"With God on Our Side" | |
---|---|
Song by Bob Dylan | |
from the album The Times They Are a-Changin' | |
Released | January 13, 1964 |
Recorded | August 7, 1963 |
Genre | Folk |
Length | 7:08 |
Label | Columbia |
Songwriter(s) | Bob Dylan |
Producer(s) | Tom Wilson |
"With God on Our Side" is a song by Bob Dylan, released as the third track on his 1964 album The Times They Are A-Changin' . Dylan first performed the song during his debut at The Town Hall in New York City on April 12, 1963. [1]
The lyrics address the tendency of Americans (or many societies) to believe that God will invariably side with them and oppose those with whom they disagree, thus leaving unquestioned the morality of wars fought and atrocities committed by their country. Dylan mentions several historical events, including the slaughter of Native Americans in the nineteenth century, the Spanish–American War, the American Civil War, World Wars I and II, The Holocaust, the Cold War and the betrayal of Jesus Christ by Judas Iscariot. [2]
Dylan added an additional verse, written by Aaron Neville, about the Vietnam War for live versions in the 1980s (which was recorded by The Neville Brothers) that ran thus:
In the nineteen-sixties came the Vietnam War / Can somebody tell me what we're fightin' for?
So many young men died / So many mothers cried
Now I ask the question / Was God on our side? [3]
The words from the song "whether Judas Iscariot had God on his side" inspired Tim Rice to write the lyrics of Jesus Christ Superstar from Judas's perspective. [4]
The melody of "With God on Our Side" is essentially identical to the traditional Irish folk song "The Merry Month of May", which was also used by Dominic Behan in his song "The Patriot Game". The opening verse is also similar to the second verse of Behan's song, in which the narrator gives his name and age. Behan criticized Dylan publicly by claiming the melody as an original composition. [5] Behan took the view that the provenance of Dylan's entire body of work must be questioned. Behan exercised the same folk tradition as Dylan in writing the song, having himself borrowed the melody. [6]
In a 1984 interview with David Barsamian, Anthony B. Herbert reported that while serving in the U.S. Army during the Vietnam War, he was asked by a general to stop playing a record containing Joan Baez's version of "With God on Our Side," with the general describing Baez as "anti-military". [7]
Dylan and Joan Baez performed the song as a duet at the Newport Folk Festival in July 1963 and July 1964, and their July 27, 1963 performance was released on Newport Broadside: Topical Songs at the Newport Folk Festival 1963 (Vanguard VSD-79144). The liner notes mention Dominic Behan's "Patriot Game", pointing out that Behan had borrowed the melody from the traditional "The Merry Month of May". Another live recording of Dylan and Baez performing "With God on Our Side", recorded on October 31, 1964, can be found on the album The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall , released in 2004. [8]
A rare post-1960s performance of the song, recorded on November 4, 1975, with extra lyrics, was included on the bonus disc in the box set The Rolling Thunder Revue: The 1975 Live Recordings (2019). [9] Conversely, Dylan's performance of the song on the album Bob Dylan Unplugged , released in 1995, significantly omits verses about the Germans and the Holocaust, and the Russians and the Cold War. [10]
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)"Blowin' in the Wind" is a song written by Bob Dylan in 1962. It was released as a single and included on his album The Freewheelin' Bob Dylan in 1963. It has been described as a protest song and poses a series of rhetorical questions about peace, war, and freedom. The refrain "The answer, my friend, is blowin' in the wind" has been described as "impenetrably ambiguous: either the answer is so obvious it is right in your face, or the answer is as intangible as the wind".
The Times They Are a-Changin' is the third studio album by the American singer-songwriter Bob Dylan. It was released on February 10, 1964, through Columbia Records. Whereas his previous albums, Bob Dylan and The Freewheelin' Bob Dylan, combined original material and cover songs, this was the first to feature only original compositions. The album consists mostly of stark, sparsely arranged ballads concerning issues such as racism, poverty, and social change. The title track is one of Dylan's most famous; many feel that it captures the spirit of social and political upheaval that characterized the 1960s.
"It Ain't Me Babe" is a song by Bob Dylan that originally appeared on his fourth album Another Side of Bob Dylan, which was released in 1964 by Columbia Records. According to music critic Oliver Trager, this song, along with others on the album, marked a departure for Dylan as he began to explore the possibilities of language and deeper levels of the human experience. Within a year of its release, the song was picked up as a single by folk rock act the Turtles and country artist Johnny Cash. Jan & Dean also covered the track on their Folk 'n Roll LP in 1965.
"The Patriot Game" is an Irish ballad with lyrics by Dominic Behan and a melody from the traditional tune "One Morning in May", first released in 1958.
No Direction Home: Bob Dylan is a 2005 documentary film by Martin Scorsese that traces the life of Bob Dylan, and his impact on 20th-century American popular music and culture. The film focuses on the period between Dylan's arrival in New York in January 1961 and his "retirement" from touring following his motorcycle accident in July 1966. This period encapsulates Dylan's rise to fame as a folk singer and songwriter where he became the center of a cultural and musical upheaval, and continues through the electric controversy surrounding his move to a rock style of music.
Dominic Behan was an Irish writer, songwriter and singer from Dublin who wrote in Irish and English. He was a socialist and an Irish republican. Born into the literary Behan family, he was one of the most influential Irish songwriters of the 20th century.
"Man of Constant Sorrow" is a traditional American folk song first published by Dick Burnett, a partially blind fiddler from Kentucky. It was titled "Farewell Song" in a songbook by Burnett dated to around 1913. A version recorded by Emry Arthur in 1928 gave the song its current titles.
"Masters of War" is a song by Bob Dylan, written over the winter of 1962–63 and released on the album The Freewheelin' Bob Dylan in the spring of 1963. The song's melody was adapted from the traditional "Nottamun Town." Dylan's lyrics are a protest against the Cold War nuclear arms build-up of the early 1960s.
"Maggie's Farm" is a song written by Bob Dylan, recorded on January 15, 1965, and released on the album Bringing It All Back Home on March 22 of that year. Like many other Dylan songs of the 1965–66 period, "Maggie's Farm" is based on electric blues. It was released as a single in the United Kingdom on June 4, 1965, and peaked at No. 22 on the chart. Dylan only needed one take to record the song, as may be heard on the exhaustive 18-disc Collector's Edition of The Bootleg Series Vol. 12: The Cutting Edge 1965–1966, which includes every alternate take recorded during Dylan's 1965–1966 sessions but only the one version of "Maggie's Farm".
"Diamonds & Rust" is a song written, composed, and performed by Joan Baez. It was written in November 1974 and released in 1975.
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"North Country Blues" is a song by Bob Dylan, released on his third studio album The Times They Are a-Changin' in 1964. He also performed it at the 1963 Newport Folk Festival.
By 1965, Bob Dylan was the leading songwriter of the American folk music revival. The response to his albums The Freewheelin' Bob Dylan and The Times They Are a-Changin' led the media to label him the "spokesman of a generation".
"Love Minus Zero/No Limit" is a song written by Bob Dylan for his fifth studio album Bringing It All Back Home, released in 1965. Its main musical hook is a series of three descending chords, while its lyrics articulate Dylan's feelings for his lover, and have been interpreted as describing how she brings a needed zen-like calm to his chaotic world. The song uses surreal imagery, which some authors and critics have suggested recalls Edgar Allan Poe's "The Raven" and the biblical Book of Daniel. Critics have also remarked that the style of the lyrics is reminiscent of William Blake's poem "The Sick Rose".
"One Too Many Mornings" is a song by Bob Dylan, released on his third studio album The Times They Are a-Changin' in 1964. The chords and vocal melody are in some places very similar to the song "The Times They Are A-Changin'". "One Too Many Mornings" is in the key of C Major and is fingerpicked.
"When the Ship Comes In" is a folk music song by Bob Dylan, released on his third album, The Times They Are a-Changin', in 1964.
"Restless Farewell" is a song by Bob Dylan, released as the final track on his third studio album The Times They Are a-Changin' in 1964. The melody is based on the Scottish folk song "The Parting Glass".
"Political World" is an uptempo folk rock song written and recorded by American singer-songwriter Bob Dylan, released as the opening track on his 1989 album Oh Mercy and as a single in Europe in 1990. It was produced by Daniel Lanois.
"Everything is Broken" is an uptempo rock song written and recorded by American singer-songwriter Bob Dylan, and released as the first single from his 1989 album Oh Mercy, where it appears as the third track. It was later anthologized on the compilation albums The Essential Bob Dylan in 2000 and Dylan in 2007. The song spent eight weeks on Billboard's "Mainstream Rock Songs" chart, peaking at number eight on October 27, 1989. It was produced by Daniel Lanois.
"Lay Down Your Weary Tune" is a song written by Bob Dylan in 1963. Dylan originally recorded it for his album The Times They Are a-Changin', but his version of the song was not officially released until 1985 on the Biograph box set. In the album liner notes, Dylan claims that in the song he was trying to capture the feeling of a Scottish ballad he had just heard on a 78 rpm record. The specific ballad Dylan was referring to has not been identified, but speculation includes "The Water Is Wide", "O Waly, Waly" and "I Wish, I Wish".