Hot 100 pop singles chart for one week, in the final 1969 issue of Billboard magazine (dated December 27). It would be the last number one hit of the 1960s. [2]
The song was written by Johnny Bristol, Jackey Beavers, and Harvey Fuqua in 1961; Bristol and Beavers recorded the song together as "Johnny & Jackey" for the Tri-Phi label that same year. "Someday" was a moderate success in the Midwestern United States, but gained little notice in other venues.
Tri-Phi was purchased by Motown in the mid-1960s. Fuqua, Bristol, and Beavers all joined Berry Gordy's by-then famous record company, and "Someday We'll Be Together" became part of Motown's Jobete publishing catalog. Beavers soon departed for Chess Records, although both Bristol and Fuqua stayed on as songwriters and producers for Motown.
"Someday We'll Be Together" | ||||
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Single by Diana Ross & the Supremes | ||||
from the album Cream of the Crop | ||||
B-side | "He's My Sunny Boy" | |||
Released | October 14, 1969 [3] | |||
Recorded | Hitsville U.S.A. (Studio A); June 13, 1969 + additional dates | |||
Genre | Pop, soul | |||
Length | 3:25 (album/single version) 3:34 (2003 remix) | |||
Label | Motown M 1156 | |||
Songwriter(s) | Johnny Bristol Jackey Beavers Harvey Fuqua | |||
Producer(s) | Johnny Bristol | |||
Diana Ross & the Supremes singles chronology | ||||
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Audio sample | ||||
"Someday We'll Be Together" |
In 1969, Bristol was preparing a new version of "Someday We'll Be Together", to be recorded by Motown act Jr. Walker & the All-Stars. Bristol had already recorded the instrumental track and the background vocals when Berry Gordy happened upon the tracks and heard them. Gordy thought that "Someday" would be a perfect first solo single for Diana Ross, who was making her long-expected exit from the Supremes at the time, and had Bristol sequester Ross into the studio to record the song.
Unable at first to get the vocal performance he desired from Ross, Johnny Bristol decided to try something different: he would harmonize with her, helping Ross to get into the mood needed for the record. On the first take, the engineer accidentally recorded both Ross's vocal and Bristol's ad-libs. Bristol and arranger Wade Marcus liked the results, and Bristol had his vocal recorded alongside Ross' for the final version of the song. Bristol's ad-libs and words of encouragement to Ross can be heard in the background throughout the song. When Berry Gordy heard the completed song, he decided to release it as the final Diana Ross & the Supremes song. Neither of the Supremes' remaining members, however, sang on the record. Ross's first solo single instead, released in early 1970, became "Reach Out and Touch (Somebody's Hand)".
Even though the implicit subject of the song was that of Ross comforting a long-distance lover, "Someday We'll Be Together" allowed for other interpretations, one being that Ross and bandmates Mary Wilson and Cindy Birdsong would one day nostalgically "be together" again. Further, in concert, Ross would suggest that "someday, we'll be together" in regard to contemporary troubles such as civil rights and the ongoing demonstrations and protests against the Vietnam War.
"Someday We'll Be Together" was included on the final Diana Ross & the Supremes album, Cream of the Crop (1969). The song was a United States number-one hit on both the Billboard Hot 100 popular singles chart and the R&B singles chart, as well as charting in the top twenty at number 13 on the UK Singles Chart. [4] It also peaked on the Netherlands' MegaCharts at #19 in 1970. "Someday's" B-side, "He's My Sunny Boy", was recorded by Ross, Wilson, and Birdsong for the Love Child album in 1968 and written and produced by Smokey Robinson.
"Someday" charted at number-one on the Billboard Hot 100 popular singles chart for one week, on December 27, 1969. [5] It also charted at number-one on the Billboard R&B Singles chart for four weeks, from December 13, 1969, to January 3, 1970. "Someday We'll Be Together" therefore appeared in Billboard as both the final Hot 100 and R&B number-one of the 1960s, and as the first R&B number-one of the 1970s. [6]
The girl group made their final of several performances throughout the decade with Diana Ross singing lead on the 1960s decennial finale of The Ed Sullivan Show that aired live Sunday, December 21, 1969, on CBS. [7]
"Someday We'll Be Together" was the final number at Diana Ross & the Supremes' farewell concert on January 14, 1970, at the Frontier Hotel in Las Vegas. After the completion of the show, Jean Terrell was presented onstage to the audience as Diana Ross' replacement (alongside Wilson and Birdsong). Thus "Diana Ross & the Supremes" officially split apart, becoming "Diana Ross" (the solo act) and "The Supremes" (the group).
Ross reunited with Wilson and Birdsong in 1983, performing the single for the Motown 25: Yesterday, Today, Forever television special. However, this long anticipated performance was cut short mostly owing to lack of rehearsal after more than a decade of the group being apart. There is much speculation regarding the onstage exchange that took place between Ross and Wilson, but some audience members report it resulted in Ross shoving Wilson during the on-stage performance. A heavily edited version of this performance was aired on national television and released on the DVD of Motown 25.
"Someday We'll Be Together" | ||||
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Single by Bill Anderson and Jan Howard | ||||
from the album Bill and Jan (Or Jan and Bill) | ||||
Released | June 1970 | |||
Recorded | 1969 | |||
Genre | Country | |||
Label | Decca Records 32689 | |||
Songwriter(s) | Johnny Bristol Jackey Beavers Harvey Fuqua | |||
Producer(s) | Owen Bradley | |||
Bill Andersonsingles chronology | ||||
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Jan Howardsingles chronology | ||||
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"Someday We'll Be Together" | ||||
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Single by Diana Ross | ||||
from the album Diana Extended | ||||
Released | April 9, 1994 | |||
Recorded | 1994 | |||
Genre | Soul, Pop, Dance | |||
Length | 3:04 (Radio Edit) 8:42 (Album Version) | |||
Label | Motown Records | |||
Songwriter(s) | Johnny Bristol Jackey Beavers Harvey Fuqua | |||
Producer(s) | Frankie Knuckles (Remixer) | |||
Diana Ross singles chronology | ||||
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Supremes versionWeekly charts
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Region | Certification | Certified units/sales |
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United States (RIAA) [30] | Platinum | 2,000,000 [31] |
Summaries | ||
Worldwide | — | 3,000,000 [32] |
The Supremes were an American girl group and a premier act of Motown Records during the 1960s. Founded as the Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal band, with 12 number-one singles on the Billboard Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. It is said that their breakthrough made it possible for future African-American R&B and soul musicians to find mainstream success. Billboard ranked the Supremes as the 16th greatest Hot 100 artist of all time.
Mary Wilson was an American singer. She gained worldwide recognition as a founding member of the Supremes, the most successful Motown act of the 1960s and the best-charting female group in U.S. chart history, as well as one of the best-selling girl groups of all-time. The trio reached number one on Billboard's Hot 100 with 12 of their singles, ten of which feature Wilson on backing vocals.
"Love Child" is a 1968 song released by the Motown label for Diana Ross & the Supremes. The second single and title track from their album Love Child, it became the Supremes' 11th number-one single in the United States, where it sold 500,000 copies in its first week and 2 million copies by year's end.
American girl group The Supremes has released 29 studio albums, four live albums, two soundtrack albums, 32 compilation albums, four box sets, 66 singles and three promotional singles. The Supremes are the most successful American group of all time, and the 26th greatest artist of all time on the US Billboard charts; with 12 number-one songs on the Billboard Hot 100 and three number-one albums on the Billboard 200. The Supremes were the first artist to accumulate five consecutive number-one singles on the US Hot 100 and the first female group to top the Billboard 200 albums chart with The Supremes A' Go-Go (1966). In 2017, Billboard ranked The Supremes as the number-one girl group of all time, publishing, 'although there have been many girl group smashes in the decades since the Supremes ruled the Billboard charts, no collective has yet to challenge their, for lack of a better word, supremacy.' In 2019, the UK Official Charts Company placed 7 Supremes songs—"You Can't Hurry Love" (16), "Baby Love" (23), "Stop! In the Name of Love" (56), "Where Did Our Love Go?" (59), "You Keep Me Hangin' On" (78), "Come See About Me" (94) and "Stoned Love" (99)—on The Official Top 100 Motown songs of the Millennium chart, which ranks Motown releases by their all-time UK downloads and streams.
"Ain't No Mountain High Enough" is a song written by Nickolas Ashford & Valerie Simpson in 1966 for the Tamla label, a division of Motown. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell, and became a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross. The song became Ross's first solo number-one hit on the Billboard Hot 100 chart and was nominated for the Grammy Award for Best Female Pop Vocal Performance.
"Reach Out and Touch (Somebody's Hand)" is the debut solo single of singer Diana Ross, released in April 1970 as the first single from her solo self-titled debut 1970 album by Motown Records.
"Love Hangover" is a song by the American singer Diana Ross, recorded in 1975 and released as a single on March 16, 1976. It rose to number one on the Billboard Hot 100 and Hot-Selling Soul Singles. It also hit number one on the Record World disco charts.
"Up the Ladder to the Roof" is a 1970 hit single recorded first by The Supremes for the Motown label. It was the first Supremes single to feature new lead singer Jean Terrell in place of Diana Ross, who officially left the group for a solo career two weeks before the recording of this song in January 1970. This song also marks a number of other firsts: it is the first Supremes single since "The Happening" in 1967 to be released under the name "The Supremes" instead of "Diana Ross & The Supremes", the first Supremes single solely produced by Norman Whitfield associate Frank Wilson, and the first Supremes single to make the United Kingdom Top 10 since "Reflections" in 1967.
Diana Ross is the debut solo studio album by American singer Diana Ross, released on June 19, 1970 by Motown Records. The ultimate test to see if the former Supremes frontwoman could make it as a solo act, the album was overseen by the songwriting-producing team of Nickolas Ashford & Valerie Simpson, who had Ross re-record several of the songs the duo had recorded on other Motown acts. Johnny Bristol, producer of her final single with The Supremes, contributed on The Velvelettes cover "These Things Will Keep Me Loving You."
"I'm Livin' in Shame" is a 1969 song released for Diana Ross & the Supremes on the Motown label. The sequel to the Supremes' number-one hit, "Love Child," the song peaked in the top ten on the US Billboard Hot 100 pop chart at #10 and the top 20 in the UK at #14 in April and May 1969.
Cream of the Crop is the eighteenth studio album released by Diana Ross & the Supremes for the Motown label. It was the final regular Supremes studio album to feature lead singer Diana Ross. The album was released in November 1969, after the release and rising success of the hit single "Someday We'll Be Together."
John William Bristol was an American musician, most famous as a songwriter and record producer for the Motown label in the late 1960s and early 1970s. He was a native of Morganton, North Carolina, about which he wrote an eponymous song. His composition "Love Me for a Reason" saw global success when covered by the Osmonds including a number one on the UK charts in 1974. His most famous solo recording was "Hang On in There Baby" recorded in 1974, which reached the top ten in the United States and number 3 in the United Kingdom. Both singles were in the UK top 5 simultaneously.
Diana Ross & the Supremes: Greatest Hits Vol. 3 is a 1969 compilation album by Diana Ross & the Supremes, released on the Motown label. It features all of the hits released by the group between 1967 and 1969 save for the Supremes/Temptations duet singles. After Florence Ballard's mid-1967 departure from the group, Supremes singles were recorded by Diana Ross with session singers The Andantes on backgrounds instead of new Supreme Cindy Birdsong and founding member Mary Wilson, including "Love Child" and "Someday We'll Be Together".
"The Composer" is a 1969 song released for Diana Ross & the Supremes by the Motown label.
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"Everybody's Got the Right to Love" is a socially conscious–inspired pop song written by Lou Stallman, produced by Frank Wilson and released as a single in 1970 by Motown group The Supremes, who took the song into the top forty in mid-1970 following the release of "Up the Ladder to the Roof".
Diana Ross & the Supremes: The No. 1s is a 2003 compact disc collection of the number-one singles achieved by The Supremes led by Diana Ross and Jean Terrell in addition to solo Diana Ross singles on the American and United Kingdom pop charts. The album features 23 tracks and a bonus remix.
"No Matter What Sign You Are" is a song released for Diana Ross & the Supremes by the Motown label.
20 Golden Greats is a 1977 compilation album by Diana Ross & the Supremes, released on the Motown label in the United Kingdom. The release spent seven weeks at number one on the UK Albums Chart, selling over 1,000,000 copies. Despite the album's title and that Ross & the Supremes had scored 21 UK chart hit singles, the compilation included two tracks that had never been hit singles in the UK: "My World Is Empty Without You" and "Love Is Like an Itching in My Heart", which were top 10 hits on the US Hot 100. All the other 18 tracks had made the UK singles chart. The three other hits scored by the group in partnership with The Temptations, were all excluded.
The Return of The Marvelettes was marketed as the last album by the group, although in reality their last had been 1969's In Full Bloom. It was originally recorded to launch the solo career of former Marvelette Wanda Young, and was produced by Smokey Robinson.