The Path of Modern Yoga

Last updated

The Path of Modern Yoga
Goldberg Path of Modern Yoga 2016 Cover.jpg
Cover of 1st edition, showing B. K. S. Iyengar in Natarajasana
AuthorElliott Goldberg
Subject Modern yoga
GenreSocial history
Publisher Inner Traditions
Publication date
2016
Pages495
OCLC 991434887

The Path of Modern Yoga: The History of an Embodied Spiritual Practice is a 2016 history of the modern practice of postural yoga by the yoga scholar Elliott Goldberg. [1] It focuses in detail on eleven pioneering figures of the transformation of yoga in the 20th century, including Yogendra, Kuvalayananda, Pant Pratinidhi, Krishnamacharya, B. K. S. Iyengar and Indra Devi.

Contents

The book's thesis is that modern yoga progressed in three stages from its pre-1900 state to what is observed today. Before 1900, haṭha yoga was the despised religious practice of a small minority on the fringes of Indian society. In the first stage, pioneers such as Yogendra and Kuvalayananda treated yoga as the subject of medical inquiry, making it both secular and socially acceptable. Next, advocates of exercise brought standing poses from gymnastics into yoga: Pant Pratinidhi advocated Surya Namaskar (the sun salutation), a jumped sequence of poses, as daily exercise, while Krishnamacharya incorporated those poses and others as standing asanas in his yoga, along with the jumped transitions (vinyasas) between them, making yoga dynamic. Finally, two pupils of Krishnamacharya, Iyengar]] and Indra Devi, resacralised yoga, connecting the practice of asanas to ancient yoga tradition, and helped to spread yoga across the Western world.

The book received mixed reviews, noting Goldberg's many years of study and the book's detailed account of yoga's transformations, but also its lack of an introduction, overview, or exploration of yoga's spiritual aspects.

Context

The modern practice of yoga as a form of exercise developed from medieval haṭha yoga in the 20th century by discarding most of its practices and focussing on asanas, physical postures. At the same time, it acquired an element of aerobic exercise, initially through the adoption from physical culture of Surya Namaskar, the series of postures connected by flowing movements known as the sun salutation. In some modern styles of yoga, these flowing movements have developed into vinyasas, connecting sequences used throughout the yoga session. [2]

Book

Goldberg divides the path of modern yoga into three steps, corresponding to the three parts of the book: Medicalisation, becoming Dynamic, and Resacralisation. Path of Modern Yoga acc to Goldberg 2016.svg
Goldberg divides the path of modern yoga into three steps, corresponding to the three parts of the book: Medicalisation, becoming Dynamic, and Resacralisation.

Synopsis

The Path of Modern Yoga, based on what the author states is 10 years of research, examines the history of modern asana-based yoga through the lives of eleven pioneering figures: Sri Yogendra; Swami Kuvalayananda; Seetharaman Sundaram; Tirumalai Krishnamacharya; Swami Sivananda; the bodybuilder K. V. Iyer; the rajah of Aundh, Pant Pratinidhi; the journalist Louise Morgan; the diplomat Apa Pant; and two students of Krishnamacharya, his brother-in-law, B. K. S. Iyengar, and one of Iyengar's pupils, Indra Devi. [3]

The 35 chapters are arranged in three parts that cover the transformation of yoga during the modern period. The book maps out the development of modern yoga saw the original pre-1900 hatha yoga becoming divested of its sacred trappings (Part I); [4] the resulting secular yoga was then made dynamic, with jumped transitions (vinyasas) between postures (Part II); [5] and this dynamic, secular yoga was then resacralised (Part III). [6] There is no introduction or conclusion. [3] [7]

Part I, "Divesting Yoga of the Sacred", consists mainly of five chapters on Yogendra and five on Kuvalayananda, who pioneered the medical study of yoga, at the start of the 20th century the territory of despised vagrants, beggars, and fakirs, and in so doing helped to make yoga acceptable. [4]

Part II, "Making Yoga Dynamic", consists mostly of three chapters on Pant Pratinidhi, an enthusiast for exercise and a powerful advocate for Surya Namaskar; three on Krishnamacharya, described as the father of modern yoga, who incorporated many standing poses from the gymnastics of popular physical culture into his teaching, alongside the jumping transitions of Surya Namaskar, creating more standing poses and the dynamic vinyasa style of yoga that he taught to his pupils including Iyengar and K. Pattabhi Jois, who went on to found yoga schools of their own; and three on Morgan. [5]

Part III, "Making Yoga Sacred Again", has two chapters on Devi, who helped to popularise yoga in America through her celebrity pupils in Hollywood; and seven on Iyengar, who made yoga precise, in particular with his 1966 book Light on Yoga , and who helped to spread yoga across the Western world, founding institutes of Iyengar Yoga, especially in Britain and in America. [6]

The book is illustrated with historic monochrome photographs of its protagonists and places associated with them, and a few drawings showing movements of the body and muscles affected.

Reception

The book begins with 5 chapters on Yogendra, a pioneer of yoga as exercise. Shri Yogendra.jpg
The book begins with 5 chapters on Yogendra, a pioneer of yoga as exercise.

The book received some positive reviews. Krysta Gibson, reviewing the book for New Spirit Journal, writes that the book explains "how we went from yoga being a hidden, weird thing hippies and new agers did, to yoga studios on almost very corner". In her view, Goldberg "does a masterful job" of explaining the transformation. [8] The San Francisco Book Review likewise comments that Goldberg describes yoga's "massive transition from spiritual practice to focusing on health and fitness". The review states that Goldberg's case is that "instead of desecrating a sacred tradition, this change moved yoga from solitary and inaccessible to embodied, spiritual, and open to everyone". [9] The trade journal Publishers Weekly calls the book "a richly detailed examination of modern yoga" and suggests that it will appeal to both practitioners and scholars. [10]

The book devotes 7 of its 35 chapters to the yoga guru B. K. S. Iyengar. BKS Iyengar.jpg
The book devotes 7 of its 35 chapters to the yoga guru B. K. S. Iyengar.

Niki Whiting, writing in Spiral Nature Magazine, was more doubtful. She comments that while she admired the research behind it, she struggled with the book, as it isn't an overview of the tradition and poses, nor a history of yoga's changes in the past 40 years, but "a specific history of yoga in the 20th century". She regretted the lack of an Introduction section in the book, and had been hoping for what she thought the subtitle suggested, a more spiritual or theological exploration. [7]

The author and yoga teacher Matthew Remski compares historians of yoga to the fable of the blind men describing an elephant (one finds it flexible and leathery, another like a massive pillar, a third like a rope, a fourth smooth, polished, and cold...): Norman Sjoman [lower-alpha 1] found yoga influenced by South Indian wrestling exercises; Joseph Alter [lower-alpha 2] found it torn between esoteric and scientific; Mark Singleton [lower-alpha 3] discovered a collision of Western physical culture with Indian spirituality. In Remski's view, along comes "Goldberg with a dozen years of dogged research, a sleuthing style metered out in engaging chunks, a deep appreciation for the embodied sensations offered by competing visions of asana practice, a sharp eye for human foibles and historical oddities" and "makes a bold attempt to ride the elephant. As blindfolded as everyone else, he wobbles a bit, but hangs on for long enough to produce something that a lot of people have been waiting for: a penetrating, body-aware cultural history of a modern spirituality, written through richly realized characters." What Remski says he misses in Goldberg's book is answers to questions like what Indian physical yoga was before the transformation. [11]

See also

Notes

  1. Norman Sjoman wrote The Yoga Tradition of the Mysore Palace in 1996.
  2. Joseph Alter wrote Yoga in Modern India: The Body between Science and Philosophy in History of Religions in 2004.
  3. Mark Singleton wrote Yoga Body: the origins of modern posture practice in 2010.

Related Research Articles

<span class="mw-page-title-main">K. Pattabhi Jois</span> Indian yoga guru (1915–2009)

K. Pattabhi Jois was an Indian yoga guru who developed and popularized the flowing style of yoga as exercise known as Ashtanga vinyasa yoga. In 1948, Jois established the Ashtanga Yoga Research Institute in Mysore, India. Pattabhi Jois is one of a short list of Indians instrumental in establishing modern yoga as exercise in the 20th century, along with B. K. S. Iyengar, another pupil of Krishnamacharya in Mysore. Jois sexually abused some of his yoga students by touching inappropriately during adjustments. Sharath Jois has publicly apologised for his grandfather's "improper adjustments".

<span class="mw-page-title-main">Asana</span> Postures in hatha yoga and modern yoga practice

An āsana is a body posture, originally and still a general term for a sitting meditation pose, and later extended in hatha yoga and modern yoga as exercise, to any type of position, adding reclining, standing, inverted, twisting, and balancing poses. The Yoga Sutras of Patanjali define "asana" as "[a position that] is steady and comfortable". Patanjali mentions the ability to sit for extended periods as one of the eight limbs of his system. Asanas are also called yoga poses or yoga postures in English.

<span class="mw-page-title-main">Tirumalai Krishnamacharya</span> Yogi (1888–1989)

Tirumalai Krishnamacharya was an Indian yoga teacher, ayurvedic healer and scholar. He is seen as one of the most important gurus of modern yoga, and is often called "Father of Modern Yoga" for his wide influence on the development of postural yoga. Like earlier pioneers influenced by physical culture such as Yogendra and Kuvalayananda, he contributed to the revival of hatha yoga.

<span class="mw-page-title-main">Sun Salutation</span> Series of yoga positions performed in a particular order

Sun Salutation, also called Surya Namaskar(a) or Salute to the Sun (Sanskrit: सूर्यनमस्कार, romanized: Sūryanamaskāra), is a practice in yoga as exercise incorporating a flow sequence of some twelve linked asanas. The asana sequence was first recorded as yoga in the early 20th century, though similar exercises were in use in India before that, for example among wrestlers. The basic sequence involves moving from a standing position into Downward and Upward Dog poses and then back to the standing position, but many variations are possible. The set of 12 asanas is dedicated to the Hindu solar deity, Surya. In some Indian traditions, the positions are each associated with a different mantra.

<span class="mw-page-title-main">Downward Dog Pose</span> Standing posture in modern yoga

Downward Dog Pose or Downward-facing Dog Pose, also called Adho Mukha Svanasana, is an inversion asana, often practised as part of a flowing sequence of poses, especially Surya Namaskar, the Salute to the Sun. The asana is commonly used in modern yoga as exercise. The asana does not have formally named variations, but several playful variants are used to assist beginning practitioners to become comfortable in the pose.

<i>Complete Illustrated Book of Yoga</i> 1960 book by Swami Vishnudevananda

The Complete Illustrated Book of Yoga is a bestselling 1960 book by Swami Vishnudevananda, the founder of the Sivananda Yoga Vedanta Centres. It is an introduction to Hatha yoga, describing the Yoga Sutras of Patanjali and the Hatha Yoga Pradipika. It contributed to the incorporation of Surya Namaskar into yoga as exercise. While some of its subject matter is the traditional philosophy of yoga, its detailed photographs of Vishnudevananda performing the asanas is modern, helping to market the Sivananda yoga brand to a global audience.

Tadasana, Mountain pose or Samasthiti is a standing asana in modern yoga as exercise; it is not described in medieval hatha yoga texts. It is the basis for several other standing asanas.

A vinyasa is a smooth transition between asanas in flowing styles of modern yoga as exercise such as Vinyasa Krama Yoga and Ashtanga Vinyasa Yoga, especially when movement is paired with the breath.

<span class="mw-page-title-main">Chaturanga Dandasana</span> Reclining posture in modern yoga

Chaturanga Dandasana or Four-Limbed Staff pose, also known as Low Plank, is an asana in modern yoga as exercise and in some forms of Surya Namaskar, in which a straight body parallel to the ground is supported by the toes and palms, with elbows at a right angle along the body. The variation Kumbhakasana, Phalakasana, or High Plank has the arms straight.

<span class="mw-page-title-main">Ashtanga Namaskara</span>

Ashtanga Namaskara, Ashtanga Dandavat Pranam, Eight Limbed pose, Caterpillar pose, or Chest, Knees and Chin pose is an asana sometimes used in the Surya Namaskar sequence in modern yoga as exercise, where the body is balanced on eight points of contact with the floor: feet, knees, chest, chin and hands.

Modern yoga is a wide range of yoga practices with differing purposes, encompassing in its various forms yoga philosophy derived from the Vedas, physical postures derived from Hatha yoga, devotional and tantra-based practices, and Hindu nation-building approaches.

<span class="mw-page-title-main">Yoga as exercise</span> Physical activity consisting mainly of yoga poses

Yoga as exercise is a physical activity consisting mainly of postures, often connected by flowing sequences, sometimes accompanied by breathing exercises, and frequently ending with relaxation lying down or meditation. Yoga in this form has become familiar across the world, especially in the US and Europe. It is derived from medieval Haṭha yoga, which made use of similar postures, but it is generally simply called "yoga". Academics have given yoga as exercise a variety of names, including modern postural yoga and transnational anglophone yoga.

Mark Singleton is a scholar and practitioner of yoga. He studied yoga intensively in India, and became a qualified yoga teacher, until returning to England to study divinity and research the origins of modern postural yoga. His doctoral dissertation, which argued that posture-based forms of yoga represent a radical break from haṭha yoga tradition, with different goals, and an unprecedented emphasis on āsanas, was later published in book form as the widely-read Yoga Body.

<i>Yoga Body</i> 2010 book on the history of yoga as exercise by Mark Singleton

Yoga Body: The Origins of Modern Posture Practice is a 2010 book on yoga as exercise by the yoga scholar Mark Singleton. It is based on his PhD thesis, and argues that the yoga known worldwide is, in large part, a radical break from hatha yoga tradition, with different goals, and an unprecedented emphasis on asanas, many of them acquired in the 20th century. By the 19th century, the book explains, asanas and their ascetic practitioners were despised, and the yoga that Vivekananda brought to the West in the 1890s was asana-free. Yet, from the 1920s, an asana-based yoga emerged, with an emphasis on its health benefits, and flowing sequences (vinyasas) adapted from the gymnastics of the physical culture movement. This was encouraged by Indian nationalism, with the desire to present an image of health and strength.

<i>Yoga Makaranda</i> Hatha yoga book by Krishnamacharya

Yoga Makaranda, meaning "Essence of Yoga", is a 1934 book on hatha yoga by the influential pioneer of yoga as exercise, Tirumalai Krishnamacharya. Most of the text is a description of 42 asanas accompanied by 95 photographs of Krishnamacharya and his students executing the poses. There is a brief account of practices other than asanas, which form just one of the eight limbs of classical yoga, that Krishnamacharya "did not instruct his students to practice".

<span class="mw-page-title-main">Yoga for women</span> Yoga as exercise for and marketed to women

Modern yoga as exercise has often been taught by women to classes consisting mainly of women. This continued a tradition of gendered physical activity dating back to the early 20th century, with the Harmonic Gymnastics of Genevieve Stebbins in the US and Mary Bagot Stack in Britain. One of the pioneers of modern yoga, Indra Devi, a pupil of Krishnamacharya, popularised yoga among American women using her celebrity Hollywood clients as a lever.

Early modern yoga was the form of yoga created and presented to the Western world by Madame Blavatsky, Swami Vivekananda and others in the late 19th century. It embodied the period's distaste for yoga postures (asanas) as practised by Nath yogins by not mentioning them. As such it differed markedly from the prevailing yoga as exercise developed in the 20th century by Yogendra, Kuvalayananda, and Krishnamacharya, which was predominantly physical, consisting mainly or entirely of asanas.

<span class="mw-page-title-main">Standing asanas</span> Yoga poses with one or both feet on the ground

The standing asanas are the yoga poses or asanas with one or both feet on the ground, and the body more or less upright. They are among the most distinctive features of modern yoga as exercise. Until the 20th century there were very few of these, the best example being Vrikshasana, Tree Pose. From the time of Krishnamacharya in Mysore, many standing poses have been created. Two major sources of these asanas have been identified: the exercise sequence Surya Namaskar ; and the gymnastics widely practised in India at the time, based on the prevailing physical culture.

<span class="mw-page-title-main">Postural yoga in India</span> History of how yoga returned to India

Postural yoga began in India as a variant of traditional yoga, which was a mainly meditational practice; it has spread across the world and returned to the Indian subcontinent in different forms. The ancient Yoga Sutras of Patanjali mention yoga postures, asanas, only briefly, as meditation seats. Medieval Haṭha yoga made use of a small number of asanas alongside other techniques such as pranayama, shatkarmas, and mudras, but it was despised and almost extinct by the start of the 20th century. At that time, the revival of postural yoga was at first driven by Indian nationalism. Advocates such as Yogendra and Kuvalayananda made yoga acceptable in the 1920s, treating it as a medical subject. From the 1930s, the "father of modern yoga" Krishnamacharya developed a vigorous postural yoga, influenced by gymnastics, with transitions (vinyasas) that allowed one pose to flow into the next.

References

  1. Goldberg 2016.
  2. Goldberg 2016, p. xi.
  3. 1 2 Goldberg 2016, pp. vii–xi.
  4. 1 2 Goldberg 2016, pp. 2–178.
  5. 1 2 Goldberg 2016, pp. 180–336.
  6. 1 2 Goldberg 2016, pp. 338–445.
  7. 1 2 Whiting, Niki (31 October 2017). "Reviews | The Path of Modern Yoga, by Elliott Goldberg". Spiral Nature Magazine. Retrieved 22 March 2019.
  8. Gibson, Krysta. "The Path of Modern Yoga". New Spirit Journal. Retrieved 22 March 2019.
  9. Barclay, Axie (12 December 2016). "The Path of Modern Yoga: The History of an Embodied Spiritual Practice". San Francisco Book Review. Retrieved 22 March 2019.
  10. "The Path of Modern Yoga: The History of an Embodied Spiritual Practice". Publishers Weekly. Retrieved 4 April 2020.
  11. Remski, Matthew (4 August 2016). "Elliott Goldberg Rides the Elephant: An In-Depth Review of The Path of Modern Yoga". Matthew Remski. Retrieved 22 March 2019.

Sources