Norman Sjoman

Last updated

Norman E. Sjoman [1] (born July 6, 1944, Mission City) is known as author of the 1996 book The Yoga Tradition of the Mysore Palace, which contains an English translation of the yoga section of Sritattvanidhi , a 19th-century treatise by the Maharaja of Mysore, Krishnaraja Wodeyar III (b. 1794 - d. 1868). This book contributes an original view on the history and development of the teaching traditions behind modern asanas. [2] [3] [4] According to Sjoman, a majority of the tradition of teaching yoga as exercise, spread primarily through the teachings of B. K. S. Iyengar and his students, "appears to be distinct from the philosophical or textual tradition [of hatha yoga], and does not appear to have any basis as a [genuine] tradition as there is no textual support for the asanas taught and no lineage of teachers." [5]

Contents

Education

Sjoman studied at the University of British Columbia and Stockholm University before obtaining a PhD from the Centre of Advanced Studies in Sanskrit at Pune University, and a pandit degree from the Mysore Maharaja's Mahapathasala. Sjoman spent 14 years in India studying four different shastras in Sanskrit, with several pandits.

From 1970 to 1976 Sjoman studied yoga under B.K.S. Iyengar.

The Yoga Tradition of the Mysore Palace

Sjoman discovered the illustrations of yoga asanas, such as Setubandhasana, in the 19th century Sritattvanidhi in the Mysore Palace. Kamapithasana (Setubandhasana) from Sritattvanidhi.jpg
Sjoman discovered the illustrations of yoga asanas, such as Setubandhasana, in the 19th century Sritattvanidhi in the Mysore Palace.

In the mid 1980s, while doing research at the Mysore Palace, Sjoman made copies [5] of the yoga section of the Sritattvanidhi, a "colossal" illustrated compendium, authored in the 19th century in Karnataka by the then Maharaja. The book included diagrams of 122 yoga asanas. Unlike the few other known historical yoga treatises, the emphasis was solely on the physical activity. Some appeared based on Indian wrestling and other gymnastic exercises, in that aspect more closely resembling modern yoga as exercise forms such as Ashtanga Vinyasa Yoga. Both B. K. S. Iyengar and Pattabhi Jois, who are major influences on modern yoga forms, themselves studied under teacher Tirumalai Krishnamacharya at the Mysore Palace in the 1930s. Sjoman further researched Krishnamacharya, finding several writings in the palace library. Sjoman discovered that the royal family, in the early 1900s, had employed a British gymnast to train the young princes. So, when Krishnamacharya arrived in the 1920s to start a yoga school, his schoolroom was the former gymnasium complete with ropes. Sjoman argues that several exercises detailed in a purposely written western gymnastics manual were incorporated into Krishnamacharya's syllabus, resulting in his vinyasa style, and further passed on to Iyengar and Jois. [2] The Yoga Tradition of the Mysore Palace was published in 1996 including the 122 asana illustrations and extracts from the gymnastics manual. Naturally, the radical, perhaps heretical, idea that some of the practice of modern yoga as exercise is based on something as mundane as British gymnastics caused a stir in the yoga world. [3]

Publications

See also

Related Research Articles

<span class="mw-page-title-main">K. Pattabhi Jois</span> Indian yoga guru (1915–2009)

K. Pattabhi Jois was an Indian yoga guru who developed and popularized the flowing style of yoga as exercise known as Ashtanga vinyasa yoga. In 1948, Jois established the Ashtanga Yoga Research Institute in Mysore, India. Pattabhi Jois is one of a short list of Indians instrumental in establishing modern yoga as exercise in the 20th century, along with B. K. S. Iyengar, another pupil of Krishnamacharya in Mysore. Jois sexually abused some of his yoga students by touching inappropriately during adjustments. Sharath Jois has publicly apologised for his grandfather's "improper adjustments".

<span class="mw-page-title-main">Tirumalai Krishnamacharya</span> Yogi (1888–1989)

Tirumalai Krishnamacharya was an Indian yoga teacher, ayurvedic healer and scholar. He is seen as one of the most important gurus of modern yoga, and is often called "Father of Modern Yoga" for his wide influence on the development of postural yoga. Like earlier pioneers influenced by physical culture such as Yogendra and Kuvalayananda, he contributed to the revival of hatha yoga.

<span class="mw-page-title-main">Uttanasana</span> Standing forward-bending posture in modern yoga

Uttanasana or Standing Forward Bend, with variants such as Padahastasana where the toes are grasped, is a standing forward bending asana in modern yoga as exercise.

<span class="mw-page-title-main">Viparita Dandasana</span> Inverted back-bending posture in modern yoga

Viparita Dandasana or Inverted Staff Pose is an inverted back-bending asana in modern yoga as exercise. It may be performed with both feet on the ground, or with one leg raised straight up.

Tadasana, Mountain pose or Samasthiti is a standing asana in modern yoga as exercise; it is not described in medieval hatha yoga texts. It is the basis for several other standing asanas.

<i>Sritattvanidhi</i> 19th century Hindu iconographical treatise

The Sritattvanidhi is a treatise written in the 19th century in Karnataka on the iconography and iconometry of divine figures in South India. One of its sections includes instructions for, and illustrations of, 122 hatha yoga postures.

<span class="mw-page-title-main">Ustrasana</span> Kneeling back-bending posture in modern yoga

Ustrasana, Ushtrasana, or Camel Pose is a kneeling back-bending asana in modern yoga as exercise.

A vinyasa is a smooth transition between asanas in flowing styles of modern yoga as exercise such as Vinyasa Krama Yoga and Ashtanga Vinyasa Yoga, especially when movement is paired with the breath.

<span class="mw-page-title-main">Kukkutasana</span> Hand-balancing posture in hatha yoga

Kukkutasana, Cockerel Pose, or Rooster Posture is an arm-balancing asana in hatha yoga and modern yoga as exercise, derived from the seated Padmasana, lotus position. It is one of the oldest non-seated asanas. Similar hand-balancing poses known from the 20th century include Pendant Pose or Lolasana, and Scale Pose or Tulasana.

<span class="mw-page-title-main">Chaturanga Dandasana</span> Reclining posture in modern yoga

Chaturanga Dandasana or Four-Limbed Staff pose, also known as Low Plank, is an asana in modern yoga as exercise and in some forms of Surya Namaskar, in which a straight body parallel to the ground is supported by the toes and palms, with elbows at a right angle along the body. The variation Kumbhakasana, Phalakasana, or High Plank has the arms straight.

<span class="mw-page-title-main">Kurmasana</span> Seated forward bending posture in hatha yoga

Kurmasana, Tortoise Pose, or Turtle Pose is a sitting forward bending asana in hatha yoga and modern yoga as exercise.

<span class="mw-page-title-main">Malasana</span>

The name Malasana is used for various squatting asanas in hatha yoga and modern yoga as exercise.

<span class="mw-page-title-main">Bharadvajasana</span> Seated twisting posture in modern yoga

Bharadvajasana or Bharadvaja's twist is a twisting asana in modern yoga as exercise.

<span class="mw-page-title-main">Koundinyasana</span> Asymmetric balancing posture in yoga as exercise

Koundinyasana, or Sage Kaundinya's pose, is a hand-balancing asana in modern yoga as exercise. It may be performed with both legs bent, or with one leg over the supporting arm, the other leg straight . Eka Pada Galavasana has one leg bent, the foot hooked over the opposite arm under the body.

<span class="mw-page-title-main">Parshvottanasana</span>

Parshvottanasana or Intense Side Stretch Pose is a standing and forward bending asana in modern yoga as exercise.

<span class="mw-page-title-main">Tittibhasana</span> Hand-balancing posture in hatha yoga

Tittibhasana or Firefly pose is an arm-balancing asana with the legs stretched out forwards in hatha yoga and modern yoga as exercise. Variants include Bhujapidasana, with the legs crossed at the ankle, and Eka Hasta Bhujasana, with one leg stretched out forwards.

<span class="mw-page-title-main">Kraunchasana</span> Seated posture in modern yoga

Krauñcāsana or Heron pose, also written Krounchasana, is a sitting asana in modern yoga as exercise.

<span class="mw-page-title-main">Prasarita Padottanasana</span> Standing forward bending yoga position

Prasarita Padottanasana or Wide Stance Forward Bend is a standing forward bend asana in modern yoga as exercise.

<i>Yoga Makaranda</i> Hatha yoga book by Krishnamacharya

Yoga Makaranda, meaning "Essence of Yoga", is a 1934 book on hatha yoga by the influential pioneer of yoga as exercise, Tirumalai Krishnamacharya. Most of the text is a description of 42 asanas accompanied by 95 photographs of Krishnamacharya and his students executing the poses. There is a brief account of practices other than asanas, which form just one of the eight limbs of classical yoga, that Krishnamacharya "did not instruct his students to practice".

<span class="mw-page-title-main">Standing asanas</span> Yoga poses with one or both feet on the ground

The standing asanas are the yoga poses or asanas with one or both feet on the ground, and the body more or less upright. They are among the most distinctive features of modern yoga as exercise. Until the 20th century there were very few of these, the best example being Vrikshasana, Tree Pose. From the time of Krishnamacharya in Mysore, many standing poses have been created. Two major sources of these asanas have been identified: the exercise sequence Surya Namaskar ; and the gymnastics widely practised in India at the time, based on the prevailing physical culture.

References

  1. WorldCat identities
  2. 1 2 Cushman, Anne (Jul–Aug 1999). New Light on Yoga. p. 43. ISSN   0191-0965.{{cite book}}: |work= ignored (help)
  3. 1 2 Alter, Joseph (2004). Yoga in Modern India: The Body Between Science and Philosophy. Princeton University Press. pp. 17, 23, 249. ISBN   9780691118741.
  4. Singleton, Mark (2010). Yoga Body: The Origins of Modern Posture Practice. Oxford University Press. pp. 12, 17, 87, 161, 201. ISBN   9780199745982.
  5. 1 2 Sjoman, Norman E. (1999). The Yoga Tradition of the Mysore Palace (2nd ed.). New Delhi, India: Abhinav Publications. pp. 11, 35. ISBN   81-7017-389-2.
  6. Dallapiccola, A. L. "The Yoga Tradition of the Mysore Palace by N. E. Sjoman", Journal of the Royal Asiatic Society , Third Series, Vol. 8, No. 1 (Apr., 1998), pp. 120-121.