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This is a list of depictions of dystopian themes in music, TV programmes and games, including computer games and role-playing games.
The following lists musical artists whose discography prominently features dystopian themes.
The following lists albums that prominently feature dystopian themes.
The following lists songs that feature dystopian themes.
Utopian and dystopian fiction are genres of speculative fiction that explore social and political structures. Utopian fiction portrays a setting that agrees with the author's ethos, having various attributes of another reality intended to appeal to readers. Dystopian fiction offers the opposite: the portrayal of a setting that completely disagrees with the author's ethos. Some novels combine both genres, often as a metaphor for the different directions humility can take depending on its choices, ending up with one of two possible futures. Both utopias and dystopias are commonly found in science fiction and other types of speculative fiction.
Apocalyptic and post-apocalyptic fiction is a subgenre of speculative fiction in which the Earth's civilization is collapsing or has collapsed. The apocalypse event may be climatic, such as runaway climate change; astronomical, such as an impact event; destructive, such as nuclear holocaust or resource depletion; medical, such as a pandemic, whether natural or human-caused; end time, such as the Last Judgment, Second Coming or Ragnarök; or more imaginative, such as a zombie apocalypse, cybernetic revolt, technological singularity, dysgenics or alien invasion.
We is a dystopian novel by Russian writer Yevgeny Zamyatin, written 1920–1921. It was first published as an English translation by Gregory Zilboorg in 1924 by E. P. Dutton in New York, with the original Russian text first published in 1952. The novel describes a world of harmony and conformity within a united totalitarian state. It influenced the emergence of dystopia as a literary genre. George Orwell claimed that Aldous Huxley's 1931 Brave New World must be partly derived from We, but Huxley denied this.
The exploration of politics in science fiction is arguably older than the identification of the genre. One of the earliest works of modern science fiction, H. G. Wells’ The Time Machine, is an extrapolation of the class structure of the United Kingdom of his time, an extreme form of social Darwinism; during tens of thousands of years, human beings have evolved into two different species based on their social class.
Social science fiction is a subgenre of science fiction, usually soft science fiction, concerned less with technology/space opera and more with speculation about society. In other words, it "absorbs and discusses anthropology" and speculates about human behavior and interactions.
Subterranean fiction is a subgenre of adventure fiction, science fiction, or fantasy which focuses on fictional underground settings, sometimes at the center of the Earth or otherwise deep below the surface. The genre is based on, and has in turn influenced, the Hollow Earth theory. The earliest works in the genre were Enlightenment-era philosophical or allegorical works, in which the underground setting was often largely incidental. In the late 19th century, however, more pseudoscientific or proto-science-fictional motifs gained prevalence. Common themes have included a depiction of the underground world as more primitive than the surface, either culturally, technologically or biologically, or in some combination thereof. The former cases usually see the setting used as a venue for sword-and-sorcery fiction, while the latter often features cryptids or creatures extinct on the surface, such as dinosaurs or archaic humans. A less frequent theme has the underground world much more technologically advanced than the surface one, typically either as the refugium of a lost civilization, or as a secret base for space aliens.
References to George Orwell's 1949 dystopian political novel Nineteen Eighty-Four themes, concepts and plot elements are also frequent in other works, particularly popular music and video entertainment.
References to climate change in popular culture have existed since the late 20th century and increased in the 21st century. Climate change, its impacts, and related human-environment interactions have been featured in nonfiction books and documentaries, but also literature, film, music, television shows and video games.
A relatively common motif in speculative fiction is the existence of single-gender worlds or single-sex societies. These fictional societies have long been one of the primary ways to explore implications of gender and gender-differences in science fiction and fantasy. Many of these predate a widespread distinction between gender and sex and conflate the two.
A dystopia is a speculated community or society that is undesirable or frightening. It is often treated as an antonym of utopia, a term that was coined by Sir Thomas More and figures as the title of his best known work, published in 1516, which created a blueprint for an ideal society with minimal crime, violence and poverty. The relationship between utopia and dystopia is in actuality not one simple opposition, as many utopian elements and components are found in dystopias as well, and vice versa.
Portrayals of survivalism, and survivalist themes and elements such as survival retreats have been fictionalised in print, film, and electronic media. This genre was especially influenced by the advent of nuclear weapons, and the potential for societal collapse in light of a Cold War nuclear conflagration.
Dystopia is the tenth studio album by American heavy metal band Iced Earth. Released on October 17, 2011, it was the band's first album to feature vocalist Stu Block, who joined after previous vocalist Matt Barlow left the band. Dystopia was also the only Iced Earth studio album to feature bassist Freddie Vidales and drummer Brent Smedley until his return in 2015.
Climate fiction is literature that deals with climate change and global warming. Not necessarily speculative in nature, works may take place in the world as we know it or in the near future. The genre frequently includes science fiction and dystopian or utopian themes, imagining the potential futures based on how humanity responds to the impacts of climate change. Technologies such as climate engineering or climate adaptation practices often feature prominently in works exploring their impacts on society. Climate fiction is distinct from petrofiction which deals directly with the petroleum culture and economy.
"Dystopia" is a song by American heavy metal band Megadeth, written by Dave Mustaine. It is the second and title track from their fifteenth studio album Dystopia, which was released on January 22, 2016. The song was released early on streaming services on January 7, 2016.
