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A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments. In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of idiophone, membranophone, aerophone and chordophone.
The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, though some variants may not have a head. Tambourines are often used with regular percussion sets. They can be mounted, for example on a stand as part of a drum kit, or they can be held in the hand and played by tapping, hitting, or shaking the instrument.
Tahiti is the largest island of the Windward group of the Society Islands in French Polynesia. It is located in the central part of the Pacific Ocean and the nearest major landmass is Australia. Divided into two parts, Tahiti Nui and Tahiti Iti, the island was formed from volcanic activity; it is high and mountainous with surrounding coral reefs. Its population was 189,517 in 2017, making it by far the most populous island in French Polynesia and accounting for 68.7% of its total population; the 2022 Census recorded a population of 191,779.
Hula is a Hawaiian dance form expressing chant (oli) or song (mele). It was developed in the Hawaiian Islands by the Native Hawaiians who settled there. The hula dramatizes or portrays the words of the oli or mele in a visual dance form.
Fire performance is a group of performance arts or skills that involve the manipulation of fire. Fire performance typically involves equipment or other objects made with one or more wicks which are designed to sustain a large enough flame to create a visual effect.
Prior to the arrival of Europeans, the music of Tahiti was dominated by festivals called heiva. Dancing was a vital part of Tahitian life then, and dances were used to celebrate, pray and mark almost every occasion of life. Examples include the men's ʻōteʻa dance and the couple's 'upaʻupa.
The Music of Samoa is a complex mix of cultures and traditions, with pre- and post-European contact histories. Since American colonization, popular traditions such as rap and hip hop have been integrated into Samoan music.
Kapa haka is the term for Māori action songs and the groups who perform them. The phrase translates to 'group' 'dance'. Kapa haka is an important avenue for Māori people to express and showcase their heritage and cultural Polynesian identity through song and dance.
The Pātē is a Samoan percussion instrument of Tahitian origin, named after the Samoan word for "beat" or "clap" "pulse". It is one of many Samoan log drum variants and is of the slit drum family, and therefore is also of the idiophone percussion family. It is made from a hollowed-out log, usually of Miro wood and produces a distinctive and loud sound. Different sizes of log drums offer different pitches and volumes, as well as striking the log drum in the middle or near the ends.
Chavittu Nadakam (Malayalam:ചവിട്ടുനാടകം) is a highly colorful Latin Christian classical art form originated in Ernakulam district, Kerala state in India. It is commonly believed that Fort Kochi is the birthplace of Chavittu Nadakam. It is noted for its attractive make-up of characters, their elaborate costumes, detailed gestures and well-defined body movements presented in tune with the rhythmic playback music and complementary percussion. This art form highly resembles European opera.
The tauʻolunga is a traditional Tongan dance. It is a combination of the Samoan Taualuga and the Tongan ula. The type of dance is comparable with (some) Hawaiʻian hula or the Tahitian ʻaparima.
The ʻupaʻupa is a traditional dance from Tahiti. It was mentioned by European explorers, who described it as very indecent. It is not quite clear how similar the gestures at that time were with the now immensely popular tāmūrē. In both dances the performers form groups of pairs of a boy and a girl, dancing more or less in sexually oriented movements.
The tāmūrē, or tamouré as popularized in many 1960s recordings, is a dance from Tahiti and the Cook Islands. Usually danced as a group of boys and girls, all dressed in more.
The pāʻōʻā, is a modern dance from Tahiti where the dancers sit on their knees in a circle on the ground, sing and tap with their hands on their thighs on the rhythm of the music, which is a quite repetitive scanning refrain. Selected members, one boy and one girl, dance inside the circle. The whole scenario has something of a rooster fight. Coincidentally the theme of the dance is usually from the hunt or from fishing.
Karnataka has a variety of traditional arts, including folk dance and puppetry.
The xibelani dance is an indigenous dance of the Tsonga women from Mpumalanga and Limpopo located in South Africa. The name of the dance comes from the native Xitsonga language and it can translate to "hitting to the rhythm", for example, the concept "xi Bela ni vunanga". The name "xibelani" typically refers to the dance style while the skirt itself is referred to as "tinguvu", however, the term "xibelani" is sometimes used to refer to both the dance and the skirt.
Monoï oil is an infused perfume-oil made from soaking the petals of Tahitian gardenias in coconut oil. Monoï is a Tahitian word meaning "scented oil" in the Tahitian. Monoï is widely used among French Polynesians as a skin and hair softener.
Marie Mariterangi, Marie Mariteragi, Marie Terangi or Marie was a singer, songwriter of Polynesian pop music, guitarist and ukulele player. She was born on May 3, 1926 in Hikueru in French Polynesia and died on April 27, 1971 in Papeete in French Polynesia.
Tahitian drumming is a style of drumming native to Tahiti and French Polynesia. Tahitian drumming and dance have become symbols of Polynesian heiva to the western world. Heiva is the Tahitian term for entertainment. This authentic performance symbolizes the past and present state of social hierarchies within the community and the island. There has been a significant amount of change to Tahitian drum dancing within the past fifty years. These changes have come from many different aspects of Polynesian society. However, many of them stem from the broader outreach of this tradition to the rest of the world. This music has served as inspiration for many other styles across the globe, especially in other areas of the Pacific.
Moribayassa is a traditional dance that the Malinke people of West Africa first performed. Women generally engage in the dance to express their emotions and seek spiritual purification.
References
- ↑ "Basic Tahitian Moves". Dancing Tahitian. Retrieved 10 November 2016.
- Patrick O'Reilly; La danse à Tahiti.