Catwoman (film)

Last updated

Catwoman
Catwoman poster.jpg
Theatrical release poster
Directed by Pitof
Screenplay by
Story by
Based on
Produced by
Starring
Cinematography Thierry Arbogast
Edited bySylvie Landra
Music by Klaus Badelt
Production
companies
Distributed by Warner Bros. Pictures
Release dates
  • July 19, 2004 (2004-07-19)(Los Angeles)
  • July 23, 2004 (2004-07-23)(United States)
Running time
104 minutes [1]
CountryUnited States
LanguageEnglish
Budget$100 million
Box office$82.4 million [2]

Catwoman is a 2004 American superhero film directed by Pitof and written by John Rogers, John Brancato and Michael Ferris from a story by Theresa Rebeck, Brancato and Ferris, with music by Klaus Badelt. It is loosely based on the DC Comics character Catwoman. The film stars Halle Berry, Benjamin Bratt, Lambert Wilson, Frances Conroy, Alex Borstein, and Sharon Stone. Its plot centers on Patience Phillips, a meek graphic designer, who discovers a conspiracy within the cosmetics company she works for that involves a dangerous product that could cause widespread health problems. After being discovered and murdered by the conspirators, Patience is revived by an Egyptian mau cat that grants her superhuman cat-like abilities, allowing her to become the crime-fighting superheroine Catwoman.

Contents

Produced by Village Roadshow Pictures and Denise Di Novi's Di Novi Pictures, Catwoman was released in the United States by Warner Bros. Pictures on July 23, 2004. The film was panned by critics and performed poorly at the box office, grossing $82 million against a budget of $100 million. The film received seven Golden Raspberry Award nominations, winning Worst Picture, Worst Actress (Berry), Worst Director, and Worst Screenplay.

Plot

Artist Patience Phillips is an intelligent, hard working and meek people-pleaser whose main support is her best friend Sally. She works for a cosmetics company called Hedare Beauty, which is ready to ship a new skin cream called Beau-line that is able to reverse the effects of aging. However, when Patience visits the R&D laboratory facility to deliver a redone ad design, she overhears a discussion between scientist Dr. Ivan Slavicky and Laurel Hedare, the wife of company-owner George Hedare, about the dangerous side effects from continually using the product. Laurel's guards discover Patience and are ordered to dispose of her. Patience tries to escape using a conduit pipe, but the minions have it sealed and flush her out of it, drowning her. Washed up on shore, Patience is mysteriously revived by an Egyptian Mau cat named Midnight which had appeared at her apartment earlier; from that moment on, she develops cat-like attributes.

From Midnight's owner, eccentric researcher Ophelia Powers, Patience learns that Egyptian Mau cats serve as messengers of the goddess Bast. Patience realizes that she is now a "Catwoman", reborn with abilities that are both a blessing and a curse. While at home, Patience was annoyed by the pub’s ruckus and lashes out by spraying the amplifiers to mute the noise before hurrying back home to dress up as Catwoman. Disguised as a mysterious vigilante, named Catwoman to hide her identity, Patience, under cover of darkness, searches for answers as to who killed her and why. Eventually, her search (which includes finding Slavicky's body and later being accused of his murder) leads her to Laurel. She asks Laurel to keep an eye on George, to which Laurel agrees. However, when Patience confronts George (who is attending an opera with another woman) as Catwoman, he reveals that he knows nothing about the side effects. The police led by Patience's love interest, detective Tom Lone, arrive and Catwoman escapes. Later on, Laurel murders George for his infidelity and admits to having Dr. Slavicky killed because he wanted to cancel the product's release. She contacts Catwoman and frames her for the murder. Tom then takes Catwoman into custody. Laurel plans to release Beau-line to the public the following day.

Patience slips out of her cell and confronts Laurel in her office, rescuing Tom; who came to question Laurel after second thoughts about Patience's guilt in the process and revealing that Laurel is the one responsible for her death. Laurel reveals the product's side effects: discontinuing its use makes the skin disintegrate, while continuing its use makes the skin as hard as marble and the user impervious to pain. During the fight, she scratches Laurel's face several times, causing Laurel to fall out of a window and grab onto a broken glass pipe. Laurel sees her rapidly disfiguring face in a window's reflection, and horrified, she fails to grab hold of Patience's outstretched hand, releasing herself and falls to death.

Although Patience is cleared of any charges made against her regarding the deaths of Dr. Slavicky and the Hedares, she decides to continue living outside the law and enjoy her newfound freedom as Catwoman.

Cast

Missy Peregrym appears uncredited as the Hedare factory computer monitor image (Beau-line graphics model), depicting the bad effects of the beauty product. [3] A photograph of Michelle Pfeiffer as Selina Kyle in Batman Returns is among various photographs that Ophelia uses to explain the history of former Catwomen. [4]

Production

Development

With Warner Bros. developing Batman Forever in June 1993, a Catwoman spin-off film was announced. Michelle Pfeiffer was cast to reprise her role from Batman Returns , [5] Tim Burton became attached as director, and producer Denise Di Novi and writer Daniel Waters also returned. [6] In January 1994, Burton was unsure of his plans to direct Catwoman or an adaptation of The Fall of the House of Usher . [7] On June 16, 1995, Waters turned in his Catwoman script to Warner Bros., the same day Batman Forever was released. Burton was still being courted to direct. Waters joked that "turning it in the day Batman Forever opened may not have been my best logistical move, in that it's the celebration of the fun-for-the-whole-family Batman. Catwoman is definitely not a fun-for-the-whole-family script". [8] [9] In an August 1995 interview, Pfeiffer reiterated her interest in the spin-off but explained her priorities would be challenged as a mother and commitments to other projects. [10]

The film labored in development hell for years with Ashley Judd as the lead in 2001, [11] [12] but she eventually dropped out [13] so Nicole Kidman was considered. [14] When Warner Bros. canceled a Batman vs. Superman film scheduled for 2004, the studio decided to quickly produce Catwoman as replacement, starring Halle Berry. [15] Warner Bros. mandated that the film should be separate from the Batman universe and not have the character mentioned. [16] Berry chose to be involved with the film after the cancellation of Jinx, a James Bond spin-off featuring her character Giacinta "Jinx" Johnson from Die Another Day (2002). [17] Josh Lucas was considered for the role of Tom Lone. [18]

I checked out some to see how Catwoman is treated in the comics, to make sure that our Catwoman was in the same vein. But I didn't want to be too influenced by the comic book, because the whole point of the movie is to be first a movie, and to be different. Different from Batman, different from Spider-Man – this movie has its own identity. I tried to find my sources more in the character of Catwoman herself. To me, the Catwoman we're filming now with Halle Berry is in the continuity of the others. She's different than Michelle Pfeiffer's character, different from anybody who's played Catwoman in the past. But she is Catwoman. When you look at the differences between the comic book Catwoman and the TV or movie Catwoman, they're all different – but there's a feeling that they are all Catwoman. Halle brings her own personality, through her attitude and through the outfit.

—Director Pitof [19]

Costume

The catsuit was designed by Academy Award-winning costume designer Angus Strathie together with Berry, director Pitof, and producers Di Novi and McDonnell. Strathie explained that they wanted a "reality-based wardrobe to show the progression from demure, repressed Patience to the sensual awakening of a sexy warrior goddess". [20]

Choreography and training

Berry started intensive fitness training with Harley Pasternak in June 2003. [21] Choreographer Anne Fletcher instructed Berry in cat-like movement, [22] and in the Brazilian martial art style Capoeira. [21] Berry was trained to crack a whip by coach Alex Green. [21]

Filming

Principal photography began in late September 2003. Shooting took place on 4th Street in downtown Los Angeles, California, in Winnipeg, Manitoba, at Lionsgate Film Studios, Vancouver, British Columbia, and at Warner Bros. Burbank Studios, 4000 Warner Boulevard, Burbank, California. Most of the cats cast in the film came from animal shelters throughout California. Filming finished in March 2004. [22]

Pitof said reshoots happened as late as June 2004 — one month before release — after working cuts yielded confusing, incomplete dialogue sequences and awkward visual transitions. New scenes were added, including a fresh ending that shifted Patience’s relationship with Tom from a “romantic comedy”-style conclusion, as Pitof calls it, to a darker, open-ended closer. [16]

Release

Halle Berry at the Catwoman premiere in Hamburg, Germany Halle Berry in Hamburg, 2004.jpg
Halle Berry at the Catwoman premiere in Hamburg, Germany

Theatrical

The film was originally given an IMAX release coinciding with the general release as evidenced by a poster with the tagline "CATch Her in IMAX", but Warner Bros. announced its cancellation on June 30, 2004, because the delays on the visual effects did not give IMAX enough time to remaster the film in time for its release.

Home media

Catwoman was released on VHS and DVD on January 18, 2005, and on Blu-ray on September 8, 2009.

Reception

Box office

Catwoman grossed $40.2 million in the United States and Canada, and $42.2 million in other territories, for a worldwide total of $82.4 million against a production budget of $100 million, [2] becoming a box office flop. [23]

The film grossed $16.7 million in its opening weekend at 3,117 theaters with a $5,366 per-theatre average, ranking third behind The Bourne Supremacy and I, Robot . [24] The biggest market in other territories being France, Spain, Japan and Mexico where the film grossed $5.2 million, $4.05 million, $3.05 million and $2.9 million, while topping the Bulgarian weekend listing. [25]

Critical response

The film was critically panned. [23] The Village Voice reported that the critics "universally—and predictably—tore apart Catwoman". [26]

On Rotten Tomatoes, the film has an approval rating of 8% based on 197 reviews, with an average rating of 3.2/10. The site's critical consensus reads: "Halle Berry is the lone bright spot, but even she can't save this laughable action thriller." [27] On Metacritic, the film has a weighted average score of 27 out of 100 based on 35 critics, indicating "generally unfavorable reviews". [28] Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale. [29]

The review from San Diego Metropolitan Magazine praised Berry's appearance in the suit, the dynamic action sequences with Catwoman's whip and the director's efforts to maintain momentum, but criticized the film's script and logical consistency, highlighting the absurdity of certain scenes, and found the actors struggling "to make sense" of the script, ultimately deeming it one of the worst of the year. [30] In a negative review, Kirk Honeycutt of The Hollywood Reporter explained that the film "seems destined to join Showgirls and its ilk as a fast-starting and even faster-fading theatrical release that could enjoy an afterlife as a midnight movie and video/DVD item where viewers supply alternate dialogue". [31]

The film appeared on the list of Roger Ebert's most hated films. [32] He criticized the filmmakers for giving little thought to providing Berry "with a strong character, story, supporting characters or action sequences", but he primarily criticized the film for failing to give the audience a sense of what her character experienced as she was transformed into Catwoman. He rather referred to it as being a movie "about Halle Berry's beauty, sex appeal, figure, eyes, lips, and costume design. It gets those right". [33] On their At the Movies show, Ebert and his former co-host Richard Roeper both gave the film a "thumbs down".[ citation needed ]

In a scholarly analysis of female protagonists in action cinema, Caroline Heldman et al said that the film ends with Catwoman choosing "a solo existence as her sexualized body slinks into the full moon; even this otherwise agentic act is constructed for the consumption of the male gaze that follows her. The film presents her agency, power, and freedom as derivative of her hypersexualization". [34] Bill Muller of The Arizona Republic stated that Berry should possibly give back her 2001 Academy Award as a penalty for the film. [35]

In July 2024, the 20th anniversary of Catwoman, IndieWire described the film as a "superhero cult classic" that "has become a sleeper hit". The film's director Pitof says Catwoman was “ahead of its time” and "People weren’t ready for that kind of movie," due to the film starring the first African American woman as a superhero and states "Now, after some key movements, we have more diversity and inclusiveness. Younger audiences see things differently and are much more open. Back then, comic book fans hated the movie because the film didn’t involve Batman; with a new generation, it’s not a problem. They take it as it is.". [23]

Despite Catwoman being panned by critics who said "it sucked balls" Berry says she loves the film, loved working on it, and is happy that it has gained newfound popularity from a new generation. [36]

Accolades

Berry arrived at the ceremony to accept her Razzie in person while carrying her Best Actress Oscar. She semi-sarcastically described the finished film as "a god-awful movie" and quipped, "It was just what my career needed". [37] She later explained that "The studio [Warner Bros.] knew what I was going to do at the Razzies. I told them I wanted to take the piss out of it and laugh at it [...] I don't think it's a God-awful film, but I was at the Razzies, so I had to do what they do; I shit on it because they shit on it! I wrote [that speech] within an inch of my life. I put a lot of thought into how I could do it in a fun way and let everyone know I didn't take it that seriously. You can never take away my Oscar, no matter how bad you bash me! If you say I earned it, I'll take this, too." [23]

AwardCeremony dateCategorySubjectResult
Golden Raspberry Awards February 26, 2005 Worst Picture Warner Bros. Won
Worst Actress Halle Berry Won
Worst Supporting Actor Lambert Wilson Nominated
Worst Supporting Actress Sharon Stone Nominated
Worst Screen Couple Halle Berry and either Benjamin Bratt or Sharon StoneNominated
Worst Director Pitof Won
Worst Screenplay John Brancato and Michael Ferris, John Rogers Won
Stinkers Bad Movie Awards 2005Worst Picture Warner Bros. Won
Least "Special" Special EffectsWon
Most Intrusive Musical ScoreNominated
Worst ScreenplayNominated
Worst DirectorPitofWon
Worst ActressHalle BerryWon
Worst Supporting ActressSharon StoneWon

Оther media

A video game based on the film was published by Electronic Arts UK and Argonaut Games. Featuring voice actor Jennifer Hale, [38] the game varies from the film's plot and received negative reviews on Metacritic. [39]

In 2003, Warner Bros. approached Boyd Kirkland to write a script for a Catwoman direct-to-video animated feature film to tie-in with the film's release. Although the script was written, the project was discarded due to the film's critical and box office failure. [40]

See also

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References

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  4. ↑ Reinhardt, James (January 25, 2021). "A Catwoman Easter Egg Links the 2004 Flop to Batman Returns". Comic Book Resource. Retrieved July 2, 2023.
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  38. ↑ Jennifer Hale [@jhaletweets] (July 9, 2014). "@MattMcMuscles yep" (Tweet) – via Twitter.
  39. ↑ "Catwoman for Xbox on Metacritic.com" . Retrieved July 24, 2012.
  40. ↑ "The World's Finest - Batman: The Animated Series". Archived from the original on May 30, 2015. Retrieved 2016-11-18.
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