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Amol Palekar | |
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 Palekar in 2016 | |
| Born | 24 November 1944 [1] |
| Occupations |
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| Years active | 1971–present |
| Spouses | |
| Parents |
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| Awards | Filmfare Best Actor Award: 1979: Gol Maal |
| Website | amolpalekar.com |
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Amol Palekar (born 24 November 1944) is an Indian actor, director and producer of Hindi and Marathi cinema. [3]
Palekar was born to Kamlakar and Suhasini Palekar in a Marathi speaking middle-class family in Mumbai. He had three sisters called Neelon, Rekha and Unnati. His father worked in the General Post Office and his mother worked in a private company. [4] Palekar studied fine arts at the Sir J. J. School of Art, Mumbai, and commenced his artistic career as a painter. As a painter, he had seven one-man exhibitions and participated in many group shows. [5]
Although he trained in fine arts, Palekar is better known as a stage and film actor. He has been active in the avant garde theatre in India in Marathi and Hindi theatre as an actor, director and producer since 1967. His contribution to the modern Indian theatre is often overshadowed by his popularity as a lead actor in Hindi films.
As a film actor, he was most prominent in the 1970s. His image as a "boy next door" contrasted with the larger-than-life heroes prevalent at that time in Indian cinema. He received one Filmfare award and six State awards as Best Actor. His performances in regional language films in Marathi, Bengali, Malayalam and Kannada fetched him critical acclaim as well. He decided not to act after 1986 in order to concentrate on filmmaking.
As a director, he is known for the sensitive portrayal of women, selection of classic stories from Indian literature, and perceptive handling of progressive issues. He has directed several television serials on the national network such as Kachchi Dhoop, Mrignayani, Naquab, Paool Khuna and Krishna Kali.
Palekar began in Marathi experimental theatre with Satyadev Dubey, and later started his own group, Aniket, in 1972. As a theatre actor, he was part of popular plays like Shantata! Court Chalu Aahe, Hayavadana and Adhe Adhure. [6] Following a performance on stage at the National Centre for the Performing Arts (India) (NCPA) in 1994, he returned to theatre after a gap of 25 years with the suspenseful play, Kusur (The Mistake). [7] This play is directed by him and he also plays the lead role. [8]
Palekar made his debut in 1971 with the Marathi film Shantata! Court Chalu Aahe directed by Satyadev Dubey, which started the New Cinema Movement in Marathi. [9] In 1974 he was cast as an actor by Basu Chatterjee in Rajnigandha , and in the surprise low-budget hit, Chhoti Si Baat . This led to many other such roles in "middle-class" comedies, mostly alternative. These were mostly directed by Chatterjee or Hrishikesh Mukherjee and included films such as Gol Maal and Naram Garam . He won the Filmfare Best Actor Award for Gol Maal.
He is noted for his image of the "middle-class everyman" who struggles to get a job ( Gol Maal ), his own flat ( Gharonda ), a girlfriend/wife ( Baaton Baaton Mein ), and appreciation from his boss.
In 1979, he was paired with a sixteen-year-old Sridevi in Solva Saawan, which was her debut Hindi movie as a heroine. Amol played the role of an intellectually disabled man, a character played by Kamal Haasan in the original Tamil movie.
In 1982 he played the role of Ravi in the Malayalam movie Olangal . He turned to directing with the Marathi film Aakriet. He showed his capabilities as a director with movies such as Thodasa Roomani Ho Jaayen and Paheli. Thodasa Roomani Ho Jaayen has become a part of management courses and study pertaining to human behaviour. [10] Paheli was India's official entry for Best Foreign Film at the 2006 Oscars. The movie, however, did not make it to the final nominations.
He has also given his voice to an HIV/AIDS education animated software tutorial created by the nonprofit organization TeachAids. [11] He is willing to act once again if he is given a challenging role. [12]
He married Sandhya Gokhale after his divorce from his first wife, Chitra. [13] [14] [2] Palekar regards himself as an agnostic atheist. [15]
In February 2022, Palekar was hospitalized in Pune for COVID-19 related complications. [16]
| Year | Film | Role | Notes |
|---|---|---|---|
| 1969 | Bajiraocha Beta | Marathi film | |
| 1971 | Shantata! Court Chalu Aahe | Marathi film | |
| 1974 | Rajnigandha | Sanjay | |
| 1975 | Jeevana Jyoti | Sanjay | Telugu film |
| 1976 | Chhoti Si Baat | Arun Pradeep | Nominated: Filmfare Award for Best Actor |
| Chitchor | Vinod | ||
| 1977 | Gharaonda | Sudip | |
| Bhumika | Keshav Dalvi | ||
| Agar... If | Anil Aggarwal | ||
| Taxi Taxie | Dev/Hero | ||
| Tuch Maazi Raani | Marathi film | ||
| Kanneshwara Rama | Chenneera | Kannada film | |
| 1978 | Damaad | Sharad Mazgaonkar | |
| Safed Jhoot | Amol 'Ramu' Palekar | ||
| 1979 | Baaton Baaton Mein | Tony Braganza | |
| Gol Maal | Ram Prasad Sharma / Lakshman Prasad Sharma (Lucky) | Filmfare Award for Best Actor | |
| Do Ladke Dono Kadke | Hari | ||
| Meri Biwi Ki Shaadi | Bhagwant Kumar Bartendu "Bhagu" | ||
| Solva Sawan | |||
| Bin Baap Ka Beta | |||
| Mother | Marathi film | ||
| Jeena Yahan | Dinesh | ||
| 1980 | Aanchal | Kishan Lal | |
| Apne Paraye | Chandranath | ||
| 1981 | Naram Garam | Ram Eshwar Prasad | |
| Sameera | |||
| Akriet | Mukutrao Shinde | Marathi film | |
| Kalankini | Bengali film | ||
| Agni Pareeksha | Alok Choudhary / Ramesh Khanna | ||
| Chehre Pe Chehra | Peter | ||
| Plot No. 5 | |||
| 1982 | Jeevan Dhaara | Anand Bhatnagar | |
| Olangal | Ravi Chattan | Malayalam film | |
| Ramnagari | |||
| Spandan | |||
| Shriman Shrimati | Madhu Gupta | ||
| 1983 | Rang Birangi | Ajay Sharma | |
| Ashray | |||
| Pyaasi Aankhen | |||
| Chena Achena | Bengali film | ||
| 1984 | Tarang | Rahul | |
| Aadmi Aur Aurat | Tapan Sinha | TV movie | |
| Prarthana | |||
| Sringara Masa | Kannada film | ||
| Mr. X | Amar | Voice dubbed by other artist | |
| 1985 | Khamosh | Amol Palekar | |
| Jhoothi | Inspector Kamal Nath | ||
| Ankahee | Devkinandan Chaturvedi 'Nandu' | ||
| Abasheshe | Bengali film | ||
| 1986 | Baat Ban Jaye | Yeshwant Rao Bhonsle | |
| 1994 | Teesra Kaun? | C. K. Kadam | |
| 2001 | Aks | The Defence Minister | |
| 2009 | Samaantar | Keshav Vaze | Marathi film |
| 2021 | 200 – Halla Ho | Justice Vitthal Daangle | Hindi ZEE5 film |
| 2023 | Gulmohar | Sudhakar Batra | Disney+Hotstarfilm |
| Year | Title | Role | Notes |
|---|---|---|---|
| 2023 | Farzi | Madhav (Nanu) | [18] |
| TBA | Gormint† | TBA | [18] |
| Award | Film | Year | Status |
|---|---|---|---|
| Best Feature Film in Marathi | Bangarwadi | 1995 | Won |
| Special Jury Award (Feature Film) | Daayraa | 1996 | Won |
| Best Film on Other Social Issues | Kairee | 1999 | Won |
| Best Film on Family Welfare | Dhyaas Parva | 2000 | Won |
| Best Feature Film in English | Quest | 2006 | Won |
| Best Actor | Chhoti Si Baat | 1977 | Nominated |
| Gol Maal | 1980 | Won | |
| Best Actor | Akriet | 1981 | Won |
Rajnigandha (transl. Tuberose) is a 1974 Hindi film directed by Basu Chatterjee. It is based on the short story "Yahi Sach Hai" by noted Hindi writer Mannu Bhandari. The movie starred Amol Palekar, Vidya Sinha and Dinesh Thakur in the lead.
Hrishikesh Mukherjee was an Indian film director, editor and writer. He is regarded as one of the greatest filmmakers of Indian cinema. Popularly known as Hrishi-da, he directed 42 films during his career spanning over four decades, and is named the pioneer of the 'middle cinema' of India. Renowned for his social films that reflected the changing middle-class ethos, Mukherjee "carved a middle path between the extravagance of mainstream cinema and the stark realism of art cinema".
Gol Maal is a 1979 Indian Hindi-language comedy film directed by Hrishikesh Mukherjee and written by Rahi Masoom Raza and Sachin Bhowmick. It was produced by N. C. Sippy, with music by R. D. Burman. The film won several awards and was praised by critics.
Utpal Dutt was an Indian actor, director, and writer-playwright. He was primarily an actor in Bengali theatre, where he became a pioneering figure in Modern Indian theatre, when he founded the "Little Theatre Group" in 1949. This group enacted many English, Shakespearean and Brecht plays, in a period now known as the "Epic theatre" period, before it immersed itself completely in highly political and radical theatre. His plays became an apt vehicle for the expression of his Marxist ideologies, visible in socio-political plays such as Kallol (1965), Manusher Adhikar, Louha Manob (1964), Tiner Toloar and Maha-Bidroha. He also acted in over 100 Bengali and Hindi films in a career spanning 40 years, and remains most known for his roles in films such as Mrinal Sen’s Bhuvan Shome (1969), Satyajit Ray’s Agantuk (1991), Gautam Ghose’s Padma Nadir Majhi (1992) and Hrishikesh Mukherjee's breezy Hindi comedies such as Gol Maal (1979) and Rang Birangi (1983). He also did the role of a sculptor, Sir Digindra Narayan, in the episode Seemant Heera of Byomkesh Bakshi on Doordarshan in 1993, shortly before his death.
Bhumika is a 1977 Indian film directed by Shyam Benegal. The film stars Smita Patil, Amol Palekar, Anant Nag, Naseeruddin Shah and Amrish Puri.
Anant Nagarkatte is an Indian actor whose predominant contribution has been in Kannada cinema. He has acted in over 300 films which include over 200 Kannada films as well as Hindi, Telugu, Marathi, Malayalam and English films. He has featured in theatre plays, parallel cinema and television shows.
Bhagyashree Patwardhan, known mononymously as Bhagyashree, is an Indian actress. She is known for her roles in Hindi language film and television. She is a receipent of a Filmfare Award, in addition to receiving nomination for Indian Television Academy Award.
Sudhindra Sircar, also known as Badal Sarkar, was an influential Indian dramatist and theatre director, most known for his anti-establishment plays during the Naxalite movement in the 1970s and taking theatre out of the proscenium and into public arena, when he transformed his own theatre company, Shatabdi as a third theatre group. He wrote more than fifty plays of which Ebong Indrajit, Basi Khabar, and Saari Raat are well known literary pieces. A pioneering figure in street theatre as well as in experimental and contemporary Bengali theatre with his egalitarian "Third Theatre", he prolifically wrote scripts for his Aanganmanch performances, and remains one of the most translated Indian playwrights. Though his early comedies were popular, it was his angst-ridden Evam Indrajit that became a landmark play in Indian theatre. Today, his rise as a prominent playwright in 1960s is seen as the coming of age of Modern Indian playwriting in Bengali, just as Vijay Tendulkar did it in Marathi, Mohan Rakesh in Hindi, and Girish Karnad in Kannada.
Satyadev Dubey was an Indian theatre director, actor, playwright, screenwriter & film director. He was awarded the Sangeet Natak Akademi Award in 1971.
Shantata! Court Chalu Aahe is a Marathi play written by Indian playwright Vijay Tendulkar in 1963 and first performed in 1967, directed by Arvind Deshpande, with Sulbha Deshpande as the main lead.
Thodasa Roomani Ho Jayen is a 1990 Hindi movie directed by Amol Palekar. It features Anita Kanwar, Nana Patekar and Vikram Gokhale as major actors. This movie has become a part of management courses and study pertaining to human behaviour.
Nirmal Pandey was an Indian Bollywood actor who was known for his roles of Vikram Mallah in Shekhar Kapur's Bandit Queen (1994), and Dajjal in Television Series Hatim, for portraying a transvestite in Daayraa (1996) for which he won a Best Actress Valenti award in France, Train To Pakistan (1998) and Godmother (1999). He played the role of Kishan Bhatta in Malayalam language film Dubai (2001).
Satish Vasant Alekar is a Marathi playwright, actor, and theatre director. A founder member of the Theatre Academy of Pune, and most known for his plays Mahanirvan (1974), Mahapoor (1975), Atirekee (1990), Pidhijat (2003), Mickey ani Memsahib (1973), and Begum Barve (1979), all of which he also directed for the Academy. Along with Mahesh Elkunchwar and Vijay Tendulkar he is considered among the most influential and progressive playwrights in modern Marathi and Indian theatre.
Govind Purushottam Deshpande was a Marathi playwright and academic from Maharashtra, India.
Bhaskar Chandavarkar was an Indian sitar player, academic and film and theatre composer who worked with well-known directors of Indian cinema like Mrinal Sen, Girish Karnad, Aparna Sen, K. G. George and Amol Palekar in various languages including Marathi, Hindi, Kannada, Malayalam, Bengali and Oriya and was known for his blending of Indian classical and western music.
Upendra Limaye is an Indian actor, who won the National Film Award for his role in the Marathi film Jogwa. On the centenary of Indian cinema in April 2013, Forbes included Limaye's performance in the film Jogwa on its list, "25 Greatest Acting Performances of Indian Cinema."
Ankahee is a 1984 Indian drama film directed by Amol Palekar and starring Amol Palekar, Deepti Naval and Dr. Shriram Lagoo. It was based on the Marathi-language play Kalay Tasmai Namaha by C. T. Khanolkar. The film is also noted for its soundtrack, which won two awards at the 32nd National Film Awards, including Best Music Direction for Jaidev and Best Male Playback Singer for noted classical singer Pt. Bhimsen Joshi. Asha Bhosle also sang a song, "Kauno Thagwa Nagariya". Director Amol Palekar's next film in the dual role of actor-director was Samaantar (2009).
Apne Paraye is a 1980 Indian Hindi-language drama film directed by Basu Chatterjee and produced by Mushir Alam. It stars Amol Palekar and Shabana Azmi in pivotal roles. It is based on the 1917 Bengali novel, Nishkriti by Sarat Chandra Chattopadhyay
Chandrakant Kulkarni is an Indian director, script writer and actor associated with Marathi theatre and film. He is known for his works of directing the plays Wada Chirebandi, Dhyanimani, Gandhi Virudh Gandhi and most recently the remake of Hamidabaichi Kothi. He has also directed the acclaimed films Bindhaast (1999) and Tukaram (2012).
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