Charles Parker Jr., nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader, and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. He was a virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber.
William Christopher Handy was an American composer and musician who referred to himself as the Father of the Blues. He was one of the most influential songwriters in the United States. One of many musicians who played the distinctively American blues music, Handy did not create the blues genre but was the one of the first to publish music in the blues form, thereby taking the blues from a regional music style with a limited audience to a new level of popularity.
Ahmad Jamal was an American jazz pianist, composer, bandleader, and educator. For six decades, he was one of the most successful small-group leaders in jazz. He was a National Endowment for the Arts (NEA) Jazz Master and won a Lifetime Achievement Grammy for his contributions to music history.
Norman Jeffrey Healey was a Canadian blues, rock and jazz singer, guitarist, and songwriter who attained popularity in the 1980s and 1990s. He reached No. 5 on the U.S. Billboard Hot 100 chart with "Angel Eyes" and reached the Top 10 in Canada with the songs "I Think I Love You Too Much" and "How Long Can a Man Be Strong".
52nd Street is a 1.9-mile-long (3.1 km) one-way street traveling west to east across Midtown Manhattan, New York City, United States. A short section of it was known as the city's center of jazz performance from the 1930s to the 1950s.
The Chitlin' Circuit was a collection of performance venues — "any place white people don’t go to see black people" — found throughout the eastern, southern, and upper Midwest areas of the United States. They provided commercial and cultural acceptance for African-American musicians, comedians, and other entertainers following the era of venues run by the "white-owned-and-operated Theatre Owners Booking Association (TOBA)...formed in 1921." The Chitlin Circuit sustained black musicians and dancers during the era of racial segregation in the United States from the 1930s through the '60s.
The music of Baltimore, the largest city in Maryland, can be documented as far back as 1784, and the city has become a regional center for Western classical music and jazz. Early Baltimore was home to popular opera and musical theatre, and an important part of the music of Maryland, while the city also hosted several major music publishing firms until well into the 19th century, when Baltimore also saw the rise of native musical instrument manufacturing, specifically pianos and woodwind instruments. African American music existed in Baltimore during the colonial era, and the city was home to vibrant black musical life by the 1860s. Baltimore's African American heritage to the start of the 20th century included ragtime and gospel music. By the end of that century, Baltimore jazz had become a well-recognized scene among jazz fans, and produced a number of local performers to gain national reputations. The city was a major stop on the African American East Coast touring circuit, and it remains a popular regional draw for live performances. Baltimore has produced a wide range of modern rock, punk and metal bands and several indie labels catering to a variety of audiences.
Maxwell's, last known as Maxwell's Tavern, was a bar/restaurant and music club in Hoboken, New Jersey. Over several decades the venue attracted a wide variety of acts looking for a change from the New York City concert spaces across the river. Maxwell's initially closed its doors on July 31, 2013, and reopened as Maxwell's Tavern in 2014, under new ownership. It closed again in February 2018.
The Count Basie Orchestra is a 16- to 18-piece big band, one of the most prominent jazz performing groups of the swing era, founded by Count Basie in 1935 and recording regularly from 1936. Despite a brief disbandment at the beginning of the 1950s, the band survived long past the big band era itself and the death of Basie in 1984. It continues under the direction of trumpeter Scotty Barnhart.
John Josephus Hicks Jr. was an American jazz pianist, composer, and arranger. He was leader of more than 30 recordings and played as a sideman on more than 300.
Kansas City jazz is a style of jazz that developed in Kansas City, Missouri during the 1920s and 1930s, which marked the transition from the structured big band style to the much more improvisational style of bebop. The hard-swinging, bluesy transition style is bracketed by Count Basie, who in 1929 signed with Bennie Moten's Kansas City Orchestra, and Kansas City native Charlie Parker, who promoted the bebop style in America.
Arthur W. Hodes, was a Russian Empire-born American jazz and blues pianist. He is regarded by many critics as the greatest white blues pianist.
Samuel Blythe Price was an American jazz, boogie-woogie and jump blues pianist and bandleader. Price's playing is dark, mellow, and relaxed rather than percussive, and he was a specialist at creating the appropriate mood and swing for blues and rhythm and blues recordings.
A jazz club is a venue where the primary entertainment is the performance of live jazz music, although some jazz clubs primarily focus on the study and/or promotion of jazz-music. Jazz clubs are usually a type of nightclub or bar, which is licensed to sell alcoholic beverages. Jazz clubs were in large rooms in the eras of Orchestral jazz and big band jazz, when bands were large and often augmented by a string section. Large rooms were also more common in the Swing era, because at that time, jazz was popular as a dance music, so the dancers needed space to move. With the transition to 1940s-era styles like Bebop and later styles such as soul jazz, small combos of musicians such as quartets and trios were mostly used, and the music became more of a music to listen to, rather than a form of dance music. As a result, smaller clubs with small stages became practical.
MacDougal Street is a one-way street in the Greenwich Village and SoHo neighborhoods of Manhattan, New York City. The street is bounded on the south by Prince Street and on the north by West 8th Street; its numbering begins in the south. Between Waverly Place and West 3rd Street it carries the name Washington Square West and the numbering scheme changes, running north to south, beginning with #29 Washington Square West at Waverly Place and ending at #37 at West 3rd Street. Traffic on the street runs southbound (downtown).
A nightclub is a club that is open at night, usually for drinking, dancing and other entertainment. Nightclubs often have a bar and discothèque with a dance floor, laser lighting displays, and a stage for live music or a disc jockey (DJ) who mixes recorded music. Nightclubs tend to be smaller than live music venues like theatres and stadiums, with few or no seats for customers.
The Zanzibar Tavern in Toronto, Ontario, is an adult entertainment nightclub and local landmark found on Toronto's Yonge Street strip. It is one of Toronto's oldest nightclubs, which celebrated its 60th anniversary in 2020. The venue's name is a cheeky reference to the shortest war of history; between the African Sultante and the British Empire.
Kettle of Fish is a historic bar in Greenwich Village, Manhattan, New York City. The bar was opened in 1950 on MacDougal Street, but in 1987 it relocated to the former site of Gerde's Folk City, before moving again in 1999 to its current location on Christopher Street.
