The following is a list of films originally produced and/or distributed theatrically by Metro-Goldwyn-Mayer and released between 1924 and 1929.
The following is a list of films originally produced and/or distributed theatrically by Metro-Goldwyn-Mayer and released between 1924 and 1929.
| Release date | Title | Notes |
|---|---|---|
| April 14, 1924 | Mademoiselle Midnight | Distribution only; produced by Tiffany Productions |
| April 21, 1924 | Sherlock Jr. | Distribution only; produced by Joseph M. Schenck |
| June 23, 1924 | Revelation | |
| August 3, 1924 | Broken Barriers | Considered lost |
| August 4, 1924 | Bread | Considered lost |
| August 11, 1924 | Tess of the d'Urbervilles | Considered lost |
| August 25, 1924 | Little Robinson Crusoe | |
| September 1, 1924 | Sinners in Silk | Considered lost |
| September 8, 1924 | The Red Lily | |
| September 15, 1924 | Yolanda | Distribution only; produced by William Randolph Hearst for the Cosmopolitan Corporation |
| September 15, 1924 | Wine of Youth | |
| September 29, 1924 | His Hour | |
| September 29, 1924 | One Night in Rome | |
| October 6, 1924 | The Beauty Prize | Considered lost |
| October 6, 1924 | Circe, the Enchantress | Distribution only; produced by Tiffany Productions |
| October 13, 1924 | The Navigator | Distribution only; presented by Joseph M. Schenck |
| October 20, 1924 | The Bandolero | Considered lost |
| October 27, 1924 | Married Flirts | Considered lost |
| November 3, 1924 | Along Came Ruth | Considered lost |
| November 9, 1924 | He Who Gets Slapped | The first film made completely by MGM as Slats became its first original MGM lion mascot after Goldwyn Pictures took over 2 unknown lions. [1] |
| November 19, 1924 | The Snob | Considered lost |
| November 24, 1924 | The Silent Accuser | |
| November 24, 1924 | So This Is Marriage | Considered lost |
| December 1, 1924 | The Wife of the Centaur | Considered lost |
| December 4, 1924 | Greed | Incomplete |
| December 6, 1924 | Romola | Distribution only; produced by Inspiration Pictures |
| December 8, 1924 | Janice Meredith | Distribution only; produced by William Randolph Hearst |
| December 29, 1924 | The Dixie Handicap | Considered lost |
| Release date | Title | Notes |
|---|---|---|
| January 19, 1925 | Excuse Me | Considered lost |
| February 9, 1925 | Cheaper to Marry | Considered lost |
| February 10, 1925 | Chu-Chin-Chow | US distribution only; made in the UK by Graham-Wilcox Productions; Considered lost |
| February 15, 1925 | The Great Divide | |
| February 16, 1925 | The Rag Man | |
| February 23, 1925 | Lady of the Night | |
| February 23, 1925 | The Prairie Wife | The first sound film with Jackie the Lion as the MGM mascot. Distribution only; produced by Eastern Productions; Considered lost |
| March 11, 1925 | Seven Chances | Distribution only; produced by Buster Keaton Productions, presented by Joseph M. Schenck |
| March 16, 1925 | The Monster | |
| March 22, 1925 | The Denial | |
| March 29, 1925 | Daddy's Gone A-Hunting | |
| March 29, 1925 | The Way of a Girl | |
| March 30, 1925 | Confessions of a Queen | |
| April 13, 1925 | The Sporting Venus | |
| April 20, 1925 | Man and Maid | Considered lost |
| April 27, 1925 | Proud Flesh | |
| May 2, 1925 | Zander the Great | Distribution only; produced by William Randolph Hearst for the Cosmopolitan Corporation |
| May 4, 1925 | The White Desert | |
| August 16, 1925 | The Unholy Three | remade in 1930 |
| August 26, 1925 | The Merry Widow | remade in 1934 |
| September 6, 1925 | Pretty Ladies | Incomplete; technicolor sequences missing |
| September 13, 1925 | Never the Twain Shall Meet | Distribution only; produced by William Randolph Hearst for Cosmopolitan |
| September 20, 1925 | Sun-Up | |
| September 22, 1925 | The Circle | |
| September 23, 1925 | A Slave of Fashion | Considered lost |
| September 27, 1925 | The Mystic | |
| October 4, 1925 | Exchange of Wives | |
| October 4, 1925 | The Midshipman | Produced under the supervision of the U. S. Navy Department |
| October 11, 1925 | The Tower of Lies | Considered lost |
| November 1, 1925 | Go West | Distribution only; produced by Buster Keaton Productions |
| November 5, 1925 | The Big Parade | |
| November 8, 1925 | Lights of Old Broadway | A Cosmopolitan production |
| November 8, 1925 | Time, the Comedian | |
| November 9, 1925 | Old Clothes | |
| November 15, 1925 | Bright Lights | Considered lost |
| November 15, 1925 | Don't | Considered lost |
| November 22, 1925 | The Only Thing | |
| December 6, 1925 | His Secretary | Considered lost |
| December 13, 1925 | The Masked Bride | Considered lost |
| December 20, 1925 | Soul Mates | |
| December 27, 1925 | The Great Love | Considered lost |
| December 27, 1925 | Sally, Irene and Mary | |
| December 30, 1925 | Ben-Hur | partial Technicolor; remade in 1959 and 2016 |
| Release date | Title | Notes |
|---|---|---|
| January 4, 1926 | Dance Madness | Considered lost |
| January 11, 1926 | The Blackbird | |
| January 11, 1926 | Mike | Incomplete; missing reels 3 & 4 |
| February 1, 1926 | The Auction Block | Considered lost |
| February 15, 1926 | The Devil's Circus | |
| February 15, 1926 | Mare Nostrum | |
| February 21, 1926 | Torrent | A Cosmopolitan production |
| February 24, 1926 | La Bohème | |
| March 1, 1926 | Monte Carlo | |
| March 28, 1926 | The Exquisite Sinner | Unclear |
| April 19, 1926 | Beverly of Graustark | A Cosmopolitan production |
| May 2, 1926 | Brown of Harvard | |
| May 10, 1926 | Money Talks | Incomplete |
| May 17, 1926 | The Boob | |
| May 21, 1926 | The Barrier | Considered lost |
| May 24, 1926 | Paris | |
| June 26, 1926 | Lovey Mary | Incomplete; missing 1 reel |
| June 28, 1926 | The Road to Mandalay | Incomplete |
| July 25, 1926 | A Waltz Dream | US distribution; made in Germany by UFA |
| August 9, 1926 | The Scarlet Letter | |
| August 14, 1926 | The Boy Friend | Considered lost |
| September 4, 1926 | Battling Butler | A Buster Keaton production |
| September 5, 1926 | The Waning Sex | |
| September 26, 1926 | Blarney | Considered lost |
| September 30, 1926 | Bardelys the Magnificent | Incomplete |
| October 10, 1926 | The Temptress | A Cosmopolitan production |
| October 10, 1926 | War Paint | Considered lost. Trailer Survives |
| October 17, 1926 | The Gay Deceiver | Considered lost |
| October 24, 1926 | The Magician | |
| November 7, 1926 | Upstage | |
| November 14, 1926 | The Desert's Toll | |
| November 14, 1926 | Exit Smiling | |
| November 21, 1926 | The Flaming Forest | A Cosmopolitan production |
| November 28, 1926 | There You Are! | Considered lost |
| November 28, 1926 | Tin Hats | incomplete; missing 1 reel |
| December 4, 1926 | Love's Blindness | fragment |
| December 5, 1926 | Faust | US distribution; made in Germany by UFA |
| December 18, 1926 | Valencia | |
| December 20, 1926 | The Fire Brigade | |
| December 23, 1926 | Tell It to the Marines | |
| Release date | Title | Notes |
|---|---|---|
| January 1, 1927 | A Little Journey | Considered lost |
| January 9, 1927 | Flesh and the Devil | |
| January 15, 1927 | Johnny Get Your Hair Cut | |
| January 22, 1927 | The Show | |
| January 27, 1927 | Winners of the Wilderness | |
| January 29, 1927 | The Red Mill | A Cosmopolitan production |
| February 5, 1927 | Altars of Desire | |
| February 5, 1927 | The Taxi Dancer | |
| February 12, 1927 | Women Love Diamonds | |
| February 19, 1927 | The Demi-Bride | Incomplete |
| February 19, 1927 | The Valley of Hell | Incomplete; 2 reels only |
| February 26, 1927 | The Understanding Heart | A Cosmopolitan production |
| March 12, 1927 | Slide, Kelly, Slide | |
| March 15, 1927 | Heaven on Earth | |
| March 26, 1927 | Mr. Wu | |
| April 2, 1927 | Frisco Sally Levy | Considered lost |
| April 30, 1927 | Rookies | |
| May 1, 1927 | Lovers? | Considered lost |
| May 7, 1927 | California | |
| May 11, 1927 | Annie Laurie | |
| May 14, 1927 | Captain Salvation | |
| May 21, 1927 | Tillie the Toiler | A Cosmopolitan production |
| June 4, 1927 | The Unknown | |
| June 11, 1927 | The Frontiersman | Considered lost |
| June 18, 1927 | The Callahans and the Murphys | fragment |
| June 25, 1927 | On Ze Boulevard | |
| July 9, 1927 | Twelve Miles Out | |
| August 6, 1927 | The Bugle Call | Considered lost |
| August 13, 1927 | Mockery | |
| August 20, 1927 | After Midnight | |
| August 27, 1927 | Adam and Evil | Considered lost |
| September 2, 1927 | The Garden of Allah | |
| September 3, 1927 | Foreign Devils | |
| September 21, 1927 | The Student Prince in Old Heidelberg | |
| October 1, 1927 | Body and Soul | |
| October 1, 1927 | The Fair Co-Ed | A Marion Davies production |
| October 9, 1927 | The Road to Romance | |
| October 13, 1927 | The Thirteenth Hour | |
| October 22, 1927 | Spring Fever | |
| October 29, 1927 | Tea for Three | Considered lost |
| November 1, 1927 | Quality Street | |
| November 12, 1927 | Becky | A Cosmopolitan production |
| November 19, 1927 | Man, Woman and Sin | |
| November 20, 1927 | In Old Kentucky | |
| November 27, 1927 | Love | Synchronized sound film (1928 re-release) |
| December 3, 1927 | London After Midnight | Considered lost |
| December 8, 1927 | The Enemy | |
| December 10, 1927 | Spoilers of the West | |
| December 17, 1927 | The Lovelorn | A Cosmopolitan production |
| December 24, 1927 | Buttons | considered lost |
| Release date | Title | Notes |
|---|---|---|
| January 8, 1928 | Baby Mine | Considered lost |
| January 8, 1928 | West Point | Produced by permission of the War Department with cooperation of the U. S. Military Academy |
| January 14, 1928 | The Divine Woman | Incomplete; one reel and two fragments survive |
| January 21, 1928 | The Law of the Range | |
| January 28, 1928 | Wickedness Preferred | Considered lost |
| February 4, 1928 | The Latest from Paris | Incomplete; missing reel 4 |
| February 11, 1928 | Rose-Marie | Considered lost |
| February 18, 1928 | The Crowd | |
| March 4, 1928 | The Smart Set | |
| March 17, 1928 | Bringing Up Father | |
| March 20, 1928 | The Trail of '98 | Synchronized sound film |
| March 24, 1928 | The Big City | |
| March 24, 1928 | Under the Black Eagle | |
| March 24, 1928 | Wyoming | Considered lost |
| March 31, 1928 | Circus Rookies | Considered lost |
| April 7, 1928 | Across to Singapore | Incomplete |
| April 14, 1928 | Laugh, Clown, Laugh | Synchronized sound film |
| April 21, 1928 | Riders of the Dark | |
| April 22, 1928 | The Patsy | |
| April 28, 1928 | The Actress | Considered lost |
| May 5, 1928 | Diamond Handcuffs | Considered lost |
| May 19, 1928 | A Certain Young Man | Considered lost |
| June 9, 1928 | Detectives | |
| June 16, 1928 | Forbidden Hours | |
| June 23, 1928 | The Cossacks | Synchronized sound film |
| June 30, 1928 | Mademoiselle from Armentieres | US distribution; made in the UK by Gaumont British |
| June 30, 1928 | Telling the World | |
| July 14, 1928 | The Adventurer | Considered lost |
| July 26, 1928 | Skirts | US distribution; made in the UK by British International Pictures; Incomplete |
| August 4, 1928 | The Mysterious Lady | |
| August 11, 1928 | Four Walls | Considered lost |
| August 15, 1928 | Beau Broadway | Considered lost |
| September 1, 1928 | Our Dancing Daughters | Synchronized sound film; A Cosmopolitan production |
| September 2, 1928 | The Cardboard Lover | |
| September 8, 1928 | Excess Baggage | Synchronized sound film; Considered lost |
| September 15, 1928 | Beyond the Sierras | |
| September 15, 1928 | While the City Sleeps | Synchronized sound film |
| September 22, 1928 | The Cameraman | |
| September 27, 1928 | The Baby Cyclone | Synchronized sound film; Considered lost |
| October 26, 1928 | Shadows of the Night | |
| November 2, 1928 | The Viking | Synchronized sound film; Presented by Herbert T. Kalmus First color feature with a soundtrack, however its not the first color film by MGM. The first MGM color films have 2 completely lost films with a missing lion mascot named Numa, (nicknamed Bill) called "Buffalo Bill's Last Flight" (1927) and "The Heart of General E. Lee" (1928). First film with Telly the Lion as the first color MGM mascot, however Jackie still took over the black and white era. |
| November 10, 1928 | White Shadows in the South Seas | Synchronized sound film |
| November 15, 1928 | Alias Jimmy Valentine | Part-talkie; first MGM feature with talking sequences |
| November 17, 1928 | The Bushranger | Considered lost |
| November 17, 1928 | The Masks of the Devil | Synchronized sound film; Considered lost |
| November 20, 1928 | Show People | Synchronized sound film |
| November 23, 1928 | The Wind | Synchronized sound film |
| November 24, 1928 | West of Zanzibar | Synchronized sound film |
| December 1, 1928 | Dream of Love | Synchronized sound film; Considered lost |
| December 1, 1928 | A Lady of Chance | Synchronized sound film |
| December 15, 1928 | A Woman of Affairs | Synchronized sound film |
| December 23, 1928 | Brotherly Love | Part-talkie; Considered lost |
| December 29, 1928 | Honeymoon | |
| Release date | Title | Notes |
|---|---|---|
| January 5, 1929 | Morgan's Last Raid | Considered lost |
| January 12, 1929 | A Single Man | Considered lost |
| January 12, 1929 | Confession | |
| January 19, 1929 | The Flying Fleet | Synchronized sound film; Produced with the sanction of the U. S. Navy |
| January 23, 1929 | The Bellamy Trial | Part-Talkie; A Hearst News Service production; Incomplete |
| February 1, 1929 | The Broadway Melody | All-Talking sound film; Technicolor sequences; Winner of the Academy Award for Best Picture; the first MGM film to win Best Picture First full-talking MGM feature; also released in a silent version which was 3,429 feet shorter than the version with dialogue. |
| February 9, 1929 | All at Sea | |
| February 11, 1929 | Napoleon | US distribution; made in France by the Films Abel Gance (a Gaumont-Metro presentation) |
| February 16, 1929 | Casanova/The Loves of Casanova | US distribution; made in France by the Société des Cinéromans |
| February 23, 1929 | Wild Orchids | Synchronized sound film |
| March 2, 1929 | The Overland Telegraph | |
| March 4, 1929 | Spies | US distribution; made in Germany by UFA |
| March 16, 1929 | The Duke Steps Out | Synchronized sound film; Considered lost |
| March 23, 1929 | The Great Power | All-Talking sound film; Considered lost |
| March 23, 1929 | Tide of Empire | Synchronized sound film |
| March 29, 1929 | Desert Nights | Synchronized sound film |
| March 30, 1929 | The Bridge of San Luis Rey | Part-Talkie |
| April 6, 1929 | Spite Marriage | Synchronized sound film |
| April 13, 1929 | The Voice of the City | All-Talking sound film; A Cosmopolitan production |
| April 20, 1929 | Sioux Blood | |
| April 27, 1929 | The Pagan | Synchronized sound film |
| May 4, 1929 | Where East is East | Synchronized sound film |
| May 11, 1929 | The Desert Rider | |
| May 25, 1929 | A Man's Man | Synchronized sound film; Considered lost |
| May 28, 1929 | China Bound | |
| June 8, 1929 | The Trial of Mary Dugan | All-Talking sound film |
| June 15, 1929 | The Idle Rich | All-Talking sound film |
| July 8, 1929 | Thunder | Synchronized sound film; Incomplete |
| July 13, 1929 | Wonder of Women | Part-Talkie; Considered lost |
| July 26, 1929 | The Last of Mrs. Cheyney | All-Talking sound film |
| July 27, 1929 | The Single Standard | Synchronized sound film |
| August 17, 1929 | Madame X | All-Talking sound film |
| August 20, 1929 | Hallelujah | All-Talking sound film |
| August 24, 1929 | Marianne | All-Talking sound film; A Marion Davies production |
| August 24, 1929 | Our Modern Maidens | Synchronized sound film |
| August 31, 1929 | The Girl in the Show | All-Talking sound film |
| September 7, 1929 | Speedway | Synchronized sound film |
| September 14, 1929 | The Unholy Night | All-Talking sound film |
| September 21, 1929 | Wise Girls | All-Talking sound film |
| September 28, 1929 | His Glorious Night | All-Talking sound film |
| October 5, 1929 | The Mysterious Island | Part-Talkie; All Technicolor |
| October 19, 1929 | The Thirteenth Chair | All-Talking sound film |
| November 8, 1929 | So This Is College | All-Talking sound film |
| November 16, 1929 | The Kiss | Synchronized sound film; MGM's last film without audible dialogue; From this point onward, all released MGM films were All-Talking sound films. |
| November 23, 1929 | The Hollywood Revue of 1929 | All-Talking sound film; Technicolor sequences; Nominated for Academy Award for Best Picture |
| November 23, 1929 | Untamed | All-Talking sound film |
| December 6, 1929 | It's a Great Life | All-Talking sound film; Technicolor sequences |
| December 20, 1929 | Navy Blues | All-Talking sound film |
| December 27, 1929 | Devil-May-Care | All-Talking sound film; Technicolor sequences |
| December 27, 1929 | Their Own Desire | All-Talking sound film |
Trader Horn is a 1931 American Pre-Code adventure film directed by W.S. Van Dyke and starring Harry Carey and Edwina Booth. It is the first non-documentary film shot on location in Africa. The film is based on the book of the same name by trader and adventurer Alfred Aloysius Horn and tells of adventures on safari in Africa.
Samuel Goldwyn, also known as Samuel Goldfish, was a Polish-born American film producer and pioneer in the American film industry, who produced Hollywood's first major motion picture. He was best known for being the founding contributor and executive of several motion picture studios in Hollywood. He was awarded the 1973 Golden Globe Cecil B. DeMille Award, the Irving G. Thalberg Memorial Award (1947) and the Jean Hersholt Humanitarian Award (1958).
Goldwyn Pictures Corporation was an American motion picture production company that operated from 1916 to 1924 when it was merged with two other production companies to form the major studio, Metro-Goldwyn-Mayer. It was founded on November 19, 1916, by Samuel Goldfish, an executive at Lasky's Feature Play Company, and Broadway producer brothers Edgar and Archibald Selwyn, using an amalgamation of both last names to name the company.
The Samuel Goldwyn Company was an American independent film company founded by Samuel Goldwyn Jr., the son of the famous Hollywood mogul, Samuel Goldwyn, in 1978.
Samuel Goldwyn Films, LLC is an American film company that licenses, releases and distributes art-house, independent and foreign films. It was founded by Samuel Goldwyn Jr., the son of the Hollywood business magnate/mogul, Samuel Goldwyn. The current incarnation is a successor to The Samuel Goldwyn Company.
Metro Pictures Corporation was a motion picture production company founded in early 1915 in Jacksonville, Florida. It was a forerunner of Metro-Goldwyn-Mayer. The company produced its films in New York, Los Angeles, and sometimes at leased facilities in Fort Lee, New Jersey. It was purchased in 1919.
The Sony Pictures Studios is an American television and film studio complex located in Culver City, California at 10202 West Washington Boulevard and bounded by Culver Boulevard (south), Washington Boulevard (north), Overland Avenue (west) and Madison Avenue (east). Founded in 1912, the facility is currently owned by Sony Pictures and houses the division's film studios, such as Columbia Pictures, TriStar Pictures, and Screen Gems. The complex was the original studios of Metro-Goldwyn-Mayer from 1924 to 1986 and Lorimar-Telepictures from 1986 to 1988.
Samuel Goldwyn Studio was the name that Samuel Goldwyn used to refer to the lot located on the corner of Formosa Avenue and Santa Monica Boulevard in West Hollywood, California, as well as the offices and stages that his company, Samuel Goldwyn Productions, rented there during the 1920s and 1930s. At various times, the location was also known as Pickford–Fairbanks Studios, the United Artists Studio, Warner Hollywood Studios, and its name since 1999, The Lot at Formosa.
Samuel Goldwyn Productions was an American film production company founded by Samuel Goldwyn in 1923, and active through 1959. Personally controlled by Goldwyn and focused on production rather than distribution, the company developed into the most financially and critically successful independent production company in Hollywood's Golden Age.
This is a complete list of the 166 shorts in the Tom and Jerry series produced and released between 1940 and 2021. Of these, 162 are theatrical shorts, one is a made-for-TV short, one is a two-minute sketch shown as part of a telethon, and two are special shorts released on HBO Max.
MGM Animation/Visual Arts was an American animation studio established in 1962 by animation director/producer Chuck Jones, producer Les Goldman and executive Walter Bien as Sib Tower 12 Productions. Its productions include the last series of Tom and Jerry theatrical shorts, the TV specials Horton Hears a Who! and How the Grinch Stole Christmas!, and the feature film The Phantom Tollbooth, all released by Metro-Goldwyn-Mayer.
Metro-Goldwyn-Mayer Animation was an American animation division of Metro-Goldwyn-Mayer, that specializes in animated productions for theatrical features and television, and based in Hollywood, California. It was founded in 1993 and primarily involved in producing children's entertainment based upon MGM's ownership of intellectual properties, such as The Pink Panther, The Lionhearts, The Secret of NIMH, and All Dogs Go to Heaven.
This is a list of feature films originally released and/or distributed by Metro-Goldwyn-Mayer.
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The Adventures of Huckleberry Finn is a 1960 American adventure drama film directed by Michael Curtiz. Based on the 1884 novel of the same name by Mark Twain, it was the third sound film version of the story and the second filmed by Metro-Goldwyn-Mayer. The film was the first adaptation of Huckleberry Finn to be filmed in CinemaScope and Technicolor. It stars Eddie Hodges as Huck and former boxer Archie Moore as the runaway slave Jim. Tony Randall also appeared in the film, and Buster Keaton had a bit role in what proved to be his final film for Metro-Goldwyn-Mayer, his former studio. Neville Brand portrayed Pap Finn, Huck's alcoholic father.
Dulcy is a 1923 American silent comedy film directed by Sidney A. Franklin and starring Constance Talmadge. The film was adapted from the Broadway production of the same name written by George S. Kaufman and Marc Connelly. The play opened in New York in August 1921 and ran for 241 performances.
Sheldon v. Metro-Goldwyn Pictures Corp., 309 U.S. 390 (1940), was a United States Supreme Court case in which the Court held, in the case of an unauthorized adaptation, courts may elect to award only a portion of an infringer's profits to the plaintiff. The proportion that the defendant is entitled to keep is in proportion to the amount of original creative work that went into the adaptation, and the court may be assisted in determining that by expert witness testimony. The Court found that awarding more to the plaintiff "would be to inflict an unauthorized penalty."