Ziegfeld Girl | |
---|---|
Directed by | Robert Z. Leonard |
Screenplay by | Marguerite Roberts Sonya Levien |
Story by | William Anthony McGuire |
Produced by | Pandro S. Berman |
Starring | James Stewart Judy Garland Hedy Lamarr Lana Turner |
Cinematography | Ray June Joseph Ruttenberg |
Edited by | Blanche Sewell |
Music by | Herbert Stothart |
Production company | |
Distributed by | Loew's Inc. |
Release date |
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Running time | 132 minutes |
Country | United States |
Language | English |
Budget | $1.5 million [1] |
Box office | $3.1 million [1] |
Ziegfeld Girl is a 1941 American musical film directed by Robert Z. Leonard and starring James Stewart, Judy Garland, Hedy Lamarr, Lana Turner, Tony Martin, Jackie Cooper, Eve Arden, and Philip Dorn. The film, which features musical numbers by Busby Berkeley, was produced by Metro-Goldwyn-Mayer.
Set in the 1920s, the film tells the parallel stories of three women who become performers in the renowned Broadway show the Ziegfeld Follies. It was intended to be a 1938 sequel to the 1936 hit The Great Ziegfeld , and recycled some footage from the earlier film. Unlike that film and the later Ziegfeld Follies , Ziegfeld himself does not appear as a character. [2]
As happens every year, Florenz Ziegfeld is seeking new talent for the latest edition of his lavish Broadway revue, the Ziegfeld Follies. Three women, Sandra Kolter, Susan Gallagher, and Sheila Regan are among those selected to join the cast of glamorous "Ziegfeld girls", and become friends.
Sandra, a European beauty, is spotted and recruited while accompanying her violin virtuoso husband Franz to his audition for the show's orchestra. Franz is rejected because his musical skills are too good for the job, and Sandra becomes a showgirl over Franz' objections in order to earn needed income, causing a rift between the couple. Sandra quickly becomes a star and attracts the attentions of her singing co-star, Frank Merton. But after learning that Frank is married to a wife who loves him, Sandra reconciles with Franz and abandons her career to support him on a concert tour.
Susan, a seventeen-year-old from a theatrical family, is discovered performing a vaudeville act with her aging father. Although Susan is less physically beautiful than the other showgirls, her enormous singing talent lands her a featured role. Her father, not wanting to thwart her career, encourages her to stay in the Follies while he continues traveling on the vaudeville circuit alone. Susan worries about her father and eventually convinces the producers to give him a part in the show, where he proves to be a surprise hit.
Sheila, a former elevator operator from Flatbush, Brooklyn, is torn between her love for truck driver Gil Young and her suddenly wealthy life as a showgirl, including a Park Avenue apartment, press coverage, and expensive gifts from rich male fans. After she turns down Gil's marriage proposal, he joins a bootlegging gang and ends up in prison. Sheila becomes an alcoholic and is fired from the show after a drunken fall onstage. Seriously ill and unable to sustain her luxurious lifestyle, she moves back into her family's modest Flatbush home. Gil, newly released from prison, visits her and pledges his love, although he knows she is dying. Despite her precarious health, Sheila goes alone to the opening night of the latest Follies show, where she collapses in the theater. Sandra and Franz rush to her side as Susan, now a star, sings from the stage.
A musical number sung by Garland, "We Must Have Music", was deleted from the final film. Only a fragment survives, as it was used in the MGM short A New Romance of Celluloid: We Must Have Music (1942). [3] [4] [5]
According to MGM records, the film earned $1,891,000 in the US and Canada and $1,210,000 elsewhere resulting in a profit of $532,000. [1]
The film is recognized by American Film Institute in these lists:
The Great Ziegfeld is a 1936 American musical drama film directed by Robert Z. Leonard and produced by Hunt Stromberg. It stars William Powell as the theatrical impresario Florenz "Flo" Ziegfeld Jr., Luise Rainer as Anna Held, and Myrna Loy as Billie Burke.
The Ziegfeld Follies were a series of elaborate theatrical revue productions on Broadway in New York City from 1907 to 1931, with renewals in 1934, 1936, 1943, and 1957. They became a radio program in 1932 and 1936 as The Ziegfeld Follies of the Air.
Florenz Edward Ziegfeld Jr. was an American Broadway impresario, notable for his series of theatrical revues, the Ziegfeld Follies (1907–1931), inspired by the Folies Bergère of Paris. He also produced the musical Show Boat. He was known as the "glorifier of the American girl". Ziegfeld is a member of the American Theater Hall of Fame.
Gallagher & Shean was a highly successful musical comedy double act in vaudeville and on Broadway in the 1910s and 1920s, consisting of Ed Gallagher (1873–1929) and Al Shean (1868–1949); Shean was the maternal uncle of the Marx Brothers.
Easter Parade is a 1948 American Technicolor musical film directed by Charles Walters, written by Sidney Sheldon, Frances Goodrich, and Albert Hackett from a story by Goodrich and Hackett, and starring Judy Garland, Fred Astaire, Peter Lawford, and Ann Miller. The film contains some of Astaire's and Garland's best-known songs, including "Easter Parade", "Steppin' Out with My Baby", and "We're a Couple of Swells", all by Irving Berlin.
That's Entertainment! is a 1974 American compilation film released by Metro-Goldwyn-Mayer to celebrate the studio's 50th anniversary. The success of the retrospective prompted a 1976 sequel, the related 1985 film That's Dancing!, and a third installment in 1994.
The Harvey Girls is a 1946 Technicolor American musical film produced by Arthur Freed for Metro-Goldwyn-Mayer. It is based on the 1942 novel of the same name by Samuel Hopkins Adams, about Fred Harvey's Harvey House waitresses. Directed by George Sidney, the film stars Judy Garland and features John Hodiak, Ray Bolger, and Angela Lansbury, as well as Preston Foster, Virginia O'Brien, Kenny Baker, Marjorie Main and Chill Wills. Future star Cyd Charisse appears in her first speaking role on film.
Broadway Melody of 1938 is a 1937 American musical film produced by Metro-Goldwyn-Mayer and directed by Roy Del Ruth. The film is essentially a backstage musical revue, featuring high-budget sets and cinematography in the MGM musical tradition. The film stars Eleanor Powell and Robert Taylor and features Buddy Ebsen, George Murphy, Judy Garland, Sophie Tucker, Raymond Walburn, Robert Benchley and Binnie Barnes.
Ziegfeld Follies is a 1945 American musical comedy film released by Metro-Goldwyn-Mayer (MGM), primarily directed by Vincente Minnelli, with segments directed by Lemuel Ayers, Roy Del Ruth, Robert Lewis, and George Sidney, the film's original director before Minnelli took over. Other directors that are claimed to have made uncredited contributions to the film are Merrill Pye, Norman Taurog, and Charles Walters. It stars many MGM leading talents, including Fred Astaire, Lucille Ball, Lucille Bremer, Fanny Brice, Judy Garland, Kathryn Grayson, Lena Horne, Gene Kelly, James Melton, Victor Moore, William Powell, Red Skelton, and Esther Williams.
The term "Ziegfeld Girl" is used broadly to describe the "singers, showgirls, comediennes, [and] dancers" who appeared in Florenz Ziegfeld Jr.'s theatrical Broadway revue spectaculars known as the Ziegfeld Follies.
Till the Clouds Roll By is a 1946 American Technicolor musical film produced by Metro-Goldwyn-Mayer and a fictionalized biopic of composer Jerome Kern, portrayed by Robert Walker. Kern was involved with the production, but died before its completion. It was the first in a series of MGM biopics about Broadway composers.
Glorifying the American Girl is a 1929 American pre-Code musical comedy film produced by Florenz Ziegfeld that highlights Ziegfeld Follies performers. The last third of the film, which was filmed in early Technicolor, is basically a Follies production, with appearances by Rudy Vallee, Helen Morgan, and Eddie Cantor.
For Me and My Gal is a 1942 American musical film directed by Busby Berkeley, and starring Judy Garland, George Murphy, Martha Eggerth, Ben Blue and Gene Kelly in his film debut. The film was written by Richard Sherman, Fred F. Finklehoffe and Sid Silvers, based on a story by Howard Emmett Rogers inspired by a true story about vaudeville actors Harry Palmer and Jo Hayden, when Palmer was drafted into World War I. The film was a production of the Arthur Freed unit at MGM.
Good News is a 1947 American Metro-Goldwyn-Mayer musical film based on the 1927 stage production of the same name. It starred June Allyson, Peter Lawford, Mel Tormé, and Joan McCracken. The screenplay by Betty Comden and Adolph Green was directed by Charles Walters in Technicolor.
Girl Crazy is a 1943 American musical film starring Judy Garland and Mickey Rooney. Produced by the Freed Unit of Metro-Goldwyn-Mayer, it is based on the stage musical Girl Crazy – which was written by Guy Bolton and Jack McGowan, with music and lyrics by George and Ira Gershwin. It was the last of Garland and Rooney's nine movies as co-stars, the pair appearing only once more together on film, as guest stars in 1948's Words and Music.
Strike Up the Band is a 1940 American musical film produced by the Arthur Freed unit at Metro-Goldwyn-Mayer. The film was directed by Busby Berkeley and stars Mickey Rooney and Judy Garland, in the second of a series of musicals they co-starred in, after Babes in Arms, all directed by Berkeley. The story written for the 1927 stage musical Strike Up the Band, and its successful 1930 Broadway revision, bear no resemblance to this film, aside from the title song.
Say One For Me is a 1959 American comedy musical film directed by Frank Tashlin and starring Bing Crosby, Debbie Reynolds and Robert Wagner. Stella Stevens made her film debut in Say One for Me and received the Golden Globe Award in 1960 for New Star of the Year-Actress for this film.
"A Pretty Girl Is Like A Melody" is a popular song written by Irving Berlin in 1919 which became the theme song of the Ziegfeld Follies. The first verse and refrain are considered part of the Great American Songbook and are often covered as a jazz standard.
"I Don't Care" is a 1905 song, with words by Jean Lenox and music by Harry O. Sutton. It was originally performed by Eva Tanguay, becoming her most famous song and earning her the nickname "The I Don't Care Girl".
The Hit Parade is a 1937 American musical film directed by Gus Meins and written by Bradford Ropes, Samuel Ornitz and Harry Ruskin. The film stars Frances Langford, Phil Regan, Max Terhune, Edward Brophy, Louise Henry and Pert Kelton. The film was released on April 26, 1937, by Republic Pictures. Republic later reissued the film in 67 minute length as I'll Reach for a Star.