Power, Corruption & Lies

Last updated

Power, Corruption & Lies
New Order - Power, Corruption & Lies.png
Studio album by
Released2 May 1983 (1983-05-02)
RecordedOctober–November 1982
Studio Britannia Row (Islington)
Genre
Length42:34
Label Factory
Producer New Order
New Order chronology
1981–1982
(1982)
Power, Corruption & Lies
(1983)
Low-Life
(1985)
Singles from Power, Corruption & Lies
  1. "Blue Monday"
    Released: 7 March 1983
    Note: the single "Blue Monday" does not appear on the vinyl release [7]

Power, Corruption & Lies is the second studio album by the English rock band New Order, released on 2 May 1983 by Factory Records. The album features more electronic tracks than their 1981 debut Movement , with heavier use of synthesisers. The album was met with widespread acclaim, and has been included in music industry lists of the greatest albums of the 1980s and of all time. The cover artwork was by Peter Saville, and in 2010 it was one of ten classic album covers from British artists commemorated on a UK postage stamp issued by the Royal Mail. [8] [9]

Contents

Artwork

Peter Saville's design for the album had a colour-based code to represent the band's name and the title of the album, but they were not actually written on the original UK sleeve itself (they were present on some non-UK versions), although the catalogue number "FACT 75" does appear on the top-right corner. The decoder for the code was featured prominently on the back cover of the album and can also be seen on the "Blue Monday" and "Confusion" singles and for Section 25's third studio album From the Hip (1984).

The cover is a reproduction of the painting A Basket of Roses by French artist Henri Fantin-Latour, which is part of the National Gallery's permanent collection in London. [10] Saville had originally planned to use a Renaissance portrait of a dark prince to tie in with the Machiavellian theme of the title, [11] but could not find a suitable portrait. At the gallery Saville picked up a postcard with Fantin-Latour's painting, and his girlfriend mockingly asked him if he was going to use it for the cover. Saville then realised it was a great idea. [11] Saville suggested that the flowers "suggested the means by which power, corruption and lies infiltrate our lives. They're seductive." [11]

The cover was also intended to create a collision between the overly romantic and classic image that made a stark contrast to the typography based on the modular, colour-coded alphabet. Saville and Tony Wilson, the head of New Order's label Factory Records, also said [12] that the owner of the painting (The National Heritage Trust) first refused the label access to it. Wilson then called up the gallery director to ask who actually owned the painting and was given the answer that the Trust belonged to the people of Britain, at some point. Wilson then replied, "I believe the people want it." The director then replied, "If you put it like that, Mr Wilson, I'm sure we can make an exception in this case." [11]

The cover was among the ten chosen by the Royal Mail for a set of "Classic Album Cover" postage stamps issued in January 2010. [13] [14] Influential fashion designer Raf Simons used the album's cover art on one of his most coveted pieces from the Autumn/Winter 2003 "Closer" collection, ultimately producing four fishtail parkas in varying colours with various pieces of New Order/Joy Division artwork spread around the pieces. The street-fashion label Supreme included the album's floral motif as part of their Spring–Summer 2013 collection. [15] [16]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [5]
The A.V. Club A [17]
Blender Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [18]
Entertainment Weekly A [19]
Pitchfork 9.6/10 [20]
Q Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [21]
Rolling Stone Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [22]
The Rolling Stone Album Guide Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [23]
Uncut 9/10 [24]
The Village Voice B+ [25]

Power, Corruption & Lies was praised critically on its release, and is still well regarded. In a contemporary review for Rolling Stone magazine, Steve Pond felt that the band had finally separated themselves from their past Joy Division associations, calling the album a "remarkable declaration of independence" and a "quantum leap" over Movement . [22] Robert Christgau of The Village Voice found it "relatively gentle and melodic in its ambient postindustrial polyrhythms, their nicest record ever", but also "pretty much like the others." [25] The album placed at number 23 in The Village Voice's 1983 Pazz & Jop critics' poll. [26] In a retrospective review, Josh Modell of The A.V. Club called Power, Corruption & Lies "the sound of a band coming out of the shadows, retaining some of the pop elements of older days, but also embracing happiness and a whole new world of sequencers," crediting the album's humanity as a part of its charm. [17] John Bush of AllMusic stated that the album "cemented New Order's place as the most exciting dance-rock hybrid in music." [5]

In 1989, Power, Corruption & Lies was ranked number 94 on Rolling Stone's list of the 100 greatest albums of the 1980s, with the magazine citing it as "a landmark album of danceable, post-punk music". [3] Rolling Stone also placed the album at number 262 on the 2020 edition of its list of the 500 greatest albums of all time (it was not included on the original 2003 and 2012 lists). [27] It was placed at number 28 on Pitchfork 's list of the best albums of the 1980s, with William Bowers' accompanying write-up for the album citing it as "the peak of the New Order's stellar 80s output." [28] Slant Magazine listed the album at number 23 on its list of the best albums of the 1980s and stated that it "marks the real beginning of New Order's career" and was "their first perfect pop record". [29] In 2013, it was ranked at number 216 on NME 's list of the 500 greatest albums of all time. [30]  

Track listing

All tracks are written by New Order

Side one
No.TitleLength
1."Age of Consent"5:15
2."We All Stand"5:14
3."The Village"4:37
4."5 8 6"7:31
Side two
No.TitleLength
1."Your Silent Face"5:59
2."Ultraviolence"4:52
3."Ecstasy"4:25
4."Leave Me Alone"4:41
Total length:42:34
Qwest Records additional tracks
No.TitleLength
5."Blue Monday"7:29
10."The Beach"7:18
Total length:57:21

Personnel

New Order

Technical

Release details

After the release of Music Complete , the album was remastered and re-released for the US iTunes Store.

Charts

Certifications

Certifications for Power, Corruption & Lies
RegionCertification Certified units/sales
United Kingdom (BPI) [42] Silver60,000

Sales+streaming figures based on certification alone.

See also

Related Research Articles

<span class="mw-page-title-main">New Order (band)</span> English rock band

New Order are an English rock band formed in 1980 by vocalist and guitarist Bernard Sumner, bassist Peter Hook, and drummer Stephen Morris. The members regrouped after the disbandment of their previous band Joy Division due to the suicide of lead singer Ian Curtis. They were joined by Gillian Gilbert on keyboards later that year. New Order's integration of post-punk with electronic and dance music made them one of the most acclaimed and influential bands of the 1980s. They were the flagship band for Manchester-based independent record label Factory Records and its nightclub The Haçienda, and they worked in long-term collaboration with graphic designer Peter Saville.

<span class="mw-page-title-main">Henri Fantin-Latour</span> French painter (1836–1904)

Henri Fantin-Latour was a French painter and lithographer best known for his flower paintings and group portraits of Parisian artists and writers.

<i>Closer</i> (Joy Division album) 1980 studio album by Joy Division

Closer is the second and final studio album by the English rock band Joy Division, released on 18 July 1980 by Factory Records. Produced by Martin Hannett, it was released two months after the suicide of the band's lead singer and lyricist Ian Curtis. The album reached No. 6 on the UK Albums Chart and peaked at No. 3 in New Zealand in September 1981. Closer was also named NME Album of the Year. It was remastered and re-released in 2007.

<i>London Calling</i> 1979 studio album by the Clash

London Calling is the third studio album by the English rock band the Clash. It was originally released as a double album in the United Kingdom on 14 December 1979 by CBS Records, and in the United States in January 1980 by Epic Records.

<i>Live at Leeds</i> 1970 live album by the Who

Live at Leeds is the first live album by English rock band the Who. It was recorded at the University of Leeds Refectory on 14 February 1970, and is their only live album that was released while the group were still actively recording and performing with their best-known line-up of Roger Daltrey, Pete Townshend, John Entwistle and Keith Moon.

<i>Parklife</i> 1994 studio album by Blur

Parklife is the third studio album by the English rock band Blur, released on 25 April 1994 on Food Records. After moderate sales for their previous album Modern Life Is Rubbish (1993), Parklife returned Blur to prominence in the UK, helped by its four hit singles: "Girls & Boys", "End of a Century", "Parklife" and "To the End".

<i>Unknown Pleasures</i> 1979 studio album by Joy Division

Unknown Pleasures is the debut studio album by the English rock band Joy Division, released on 15 June 1979 by Factory Records. The album was recorded and mixed over three successive weekends at Stockport's Strawberry Studios in April 1979, with producer Martin Hannett contributing a number of unconventional recording techniques to the group's sound. The cover artwork was designed by artist Peter Saville, using a data plot of signals from a radio pulsar. It is the only Joy Division album released during lead singer Ian Curtis's lifetime.

<i>Screamadelica</i> 1991 studio album by Primal Scream

Screamadelica is the third studio album by Scottish rock band Primal Scream. It was first released on 23 September 1991 in the United Kingdom by Creation Records and on 8 October 1991 in the United States by Sire Records. The album marked a significant departure from the band's early indie rock sound, drawing inspiration from the blossoming house music scene and associated drugs such as LSD and MDMA. Much of the album's production was handled by acid house DJ Andrew Weatherall and engineer Hugo Nicolson, who remixed original recordings made by the band into dance-oriented tracks.

<i>Let It Bleed</i> 1969 studio album by the Rolling Stones

Let It Bleed is a studio album by the English rock band the Rolling Stones, released on 28 November 1969 by London Records in the United States and on 5 December 1969 by Decca Records in the United Kingdom. Released during the band's 1969 American Tour, it is the follow-up to Beggars Banquet (1968), and like that album is a return to the group's more blues-oriented approach that was prominent in the pre-Aftermath (1966) period of their career. Additional sounds on the album draw influence from gospel, country blues and country rock.

<span class="mw-page-title-main">Blue Monday (New Order song)</span> 1983 single by New Order

"Blue Monday" is a song by the British rock band New Order. It was released as a 12-inch single on 7 March 1983 through Factory Records. It appears on certain cassette and CD versions of New Order's second studio album, Power, Corruption & Lies (1983). The track was written and produced by Gillian Gilbert, Peter Hook, Stephen Morris and Bernard Sumner.

<i>Technique</i> (album) 1989 studio album by New Order

Technique is the fifth studio album by English electronic rock band New Order. Released on 30 January 1989 by Factory Records, the album was partly recorded on the island of Ibiza, and incorporates Balearic beat and acid house influences into the group's dance-rock sound. The album was influenced by the then growing acid scene, and Sumner's experiences at Shoom in London.

<i>Low-Life</i> 1985 studio album by New Order

Low-Life is the third studio album by English rock band New Order, released on 13 May 1985 by Factory Records. It is considered to be among the band's strongest work, displaying the moment they completed their transformation from post-punk hold-overs to dance-rockers. The album shows New Order's increased incorporation of synthesisers and samplers, while still preserving the rock elements of their earlier work. The original Factory CD issues of the album were mastered with pre-emphasis.

<i>Brotherhood</i> (New Order album) 1986 studio album by New Order

Brotherhood is the fourth studio album by the English rock band New Order, released on 29 September 1986 by Factory Records. It contains a mixture of post-punk and electronic styles, roughly divided between the two sides. The album includes "Bizarre Love Triangle", the band's breakthrough single in the United States and Australia; it was the only track from the album released as a single and as a video.

<i>Republic</i> (album) 1993 studio album by New Order

Republic is the sixth studio album by English rock band New Order. It was first released on 3 May 1993 in the United Kingdom by CentreDate Co Ltd in association with London Records and on 11 May 1993 in the United States by Qwest and Warner Bros. Records. It was the band's first album following the demise of their former label Factory Records, and would be their last studio album for eight years until 2001's Get Ready.

<span class="mw-page-title-main">Peter Saville (graphic designer)</span> British graphic designer (born 1955)

Peter Andrew Saville is an English art director and graphic designer. He designed many record sleeves for Factory Records, which he co-founded in 1978 alongside Tony Wilson and Alan Erasmus.

<span class="mw-page-title-main">Murder (song)</span> 1984 single by New Order

"Murder" is the eighth single by British band New Order.

<i>Movement</i> (New Order album) 1981 studio album by New Order

Movement is the debut studio album by English rock group New Order, released on 13 November 1981 by Factory Records. Recorded in the wake of Joy Division frontman Ian Curtis' suicide the previous year, the album is a continuation of the dark post-punk sound of Joy Division's material, increasing the use of synthesizers while still being predominantly rooted in rock. At the time of its release, the album was not particularly well received by critics or audiences, only peaking at number thirty on the UK Albums Chart; the band would gradually shift to a more electronic sound over the course of the next year.

<i>Scary Monsters (and Super Creeps)</i> 1980 studio album by David Bowie

Scary Monsters (and Super Creeps), also known simply as Scary Monsters, is the 14th studio album by the English musician David Bowie, released on 12 September 1980 through RCA Records. His first album following the Berlin Trilogy (Low, "Heroes" and Lodger), Scary Monsters was Bowie's attempt to create a more commercial record after the trilogy proved successful artistically but less so commercially.

<i>Architecture & Morality</i> 1981 studio album by Orchestral Manoeuvres in the Dark

Architecture & Morality is the third studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 6 November 1981 by Dindisc. Inspired by religious music, the group sought to broaden their musical palette by utilising elaborate choral samples, the Mellotron, and other new instruments to create a more naturalistic, emotive sound. The artwork was designed by longtime OMD collaborator Peter Saville, along with associate Brett Wickens, while its title was derived from the book Morality and Architecture by David Watkin.

<i>Music Complete</i> 2015 studio album by New Order

Music Complete is the tenth studio album by English rock band New Order. It was released on 25 September 2015 by Mute Records, their debut on the label. The album features guest vocals from Elly Jackson of La Roux, Iggy Pop, and Brandon Flowers of The Killers.

References

  1. Gwillim, Keith (16 September 2002). "New Order: Shot Right Through With a Bolt of Blue". Stylus Magazine . Archived from the original on 14 January 2010. Retrieved 19 July 2015.
  2. Jackson, Josh (8 September 2016). "The 50 Best New Wave Albums". Paste . Archived from the original on 9 August 2018. Retrieved 2 July 2017.
  3. 1 2 Azerrad, Michael; DeCurtis, Anthony (16 November 1989). "The 100 Best Albums of the Eighties – New Order, 'Power, Corruption & Lies'". Rolling Stone . No. 565. p. 53. Retrieved 28 February 2012.
  4. Modell, Josh (3 May 2005). "New Order: Waiting For The Sirens' Call". The A.V. Club . Retrieved 19 July 2015.
  5. 1 2 3 Bush, John. "Power, Corruption & Lies – New Order". AllMusic . Retrieved 23 January 2013.
  6. EW Staff (27 September 2012). "Top 100 Albums". Entertainment Weekly . Retrieved 5 May 2023.
  7. 1 2 "New Order, 'Power, Corruption & Lies' | 100 Best Albums of the Eighties". Rolling Stone . 18 April 2011. Retrieved 27 January 2018.
  8. "Royal Mail unveil classic album cover stamps". The Independent. Retrieved 25 September 2022.
  9. "Royal Mail puts classic albums on to stamps". The Guardian. Retrieved 25 September 2022.
  10. "Ignance-Henri-Théodore Fantin-Latour". The National Gallery, Trafalgar Square, London. Archived from the original on 7 May 2009. Retrieved 19 August 2011.
  11. 1 2 3 4 Grundy, Gareth (29 May 2011). "Peter Saville on his album cover artwork". The Observer . Retrieved 7 June 2011.
  12. Saville, Peter; Wilson, Tony (2002). 24 Hour Party People (DVD (commentary)). Pathé.
  13. "Classic Album Covers: Issue Date – 7 January 2010". Royal Mail . Archived from the original on 19 February 2012. Retrieved 8 January 2010.
  14. Michaels, Sean (8 January 2010). "Coldplay album gets stamp of approval from Royal Mail". The Guardian . Retrieved 8 January 2010.
  15. "Peter Saville: From New Order to Supreme". Hypebeast. 18 March 2013.
  16. "Supreme x Vans 2013 Spring/Summer Collection". Hypebeast. 4 March 2013.
  17. 1 2 Modell, Josh (10 November 2008). "New Order". The A.V. Club . Retrieved 21 August 2015.
  18. Sheffield, Rob (February 2009). "Let's Dance". Blender . Vol. 8, no. 1. p. 66. Archived from the original on 11 January 2013. Retrieved 8 October 2013.
  19. Howe, Sean (7 November 2008). "New Order: Reissues". Entertainment Weekly . Retrieved 19 June 2016.
  20. Ewing, Tom (10 November 2008). "New Order: Movement / Power, Corruption and Lies / Low-Life / Brotherhood / Technique[Collector's Editions]". Pitchfork . Retrieved 18 April 2021.
  21. Maconie, Stuart (May 1993). "Smile!". Q . No. 80. pp. 66–72.
  22. 1 2 Pond, Steve (18 August 1983). "New Order: Power, Corruption & Lies". Rolling Stone . No. 402. Archived from the original on 2 October 2007. Retrieved 8 October 2013.
  23. Gross, Joe (2004). "New Order". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. pp.  582–583. ISBN   0-7432-0169-8.
  24. Dalton, Stephen (November 2020). "New Order: Power Corruption & Lies – Definitive Edition". Uncut . No. 282. p. 48.
  25. 1 2 Christgau, Robert (28 June 1983). "Christgau's Consumer Guide". The Village Voice . Retrieved 20 September 2011.
  26. "The 1983 Pazz & Jop Critics Poll". The Village Voice . 28 February 1984. Retrieved 3 January 2015.
  27. "The 500 Greatest Albums of All Time". Rolling Stone . 22 September 2020. Retrieved 19 October 2020.
  28. "The Top 100 Albums of the 1980s". Pitchfork . 21 November 2002. p. 8. Retrieved 21 August 2015.
  29. "The 100 Best Albums of the 1980s". Slant Magazine . 5 March 2012. Retrieved 9 December 2021.
  30. "The 500 Greatest Albums Of All Time: 300–201". NME . 24 October 2013. Retrieved 9 December 2021.
  31. Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 215. ISBN   0-646-11917-6.
  32. "Top RPM Albums: Issue 6324b". RPM . Library and Archives Canada. Retrieved 21 August 2021.
  33. "Dutchcharts.nl – New Order – Power, Corruption & Lies" (in Dutch). Hung Medien. Retrieved 23 July 2019.
  34. "Offiziellecharts.de – New Order – Power, Corruption & Lies" (in German). GfK Entertainment Charts. Retrieved 23 July 2019.
  35. "Charts.nz – New Order – Power, Corruption & Lies". Hung Medien. Retrieved 23 January 2013.
  36. "Swedishcharts.com – New Order – Power, Corruption & Lies". Hung Medien. Retrieved 23 January 2013.
  37. "Official Albums Chart Top 100". Official Charts Company. Retrieved 23 July 2019.
  38. Lazell, Barry (1997). "New Order". Indie Hits 1980–1989: The Complete U.K. Independent Charts (Singles & Albums). Cherry Red Books. ISBN   0-95172-069-4. Archived from the original on 6 June 2011. Retrieved 21 August 2021.
  39. "Ultratop.be – New Order – Power, Corruption & Lies" (in French). Hung Medien. Retrieved 21 August 2021.
  40. "Album Top 40 slágerlista – 2020. 41. hét" (in Hungarian). MAHASZ. Retrieved 15 October 2020.
  41. "Top Selling Albums of 1983". Recorded Music NZ . Retrieved 21 August 2021.
  42. "British album certifications – New Order – Power, Corruption & Lies". British Phonographic Industry . Retrieved 3 May 2019.Select albums in the Format field. Select Silver in the Certification field. Type Power, Corruption & Lies in the "Search BPI Awards" field and then press Enter.