Part of a series on the |
Culture of Turkey |
---|
Languages |
Mythology and folklore |
Cuisine |
Religion |
Art |
Literature |
Turkish theatre refers to theater activities in Turkey. Turkey has four "major theatrical traditions": "folk theatre, popular theatre, court theater, and Western theater." Turkish folk theatre goes back thousands of years and has survived among rural communities. Popular theatre includes plays by live actors, puppet and shadow plays, and storytelling performances. An example for shadow play is Karagöz and Hacivat . Court theatre was the refined version of popular theatre. Beginning in the 19th century, Western theatre tradition started appearing in Turkey with the foundation of the Arevelian Tatron. Following the establishment of Turkish Republic, a state conservatory and the State Theatre Company were formed. [1]
The performing arts are arts such as music, dance, and drama which are performed for an audience. They are different from the visual arts, which involve the use of paint, canvas or various materials to create physical or static art objects. Performing arts include a range of disciplines which are performed in front of a live audience, including theatre, music, and dance.
Puppetry is a form of theatre or performance that involves the manipulation of puppets – inanimate objects, often resembling some type of human or animal figure, that are animated or manipulated by a human called a puppeteer. Such a performance is also known as a puppet production. The script for a puppet production is called a puppet play. Puppeteers use movements from hands and arms to control devices such as rods or strings to move the body, head, limbs, and in some cases the mouth and eyes of the puppet. The puppeteer sometimes speaks in the voice of the character of the puppet, while at other times they perform to a recorded soundtrack.
The roots of traditional music in Turkey span across centuries to a time when the Seljuk Turks migrated to Anatolia and Persia in the 11th century and contains elements of both Turkic and pre-Turkic influences. Much of its modern popular music can trace its roots to the emergence in the early 1930s drive for Westernization.
Kanto is a popular genre of Turkish music.
Traditional Vietnamese music encompasses a large umbrella of Vietnamese music from antiquity to present times, and can also encompass multiple groups, such as those from Vietnam's ethnic minority tribes.
The music of Armenia has its origins in the Armenian highlands, dating back to the 3rd millennium BCE, and is a long-standing musical tradition that encompasses diverse secular and religious, or sacred, music. Folk music was notably collected and transcribed by Komitas Vardapet, a prominent composer and musicologist, in the late nineteenth and early twentieth centuries, who is also considered the founder of the modern Armenian national school of music. Armenian music has been presented internationally by numerous artists, such as composers Aram Khachaturian, Alexander Arutiunian, Arno Babajanian, Haig Gudenian, and Karen Kavaleryan as well as by traditional performers such as duduk player Djivan Gasparyan.
The United States of America is the home of the hip hop dance, swing, tap dance and its derivative Rock and Roll, and modern square dance and one of the major centers for modern dance. There is a variety of social dance and performance or concert dance forms with also a range of traditions of Native American dances.
Karagiozis or Karaghiozis is a shadow puppet and fictional character of Greek folklore. He is the main character of the tales narrated in the Greek shadow-puppet theatre.
Shadow play, also known as shadow puppetry, is an ancient form of storytelling and entertainment which uses flat articulated cut-out figures which are held between a source of light and a translucent screen or scrim. The cut-out shapes of the puppets sometimes include translucent color or other types of detailing. Various effects can be achieved by moving both the puppets and the light source. A skilled puppeteer can make the figures appear to walk, dance, fight, nod and laugh.
Dance in Cambodia consists of three main categories: classical dance of the royal court, folk dance which portrays cultural traditions, and social dances performed in social gatherings.
Theatre of China has a long and complex history. Traditional Chinese theatre, generally in the form of Chinese opera, is musical in nature. Chinese theatre can trace its origin back a few millennia to ancient China, but the Chinese opera started to develop in the 12th century. Western forms like the spoken drama, western-style opera, and ballet did not arrive in China until the 20th century.
Belarusian culture is the product of a millennium of development under the impact of a number of diverse factors. These include the physical environment; the ethnographic background of Belarusians ; the paganism of the early settlers and their hosts; Eastern Orthodox Christianity as a link to the Byzantine literary and cultural traditions; the country's lack of natural borders; the flow of rivers toward both the Black Sea and the Baltic Sea; and the variety of religions in the region.
The culture of West Bengal is an Indian culture which has its roots in Bengali literature, music, fine arts, drama and cinema. Different geographic regions of West Bengal have subtle as well as more pronounced variations between each other, with Darjeeling Himalayan hill region and Duars showing particularly different socio-cultural aspects.
Karagöz and Hacivat are the lead characters of the traditional Turkish shadow play, popularized during the Ottoman period and then spread to most nation states of the Ottoman Empire. It is most prominent in Turkey, Syria, Egypt, Greece, Bosnia and Herzegovina and Adjara. In Greece, Karagöz is known by his local name Karagiozis; in Bosnia and Herzegovina, he is known by his local name Karađoz.
The history of theatre charts the development of theatre over the past 2,500 years. While performative elements are present in every society, it is customary to acknowledge a distinction between theatre as an art form and entertainment, and theatrical or performative elements in other activities. The history of theatre is primarily concerned with the origin and subsequent development of the theatre as an autonomous activity. Since classical Athens in the 5th century BC, vibrant traditions of theatre have flourished in cultures across the world.
The Armenian Theater dates to before Roman times and is one of the oldest Eurasian theatrical traditions. Alongside Greek and Roman theatres, it stands as one of the world's most ancient theatres. The ancient and beloved form of theatrical art is lyrical (profound) drama, which exerted its influence on the folklore of the Near East, Balkan, and Apennine peoples. Within this cultural context, Armenian folk and mystical drama, characterized by its dance elements, also took shape. Although the ancient theatre system hasn't been preserved, it has left its linguistic marks.
Turkish folk literature is an oral tradition deeply rooted, in its form, in Anatolian traditions. However, in its themes, Turkish folk literature reflects the problems peculiar to a settling people who have abandoned the nomadic lifestyle. One example of this is the series of folktales surrounding the figure of Keloğlan, a young boy beset with the difficulties of finding a wife, helping his mother to keep the family house intact, and dealing with the problems caused by his neighbors. Another example is the rather mysterious figure of Nasreddin, a trickster figure who often plays jokes, of a sort, on his neighbors.
The culture of Northern Cyprus is the pattern of human activity and symbolism associated with Northern Cyprus and Turkish Cypriots. It features significant elements influenced by or developed upon the culture of Turkey, but combines these elements with a unique Cypriot approach and local traditions, as well as several other influences, such as the British and contemporary western cultures.
Koreans have held performances for others since antiquity. The character of these performances has changed over time.
Indonesian theatre is a type of art in the form of drama performances that are staged on a stage, with a distinct Indonesian nuance or background. In general, theatre is an art that emphasizes the performing arts that are displayed in front of a large crowd. In other words, theater is a form of visualisation of a drama that is staged on the stage and watched by the audience. Indonesian theatre includes the performing arts of traditional theater and modern theatre located in the territory of Indonesia. Some examples of Indonesian theater are Arja, Wayang, Wayang wong, Lenong, Ludruk, Janger, Randai and others. Theatre in Indonesia can also be referred to as regional or ethnic theatre, because it originates and develops from 1,300 ethnic cultures in Indonesia.