Islamic art is a part of Islamic culture and encompasses the visual arts produced since the 7th century CE by people who lived within territories inhabited or ruled by Muslim populations. Referring to characteristic traditions across a wide range of lands, periods, and genres, Islamic art is a concept used first by Western art historians in the late 19th century. Public Islamic art is traditionally non-representational, except for the widespread use of plant forms, usually in varieties of the spiralling arabesque. These are often combined with Islamic calligraphy, geometric patterns in styles that are typically found in a wide variety of media, from small objects in ceramic or metalwork to large decorative schemes in tiling on the outside and inside of large buildings, including mosques. Other forms of Islamic art include Islamic miniature painting, artefacts like Islamic glass or pottery, and textile arts, such as carpets and embroidery.
Islamic architecture comprises the architectural styles of buildings associated with Islam. It encompasses both secular and religious styles from the early history of Islam to the present day. The Islamic world encompasses a wide geographic area historically ranging from western Africa and Europe to eastern Asia. Certain commonalities are shared by Islamic architectural styles across all these regions, but over time different regions developed their own styles according to local materials and techniques, local dynasties and patrons, different regional centers of artistic production, and sometimes different religious affiliations.
The culture of the Republic of Djibouti is diverse, due to the nation's Red Sea location at a crossroads of trade and commerce.
The culture of Somalia is an amalgamation of traditions in that were developed independently since the Proto-Somali era. The hypernym of the term Somali from a geopolitical sense is Horner and from an ethnic sense, it is Cushite.
Islam is the state religion of Maldives. The 2008 Constitution or "Fehi Gānoon" declares the significance of Islamic law in the country. The constitution requires that citizenship status be based on adherence to the state religion, which legally makes the country's citizens 100% Muslim.
The Somali people are a Cushitic ethnic group native to the Horn of Africa who share a common ancestry, culture and history. The East Cushitic Somali language is the shared mother tongue of ethnic Somalis, which is part of the Cushitic branch of the Afroasiatic language family, and they are predominantly Sunni Muslim. Forming one of the largest ethnic groups on the African continent, they cover one of the most expansive landmasses by a single ethnic group in Africa.
The history of Asian art includes a vast range of arts from various cultures, regions, and religions across the continent of Asia. The major regions of Asia include Central, East, South, Southeast, and West Asia.
Traditional Persian residential architecture is the architecture employed by builders and craftsmen in the cultural Greater Iran and the surrounding regions to construct vernacular houses. The art draws from various cultures and elements from both Islamic and pre-Islamic times.
The Ajuran Sultanate, also natively referred to as Ajuuraan, and often simply Ajuran, was a Somali Empire in the Middle Ages in the Horn of Africa that dominated the trade in the northern Indian ocean. They belonged to the Somali Muslim sultanate that ruled over large parts of the Horn of Africa in the Middle Ages. Through a strong centralized administration and an aggressive military stance towards invaders, the Ajuran Empire successfully resisted an Oromo incursion from the west during the Gaal Madow war. Trading routes dating from the ancient and early medieval periods of Somali maritime enterprise were strengthened or re-established, and foreign trade and commerce in the coastal provinces flourished with ships sailing to and coming from many kingdoms and empires in East Asia, South Asia, Europe, the Near East, North Africa and East Africa.
Stucco decoration in Islamic architecture refers to carved or molded stucco and plaster. The terms "stucco" and "plaster" are used almost interchangeably in this context to denote most types of stucco or plaster decoration with slightly varying compositions. This decoration was mainly used to cover walls and surfaces and the main motifs were those predominant in Islamic art: geometric, arabesque, and calligraphic, as well as three-dimensional muqarnas. Plaster of gypsum composition was extremely important in Islamic architectural decoration as the relatively dry climate throughout much of the Islamic world made it easy to use this cheap and versatile material in a variety of spaces.
Islamic geometric patterns are one of the major forms of Islamic ornament, which tends to avoid using figurative images, as it is forbidden to create a representation of an important Islamic figure according to many holy scriptures.
Somali studies is the scholarly term for research concerning Somalis and Greater Somalia. It consists of several disciplines such as anthropology, sociology, linguistics, historiography and archaeology. The field draws from old Somali chronicles, records and oral literature, in addition to written accounts and traditions about Somalis from explorers and geographers in the Horn of Africa and the Middle East. The Somali Studies International Association is the primary organization for Somalist scholars. Bildhaan, Somali Studies, Horn of Africa and the Anglo-Somali Society Journal likewise serve as the field's main periodicals. Since 1980, prominent Somalist scholars from around the world have also gathered annually to hold the International Congress of Somali Studies.
Somali mythology covers the beliefs, myths, legends and folk tales circulating in Somali society that were passed down to new generations in a timeline spanning several millennia in Somalia and Djibouti dating back 6000 years ago. Many of the things that constitute monotheistic Somali mythology today are traditions whose accuracy have faded away with time or have been gentrified considerably with the coming of Islam to the Horn of Africa.
Somali architecture is the engineering and designing of multiple different construction types such as stone cities, castles, citadels, fortresses, mosques, temples, aqueducts, lighthouses, towers and tombs during the ancient, medieval and early modern periods in Somalia and other regions inhabited by Somalis, as well as the fusion of Somalo-Islamic architecture with Western designs in contemporary times.
Maritime history of Somalia refers to the seafaring tradition of the Somali people. It includes various stages of Somali navigational technology, shipbuilding and design, as well as the history of the Somali port cities. It also covers the historical sea routes taken by Somali sailors which sustained the commercial enterprises of the historical Somali kingdoms and empires, in addition to the contemporary maritime culture of Somalia.
Islamic influences on Western art refers to the stylistic and formal influence of Islamic art, defined as the artistic production of the territories ruled by Muslims from the 7th century onward, on European Christian art. Western European Christians interacted with Muslims in Europe, Africa, and the Middle East and formed a relationship based on shared ideas and artistic methods. Islamic art includes a wide variety of media including calligraphy, illustrated manuscripts, textiles, ceramics, metalwork, and glass, and because the Islamic world encompassed people of diverse religious backgrounds, artists and craftsmen were not always Muslim, and came from a wide variety of different backgrounds. Glass production, for example, remained a Jewish speciality throughout the period. Christian art in Islamic lands, such as that produced in Coptic Egypt or by Armenian communities in Iran, continued to develop under Islamic rulers.
Women in Somalia form a key part of Somali society, with clearly defined and important roles in the family and structure. This includes Somali women in Somaliland, a self-declared republic that is internationally recognized as an autonomous region of Somalia. From the time of Ismail Urwayni's proselytizing in 1890, until the Dervish State's defeat by British air bombardment in 1920, women in the strip of land from Jidali, Sanaag in the north, to Beledweyne in the south were referred to as Darawiishaad (plural) or Darwiishad (singular).
The literature of Djibouti has a longstanding poetic tradition. Several well-developed Somali forms of verse include the gabay, jiifto, geeraar, wiglo, buraanbur, beercade, afarey and guuraw. The gabay has the most complex length and meter, often exceeding 100 lines. It is considered the mark of poetic attainment when a young poet is able to compose such verse, and is considered the height of poetry. Groups of memorizers and reciters (hafidayaal) traditionally propagated the well-developed art form. Poems revolve around several main themes, including baroorodiiq (elegy), amaan (praise), jacayl (romance), guhaadin (diatribe), digasho (gloating) and guubaabo (guidance). The baroorodiiq is composed to commemorate the death of a prominent poet or figure. The Afar are familiar with the ginnili, a kind of warrior-poet and diviner, and have a rich oral tradition of folk stories. They also have an extensive repertoire of battle songs.
The Timurid Renaissance was a historical period in Asian and Islamic history spanning the late 14th, the 15th, and the early 16th centuries. Following the gradual downturn of the Islamic Golden Age, the Timurid Empire, based in Central Asia ruled by the Timurid dynasty, witnessed the revival of arts and sciences. Its movement spread across the Muslim world. The French word renaissance means "rebirth", and defines a period as one of cultural revival. The use of the term for the description of this period has raised reservations among scholars, some of whom see it as a swan song of Timurid culture.
As the first established caliphate, following the Islamic Conquest beginning in 622 AD, the Umayyads captured and occupied the former Byzantine and Sasanian Empires, from Mesopotamia to the Iberian Peninsula until 750 AD. This initial period was catalysed after the death of Muhammad, and marked the formative years of Islamic art.
