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Architecture in Malaysia traditionally consist of malay vernacular architecture. Though modern contemporary architecture is prevalent in urban areas there are style influences from Islamic, colonial architecture, chinese straits etc. [1] New materials, such as glasses and nails, were brought in by Europeans, changing the architecture. [2]
Houses in the region are built for tropical conditions, raised on stilts with high roofs and large windows, allowing air to flow through the house and cool it down. [3] Wood has been the main building material for much of Malaysia's history; it is used for everything from the simple kampung to royal palaces. [1] In Negeri Sembilan traditional houses are entirely free of nails. [3] Besides wood, other common materials such as bamboo and leaves were used. [2] The Istana Kenangan in Kuala Kangsar was built in 1926, and it the only Malay palace with bamboo walls. The Orang Asal of East Malaysia live in longhouses and water villages. Longhouses are elevated and on stilts, and can house 20 to 100 families. Water villages are also built on stilts, with houses connected with planks and most transport by boats. [3]
Until recent time, wood was the principal material used for all Malaysian traditional buildings. However, numerous stone structures were also discovered particularly the religious complexes from the time of ancient Malay kingdoms. Throughout many decades, the traditional Malaysian architecture has been influenced by Buginese and Javanese from the south, Islamic, Siamese, and Indian from the north, Portuguese, Dutch, British, Acehnese and Minangkabau from the west and southern Chinese from the east. [4]
The evidence of candi (pantheon) around south Kedah between the mount Jerai and the Muda valley, a sprawling historical complex known as Bujang Valley served as a reminder of Malaysian pre-Islamic art. Within an area of about 350 square kilometres, 87 early historic religious sites have been reported and there are 12 candis located on mountain tops, a feature which suggests may derive from pre-Islamic Malay beliefs regarding the sanctity of high places. [5]
An early reference to Malaysian architecture can be found in several Chinese records. A 7th-century Chinese account tells of Buddhist pilgrims calling at Langkasuka and mentioned the city as being surrounded by a wall on which towers had been built and was approached through double gates. [6] Another 7th-century account of a special Chinese envoy to Red Earth kingdom in West Malaysia, recorded that the capital city had three gates more than a hundred paces apart, which were decorated with paintings of Buddhist themes and female spirits. [7]
The first detailed description of Malay architecture was on the great wooden palace of Mansur Shah of Malacca (reigned 1458–1477). [1] The Sejarah Melayu (Malay Annals) had references to the construction and the architecture of Malacca's palaces. According to this historical document, the building had a raised seven-bay structures on wooden pillars with a seven-tiered roof in cooper shingles and decorated with gilded spires and Chinese glass mirrors. [8]
The traditional Malay houses are built using simple timber-frame structure. They have pitched roofs, porches in the front, high ceilings, many openings on the walls for ventilation, [9] and are often embellished with elaborate wood carvings. The beauty and quality of Malay wood carvings were meant to serve as visual indicators of the social rank and status of the owners themselves. [10] With the migration of Acehnese, Minangkabau, Javanese, Banjarese and Buginese, regional Malay architectural style with influences from other parts of the archipelago also exists, especially in places where they formed the majority.
The shapes and sizes of houses differ from state to state. Common elements in Peninsular Malaysia include pitched roofs, verandahs, and high ceilings, raised on stilts for ventilation. The woodwork in the house is often intricately carved. The floors are at different levels depending on the function of the room. [2] Mosques have traditionally been based on Javanese architecture. [1]
Chinese architecture can be divided into two types, traditional and Baba Nyonya. Baba Nyonya households are made of colourful tiles and have large indoor courtyards. Indian architecture came with the Malaysian Indians, reflecting the architecture of southern India where most originated from. Some Sikh architecture was also imported. [3] Malacca, which was a traditional centre of trade, has a large variety of building styles. Large wooden structures such as the Palace of Sultan Mansur Shah exist from early periods. Chinese influence can be seen in brightly decorated temples and terraced shop houses. [1] The largest remaining Portuguese structure in Malacca is the A Famosa fort. Other colonial building include the Dutch Stadthuys, [3] the Dutch Colonial town brick buildings, and buildings built by the British such as the Memorial Hall, which combines Baroque and Islamic architecture. [1]
Many indigenous people of Borneo, the Dayak and Kadazandusun, live in buildings known as longhouses. Commonly, the longhouses are built raised off the ground on stilts similar to the Malay houses but are divided into a more or less public area along one side and a row of private living quarters lined along the other side. The entire architecture is designed and built as a standing tree with branches to the right and left with the front part facing the sunrise while the back faces the sunset. The longhouse building acts as the normal accommodation and a house of worship for religious activities.[ citation needed ]
In some parts of Sabah and Labuan, a substantial number of indigenous people like the Bajau and Bruneian Malay still remain to live in water villages. These water villages are also built on stilts, with houses connected with planks and most transport by traditional boats. The floating of rubbish and sewage on the water is still a persisting issue in many of these villages despite substantial measures and initiatives taken by various government and non-government agencies.[ citation needed ]
Most of Malaysia's colonial buildings were built toward the end of the 19th and early 20th centuries. These buildings have Mughal, Tudor Revival, Gothic Revival or Straits Eclectic style of architecture. Most of the styling has been modified to cater to the use of local resources and acclimatised to the local Malaysian climate, which is hot and humid all year round. Buildings with Mughal, Tudor Revival and Gothic Revival style of architecture were built by the colonial power, the British while the Chinese influenced Straits eclectic styles are common in many urban centres around Malaysia where Chinese settlers lived.[ citation needed ]
Malacca, which was a traditional centre of trade in the region, has a large variety of building styles, ranging from Islamic and Chinese styles to those brought by European colonists (Portuguese, Dutch, British). Along with Malacca, Penang is also considered one of the architectural gems of Malaysia. With its colonial-style government buildings, churches, squares, fortifications, and multicultural heritage, both Malacca and George Town demonstrate a unique architectural and cultural townscape without parallel anywhere in East and Southeast Asia.[ citation needed ]
Several design elements of traditional Malaysian architecture are adapted to modern structures to reflect the Malaysian identity. Wood, an important element in traditional Malay buildings, is also reinterpreted and readapted in the modern landscape in the Kuala Lumpur International Airport and Putrajaya. Some of these buildings also incorporated Islamic geometric motifs and designs, such as square patterns or a dome. With the help of modern technology, Malaysian firms are developing skyscraper designs that are specifically for Malaysia's tropical climates.[ citation needed ]
The stilt elevated undulating roof structure of the KLIA is supposed to imitate the traditional Malay-styled raised village houses. In Putrajaya, the Prime Minister's office is lined with wood panels to achieve the design goal. The underside of the KLIA's domed roof structure is similarly "clad in narrow strips of wood" which the architect suggests, "alludes to vernacular Malaysian timber structures, reinterpreting traditional building methods and strengthening the sense of local identity".[ citation needed ]
In modern times, the government has promoted different projects, from the tallest twin buildings in the world, the Petronas Twin Towers, to a whole garden city, Putrajaya. Malaysian firms are developing skyscraper designs that are specifically for tropical climates. [1]
Malays are an Austronesian ethnoreligious group native to eastern Sumatra, the Malay Peninsula and coastal Borneo, as well as the smaller islands that lie between these locations. These locations are today part of the countries of Malaysia, Indonesia, the southern part of Thailand, Singapore and Brunei Darussalam.
A longhouse or long house is a type of long, proportionately narrow, single-room building for communal dwelling. It has been built in various parts of the world including Asia, Europe, and North America.
The National Museum is in Jalan Damansara, in Kuala Lumpur, Malaysia. The museum is close to Perdana Lake Gardens and it provides an overview of Malaysian history and culture. Its façade comprises elements from both traditional Malay and modern features. It was inaugurated on 31 August 1963, and it serves as a repository of Malaysia's cultural and historical heritage.
The Culture of Malaysia draws on the varied cultures of the different people of Malaysia. The first people to live in the area were indigenous tribes that still remain; they were followed by the Malays, who moved there from mainland Asia in ancient times. Chinese and Indian cultural influences made their mark when trade began with those countries, and increased with immigration to Malaysia. Other cultures that heavily influenced that of Malaysia include Persian, Arabic and British. The many different ethnicities that currently exist in Malaysia have their own unique and distinctive cultural identities, with some crossover.
Malay houses refer to the vernacular dwellings of the Malays, an ethno-linguistic group inhabiting Sumatra, coastal Borneo and the Malay Peninsula.
The traditional Thai house is a loose collection of vernacular architectural styles employed throughout the different regions of Thailand. Thai houses usually feature a bamboo or wooden structure, raised on stilts and topped with a steep gabled roof. The houses from each of Thailand's regions have distinctive styles, which reflect the people's living style, including social and cultural beliefs or religious customs and occupations.
The architecture of Singapore displays a range of influences and styles from different places and periods. These range from the eclectic styles and hybrid forms of the colonial period to the tendency of more contemporary architecture to incorporate trends from around the world. In both aesthetic and technological terms, Singapore architecture may be divided into the more traditional pre-World War II colonial period, and the largely modern post-war and post-colonial period.
A kebaya is an upper garment traditionally worn by women in Southeast Asia, notably in Brunei, Indonesia, Malaysia, Singapore, and Southern Thailand. It is also worn in parts of southern Philippines and Cambodia.
The bahay kubo, kubo, or payag is a type of stilt house indigenous to the Philippines. It often serves as an icon of Philippine culture. The house is exclusive to the lowland population of unified Spanish conquered territories. Its design heavily influenced the Spanish colonial-era bahay na bato architecture.
The architecture of Penang reflects the 171 years of British presence on the island, coalescing with local, Chinese, Indian, Islamic and other elements to create a unique and distinctive brand of architecture. Along with Malacca, Penang is an architectural gem of Malaysia and Southeast Asia. Unlike Singapore, also a Straits Settlement, where many heritage buildings had to make way for modern skyscrapers and high-rise apartments due to rapid development and acute land scarcity, Penang's architectural heritage has enjoyed a better fate. Penang has one of the largest collections of pre-war buildings in Southeast Asia. This is for the most part due to the Rent Control Act which froze house rental prices for decades, making redevelopment unprofitable. With the repeal of this act in 2000 however, property prices skyrocketed and development has begun to encroach upon these buildings, many of which are in a regrettable state of disrepair. The government in recent years has allocated more funding to finance the restoration of a number of derelict heritage buildings, most notably Suffolk House, City Hall and historic buildings in the old commercial district.
The architecture of Indonesia reflects the diversity of cultural, historical, and geographic influences that have shaped Indonesia as a whole. Invaders, colonizers, missionaries, merchants, and traders brought cultural changes that had a profound effect on building styles and techniques.
A pendhapa or pandhapa is a fundamental element of Javanese architecture unique in the southern central part of Java; a large pavilion-like structure built on columns. Either square or rectangular in plan, it is open on all sides and provides shelter from the sun and rain, but allows breeze and indirect light. The word pendhapa is cognate to the Sanskrit word mandapa ("hall").
Rumah adat are traditional houses built in any of the vernacular architecture styles of Indonesia, collectively belonging to the Austronesian architecture. The traditional houses and settlements of the several hundreds ethnic groups of Indonesia are extremely varied and all have their own specific history. It is the Indonesian variants of the whole Austronesian architecture found all over places where Austronesian people inhabited from the Pacific to Madagascar each having their own history, culture and style.
Stilts are poles, posts or pillars used to allow a structure or building to stand at a distance above the ground or water. In flood plains, and on beaches or unstable ground, buildings are often constructed on stilts to protect them from damage by water, waves or shifting soil or sand. As these issues were commonly faced by many societies around the world, stilts have become synonymous with various places and cultures, particularly in South East Asia and Venice.
Kampung Cina, is a Chinatown located in Kuala Terengganu, Terengganu, Malaysia. Kampung Cina is located along Jalan Bandar, in Kuala Terengganu city centre at the river mouth of Terengganu River that empties into the South China Sea. Kampung Cina literally means Chinese Village; it is also called Tn̂g-lâng-pho (唐人坡) or KT's Chinatown by local people. It is one of Southeast Asia's early Chinese settlements and contains stately ancestral homes, temples, townhouses, and business establishments. The town is small but has colourful shophouses along both sides of the road that carries traditional flavour.
Dato’ Seri Nik Mohamed bin Nik Mahmood is a Director of Kumpulan Senireka Sdn Bhd., a large commercial architecture firm in Kuala Lumpur, Malaysia. Mahmood founded the firm in 1973 after he left the Public Works Department. The firm specializes in commercial highrise buildings, and they have done some significant religious buildings. In the 1970s they were operating in the Brutalist idiom, but they turned to Postmodernism at the end of the century and were responsible for some prominent postmodern buildings in Malaysia, including the Menara Axis, 2002, Istana Negara Baru and the Kompleks Dewan Bahasa & Pustaka.
Rumah limas, also known as rumah bari, is a type of traditional house found in Palembang, South Sumatra, Indonesia. It can also be found in Baturaja. The house is traditionally made of wood and raised on stilts, with a stepped, or gradated, floor composed of two to five areas at slightly different heights, a broad porch, and a distinctive roof. In Palembang, these houses are associated with the nobility and other people of high status.
Mosque architecture in Indonesia refers to the architectural traditions of mosques built in the archipelago of Indonesia. Initial forms of the mosque, for example, were predominantly built in the vernacular Indonesian architectural style mixed with Hindu, Buddhist or Chinese architectural elements, and notably didn't equip orthodox form of Islamic architectural elements such as dome and minaret. Vernacular architectural style varies depending on the island and region.
Sundanese traditional house refers to the traditional vernacular houses of the Sundanese people, who predominantly inhabited the western parts of Java island, Indonesia. The architecture of a Sundanese house is characterized by its functionality, simplicity, modesty, uniformity with a little detail, its use of natural thatched materials, and the quite faithful adherence to harmony with nature and the environment.
Traditional Malaysian art is primarily composed of Malay art and Bornean art, is very similar with the other styles from Southeast Asia, such as Bruneian, Indonesian and Singaporean. Art has a long tradition in Malaysia, with Malay art that dating back to the Malay sultanates, has always been influenced by Chinese, Indian and Islamic arts, and also present, due to large population of Chinese and Indian in today's Malaysian demographics.