Movin' Right Along | ||||
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Studio album by Arnett Cobb | ||||
Released | 1960 | |||
Recorded | February 16 & 17, 1960 Van Gelder Studio, Englewood Cliffs, New Jersey | |||
Genre | Jazz | |||
Length | 36:25 | |||
Label | Prestige PRLP 7175 | |||
Producer | Esmond Edwards | |||
Arnett Cobb chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic |
Movin' Right Along is an album by saxophonist Arnett Cobb recorded in 1960 for the Prestige label. [2]
Arnett Cleophus Cobb was an American jazz tenor saxophonist, sometimes known as the "Wild Man of the Tenor Sax" because of his uninhibited stomping style. Cobb wrote the words and music for the jazz standard "Smooth Sailing" (1951), which Ella Fitzgerald recorded for Decca on her album Lullabies of Birdland.
Prestige Records is a jazz record company and label founded in 1949 by Bob Weinstock in New York City. The company recorded hundreds of albums by many of the leading jazz musicians of the day, sometimes issuing them under subsidiaries. In 1971, the company was sold to Fantasy, which was later absorbed by Concord.
The Allmusic review awarded the album 4 stars and stated: "Movin' Right Along is a warm, stimulating set. Recorded in two days in February 1960, the album finds Arnett Cobb and a few friends playing an energetic, straight-ahead set". [1]
All compositions by Arnett Cobb except as indicated
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B♭ (while the Alto is pitched in the key of E♭), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F♯ key have a range from A♭2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists".
Thomas Lee Flanagan was an American jazz pianist and composer. He grew up in Detroit, initially influenced by such pianists as Art Tatum, Teddy Wilson, and Nat King Cole, and then by the newer bebop musicians. Within months of moving to New York in 1956, he had recorded with Miles Davis and on Sonny Rollins' landmark Saxophone Colossus. Recordings under various leaders, including the historically important Giant Steps of John Coltrane, and The Incredible Jazz Guitar of Wes Montgomery, continued well into 1962, when he became vocalist Ella Fitzgerald's full-time accompanist. He worked with Fitzgerald for three years until 1965, and then in 1968 returned to be her pianist and musical director, this time for a decade.
Robert Henry Timmons was an American jazz pianist and composer. He was a sideman in Art Blakey's Jazz Messengers for two periods, between which he was part of Cannonball Adderley's band. Several of Timmons' compositions written when part of these bands – including "Moanin'", "Dat Dere", and "This Here" – enjoyed commercial success and brought him more attention. In the early and mid-1960s he led a series of piano trios that toured and recorded extensively.
Cedar! is the debut album by pianist Cedar Walton, recorded in 1967 and released on the Prestige label.
Mal/2 is an album by American jazz pianist Mal Waldron recorded in 1957 and released on the Prestige label. The CD reissue added two additional recordings from the same sessions originally released on The Dealers (1957) as bonus tracks.
Cannonball Enroute is an album by the jazz saxophonist Cannonball Adderley, released on the Mercury label, featuring performances with Nat Adderley, Junior Mance, Sam Jones, and Jimmy Cobb. The album was recorded in 1957 but would only be released in 1961.
That's Right! is an album by jazz cornetist Nat Adderley and the Big Sax Section released on the Riverside label featuring Adderley with his brother Cannonball Adderley, Jimmy Heath, Charlie Rouse, Yusef Lateef, Tate Houston, Wynton Kelly, Jim Hall/Les Spann, Sam Jones, and Jimmy Cobb.
Devil May Care is the debut album by American jazz vocalist Teri Thornton featuring tracks recorded in late 1960 and early 1961 for the Riverside label.
The Laws of Jazz is the debut album by jazz flautist Hubert Laws released on the Atlantic label in 1964.
Tough 'Duff is the second album by organist Jack McDuff recorded in 1960 and released on the Prestige label.
Cool "Gator" is the second album led by saxophonist Willis Jackson featuring organist Jack McDuff and guitarist Bill Jennings which was recorded in 1959 and 1960 and released on the Prestige label.
Blow Arnett, Blow is an album by saxophonists Arnett Cobb and Eddie "Lockjaw" Davis recorded in 1959 for the Prestige label.
Party Time is an album by saxophonist Arnett Cobb recorded in 1959 for the Prestige label.
More Party Time is an album by jazz tenor saxophonist Arnett Cobb recorded in 1960 for the Prestige label.
Smooth Sailing is an album by the saxophonist Arnett Cobb recorded in 1959 for the Prestige label and released in 1960.
Sizzlin' is an album by saxophonist Arnett Cobb recorded in 1960 for the Prestige label.
Ballads by Cobb is an album by saxophonist Arnett Cobb recorded in 1960 for the Moodsville label.
Soul Summit Vol 2 is an album by saxophonist Gene Ammons with vocalist Etta Jones and organist Jack McDuff recorded in 1961 and 1962 and released on the Prestige label.
Here It 'Tis is an album by jazz organist Johnny "Hammond" Smith recorded for the Prestige label in 1970.
Red Soul is an album by saxophonist Red Holloway recorded in 1965 and released on the Prestige label.
Hollar! is an album by jazz vocalist Etta Jones which was recorded at three separate sessions between 1960 and 1962 and released on the Prestige label in 1963.
Anthenagin is an album by drummer Art Blakey and The Jazz Messengers recorded in 1973 and released on the Prestige label.