"Locomotion" | ||||
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Single by Orchestral Manoeuvres in the Dark | ||||
from the album Junk Culture | ||||
B-side |
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Released | 2 April 1984 | |||
Studio | Various
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Genre | ||||
Length | 3:53 5:22 (Extended Mix) | |||
Label | Virgin | |||
Songwriter(s) |
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Producer(s) |
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Orchestral Manoeuvres in the Dark singles chronology | ||||
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Shaped picture disc | ||||
Music video | ||||
"Orchestral Manoeuvres In The Dark - Locomotion" on YouTube |
"Locomotion" is a song by the English electronic band Orchestral Manoeuvres in the Dark (OMD),released on 2 April 1984 as the lead single from their fifth studio album, Junk Culture (1984). It was one of the band's biggest European hits,charting within the Top 5 in the UK,Ireland,Belgium and the Netherlands,while also peaking at No. 14 in Germany.
"Locomotion" has been included on every OMD singles and greatest hits compilation album.
"Locomotion" was recorded during the last week of sessions at Montserrat before the drums were overdubbed at ICP Studios in Brussels. The original song was combined with a steel drum rhythm that Paul Humphreys had written the previous week and a bass line and piano that Gordian Troeller (the band's manager) contributed. The Fairlight CMI sampler was used to create the song's bass line,which according to bassist Andy McCluskey,"...was sampled and sequenced all in one go on the Fairlight." [2] The track was mixed and the brass added at Wisseloord Studios in the Netherlands;the brass arrangements were made by Tony Visconti. The song marries downcast lyrics with upbeat melodies. [3]
Jean-Pierre Berckmans shot the official video. Taking advantage of where they were living at the time,the band filmed this video in Ostend and Brussels,Belgium.. Frontman Andy McCluskey recalled,"Funniest part of it was trying to look like we were on a Caribbean cruise in the middle of Ostend harbour at 2 in the morning on that sailing ship and you can see the hot air coming out as breath when I'm singing!" [4] The Belgian model Anne Beyens appears in the video.
Live recordings of "Locomotion" have been issued on the 12" releases of the singles "La Femme Accident" (1985) "If You Leave" (1986) and the second CD single of "Everyday" (1993),as well as on the Architecture &Morality &More and Live in Berlin albums. [5]
"Locomotion",which marked a move toward more pop-oriented material for OMD,faced initial criticism –notably on BBC Radio 1's Round Table show. [6] Debbi Voller of Number One wrote,"OMD have... travelled Second Class. This sounds like a chugging steam train because it never picks up speed. The only thing it's got going for it is a steel band playing on board." [7] In Music Week ,Jerry Smith referred to a "pretty uninteresting,unambitious and unexciting single". [8]
Conversely,Tom Hibbert of Smash Hits saw "Locomotion" as a return to form after the commercially unsuccessful Dazzle Ships ,observing a "swingy dance number that contains sharp horns,sparkling steel drums and no references whatsoever to genetic engineering. Pleasant." [9] The North Wales Weekly News called the single "[OMD's] best since 'Enola Gay'." [10] KROQ ranked it the 31st-greatest song of 1984. [11]
Critic Dave Thompson praised "Locomotion" in a retrospective review for AllMusic,writing,"Everything about this number spells lightness:the breezy melody,the tootling synths,the giddy keyboards,and —best of all —the band's effervescent harmonies." [3] Louder Than War journalist Paul Scott-Bates remarked,"In terms of a pop song,it borders classic –instantly recognisable from the first few seconds,a chorus that everyone knows and verses that were as memorable as choruses." [12]
New Order co-founder Peter Hook –a longtime fan of OMD [13] –disapproved of the track,calling it a "dreadful offering". [14] On the other hand,Barenaked Ladies drummer Tyler Stewart contemplated "Locomotion" as his favourite OMD song,describing it as "darn good". [15]
All formats featured "Her Body in My Soul" on the B-side. There is an additional track on the 12" vinyl and 3" CD singles,"The Avenue". Both songs can be found on the B-sides compilation album, Navigation:The OMD B-Sides (2001). "The Avenue" was the first song recorded at Montserrat and deals with the repetition of mistakes that people have made before you. The sample used in the song is taken from the Andrei Tarkovsky film Stalker (1979). [16]
"The Avenue" was placed at no. 5 in Classic Pop 's "Top 20 B-sides of the 80s". [17]
No. | Title | Length |
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1. | "Locomotion" | 3:53 |
No. | Title | Length |
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2. | "Her Body in My Soul" | 4:40 |
No. | Title | Length |
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1. | "Locomotion" (12" Version) | 5:22 |
No. | Title | Length |
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2. | "Her Body in My Soul" | 4:44 |
3. | "The Avenue" | 4:14 |
No. | Title | Length |
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1. | "Locomotion" | 3:54 |
No. | Title | Length |
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2. | "Tesla Girls" | 3:49 |
3. | "Talking Loud and Clear" | 4:18 |
Released 25 July 1988 , Virgin / CDT 12. [18]
No. | Title | Length |
---|---|---|
1. | "Locomotion" (12" Version) | 5:22 |
2. | "Her Body in My Soul" | 4:44 |
3. | "The Avenue" | 4:14 |
Weekly charts
| Year-end charts
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Orchestral Manoeuvres in the Dark (OMD) are an English electronic band formed on the Wirral, Merseyside, in 1978. The group consists of founding duo and principal songwriters Andy McCluskey and Paul Humphreys, along with Martin Cooper and Stuart Kershaw (drums). Regarded as pioneers of electronic music, OMD combined an experimental, minimalist ethos with pop sensibilities, becoming key figures in the emergence of synth-pop; McCluskey and Humphreys also introduced the "synth duo" format to British popular music. In the United States, the band were an early presence in the MTV-driven Second British Invasion.
George Andrew McCluskey is an English singer, songwriter, musician and record producer. He is best known as the lead singer and bass guitarist of the electronic band Orchestral Manoeuvres in the Dark (OMD), which he founded alongside keyboard player Paul Humphreys in 1978: McCluskey has been the group's sole constant member. He has sold over 40 million records with OMD, and is regarded as a pioneer of electronic music in the UK. McCluskey is noted for his frenetic onstage "Trainee Teacher Dance".
Junk Culture is the fifth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 30 April 1984 by Virgin Records. After the commercial disappointment of the experimental Dazzle Ships (1983), OMD and Virgin intended for the group to shift towards a more accessible sound on its follow-up release. The band retained much of their early experimental approach but embraced a wider range of influences than previously, drawing inspiration from pop, dance, Latin and black music. Frontman Andy McCluskey characterised Junk Culture as "the catchiest, poppiest album [OMD] ever made".
Architecture & Morality is the third studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 6 November 1981 by Dindisc. Inspired by religious music, the group sought to broaden their musical palette by utilising elaborate choral samples, the Mellotron, and other new instruments to create a more naturalistic, emotive sound. The artwork was designed by longtime OMD collaborator Peter Saville, along with associate Brett Wickens, while its title was derived from the book Morality and Architecture by David Watkin.
Crush is the sixth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 17 June 1985 by Virgin Records. It is the first of two OMD studio albums to be produced by Stephen Hague. Aimed primarily at the US market, Crush is notable for moving the group towards a more polished sound, although elements of earlier experimentation are still present. During recording the band employed a greater use of organic instrumentation than in the past.
The OMD Singles is a singles compilation album by Orchestral Manoeuvres in the Dark, released in 1998. It reached number 16 on the UK Albums Chart. Originally, the compilation was to include a second disc of new remixes; however, this idea was abandoned due to budget limitations. The few remixes that were produced were released separately as The OMD Remixes. In 2003, The OMD Singles was reissued in France with the remix disc finally included, comprising the 1998 remixes as well as additional remixes. In the same year Virgin also released a two-disc box set comprising The OMD Singles and Navigation: The OMD B-Sides.
The Best of OMD is a compilation album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1988; marking a decade since the band's beginnings. The record essentially delineates the group's experimental early years from their pop-oriented later work: side one features recordings from 1979 to 1984, while side two is drawn from the group's 1984–1988 efforts.
"So in Love" is a 1985 song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the first single from their album Crush. It reached the top 30 of both the UK Singles Chart and the US Billboard Hot 100, becoming their first entry on the latter. The track was a top 10 hit in Belgium and Holland.
"Walking on the Milky Way" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD). It was released as a single on 5 August 1996 and appeared on their Universal album a month later. The song reached number 17 on the UK Singles Chart, becoming the group's first UK top-20 hit in over five years, and their last UK top-40 single. The band were flanked by a full string orchestra for their Top of the Pops performance of the song broadcast on 16 August 1996.
"Sailing on the Seven Seas" is a song by English electronic music band Orchestral Manoeuvres in the Dark (OMD), released on 18 March 1991 by Virgin as the first single from their eighth studio album, Sugar Tax (1991). Along with 1981's "Souvenir", it is the band's highest-charting UK hit to date, peaking at number three on the UK Singles Chart. It also charted at number three in Austria and Sweden, number five in Ireland and number nine in Germany. The single was the first to be released by OMD without co-founder Paul Humphreys, who had left to form his own band the Listening Pool.
"Pandora's Box" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released by Virgin on 24 June 1991 as the second single from their eighth studio album, Sugar Tax (1991). The song, which deals with the less glamorous side of celebrity, was inspired by silent film actress Louise Brooks and is named after the 1929 film Pandora's Box in which she starred.
"Secret" is a 1985 song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the second single from their album Crush. Paul Humphreys sings lead vocals on the track. It became their second US Billboard Hot 100 entry, peaking at number 63, and also made number 34 on the UK Singles Chart.
"Joan of Arc (Maid of Orleans)" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1982 as the third single from their third studio album, Architecture & Morality. To prevent confusion with the group's previous single "Joan of Arc", the song was retitled "Maid of Orleans (The Waltz Joan of Arc)" for its single release. Both songs are about the French heroine Joan of Arc and both reached the Top 5 of the UK Singles Chart—although this release was more successful internationally, topping the charts in several countries including Germany, where it was the biggest-selling single of 1982. "Maid of Orleans" has sold four million copies worldwide.
"Messages" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD) from their self-titled debut studio album (1980). A re-recorded version of the song was released on 2 May 1980 as the album's third and final single, reaching number 13 on the UK Singles Chart and becoming OMD's first top-40 entry. As with their debut single "Electricity", "Messages" features a melodic synth break instead of a sung chorus.
"Stand Above Me" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released by Virgin Records as the first single from their ninth album, Liberator (1993), and their 26th single overall. It was the last OMD single released on a 12-inch format before the group took a break in 1996. The next 12-inch to be released under the OMD name was "Metroland" in March 2013.
"Talking Loud and Clear" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 4 June 1984 as the second single from their fifth studio album Junk Culture (1984). The single was a European hit, reaching the Top 10 in Ireland, Belgium and the Netherlands, and No. 11 in the UK. It also charted at No. 18 in Germany. The song was edited for its 7" single release.
"Tesla Girls" is a song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the third single from their fifth studio album, Junk Culture (1984). It peaked at No. 21 in the UK and Ireland, and No. 8 on the Dutch Top 40. Although only moderately successful on the charts, it became one of the group's biggest club hits.
"Never Turn Away" is a song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 29 October 1984 as the fourth and final single from their fifth studio album, Junk Culture (1984). Paul Humphreys sings lead vocals on the track.
"(Forever) Live and Die" is a 1986 song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the first single from their seventh studio album, The Pacific Age. Paul Humphreys sings lead vocals on the track. The single peaked at No. 11 on the UK Singles Chart. It was a top 10 hit in Canada and several European territories, and a top 20 hit in the United States, Australia, New Zealand, and Ireland.
"Dreaming" is a song by English electronic band Orchestral Manoeuvres in the Dark initially released in January 1988 as a single from their compilation album The Best of OMD.
I liked OMD a lot as a group. I always thought they were really, really good; nice guys, too.