Acharya Shri Vidyasagarji Maharaj was an Indian Digambara Jain Acharya. He was recognized both for his scholarship and tapasya (austerity). He was known for his long hours in meditation. While he was born in Karnataka and took diksha in Rajasthan, he generally spent much of his time in the Bundelkhand region where he is credited with having brought about a revival in educational and religious activities. He wrote the epic Hindi poem "Mukamati".
Acharya Shri Mahapragya was the tenth head of the Śvetāmbara Terapanth order of Jainism. Mahapragya was a saint, yogi, spiritual leader, philosopher, author, orator, and poet.
Acharya Shri Shantisagar Ji (1872–1955) was an Indian monk of the Digambar Jain faith. He was the first Acharya (preceptor) and a leader of his sect in the 20th century. Shanti Sagar ji revived the teaching and practice of traditional Digambara practices in North India. He was lustrated as a kshullaka into the Sangha by Devappa (Devakirti) Swami Ji. He took his ailaka deeksha before an image of the Tirthankara Neminatha. In about 1920, Shantisagar Ji became a full muni (monk) of the Digambara sect of Jainism. In 1922, at Yarnal village, Belgaum district, Karnataka, he was given the name "Shanti Sagar Ji".
Acharya Vijay Vallabhsuri was a Jain monk. He was a disciple of Vijayanandsuri. He worked in Punjab so he was given honorific Punjab Kesari.
Acharya Jnansagar or Gyansagar (1891–1973) was a Digambara Jain Acharya of 20th century who composed many Sanskrit epics. He initiated Acharya Vidyasagar in 1968 as a monk and 1972 as an Acharya.
Anand Rishiji Maharaj was a Jain religious leader. The Government of India issued a commemorative postage stamp in his honour on 9 August 2002. He was awarded with the honorary title of Rashtra Sant by Maharashtra's chief minister. He was the Second Aacharya of Vardhaman Sthanakvasi Shraman Sangha
Kshullak Ganeshprasad Varni was one of the foundational figures of the modern Indian Digambara intellectual tradition during the early 20th century. He was the founder of several schools and institutions of advanced learning including Syadvad Mahavidyalaya at Varanasi in 1905, Varanasi and Satark-Sudhataringini Digamber Jain Pathshala, now Ganesh Digamber Jain Sanskrit Vidyalaya at Sagar.
Muni Tarun Sagar was an Indian Digambara monk. His lectures are termed Kadve Pravachan because they can be candidly critical of common practices and views. His lectures have been compiled and published in book series also titled Kadve Pravachan. Excerpts from his discourses are often published by newspapers. Unlike most other Digambar Jain monks, his audience often included a majority of non-Jains. His discourses often addressed family or society issues.
Acharya Guptinandi Ji is a Digambara monk initiated by Acharya Kunthusagar.
Ancient idols of Jain Tirthankara were found in archaeological expeditions in Badli, Bhiwani, Dadri, Gurgaon, Hansi, Hisar (Agroha), Kasan, Nahad, Narnaul, Pehowa, Rewari, Rohad, Rohtak and Sonepat in Haryana. Agrawal Jain community traces its origins from Hisar. Guptisagar Dham Tirtha at Ganaur is a religious tourist spot in Haryana. It is named after the Jain Acharya Guptisagar.
The Statue of Vasupujya located at Champapur in the Indian state of Bihar, is one of the tallest statues in eastern India and the tallest statue of Lord Vasupujya in India. The statue is dedicated to Vasupujya, the twelfth Jain Tirthankara of the present cosmic age. The height of the statue is 31 ft. The statue was constructed and donated by Smt Sona Devi Sethi Charitable trust, Nagaland. Champapur is a Siddhakshetra and occupies a very significant place among the Jains. This is said to be the place where all the five kalyanaks - Garbh, Janam, Diksha, Kevalgyana and Moksh kalyanak of Tirthankara Vasupujya took place. It is said that the first tirthankar Rishabha, twenty-third Tirthankara Parshvanath and last tirthankara Mahavira had their Chaturmas at this place. Mahavira had his third and twelfth Chaturmas at this place.
Acharya Deshbhushan was a Digambara Jain Acharya of 20th century who composed and translated many Kannada scriptures to Hindi and Sanskrit. He initiated and elevated several Jain monks and nuns like Shwetpichhi Acharya Vidyananda ji and Gyanmati Mataji. He is renowned for his remarkable translations of Kannada scriptures to Sanskrit and Hindi. He is the first Digambara Acharya to visit and address the Indian Parliament in the year 1974 along with the Prime Minister Indira Gandhi.
He know as bhaktamar wale baba Muni Shri 108 Pranamsagar Ji Maharaj is a Digambara monk.
Upadhyaya Shri Guptisagarji is a Digambara monk who currently has the rank of an Upadhyaya. Born in 1957, he took ailak diksha under Acharya Vidyasagar ji in 1980, Muni diksha in 1982 also under Acharya Vidyasagar. He was initiated an Upadhyaya by Acharya Vidyanand ji in 1991. He is the inspiration behind Gupti Dham Jain Mandir, Ganaur, Sonipat.
Muni Shri Sudhasagar Maharaj is a Digambar monk who was initiated by Acharya Vidyasagar.
Muni Shri 108 Kshamasagar ji Maharaj was a Digambara monk initiated by Shri 108 Acharya Vidyasagar ji Maharaj. He is also known for his poetry and writings which are widely quoted.
Nainagiri is a major pilgrimage site for Jainism in India. It is located in the central Indian state of Madhya Pradesh, it is 12 km from Dalpatpur and 25 km from Bukswaha. This tirth, also known as Reshandigiri, is a Siddha Kshetra where five ancient saints including Varadatta had attained nirvana.
Bade Baba Temple, Kundalpur is a temple in Kundalpur, a pilgrimage town for Jains, in Damoh district of Madhya Pradesh. It is 35 km from Damoh. The Bade Baba Temple was formally known as Shri Digamber Jain Siddha Kshetra Kundalpur.
Śvetāmbara Terapanth is a sect of the Śvetāmbara Jainism that was founded by Acharya Bhikshu in Vikram Samvat 1817. Acharya Bhikshu believed in strict adherence to the canonical code of conduct for ascetics as prescribed by Lord Mahavira. Acharya Bhikshu rigorously followed the principles and thus set an example for all to follow. He showed the way for the life of discipline, purity and self-control.
